저 손으로 음악을 조각해나가는걸 영화 한편처럼 보여주는 공연... 몰입의 극치는 우리에게 무엇을 경험하게 해주는지, 연주를 할 수 없는 관객이라도 함께 공감하고 그 느낌을 공유하게 만들어주는 연주다. 기술면에서도 너무 탁월하고.. 소리가 가지고 있는 시간의 흐름을 서라운드 형태로 끌어내는 것 같다. 피아노를 잘 치는 연주자들은 많이 봤지만, 피아노가 가진 스트링 한 음, 한 음으로 곡 전체를 느끼게 해주는데 이게 또 오케스트라랑 대화하는 듯한 연주는 이게 처음인듯 청각을 통해 공간지각을 경험하게 해주는 느낌이야.... 너무 멋지네
이게 얼마나 대단한 연주인지는 말할 필요도 없고.... 나 이거 2년째 거의 매일 듣는데 질리지 않고 갈수록 새롭게 들리는 음들이 있다는게 정말 난 더 대단하다고 느껴진다. 그리고 가끔씩 여기 다시 들어와서 댓글들 찬찬히 읽어보면 사람들마다 어디가 좋고 어디가 감명 깊은지 다들 달라서 읽는 재미도 있고 댓글이 꼽은 곳 다시 듣는 재미도 있음. 적어도 5년 뒤에 돈 좀 벌고 여건이 맞으면 임윤찬 피아니스트 연주 보러 다니는 삶도 나름 괜찮겠단 생각을 하곤 함... 오늘도 듣다가 너무 좋아서 댓글 달아봄.
@@sergei-prokofiev Yes, it really wasn’t. Yunchan Lim 임윤찬 didn’t even want to appear in a “competition” and his teacher Minsoo Sohn 손민수 convinced him by saying “Don’t treat it as a competition. Treat it as a performance.” (That was in a _NYT_ article.)
This performance of the Rach3 just blew me away when it was broadcast during the festival. I've listened to most of Rachmaninov's music since I was learning some of it as a boy in the 1940s. At age 12, I made a decision. I was a terrible pianist, but then became a dedicated and fascinted listener. Yunchan has amazed me and I continue to be amazed. From Artur Schnabel to Yunchan Lim and all the other contributors to a life of enjoying great pianists - thank you. And finally just a shout-out to the audio balance engineer at the Van Cliburn Festival, congratulations on an exceptional piano sound, perfect balance between Orchestra and Piano and the capturing of a totally believable audience reacion that fitted the performance.
"스테이지 위에서 울어본 적이 언제였는지 기억도 나지 않는다. 임윤찬의 예술성에 감동했다. 윤찬은 어린 나이임에도 불구하고 이미 성숙한 영혼을 가지고 있고, 완벽한 테크닉과 함께 경탄스러울 만큼 놀라운 재능을 가지고 있다. 헤아리기도 어려울 만큼 깊이 있는 내면의 음악을 가진 것에 대해 칭찬하고 싶다." (마린 알솝) “윤찬과의 라흐 3 공연 때는 내가 이전에 그 어떤 공연에서도 느껴보지 못한 엄청난 에너지의 기운이 감돌았다. 심사위원 바부제가 "고귀함"이라는 단어를 사용한 것이 좋았다. 그 모든 불꽃과 로켓을 단 듯한 빠른 템포에도 불구하고, 오케스트라는 알았다. 그것은 그에 관한 것도 아니고, 우리에 관한 것도 아니라는 것을. 그것은 음악에 대한 헌정이었다. 역사적인!” (포트워스 오케스트라 단원) ““보통 사람의 인내심에는 한계가 있고, 어떤 악절을 연습하다 보면 이만 하면 되겠지 안도하려는 본능이 있는데, 윤찬이는 가장 높은 기준을 향해 절대 만족하지 않는다. 윤찬의 연주를 보면 때론 작곡가와 가장 사적인 공간에서 둘만이 이야기하고 있는 것 같다. 작곡가가 요구하고 이야기하고 싶어 하는 메시지를 담아내기 위해서 외길을 간다. 이번 콩쿠르 기간에도 윤찬이가 새벽까지 연습을 거듭한 뒤 궁금증이 남으면 문자로 보내는 일이 다반사였다.” (손민수 교수) “라흐마니노프 3번은, 초등학교 3학년 때 처음 듣고 너무 충격을 받고 평생 좋아한 곡이기 때문에.. 제가 피아노를 칠 수 있게 해 준 존경하는 모든 예술가들에게 바친다는 마음으로 연주했다. 그리고 매 경연마다 작곡가들이 남긴 위대한 유산을 잘 전달하는 데만 신경을 썼다. 결선 반주를 지휘한 마린 알솝은 가장 존경받는 지휘자 중 한 분이고, 내가 특별히 뭘 하지 않아도 알아서 잘 맞춰주셨다. 세상에서 가장 열정 적인 콩쿠르 관객의 뜨거운 응원이 큰 도움이 됐다. 그리고 제가 먼저 오케스트라 단원분들에게 마음을 여니까 오케스트라 단원분들이 저에게 맞춰주셔서 더 음악에 빠져서 연주를 할 수 있었다.” (임윤찬) : 남들이 쉽게 가는 길 말고, 아무도 가지 않은 어려운 길을 가는 사람이 되고 싶다는 아름다운 피아니스트 임윤찬! 그의 위대한 스승 손민수 교수님과 반 클라이번, 마린 알솝, 오케스트라, 호스트 패밀리분들께 진심으로 깊이 감사드립니다. 모두의 음악적 헌신과 노력으로 탄생한 이 멋진 영상을 매일 들을 수 있어 행복합니다. ‘임윤찬의 라흐마니노프 3번’ 영상은 앞으로도 오랫동안 수많은 사람들에게 깊은 감명과 영감을 줄 것입니다.
With all due respect I believe Bronfman’s interpretation is far better and played with much better accentuation and timing. This interpretation to me sounded very disjointed at parts and rushed at others. Look, this piece is probably in the top three hardest musical works for a pianist to play. So definitely my hats off to this gentleman.
Yesterday, I had the opportunity of enjoying live his performance on Chopin's 2nd with the Royal Philarmonic Orchestra here in Athens and I' m still mesmerized by his sound and musicality. Such a rare talent!
Since Vladimir Horowitz passed away in 1989, I have been waiting for “the new Horowitz”. Listening to Yunchan Lim makes me think this day has finally come.
A recent interview with Yunchan Lim -September 15, 2022 (whenever I write the link, it's being deleted immediately. So I copied the whole thing) There are few comparables for what transpired this past June in Fort Worth, Texas. Music lovers around the world watched in bewilderment as an 18-year-old South Korean pianist set new competition standards, first ripping through Liszt’s Transcendental Etudes, then moving listeners to tears in Rachmaninoff’s Piano Concerto in D minor (Op. 30). Below is the transcript of our September 2022 e-mail exchange with the phenomenal pianist, Yun-chan Lim. EH: At what age did you realize that your musical gifts were perhaps a bit unusual ? Lim: I never thought I had musical talent in my life. I started playing the piano at the age of seven, and I'm just a person who loves music so much that I'm trying to make great music. EH: Do you believe you played your very best at the Van Cliburn ? Is there much more you could have done in, say, the Transcendental Etudes or the Rachmaninoff Third ? Lim: I don't think I was in my best condition at the Cliburn competition. I entered the stage thinking about Carl Sagan's pale blue dot, but I couldn't help being nervous and couldn't show 100% of me. I had to create more universes and there was a possibility, but it didn't come out easily. EH: The world would love to know your thoughts on the Rachmaninoff Third Piano Concerto. Whose recording inspired you to play it so magnificently ? Is Rachmaninoff a composer who speaks to you on a personal level ? Lim: Rachmaninoff is like Bach. All the voices are singing their own beautiful songs, and they're developed in a really detailed relationship to create highlights. It's one of the most important factors in Rachmaninoff. I've rarely listened to any other playing than Horowitz and Rachmaninoff. I decided that it's right to listen to the most basic recordings. EH: On the other hand, is there are composer whose works you cannot fall in love with - or a period of music - that simply does not speak to you ? Lim: My teacher said, "The composer is not at fault, the performer is always the problem." EH: Stephen Hough, Daniil Trifonov, and Marc-Andre Hamelin are a few of today’s pianists who perform and also compose. Do you spend any time composing ? Is it necessary for a great performer to compose ? Lim: Every pianist has to compose. I learned music (composition) at school for two years from Min Jae-jeon, a 2009 winner at the Queen Elizabeth competition, composition category. He told me that a pianist should compose and play his own music. If I can do that, I'll do that. EH: After the competition, you told the world, “I made up my mind that I will live my life only for the sake of music, and I decided that I will give up everything for music”. What a beautiful sentiment. What are some of the more meaningful musical moments - recordings, live performances, or personal music-making - that have led you to this decision ? Lim: I think the most beautiful moment to taste music is when a musician practices in the practice room. The artist's practice room is a space that creates various universes, and you can see the frustration and joy of making great music through many attempts. This process was not only for my teacher, but also by pianists like Schnabel and Sofronitsky. EH: One of the more famous prodigies in America, George Li, told me he was practicing 3-5 hours a day by age 8; as many as 6 hours by age 9; and by his teens, he was doing eight hours whenever possible. How much practicing did you do growing up ? Are you a compulsive practicer, or do you need to be pushed with lessons, concerts, deadlines, etc ? Lim: George Li is one of the musicians I respect most, and I have always admired him for learning from my teachers, Russell Sherman and Wha Kyung Byun. I practiced for 4 to 5 hours when I was young, but I practiced for 8 hours since I was 12 years old, and now I do it all day. It could be pressure for the concert. Because there is pressure not to disappoint people who pay to see it. EH: People have noticed a breath of freshness, a certain unbridled freedom you attack pieces with. Do you take chances when you are on stage ? Lim: I think every pianist can improvise. In fact, Horowitz and Rachmaninoff admired Art Tatum, and the Hungarian musician, Liszt, was also a master of improvisation. If you just do what you've practiced, it causes tension and you lose many possibilities on stage. EH: What is your relationship with the audience ? Do you deal with stage fright, or, are you like Arthur Rubinstein, who needed an audience in order to give his very best impression of the music ? Lim: Music was born to communicate. I want to share my ideas with the audience and ask them for their