So many people still do not understand what 12000 ISO means in terms of production costs and lighting. Well done Sony for always giving us the best sensors.
This was scanned to film so, it was shot on film. This is the same process used on The Batman shot by Greig Fraser. You can learn more about the process, here: sonycine.com/new-ways-to-get-the-old-look/
It does looks a bit nosiy, why not use high ISO film stock? Or Alexa mini plus Dehancer? I mean, High ISO is budget friendly and Sony does it well, but they had no budget concerns in that matter. Toughts?
He mentions that he wanted the dynamic range of digital and being able to get 8 stops at low light, which allowed Timothee to move around the set. You can learn more about the process, here: sonycine.com/new-ways-to-get-the-old-look/
So many people still do not understand what 12000 ISO means in terms of production costs and lighting. Well done Sony for always giving us the best sensors.
Agree! Phedon talked about this in his Q & As.
Curious to know the glass he shot with?
They are custom anamorphic lenses from Panavision and the great Dan Sasaki. I believe they are similar to the ones he used on Ford v Ferrari
@@sonycine Awesome, thank you. Amazing glass!
6K or 8K sensor?
I think they should have shot on film to capture the essence of the period.
This was scanned to film so, it was shot on film. This is the same process used on The Batman shot by Greig Fraser. You can learn more about the process, here: sonycine.com/new-ways-to-get-the-old-look/
There was no way to shoot at that light level on celluloid lol. 12,800 ASA!
@@DollyRanch I realize that it would have required a different lighting approach.
It does looks a bit nosiy, why not use high ISO film stock? Or Alexa mini plus Dehancer? I mean, High ISO is budget friendly and Sony does it well, but they had no budget concerns in that matter. Toughts?
He mentions that he wanted the dynamic range of digital and being able to get 8 stops at low light, which allowed Timothee to move around the set. You can learn more about the process, here: sonycine.com/new-ways-to-get-the-old-look/