opinions, and this is probably one of the most beautiful things in the world. EH: You are quickly becoming one of the most talked about musicians in the field. What is one thing listeners probably don’t know about you that you would like for them to know ? Lim: Not really, because I'm just a person who makes music, and I'm not much of a person at all. EH: You are currently working with Professor Minsoo Sohn at the Korea National University of Arts. What are some of the most helpful ideas he has imparted upon you ? Will you stay with Professor Sohn, or do you have plans to study with others in the future ? Lim: I can't tell you my future plan, because I don't know if I'll die tomorrow or seven days later. My teacher’s musical ideas surprise me every time, and Sohn always comes up with new ideas. Sohn values interpretations that people can understand. All ideas are based on good evidence, and my teacher says it's important to bring out the songs deep in my heart into the real world, not to play them like the trends that others play. EH: Which pianists - dead or alive - mean the most to you ? Lim: There are so many artists in my mind, but Stanislav Neuhaus, Cortot, Schnabel, Horowitz, Rachmaninoff, Yudina, Josef Lhevinne, etc. are most inspiring to me. EH: It is the responsibility of the performer to be faithful to the score. Is it possible for a great performer to surpass the vision of the composer ? (I’m thinking of those like Horowitz and Gould, here) Lim: In fact, no one knows what a composer wanted. Even the composer himself might have something he wants to fix if he were to come back to life. Every musician should be able to sing his or her own song in a given score. If you look at Horowitz's performances, he adds notes that are not in the score, or sings in a completely different phrase, but it doesn't matter because it persuades many artists. EH: Because everybody struggles with something - which Chopin or Liszt Etude is the most difficult for your hand ? Lim: I've played all 24 of Chopin's Etudes and op. 25 a lot, but I haven’t played the whole op. 10 on-stage yet. But what I feel is that the Chopin Etude, which has to express characters and the universe for each song, is more difficult. EH: Your upcoming program in California includes the astonishing Liszt ‘Dante’ sonata. You said you almost memorized Dante’s book from cover to cover. How long does it take you to learn and memorize a piece like the Rachmaninoff Third Piano Concerto ? Lim: I played the Dante sonata in 2020 and read so many times the great man Dante. Maybe not now, but at the time, I remembered enough to say the words of the book without looking at it, and I think it really meant that I was inspired by Dante. It depends on the piece, but in Rachmaninoff's case, it took seven days for each movement to memorize it. EH: Korean-pop culture has recently turned into a global phenomenon. Do you listen to pop music yourself ? Are you proud of the growing international success of your country ? Lim: I'm very proud of the international success of the music, but at the same time, I haven’t listened to a single thing yet. EH: There are some who hold the belief that a pianist from country X cannot truly understand the culture of a composer from country Y ? What are your thoughts on this matter ? Lim: Only the stupidest people in the world would have that idea. A great pianist from Japan can understand Rachmaninoff 100%, and a great pianist from India can understand Beethoven. Because this is music. If you try hard enough, you can understand everything about the composer. This is a matter of individual, not race and nationality EH: Is there anything about the state of music right now - bad programs, musical ignorance, the way performers sound, lack of inspiration, etc. - that you would like to change ? Lim: I do feel that the world is changing one dimensionally. I think there are a lot of people who swear when new things come out, because they live in a one-dimensional world, they don't get 12 dimensions of inspiration. Artists have to try new things every time and think constantly. EH: Thank you for taking the time, Yun-chan. And all my very best to you. Lim: Thank you!
Fr, had us in the first half, but I completely agree. It’s astonishing how amazing he is, I plan on learning Rach 3 in about two years but nowhere in a million years could I reach his level of just pure music. He is the marvel of the century
I watched this as I was on my deck looking at the eclipse. Both were fascinating and extraordinary. However, YLim was the winner. I have watched again and again. Also, congratulations to the conductor and orchestra. Fabulous.
And Yunchan's Ossia. He played Rach 3 with the NYPhil at the Lincoln Center last year in May and he played the Ossia with his personal added touch. Such an incredible rendition, so fresh and new. Yunchan is quite known to improvise with his personal touch.
@@jimmorrison4ever529 That ranks as one of the dumbest posts I have ever read on the internet. Have you stumbled into this thread by mistake? Maybe try the Sleepy Go Bye Bye videos. By your logic, music is simply a series of lines, spaces, dots and dashes. You've left out the competence of the musician...do you seriously believe that anyone who can play Rachmaninoff's dots and dashes can win the Cliburn Competition?? Horowitz was simply, average?? 😆😆😆
@@Jack-hy1zq I attended two music conservatories on scholarship and have been playing the piano for over three decades. You missed my point entirely and I can tell you've never learned this piece and are merely just music listener. Like a fool, you took what I said and went on an abusive hot-headed rampage. I sympathize for those around you having to listen to your level of entitlement and bizarre verbal abuse. Try reading your comment to me - that, my friend, would be the dumbest thing you've ever read on the Internet. It certainly was for me.
@@jimmorrison4ever529 "It really doesn't matter who is playing". That line would never be written by someone who had attended a conservatoire and played the piano for decades. I do not believe you.
I listened to it every day with the volume turned up, but my mom told me to turn the volume down, so now I'm listening to it with the volume turned up to the highest with my door closed while she sleeps. It's so good that my heart swells every time I listen to it❤
At 72 I am doing the exact same thing. I have listened to many many operas, symphonies, orchestras, individual musicians but I have never been so entranced as by YCL. You know what I mean, I am sure. ❤
What makes this performance very special is that it is not a concert nor a recording, but a contest. It was literally a performance that you can only see once in your life. A huge thank you to the Van Cliburn Competition for allowing me to hear these performances.
ALSOP IS A HACK, THE WINDS SOUND AWFUL, CLUSTERS OF NOTES, IN THE BRASS, I FEEL SORRY FOR THE GREAT PIANO TALENT PLAYING, NOT TO MENTION HOW THE ORCHESTRA LAGS, HOW DID SHE GET THAT GIG? OPUS 3 IS HOW
@@peterrobles3910 cut the orchestra some slack. this was the last performance of a grueling schedule where they played this concerto along with others many times. Everyone in that orchestra was pretty fatigued by the time this performance happened.
올해 오십세가 됐습니다. 부끄럽게도...단한번도 클래식 연주를 끝까지 들어본적이 없었지요. 그냥 저세계는 그들만의 리그라고 생각하면서 평생을 보내온거 같습니다. 만약 우연히 앰빅뉴스에 뜬 짧은 뉴스 영상을 보지 않았다면 아마 죽을때까지 클래식은 그런 영역였을겁니다. 그런 제가 일년간 임윤찬의 연주를 또 다른 피아니스트들의 연주를 듣고 있네요. 근데 그냥 임윤찬은 저에게 영원한 넘버원이 아닐까 생각합니다. 이런 만남을 주신 운명의 신께 감사를 올립니다.
볼 때마다 느끼는 거지만 참 예술적이다 라는 말이 절로 나오네요. 다른 사람의 라흐3 공연을 보면 기계적이다 라는 생각이 제일 먼저 떠오르는데 이 공연에선 기교가 하나도 안보여요. 피아니스트는 마치 노래 하는 것 같이 들려요. 호흡이 너무 자연스럽고 전체 곡이 마치 하나의 스토리 같이 느껴지고 라흐마니노프의 자서전을 시청하고 있는 상상을 하게 만듭니다. 그리고 진정한 콘체르토가 무엇임을 알게 해줍니다. 알솝 지휘자와 임윤찬 피아니스트의 호흡이 찰떡궁합. 또 피아노가 오케스트라의 하나의 악기에 불과함을 느끼게 됩니다. 협주곡에서 피아니스트의 음악에 대한 자기 희생이 무엇임을 보여 줍니다. 이기심을 버리고 음악 그 자체에 헌신하는 피아니스트와 그에 호응하는 오케스트라와 그 지휘자까지 모든 것이 거의 완벽한 혼연일체된 공연. 지휘자 알솝의 멋진 카리스마와 배려심. 그로인해 더 돋보이는 임윤찬 피아니스트의 신들린듯한 연주. 매일 저녁 퇴근하고 들어와서 최소 두 번은 시청하게 되네요. 아, 라흐2를 다시 들었는데 마치 라흐3과 라흐2는 서로 이어지는 이야기가 아닐까라는 생각을 하게 됐어요. 그리고 이 곡을 매일 들었더니 마치 20세기를 대표하는 곡이 아닐까하는 생각도 들었어요. 특히 마지막 3분간의 대단원의 막은 전형적인 20세기 초반의 격동적인 세계를 대변한다는 상상을 불러 일으켜요. 이런 생각과 감상이 나만의 생각일까요? 여러분은 어떻게 생각하세요?
제가 머릿속으로만 한 생각을 정말 멋진 글로 표현해주셨네요!! 맞아요. 경연장에서 이런 퀄리티의 공연이 나올 줄이야!!♡ 40분이 순삭되는 느낌 저만 느끼는 게 아니군요. 라흐3을 임윤찬의 연주로 처음 접한 저는 행운아라는 생각이 드네요.(다른 버전을 받아들이기 힘들다는 단점도 있네요^^;;) 오랜만에 이 새벽에 다시 듣는데 들을 때마다 벅차 오르네요. 언젠가 공연장에서 직접 보고 들을 수 있는 날이 올 거라 믿숩니다❤
She responds with so many looks of pleasure like “wow this was sooo exactly right in this moment of time” kind of looks that say a million things with a glance
I had tickets for this performance. I couldn't go because I and my family caught COVID! it was the absolute worst possible time to catch it. Gave my tickets away.
I saw his Bach performance after this magical performance. He's just... no words can explain. Anyway, I've heard that he's playing with the New York Philharmonic in NY next year. You should check it out.
The fact that the remastered version of this, posted 3 months after original, still managed to score over 1M views speaks to the staying power of this performance -- and how many people are still revisiting it.
I really love watching his hands. So gentle on the keys and his fingers are always curved the right way, never stiff or flying in the air. It's the mark of a very disciplined piano player. His playing is so neat, elegant and graceful. His style of playing and music are one coherent piece of beautiful art. There truly is a magnificent Creator God.
@@AlejandroPikoulasPlataКак профессиональный педагог , музыкант, пианистка Я В ЭТОМ НИСКОЛЬКО НЕ СОМНЕВАЮСЬ! Однако, он настолько совершенный , как пианист и Музыкант, что трудно представить, каким Путём поведёт его сама МУЗЫКА! Ведь в настоящее время Юнчен добился такого успеха и такого уровня мастерства, о котором многие могут ТОЛЬКО МЕЧТАТЬ! Уж не говоря о том обширном репертуаре, которым он владеет в совершенстве! ОСТАЁТСЯ ТОЛЬКО ПОЖЕЛАТЬ НАШЕМУ ЛЮБИМЦУ КРЕПКОГО ЗДОРОВЬЯ И МНОГО, МНОГО СЧАСТЬЯ! ОН ЭТОГО ДОСТОИН!
"out of orbit" 궤도 밖으로 나감으로써 자유로움을 찾은 피아니스트. 듣는 청중들까지도 손을 잡아 끌어.. 궤도 밖 어딘가에 있었을 세르게이라흐마니노프를 만나게 했군요.. 캄캄한 하늘에 새로운 획을 그리면서 가고 있는 윤찬림. 이탈했지만 자유롭고, 궤도로 돌아오지 못할지라도 청중들은 기꺼이 박수를 칠 것입니다. 자유롭게 , 새롭게. 당신 만의 궤적을 그리면서 가십시요.
Most endearing dialogue between the conductor and the soloist that I have ever experienced. Great respect to both artists together with the whole ensemble.❤
These two musicians are symbiotic. Magical. Wonder how his interpretation will change over the years. Thank you to The Cliburn and TH-cam. This is a treat beyond words.
Some of my favourite moments: 24:19 A bass note was smashed to within an inch of its life 28:48 Yunchan to orchestra: What's the deal guys, are we going with 3rd movement straight away or? *thumbs up* YES LETS GO! 38:13 More cowbell 40:45 Conductor leans on piano and nods: "Yes my boy, you got it"
경의와 찬사를 보냅니다. 임윤찬의 연주를 들으면서 많은 생각을 합니다. 음악의 본질, 삶의 본질, 마음의 지향성과 표현, 이에 대한 헌신, 결과물, 영향력... 에 이르기까지 매일 다르면서도 비슷한 생각을 합니다. 그리고 음악의 힘이 무서운 게 나로 하여금 지금 있는 이 자리에서 좀 더 의미있게, 성실하게, 본질을 묵상하며 살게 합니다. 대부분의 일과를 말이죠. 나이는 절로 드는 게 아니기에 이런 마음의 자극을 준 연주자로서가 아닌 '예술가'로서의 임윤찬, 그의 선생님 손민수, 마린 알솝, 이름모를 위대한 오케스트라단원들, 이 곡을 쓴 라흐마니노프의 모든 인생에 존경을 표합니다. 오늘도 잘 들었습니다.
From the VC magazine; The Friday night Final Round concert had just wrapped, and a group of us were walking down the street to the post-concert Patron Party at the City Club. Everybody was strung as tight as, well, as tight as a piano string. The signs were unmistakable: dilated pupils, nervous and excited chattering, an overwhelming sense of euphoria and rapture-we were all high on Rach 3, Yunchan Lim style. Everyone was talking over everyone else. I turned to former Cliburn Chairman Alann Sampson and wondered how a teenager could even understand that level of emotion, noting that he hasn’t had his heart broken enough to play like that. She just shook her head and said, “Otherworldly.” - Jeffrey B. King Chairman of the Board
@@tyrrelllox7392 The Ossia Candenza in David Geffen Hall was a transcendental experience. I still heard ticks in both performances. Looking forward to Vail
Marin Alsop has probably performed this piece dozens, if not hundreds, of times. Watch her wipe tears from her eyes at the end, acknowledging that this was something special. I wish he had chosen the longer cadenza, but I'm looking forward to replacing my current favorite of the Rach 3 with this remastered version. Thanks to the Cliburn for their help in bringing the competition and contestants to people, like me, who are unable to travel to the live event.
Yes Danny Goodman - you are quite right are you doing justice !Bravo for this! Some kind and warm words - so fair - about the great nort-american conductor Marin Alsop (born in NYC 65 years ago) being.director laureate of the Baltimore Symphony Orchestra and attending by God direction, the Cliburn Competition this year.And a most unique remarkable event happened She gently decided to adopt Yunchan as a spiritual her grandson Gently and determinated she conducts brilliant her musicians in an extraordinary way, resolute and tender faithful and full to the unique soul of Rach sonically enabling Yun's pianistic virtuosity to seamlessly merge into an anthological musical utterance that may never be repeated the same. That unique and splendid night Marin and Yun became the newest members of the sacred pantheon of the Immortals. With reverence,gratitude and identity, the young classical composer Yan Ayrton. Discover me also.Danny . I am a rare and gifted young classical composer.(Be prepared for a imense and rewarding all-jife surprise)
2022 is a good year to Marin Alsop: she performed Rachmanioff Concerto 3 with Yunchan Lim and is currently on a tour in Japan performing Chopin Concerto No. 1 with Hayato Sumino. Two exquisite and exceptional young talents. She wiped off tears during this performance with Lim; she has had big and happy smiles during her performance with Hayato Sumino. 😇🙏🏼👏👏👏💕💕
I agree. Marin Alsop - not much mention made but she is a great conductor because watches each soloist so closely. VC Foundation is to be applauded for making this event accessible to those who are unable to go to Fort Worth much less attend.
저도 솔직히 4개월 가까이 하루에 3번이상은 기본으로 들으니 100번은 더 들었을텐데도 어찌 늘 새롭고 경이로울까요? 너무 좋아서 '좋아요' 꾹~~~! 눌러놓은것이 없어질까봐 못 건들고 댓글 다신 분들 모두 또 '좋아요' 버튼마다 다 눌러드리고 한참을 벽타기하고 제자리로 올라왔네요 ^^ '좋아요' 누르신분들이 다 저와 같은 마음이었을듯요 마지막으로 치닿을때는 숨이 정말 멎을듯하고 소름까지 돋아서 팔을 감싸봅니다.
This lovely human bein brought the whole Univers at the level of piano notes, he is extraterestrial, I may put him next to God. Unbelivable, love you....
이 훌륭한 작품을 탄생시킨 라흐마니노프에게 누추한 내 집이라는 작은 공간에서 이 연주를 볼 수 있게 해준 유튜브에게 이 작품을 너무나 완벽하게 연주해준 임윤찬에게 감사한다.(많은 눈물을 흘 리게 하는 가슴이 웅장해지는 세상 완벽한 연주였고 내 머리와 가슴은 임윤 찬의 라흐마니노프가 최고로 기억할 것임에 확신하고 확신한다) 우리나라에 이렇게 훌륭한 인재가 있다는 것네 감사하고 끓어 넘치는 자부심 과 자긍심을 느낀다.
I have never heard someone play with such honesty before. I've seen plenty of dramatic performances from pianists , but this more than any I've ever heard or seen is purely from the heart, nothing done to wow. It's a powerful thing to be on stage and be "on", something I've experienced a few times. I've found myself in the middle of a choir during a performance moved to tears and had to quickly compose myself to continue. A sacred experience that I'm reminded of while watching this young man. I feel like he has allowed us the privilege of watching him play something publicly that is very private and sacred to him. Something that he is not obsessed with showing off repeatedly in flashy manner, but rather someone who is kind enough to share his brilliance with such grace . Amazing, and absolutely beyond his years.
Haven't seen anyone mention this yet, but surprisingly in this massive concerto with monumentally epic moments, one of my favorite moments is actually a complete silence... That silence after the flurry of notes at 15:00 only to return with that soft and beautiful chord, and then into such a delicate melody... The way yunchan prolongs the pause past the point his foot is already off the pedal and all the sound is gone, with that final note as a distant memory. You can even see how affected the conductor is by that moment! Such an underappreciated moment. I feel like this moment demonstrates how the space between the notes is what truly turns sound into music.
Every time I watch this video, I forget that this was a competition...Isn't this the finale concert of great masters? This is the first time in my life that I feel disappointed that Bach No.3 is such a short..
I recently heard Lim perform this with the Boston Symphony and it was spectacular, electrifying, gorgeous! What a classical rock star! Wishing him many years of great performances.
I came across this performance at 2 a.m. this morning .... and I just booked tickets to fly out and see him in April in Omaha. Never been so impressed and transported quite this way before. What a genius. What a gift.
i honestly dislike calling an artist „THE BEST“ in anything since it all comes down to taste in the end and preferences, however the galloping section at 38:50 has not been played at such tempo while remaining clearness and steady rhythm throughout (actually goes with a lot of sections in lim‘s performance) and if anyone is fitting for „the best“ performance of rach 3 it is indeed yunchan lim :)
first time watching this pianist. 11:40 is when I switched apps from shopping for concert tickets back to the TH-cam app. “whoa is this guy serious???” all the comments about the clarity/phrasing are spot on… incredible stuff
Clapping and whistling in my kitchen while the kids look at me like I’ve lost my mind. This is an immortal performance. Nobody has done it quite like this gifted lad.
@@eduardovillalon7496 , I love Lang Lang's performance very much. However, which one is first and second is very subjective. it depends on each individual's preference.
This concerto is a meticulous puzzle piece; the most inspiring of all Rachmaninov’s music. I have listened to this performance a thousand times and every time, I hear the themes twisted and re-contextualised over and over. It is the single greatest piece of music I have ever listened to. One day I hope to write a concerto as good at this and for someone to play it as good as Yunchan Lim.
![Yuja Wang: Rachmaninov Piano Concerto No. 2 in C minor Op. 18 [HD]](/img/n.gif)
저 손으로 음악을 조각해나가는걸 영화 한편처럼 보여주는 공연... 몰입의 극치는 우리에게 무엇을 경험하게 해주는지, 연주를 할 수 없는 관객이라도 함께 공감하고 그 느낌을 공유하게 만들어주는 연주다.
기술면에서도 너무 탁월하고.. 소리가 가지고 있는 시간의 흐름을 서라운드 형태로 끌어내는 것 같다.
피아노를 잘 치는 연주자들은 많이 봤지만,
피아노가 가진 스트링 한 음, 한 음으로 곡 전체를 느끼게 해주는데 이게 또 오케스트라랑 대화하는 듯한 연주는 이게 처음인듯
청각을 통해 공간지각을 경험하게 해주는 느낌이야.... 너무 멋지네
Whose here in 2024!! What an incredible performance Yunchan, can't wait to see you at the Hollywood bowl later this year!
Wait you like classical music?!
WHAT THE HECK ITS ZACH KING
@@sneezy484 EXACTLY
WAIT WHY ARE YOU HERE OF ALL PLACES???
WHATTTT I NEVER WOULD’VE THOUGHT YOU LISTENED TO THIS W TASTE
It seems odd.
I came to watch the piano competition,
but this person is holding a concert.
2024? hands up!
🙌
✋
Here !!
Of course! 👏👏
영원히 질리지 않을꺼 같은 연주 영상... 하루에 수십번 듣고 듣고 또 들어도 들을때마다 감동적인 연주네요.. 임윤찬은 신 입니다
At some point, the orchestra knew something special was happening, and they rose to the occasion.
underrated comment
I wish Rachmaninov was alive so that he can see this
He was there in spirit and smiling.
he was alive when he saw horowitz 😉
He would be proud.
@@Dan1099ilofacts
Not see, but hear...
When his playing is so good that almost every comment is a whole paragraph
클래식에 클자도 모르던 내가 우연하게 이 영상을 보고 그날 바로 크레센도 영화보고 눈만뜨면 이거 돌려보고 있음 ㅠㅠㅠㅠ
저런곡을 만든 라흐마니노프 당신은 도대체 어떤 경지에 올랐단 말입니까?
영상을 하도 봐서 길가다 오케스트라 단원분 마주치면 인사할 수 있을 것 같음
제가 하고 싶은 말씀을 하셨네요.^^
맨 앞에 악장님 영상도 찾아보고 동양계 몇 분도 기억하고~~~
조성진 쇼팽콩쿨땐 코 큰 악장 분이랑 여성 첼리스트가 기억에 남네요.
즐거운 시간 되세요. ㅎ
😆😅😂😂😂👍❤️🔥
너무 웃겨요~~~♡♡
너무 귀한 순간 이죠.
이게 얼마나 대단한 연주인지는 말할 필요도 없고.... 나 이거 2년째 거의 매일 듣는데 질리지 않고 갈수록 새롭게 들리는 음들이 있다는게 정말 난 더 대단하다고 느껴진다. 그리고 가끔씩 여기 다시 들어와서 댓글들 찬찬히 읽어보면 사람들마다 어디가 좋고 어디가 감명 깊은지 다들 달라서 읽는 재미도 있고 댓글이 꼽은 곳 다시 듣는 재미도 있음. 적어도 5년 뒤에 돈 좀 벌고 여건이 맞으면 임윤찬 피아니스트 연주 보러 다니는 삶도 나름 괜찮겠단 생각을 하곤 함... 오늘도 듣다가 너무 좋아서 댓글 달아봄.
돈 있어도 표구하기 너무 힘듬😢
Cant actually believe this was in a competition
It wasn't, not for him. 😂😉
@@sergei-prokofiev Yes, it really wasn’t. Yunchan Lim 임윤찬 didn’t even want to appear in a “competition” and his teacher Minsoo Sohn 손민수 convinced him by saying “Don’t treat it as a competition. Treat it as a performance.” (That was in a _NYT_ article.)
Truth
Isn't it surprising, Yun Chan Lim said that he only performed 30% of his capacity?? Like you can DO BETTER?? HOW?
So he basically said, "Y'all haven't seen me at full power"??? 🤯😵
@@christianvennemann9008 yep
This performance of the Rach3 just blew me away when it was broadcast during the festival. I've listened to most of Rachmaninov's music since I was learning some of it as a boy in the 1940s. At age 12, I made a decision. I was a terrible pianist, but then became a dedicated and fascinted listener.
Yunchan has amazed me and I continue to be amazed. From Artur Schnabel to Yunchan Lim and all the other contributors to a life of enjoying great pianists - thank you.
And finally just a shout-out to the audio balance engineer at the Van Cliburn Festival, congratulations on an exceptional piano sound, perfect balance between Orchestra and Piano and the capturing of a totally believable audience reacion that fitted the performance.
"스테이지 위에서 울어본 적이 언제였는지 기억도 나지 않는다. 임윤찬의 예술성에 감동했다. 윤찬은 어린 나이임에도 불구하고 이미 성숙한 영혼을 가지고 있고, 완벽한 테크닉과 함께 경탄스러울 만큼 놀라운 재능을 가지고 있다. 헤아리기도 어려울 만큼 깊이 있는 내면의 음악을 가진 것에 대해 칭찬하고 싶다." (마린 알솝)
“윤찬과의 라흐 3 공연 때는 내가 이전에 그 어떤 공연에서도 느껴보지 못한 엄청난 에너지의 기운이 감돌았다. 심사위원 바부제가 "고귀함"이라는 단어를 사용한 것이 좋았다. 그 모든 불꽃과 로켓을 단 듯한 빠른 템포에도 불구하고, 오케스트라는 알았다. 그것은 그에 관한 것도 아니고, 우리에 관한 것도 아니라는 것을. 그것은 음악에 대한 헌정이었다. 역사적인!” (포트워스 오케스트라 단원)
““보통 사람의 인내심에는 한계가 있고, 어떤 악절을 연습하다 보면 이만 하면 되겠지 안도하려는 본능이 있는데, 윤찬이는 가장 높은 기준을 향해 절대 만족하지 않는다. 윤찬의 연주를 보면 때론 작곡가와 가장 사적인 공간에서 둘만이 이야기하고 있는 것 같다. 작곡가가 요구하고 이야기하고 싶어 하는 메시지를 담아내기 위해서 외길을 간다. 이번 콩쿠르 기간에도 윤찬이가 새벽까지 연습을 거듭한 뒤 궁금증이 남으면 문자로 보내는 일이 다반사였다.” (손민수 교수)
“라흐마니노프 3번은, 초등학교 3학년 때 처음 듣고 너무 충격을 받고 평생 좋아한 곡이기 때문에.. 제가 피아노를 칠 수 있게 해 준 존경하는 모든 예술가들에게 바친다는 마음으로 연주했다. 그리고 매 경연마다 작곡가들이 남긴 위대한 유산을 잘 전달하는 데만 신경을 썼다. 결선 반주를 지휘한 마린 알솝은 가장 존경받는 지휘자 중 한 분이고, 내가 특별히 뭘 하지 않아도 알아서 잘 맞춰주셨다. 세상에서 가장 열정 적인 콩쿠르 관객의 뜨거운 응원이 큰 도움이 됐다. 그리고 제가 먼저 오케스트라 단원분들에게 마음을 여니까 오케스트라 단원분들이 저에게 맞춰주셔서 더 음악에 빠져서 연주를 할 수 있었다.” (임윤찬)
: 남들이 쉽게 가는 길 말고, 아무도 가지 않은 어려운 길을 가는 사람이 되고 싶다는 아름다운 피아니스트 임윤찬! 그의 위대한 스승 손민수 교수님과 반 클라이번, 마린 알솝, 오케스트라, 호스트 패밀리분들께 진심으로 깊이 감사드립니다. 모두의 음악적 헌신과 노력으로 탄생한 이 멋진 영상을 매일 들을 수 있어 행복합니다. ‘임윤찬의 라흐마니노프 3번’ 영상은 앞으로도 오랫동안 수많은 사람들에게 깊은 감명과 영감을 줄 것입니다.
너무 감동입니다.세달째 윤찬군 덕분에 행복합니다!
항상 좋은 글 감사합니다.♡♡♡
고귀함과 음악에 대한 헌정이라는 귀절이 인상적이고 정말 공감합니다
이거 맨위에 고정 댓글 됐으면 좋겠네요~^^
@@Jenna-mp9tp 저도 그날부터 지금까지 듣고 또 듣습니다. 감사하고 행복하네요. 🙏
윤찬아 네가 바라던대로 나를 포함한 수많은 사람들이 이 영상을 보고 새로운 우주를 발견하고 찾았단다.. 고마워
친구분이시구나.. 고마워요
No matter how many versions I listen to from other performers, I still haven’t found one that resonates with me more than Yunchan Lim’s performance.
What about Malofeev's? What makes this one resonates more with you?
@@LocoCioco Technically more proficient and presence on the stage?
With all due respect I believe Bronfman’s interpretation is far better and played with much better accentuation and timing. This interpretation to me sounded very disjointed at parts and rushed at others. Look, this piece is probably in the top three hardest musical works for a pianist to play. So definitely my hats off to this gentleman.
Yesterday, I had the opportunity of enjoying live his performance on Chopin's 2nd with the Royal Philarmonic Orchestra here in Athens and I' m still mesmerized by his sound and musicality. Such a rare talent!
Τι;;;; έπαιξε στην Ελλάδα και δεν το ήξερα;;; 😮😮😮😮 Όχιιι!!! Έπρεπε να πάω να τον δω!
Since Vladimir Horowitz passed away in 1989, I have been waiting for “the new Horowitz”. Listening to Yunchan Lim makes me think this day has finally come.
bronfman
woah woah woah!
that's a big thing to say!
yunchan is only about 20, do you think it's right to compare him to one of the greatest masters?!?
Well, Martha Argerich did no mean job either ;-)
Disagreed.
A recent interview with Yunchan Lim -September 15, 2022
(whenever I write the link, it's being deleted immediately. So I copied the whole thing)
There are few comparables for what transpired this past June in Fort Worth, Texas. Music lovers around the world watched in bewilderment as an 18-year-old South Korean pianist set new competition standards, first ripping through Liszt’s Transcendental Etudes, then moving listeners to tears in Rachmaninoff’s Piano Concerto in D minor (Op. 30). Below is the transcript of our September 2022 e-mail exchange with the phenomenal pianist, Yun-chan Lim.
EH: At what age did you realize that your musical gifts were perhaps a bit unusual ?
Lim: I never thought I had musical talent in my life. I started playing the piano at the age of seven, and I'm just a person who loves music so much that I'm trying to make great music.
EH: Do you believe you played your very best at the Van Cliburn ? Is there much more you could have done in, say, the Transcendental Etudes or the Rachmaninoff Third ?
Lim: I don't think I was in my best condition at the Cliburn competition. I entered the stage thinking about Carl Sagan's pale blue dot, but I couldn't help being nervous and couldn't show 100% of me. I had to create more universes and there was a possibility, but it didn't come out easily.
EH: The world would love to know your thoughts on the Rachmaninoff Third Piano Concerto. Whose recording inspired you to play it so magnificently ? Is Rachmaninoff a composer who speaks to you on a personal level ?
Lim: Rachmaninoff is like Bach. All the voices are singing their own beautiful songs, and they're developed in a really detailed relationship to create highlights. It's one of the most important factors in Rachmaninoff. I've rarely listened to any other playing than Horowitz and Rachmaninoff. I decided that it's right to listen to the most basic recordings.
EH: On the other hand, is there are composer whose works you cannot fall in love with - or a period of music - that simply does not speak to you ?
Lim: My teacher said, "The composer is not at fault, the performer is always the problem."
EH: Stephen Hough, Daniil Trifonov, and Marc-Andre Hamelin are a few of today’s pianists who perform and also compose. Do you spend any time composing ? Is it necessary for a great performer to compose ?
Lim: Every pianist has to compose. I learned music (composition) at school for two years from Min Jae-jeon, a 2009 winner at the Queen Elizabeth competition, composition category. He told me that a pianist should compose and play his own music. If I can do that, I'll do that.
EH: After the competition, you told the world, “I made up my mind that I will live my life only for the sake of music, and I decided that I will give up everything for music”. What a beautiful sentiment. What are some of the more meaningful musical moments - recordings, live performances, or personal music-making - that have led you to this decision ?
Lim: I think the most beautiful moment to taste music is when a musician practices in the practice room. The artist's practice room is a space that creates various universes, and you can see the frustration and joy of making great music through many attempts. This process was not only for my teacher, but also by pianists like Schnabel and Sofronitsky.
EH: One of the more famous prodigies in America, George Li, told me he was practicing 3-5 hours a day by age 8; as many as 6 hours by age 9; and by his teens, he was doing eight hours whenever possible. How much practicing did you do growing up ? Are you a compulsive practicer, or do you need to be pushed with lessons, concerts, deadlines, etc ?
Lim: George Li is one of the musicians I respect most, and I have always admired him for learning from my teachers, Russell Sherman and Wha Kyung Byun. I practiced for 4 to 5 hours when I was young, but I practiced for 8 hours since I was 12 years old, and now I do it all day. It could be pressure for the concert. Because there is pressure not to disappoint people who pay to see it.
EH: People have noticed a breath of freshness, a certain unbridled freedom you attack pieces with. Do you take chances when you are on stage ?
Lim: I think every pianist can improvise. In fact, Horowitz and Rachmaninoff admired Art Tatum, and the Hungarian musician, Liszt, was also a master of improvisation. If you just do what you've practiced, it causes tension and you lose many possibilities on stage.
EH: What is your relationship with the audience ? Do you deal with stage fright, or, are you like Arthur Rubinstein, who needed an audience in order to give his very best impression of the music ?
Lim: Music was born to communicate. I want to share my ideas with the audience and ask them for their opinions, and this is probably one of the most beautiful things in the world.
EH: You are quickly becoming one of the most talked about musicians in the field. What is one thing listeners probably don’t know about you that you would like for them to know ?
Lim: Not really, because I'm just a person who makes music, and I'm not much of a person at all.
EH: You are currently working with Professor Minsoo Sohn at the Korea National University of Arts. What are some of the most helpful ideas he has imparted upon you ? Will you stay with Professor Sohn, or do you have plans to study with others in the future ?
Lim: I can't tell you my future plan, because I don't know if I'll die tomorrow or seven days later. My teacher’s musical ideas surprise me every time, and Sohn always comes up with new ideas. Sohn values interpretations that people can understand. All ideas are based on good evidence, and my teacher says it's important to bring out the songs deep in my heart into the real world, not to play them like the trends that others play.
EH: Which pianists - dead or alive - mean the most to you ?
Lim: There are so many artists in my mind, but Stanislav Neuhaus, Cortot, Schnabel, Horowitz, Rachmaninoff, Yudina, Josef Lhevinne, etc. are most inspiring to me.
EH: It is the responsibility of the performer to be faithful to the score. Is it possible for a great performer to surpass the vision of the composer ? (I’m thinking of those like Horowitz and Gould, here)
Lim: In fact, no one knows what a composer wanted. Even the composer himself might have something he wants to fix if he were to come back to life. Every musician should be able to sing his or her own song in a given score. If you look at Horowitz's performances, he adds notes that are not in the score, or sings in a completely different phrase, but it doesn't matter because it persuades many artists.
EH: Because everybody struggles with something - which Chopin or Liszt Etude is the most difficult for your hand ?
Lim: I've played all 24 of Chopin's Etudes and op. 25 a lot, but I haven’t played the whole op. 10 on-stage yet. But what I feel is that the Chopin Etude, which has to express characters and the universe for each song, is more difficult.
EH: Your upcoming program in California includes the astonishing Liszt ‘Dante’ sonata. You said you almost memorized Dante’s book from cover to cover. How long does it take you to learn and memorize a piece like the Rachmaninoff Third Piano Concerto ?
Lim: I played the Dante sonata in 2020 and read so many times the great man Dante. Maybe not now, but at the time, I remembered enough to say the words of the book without looking at it, and I think it really meant that I was inspired by Dante. It depends on the piece, but in Rachmaninoff's case, it took seven days for each movement to memorize it.
EH: Korean-pop culture has recently turned into a global phenomenon. Do you listen to pop music yourself ? Are you proud of the growing international success of your country ?
Lim: I'm very proud of the international success of the music, but at the same time, I haven’t listened to a single thing yet.
EH: There are some who hold the belief that a pianist from country X cannot truly understand the culture of a composer from country Y ? What are your thoughts on this matter ?
Lim: Only the stupidest people in the world would have that idea. A great pianist from Japan can understand Rachmaninoff 100%, and a great pianist from India can understand Beethoven. Because this is music. If you try hard enough, you can understand everything about the composer. This is a matter of individual, not race and nationality
EH: Is there anything about the state of music right now - bad programs, musical ignorance, the way performers sound, lack of inspiration, etc. - that you would like to change ?
Lim: I do feel that the world is changing one dimensionally. I think there are a lot of people who swear when new things come out, because they live in a one-dimensional world, they don't get 12 dimensions of inspiration. Artists have to try new things every time and think constantly.
EH: Thank you for taking the time, Yun-chan. And all my very best to you.
Lim: Thank you!
공유해 주셔서 감사해요:D
감사합니다.
감사합니다
감사합니다~~~^^
oooooh I would like a copy of this interview PLEASE
How can I copy it ?
He kind of ruined this concert for me..now I only want to listen to THIS version..in loop..forever and ever till the end of times.
I can't agree more to you😂
Yeah, me too! It's the best version I have ever heard
Totally agree! This is a serious problem. I mean it.
Fr, had us in the first half, but I completely agree. It’s astonishing how amazing he is, I plan on learning Rach 3 in about two years but nowhere in a million years could I reach his level of just pure music. He is the marvel of the century
There are plenty other remarkable performances like Horowitz, Bronfmann, Berman... No need to listen this one in a loop
진짜 스트레스 받을때 결국 여기로 돌아오게된당...
This piece consoles me. Yunchan' play gives me the power and courage to carry on.
아이처럼 순수한데 노인처럼 깊이감이 느껴지는 이 희한한 느낌.
진짜 아름답게 말하신다.
이게 맞다
표현력이 예술이시네요…ㅎㅎ
댓글로 박수친건 처음이다
I propose that in next Voyager spacecraft, the golden disc with message for other civilisations include Yunchan's Rach 3 concerto
I agree about that
... but not this remastered version..... better the original
That would be nothing but a sign of the crippling of artistic expression in our times.
@Albert wow.... who are you?
@@othmanhassanmajid8192😂the one where the left channel switches off for a moment? Ok.
Even in the speediest parts, he plays with such perfect clarity, every note rings like a bell. This kid is freakin supernatural 🙏🏽
I was thinking that Rachmaninoff would probably compose a piece for this guy to play until I realized that he actually did.
18 years old !! .. Mama Mia......... His interpretation and delivery of this work of Rachmaninov, is as fine as it could possible get... imo
I watched this as I was on my deck looking at the eclipse. Both were fascinating and extraordinary. However, YLim was the winner. I have watched again and again. Also, congratulations to the conductor and orchestra. Fabulous.
이 녹음은 인류의 문화자산입니다.
👍
Even Rachmaninoff would like this rendition.
And Yunchan's Ossia.
He played Rach 3 with the NYPhil at the Lincoln Center last year in May and he played the Ossia with his personal added touch. Such an incredible rendition, so fresh and new. Yunchan is quite known to improvise with his personal touch.
I'm a grown man, and it's bringing tears to my eyes.
Every time I come back, tears too.
Rachmaninoff was a brilliant composer. Doesn't really matter who is playing - the notes and phrasing are all the same.
@@jimmorrison4ever529
That ranks as one of the dumbest posts I have ever read on the internet. Have you stumbled into this thread by mistake? Maybe try the Sleepy Go Bye Bye videos. By your logic, music is simply a series of lines, spaces, dots and dashes. You've left out the competence of the musician...do you seriously believe that anyone who can play Rachmaninoff's dots and dashes can win the Cliburn Competition?? Horowitz was simply, average?? 😆😆😆
@@Jack-hy1zq I attended two music conservatories on scholarship and have been playing the piano for over three decades. You missed my point entirely and I can tell you've never learned this piece and are merely just music listener. Like a fool, you took what I said and went on an abusive hot-headed rampage. I sympathize for those around you having to listen to your level of entitlement and bizarre verbal abuse. Try reading your comment to me - that, my friend, would be the dumbest thing you've ever read on the Internet. It certainly was for me.
@@jimmorrison4ever529
"It really doesn't matter who is playing". That line would never be written by someone who had attended a conservatoire and played the piano for decades. I do not believe you.
Still in tears and gratitude after hundreds of times listening to this recording
I listened to it every day with the volume turned up, but my mom told me to turn the volume down, so now I'm listening to it with the volume turned up to the highest with my door closed while she sleeps. It's so good that my heart swells every time I listen to it❤
Beautiful. enjoy your youth and love your mother.
This unbelievable pianist...who is just 18 years old Korean guy ...
the best of best performance of Rachmaninoff No.3..
I don't think this is the best performance. The one by Lazar Berman is
How is this even possible
Nobody knows
Natural talent and practice!!!
he practices usually around 1pm to 3pm not kidding
yes, 3pm of the next day
@@originof8557😂
설거지 하다가 소파에 앉아 한참을 봤어요.
눈물이 얼마나 나던지 ...
클래식에 대해 잘은 모르지만
감히 제 인생을 뒤돌아 볼 수있었어요. 감동 그 이상이었습니다.
❤❤❤
맞아요 그래서, 삶 가운데 예술이 필요한게 아닌가 싶어요
Look at the reaction of other musicians on stage and you know…the GOAT of Rach 3 was born
환갑도 지나고 인생을 이제 좀 쉽게 쉽게 살아가는 중에....클래식팬도 아닌 내가 한밤중에 전곡을 다 들게 되었다..한가지에 미치도록 몰입하는게 이토록 아름다운 거구나...삶을 다시 생각해보는 계기가 됐다..
At 72 I am doing the exact same thing. I have listened to many many operas, symphonies, orchestras, individual musicians but I have never been so entranced as by YCL. You know what I mean, I am sure. ❤
환갑이 뭡니까 ?
저는 80 이 다된 할머닌데
거의 하루가 멀다않고
보고 듣고 눈물을 흘립니다
@@유미순-f3u응원합니다♡
What makes this performance very special is that it is not a concert nor a recording, but a contest. It was literally a performance that you can only see once in your life. A huge thank you to the Van Cliburn Competition for allowing me to hear these performances.
Yes, this is competition, this should be blood, not art, just pianists hitting each other with their instruments and panels thereof.
ALSOP IS A HACK, THE WINDS SOUND AWFUL, CLUSTERS OF NOTES, IN THE BRASS, I FEEL SORRY FOR THE GREAT PIANO TALENT PLAYING, NOT TO MENTION HOW THE ORCHESTRA LAGS, HOW DID SHE GET THAT GIG? OPUS 3 IS HOW
Where is gergiev when he is needed
@@peterrobles3910 cut the orchestra some slack. this was the last performance of a grueling schedule where they played this concerto along with others many times. Everyone in that orchestra was pretty fatigued by the time this performance happened.
🎉🎉🎉🎉🎉
태어나 이렇게 많이 들은 클래식은 처음..........
나도…….
저에겐 마음의 보약 같은 최고의 연주입니다 매일 매일 들으세요
저 또한.. 신기합니다.
클래식은 듣지도 않았어요 근데 이 곡만 적어도 600번 이상은 들은 것 같아요
😂😂😂😂😂👍
@@봉-l6d
힘든 시간을 함께한 음악입니다. 고마운 음악이고
특히 임윤찬씨에게 고마움을 가지고 있습니다.
매일 들으면서 이겨냈습니다.
올해 오십세가 됐습니다.
부끄럽게도...단한번도 클래식 연주를 끝까지 들어본적이 없었지요.
그냥 저세계는 그들만의 리그라고 생각하면서 평생을 보내온거 같습니다.
만약 우연히 앰빅뉴스에 뜬 짧은 뉴스 영상을 보지 않았다면 아마 죽을때까지 클래식은 그런 영역였을겁니다.
그런 제가 일년간 임윤찬의 연주를 또 다른 피아니스트들의 연주를 듣고 있네요.
근데 그냥 임윤찬은 저에게 영원한 넘버원이 아닐까 생각합니다.
이런 만남을 주신 운명의 신께 감사를 올립니다.
I bought better speakers just to listen to his piano performances
GOAT라는 말 말고는 도저히 설명할 길이 없는 그의 연주. 임윤찬은 천재가 맞다.
This is a competition, not a recording or recital.
Still, it's one of the best Rach 3's ever played.
We met a genius.
A genius paying tribute to another genius. Rachmaninoff would be proud and touched by this outstanding performance.❤
Agree. Very close to Horowitz’ interpretation.
@@uralbob1I would say close to Horowitz’s interpretation with less wrong notes
@@uralbob1 Horowitz, Volodos, Bronfman...bit of each inspiration
@@benebacher2470 Ha, the comment made me laugh for some reason.
볼 때마다 느끼는 거지만 참 예술적이다 라는 말이 절로 나오네요. 다른 사람의 라흐3 공연을 보면 기계적이다 라는 생각이 제일 먼저 떠오르는데 이 공연에선 기교가 하나도 안보여요. 피아니스트는 마치 노래 하는 것 같이 들려요. 호흡이 너무 자연스럽고 전체 곡이 마치 하나의 스토리 같이 느껴지고 라흐마니노프의 자서전을 시청하고 있는 상상을 하게 만듭니다. 그리고 진정한 콘체르토가 무엇임을 알게 해줍니다. 알솝 지휘자와 임윤찬 피아니스트의 호흡이 찰떡궁합. 또 피아노가 오케스트라의 하나의 악기에 불과함을 느끼게 됩니다. 협주곡에서 피아니스트의 음악에 대한 자기 희생이 무엇임을 보여 줍니다. 이기심을 버리고 음악 그 자체에 헌신하는 피아니스트와 그에 호응하는 오케스트라와 그 지휘자까지 모든 것이 거의 완벽한 혼연일체된 공연. 지휘자 알솝의 멋진 카리스마와 배려심. 그로인해 더 돋보이는 임윤찬 피아니스트의 신들린듯한 연주. 매일 저녁 퇴근하고 들어와서 최소 두 번은 시청하게 되네요. 아, 라흐2를 다시 들었는데 마치 라흐3과 라흐2는 서로 이어지는 이야기가 아닐까라는 생각을 하게 됐어요. 그리고 이 곡을 매일 들었더니 마치 20세기를 대표하는 곡이 아닐까하는 생각도 들었어요. 특히 마지막 3분간의 대단원의 막은 전형적인 20세기 초반의 격동적인 세계를 대변한다는 상상을 불러 일으켜요. 이런 생각과 감상이 나만의 생각일까요? 여러분은 어떻게 생각하세요?
완전 공감해요 내 마음을 그대로 읽은 것도 모자라 깊숙히 더 알려주신 느낌
오홍, 저도 비슷하게 느끼긴 했지만 말로 차마 표현이 안 되었던 것을 정확히 짚어주셨네요. 진짜 희생이란 말이 맞는 것 같아요. 돋보이려는 욕심, 그래 내가 독주자인데 스포트라이트를 받아야지하는 생각으로 쳤으면 저런 음악이 안 나왔을 것 같아요.
마자 딱 그말! 공감. 누군가의 자서전을 보고있는 듯한 느낌
+ 튀어나와야 할 때는 먼저 달려가서 오케스트라가 따라오도록 하는 강렬함! (29:33)
제가 머릿속으로만 한 생각을 정말 멋진 글로 표현해주셨네요!!
맞아요. 경연장에서 이런 퀄리티의 공연이 나올 줄이야!!♡ 40분이 순삭되는 느낌 저만 느끼는 게 아니군요.
라흐3을 임윤찬의 연주로 처음 접한 저는 행운아라는 생각이 드네요.(다른 버전을 받아들이기 힘들다는 단점도 있네요^^;;)
오랜만에 이 새벽에 다시 듣는데 들을 때마다 벅차 오르네요. 언젠가 공연장에서 직접 보고 들을 수 있는 날이 올 거라 믿숩니다❤
The absolute joy on the face of Marin Alsop at 32:35. She knew he was the ONE
You can tell the conductor is really appreciating and fully in zone with what he’s doing.
She responds with so many looks of pleasure like “wow this was sooo exactly right in this moment of time” kind of looks that say a million things with a glance
이젠 다른 연주는 들을 수 없게되었다...
I have to go to work but I cannot stop listening.... HELP ME!!!!!
I need to see him live one day
I had tickets for this performance. I couldn't go because I and my family caught COVID! it was the absolute worst possible time to catch it. Gave my tickets away.
@@orchidmozart1 oh no, im so sorry to hear that :(
I agree with you. Even though I'm Korean, it's so hard to get a ticket that I haven't been to the concert.
I saw his Bach performance after this magical performance. He's just... no words can explain. Anyway, I've heard that he's playing with the New York Philharmonic in NY next year. You should check it out.
@@orchidmozart1 ㅠㅜso sorry about that
The fact that the remastered version of this, posted 3 months after original, still managed to score over 1M views speaks to the staying power of this performance -- and how many people are still revisiting it.
I really love watching his hands. So gentle on the keys and his fingers are always curved the right way, never stiff or flying in the air. It's the mark of a very disciplined piano player. His playing is so neat, elegant and graceful. His style of playing and music are one coherent piece of beautiful art. There truly is a magnificent Creator God.
Admirable virtuosismo y excelente acompañamiento de la orquesta con su director
I am so lucky to be living in the Yunchan Lim era.
Yes, but he is very young, let's see if he keeps going like this also in the future.
@@AlejandroPikoulasPlataКак профессиональный педагог , музыкант, пианистка Я В ЭТОМ НИСКОЛЬКО НЕ СОМНЕВАЮСЬ! Однако, он настолько совершенный , как пианист и Музыкант, что трудно представить, каким Путём поведёт его сама МУЗЫКА! Ведь в настоящее время Юнчен добился такого успеха и такого уровня мастерства, о котором многие могут ТОЛЬКО МЕЧТАТЬ! Уж не говоря о том обширном репертуаре, которым он владеет в совершенстве! ОСТАЁТСЯ ТОЛЬКО ПОЖЕЛАТЬ НАШЕМУ ЛЮБИМЦУ КРЕПКОГО ЗДОРОВЬЯ И МНОГО, МНОГО СЧАСТЬЯ! ОН ЭТОГО ДОСТОИН!
"out of orbit"
궤도 밖으로 나감으로써 자유로움을 찾은 피아니스트.
듣는 청중들까지도 손을 잡아 끌어.. 궤도 밖 어딘가에 있었을 세르게이라흐마니노프를 만나게 했군요..
캄캄한 하늘에 새로운 획을 그리면서 가고 있는 윤찬림. 이탈했지만 자유롭고,
궤도로 돌아오지 못할지라도 청중들은 기꺼이 박수를 칠 것입니다.
자유롭게 , 새롭게. 당신 만의 궤적을 그리면서 가십시요.
Thanks to Marin
You made the bird fly free.
I could feel your warm regards toward the young guy all through the music.
Great conductor!!!!
Most endearing dialogue between the conductor and the soloist that I have ever experienced. Great respect to both artists together with the whole ensemble.❤
These two musicians are symbiotic. Magical. Wonder how his interpretation will change over the years. Thank you to The Cliburn and TH-cam. This is a treat beyond words.
WHAT JUST HAPPENED - I am in shock at this talent
Some of my favourite moments:
24:19 A bass note was smashed to within an inch of its life
28:48 Yunchan to orchestra: What's the deal guys, are we going with 3rd movement straight away or? *thumbs up* YES LETS GO!
38:13 More cowbell
40:45 Conductor leans on piano and nods: "Yes my boy, you got it"
Thank you for this!
Great observations! Also ( as opposed to Alsop, I guess. Ha!) Did she wipe away a tear at 42:35/6? Who would blame her?
@@paules3437 Yeah she absolutely did
@@karlbaker8 I found that very touching.
28:48 is amazing thank you for sharing
Alsop’s smile at 32:37!! What a magical moment
언젠가는 직접 들어볼 수 있기를 희망하며...
리마스터 된 라흐마니노프 협주곡 3 선물 감사히 받겠습니다.
How can this be from a competition contest?!?? This must have been a concert!!!!! How!!!!?????
Trifinov?
리피협 3번. 다른 유명 연주자들도 너무 훌륭하다. 그런데 분명한 건 테크닉을 떠나 이 연주는 사람의 마음을 사로잡는 무엇인가가 있다 .
Still tearing up. Let's cherish this video for the coming ages..
2024 새해 첫 음악으로 이 곡 들으러 왔습니다..❤
경의와 찬사를 보냅니다. 임윤찬의 연주를
들으면서 많은 생각을 합니다. 음악의 본질, 삶의 본질, 마음의 지향성과 표현, 이에 대한 헌신, 결과물, 영향력... 에 이르기까지 매일 다르면서도 비슷한 생각을 합니다. 그리고 음악의 힘이 무서운 게 나로 하여금 지금 있는 이 자리에서 좀 더 의미있게, 성실하게, 본질을 묵상하며 살게 합니다. 대부분의 일과를 말이죠.
나이는 절로 드는 게 아니기에 이런 마음의 자극을 준 연주자로서가 아닌 '예술가'로서의 임윤찬, 그의 선생님 손민수, 마린 알솝, 이름모를 위대한 오케스트라단원들, 이 곡을 쓴 라흐마니노프의 모든 인생에 존경을 표합니다.
오늘도 잘 들었습니다.
깊게 공감합니다
음악의 힘
놀라운 것이죠 !!
완전히 동의합니다
매일 들어도 새롭네요
공감합니다.
내 삶을 다시 돌아보고 성찰하게합니다. 예술이 왜 인류에게 필요한가, 그 본질을 새삼 깨닫게 됩니다. 윤찬군과 손민수 교수님께, 감사합니다
저도.. 오늘도 잘 들었습니다~
같은 마음입니다🌹
From the VC magazine;
The Friday night Final Round concert had just wrapped, and a group of us
were walking down the street to the post-concert Patron Party at the
City Club. Everybody was strung as tight as, well, as tight as a piano string.
The signs were unmistakable: dilated pupils, nervous and excited chattering,
an overwhelming sense of euphoria and rapture-we were all high on
Rach 3, Yunchan Lim style. Everyone was talking over everyone else.
I turned to former Cliburn Chairman Alann Sampson and wondered how
a teenager could even understand that level of emotion, noting that he
hasn’t had his heart broken enough to play like that. She just shook her
head and said, “Otherworldly.”
- Jeffrey B. King
Chairman of the Board
oh thank you so much for sharing
Truly otherworldly!
I believe he's had his heart broken a million times from his other past lives as an artist ... or nothing can explain this phenomenon!!!
An entire palette...faster than the speed of color... slowing to a singular delicacy that moves you with joy's silence...
We love grandmaster Lim...
Gyorgy Sebok said that a three year old has experienced enough of sorrow and longing to express it. 😑
I wonder how the other 5 finalists felt after witnessing this iconic performance.
I guess they were speechless and knew they weren’t going to win.
Equally resigned and awestruck in "defeat."
Shed a tear listening to this live with the New York Philharmonic
I'm still in a daze...
which do you think was better? The cliburn performance or the new york one? I wish someone would upload his latest rach performance onto youtube
@@tyrrelllox7392 The Ossia Candenza in David Geffen Hall was a transcendental experience. I still heard ticks in both performances. Looking forward to Vail
Hey the dci guy likes classical music! Cheers from BK 23’ hope you come to watch us.
@@ThatWasLoud where can I dm you?
Still listening on July 2024. This peformance will never get old
Same here XD
Marin Alsop has probably performed this piece dozens, if not hundreds, of times. Watch her wipe tears from her eyes at the end, acknowledging that this was something special. I wish he had chosen the longer cadenza, but I'm looking forward to replacing my current favorite of the Rach 3 with this remastered version. Thanks to the Cliburn for their help in bringing the competition and contestants to people, like me, who are unable to travel to the live event.
Yes Danny Goodman - you are quite right are you doing justice !Bravo for this! Some kind and warm words - so fair - about the great nort-american conductor Marin Alsop (born in NYC 65 years ago) being.director laureate of the Baltimore Symphony Orchestra and attending by God direction, the Cliburn Competition this year.And a most unique remarkable event happened She gently decided to adopt Yunchan as a spiritual her grandson
Gently and determinated she conducts brilliant her musicians in an extraordinary way, resolute and tender faithful and full to the unique soul of Rach sonically enabling Yun's pianistic virtuosity to seamlessly merge into an anthological musical utterance that may never be repeated the same. That unique and splendid night Marin and Yun became the newest members of the sacred pantheon of the Immortals.
With reverence,gratitude and identity, the young classical composer Yan Ayrton.
Discover me also.Danny . I am a rare and gifted young classical composer.(Be prepared for a imense and rewarding all-jife surprise)
2022 is a good year to Marin Alsop: she performed Rachmanioff Concerto 3 with Yunchan Lim and is currently on a tour in Japan performing Chopin Concerto No. 1 with Hayato Sumino. Two exquisite and exceptional young talents. She wiped off tears during this performance with Lim; she has had big and happy smiles during her performance with Hayato Sumino. 😇🙏🏼👏👏👏💕💕
I agree. Marin Alsop - not much mention made but she is a great conductor because watches each soloist so closely. VC Foundation is to be applauded for making this event accessible to those who are unable to go to Fort Worth much less attend.
👍👍👍👍👍
1111
저도 솔직히 4개월 가까이 하루에 3번이상은 기본으로 들으니 100번은 더 들었을텐데도 어찌 늘 새롭고 경이로울까요?
너무 좋아서 '좋아요' 꾹~~~! 눌러놓은것이 없어질까봐 못 건들고 댓글 다신 분들 모두 또 '좋아요' 버튼마다 다 눌러드리고 한참을 벽타기하고 제자리로 올라왔네요 ^^
'좋아요' 누르신분들이 다 저와 같은 마음이었을듯요 마지막으로 치닿을때는 숨이 정말 멎을듯하고 소름까지 돋아서 팔을 감싸봅니다.
표현이 참으로 아름다우십니다 그런마음씨를 가지셨을것 같아요
제가 쓴 글인줄...
저도 진심으로 같은 마음입니다. 오늘도 어김없이 와서 듣고, 감동하고, 댓글들에 좋아요를 누르고 갑니다.
곧 다시 보러 오겠지만요...^^
@@지우-y7d 리안님의 마음도 그렇게 고우실듯요 서로이렇게 소통하는것은 윤찬림의 음악이 하나되게 한거 같아요
@@lusoleinmare 맞아요 저도 휴일 아침부터 음악들으며 일하고 일하면서도 음악듣고 그러네요 함께 들어요 ^^
좋아요 들을 때 마다 백번도 더 누르고 싶어요
I still can't believe that I was there in front of stage😍
영상의 소리가 현장에 비해 어떤가요??
궁금합니다.
영상도 좋지만 맨앞에서 오케 단원들, 지휘자님,그리고 윤찬군의 호흡 까지도 느낄수 있어서 정말 황홀했습니다..
@@김훈-c2c 최근에 커튼콜에 moc대표님이 출현하셨는데 현장 분위기의 반도 못담으셨다고 했어요.
This lovely human bein brought the whole Univers at the level of piano notes, he is extraterestrial, I may put him next to God. Unbelivable, love you....
이 훌륭한 작품을 탄생시킨 라흐마니노프에게
누추한 내 집이라는 작은 공간에서 이 연주를 볼 수 있게 해준 유튜브에게
이 작품을 너무나 완벽하게 연주해준 임윤찬에게 감사한다.(많은 눈물을 흘 리게 하는 가슴이 웅장해지는 세상 완벽한 연주였고 내 머리와 가슴은 임윤 찬의 라흐마니노프가 최고로 기억할 것임에 확신하고 확신한다)
우리나라에 이렇게 훌륭한 인재가 있다는 것네 감사하고 끓어 넘치는 자부심
과 자긍심을 느낀다.
저렇게 처놓고는 인사할때 아무일 없듯 꾸벅 절 하고 뚜벅뚜벅 걸어가는 걸음걸이가 참.. 봐도봐도 들어도 들어도 경이롭다는게 이런가인가봅니다..
저도 인사 담담히 하는 모습 눈여겨 봤어요!!
악장 두분하고 악수하고 돌아설때
입 모양
와 !
I have never heard someone play with such honesty before. I've seen plenty of dramatic performances from pianists , but this more than any I've ever heard or seen is purely from the heart, nothing done to wow. It's a powerful thing to be on stage and be "on", something I've experienced a few times. I've found myself in the middle of a choir during a performance moved to tears and had to quickly compose myself to continue. A sacred experience that I'm reminded of while watching this young man. I feel like he has allowed us the privilege of watching him play something publicly that is very private and sacred to him. Something that he is not obsessed with showing off repeatedly in flashy manner, but rather someone who is kind enough to share his brilliance with such grace . Amazing, and absolutely beyond his years.
Grigory Sokolov ~ Rachmaninoff concerto 3
@@adrianopiano5551
I like the word Hoensty.
Beautiful comment. 😎🎹
what an honest praise.
We have to give credit to conductor and the orchestra too.
They really paid attention to how he wants to play the piece.
Yes you are right. Thanks all ❤
So very true! Well said. The conductor masterfully followed him while guiding the orchestra to lay a foundation underneath.
맞아요! 지휘자 연주자 단원들 모두 진정으로 소통하는 무대였습니다
Indeed.
@@luvleecha8029 The conductor and the orchestra simply followed Yunchan's lead.
I'm so grateful to see him at Hollywood Bowl two years in a row🎉
오리지널 버전과 리마스터 버전 통틀어 100번정도 들었습니다만,
카덴짜와 2악장은 누군가의 영혼이 잠깐 머물다 간 느낌을 받았습니다.
그 영혼이 누군지는 모르겠지만 섬뜩한 영혼이 아닌 정말 따뜻한 영혼인 것 같습니다.
The part where he turns directly to the orchestra and put his thumb up like “let’s do this” before what I call the “horse race” is so epic.
timestamp for this?
28:40
It was a remarkable moment - connecting to all those playing with him. I've never seen anything like it before.
3악장 클라이막스에서 18세 소년이 어떻게 살아왔는지 알 수 있었습니다. 이 순간을 위해 살아왔다는 듯이 영혼을 불사르는 연주에 눈물을 안 흘릴 수 없었습니다.
Haven't seen anyone mention this yet, but surprisingly in this massive concerto with monumentally epic moments, one of my favorite moments is actually a complete silence... That silence after the flurry of notes at 15:00 only to return with that soft and beautiful chord, and then into such a delicate melody... The way yunchan prolongs the pause past the point his foot is already off the pedal and all the sound is gone, with that final note as a distant memory. You can even see how affected the conductor is by that moment! Such an underappreciated moment. I feel like this moment demonstrates how the space between the notes is what truly turns sound into music.
That's exactly what Miles Davis once explained...
Every time I watch this video, I forget that this was a competition...Isn't this the finale concert of great masters? This is the first time in my life that I feel disappointed that Bach No.3 is such a short..
I love Marin Alsop's gesture at the very end, as if to say: "No, this is your triumph at this moment"
I recently heard Lim perform this with the Boston Symphony and it was spectacular, electrifying, gorgeous! What a classical rock star! Wishing him many years of great performances.
Anyone in 2024?
Here!
Almost every day 🏆🏆🏆
Yes
I’m playing this rn lol
Yes
I came across this performance at 2 a.m. this morning .... and I just booked tickets to fly out and see him in April in Omaha. Never been so impressed and transported quite this way before. What a genius. What a gift.
Wow envious!
Lucky you. Enjoy ♡
Can I carry your luggage🧳 😏 😅 would love to hear him live. Have a blast!!
Have a fabulous time!
You will be very glad you did. I heard him live in Houston. Very, very special.
Sergei would have been proud of this young person and their devotion to this wonderful piece with such masterful technique and interpretation❤️
Not only was that live and in a major competition, it was the most incredible performance of Rach 3 I jave ever heard... 😮
This performance will live forever.
I never tire to listen this genius. There are still people who bring beauty and happiness in our sad times… we are blessed with enchanting performance
i honestly dislike calling an artist „THE BEST“ in anything since it all comes down to taste in the end and preferences, however the galloping section at 38:50 has not been played at such tempo while remaining clearness and steady rhythm throughout (actually goes with a lot of sections in lim‘s performance) and if anyone is fitting for „the best“ performance of rach 3 it is indeed yunchan lim :)
Life is worth living. No matter how hard it is, every life is beautiful as itself.
first time watching this pianist. 11:40 is when I switched apps from shopping for concert tickets back to the TH-cam app. “whoa is this guy serious???” all the comments about the clarity/phrasing are spot on… incredible stuff
Clapping and whistling in my kitchen while the kids look at me like I’ve lost my mind. This is an immortal performance. Nobody has done it quite like this gifted lad.
Agreed. It's just epic.
Listen that from Sgouros
호로비츠, 아쉬케나지, 길렐스, 가브릴로프, 아르헤리치, 안스네스...정말 평생 수많은 라흐 3번 연주를 들어왔지만 임윤찬의 연주는 손에 꼽을 최고의 연주입니다.
오호 김영대 평론가님 클래식도 즐겨들으시는군요.
동감입니다.
이번 뉴욕에서의 연주는 반클레이번 때를 넘어섰다고 생각합니다. 좀 더 화려해지고 풍부해졌습니다. 1년 정도 만에 또 다른 모습을 보여줘서 놀랄 다름입니다.
For me, this is a very close 2nd place, being the No. 1 the Lang Lang’s one 👌🏻
@@eduardovillalon7496 , I love Lang Lang's performance very much.
However, which one is first and second is very subjective.
it depends on each individual's preference.
15:57 I always come back to this. It's shockingly meditative.
임윤찬의 연주를듣고있을때는
힘듬도..고민도 ...모두사라지고
마음에 편안함과 행복감이충만해집니다.
실제공연직관이 평생 꿈이되어버렸네요.
몇일 전에 보스턴공연할떄 라흐 3번 직관하고 왔는데 엄청나더군요.
꼭 보러가세요!
This concerto is a meticulous puzzle piece; the most inspiring of all Rachmaninov’s music. I have listened to this performance a thousand times and every time, I hear the themes twisted and re-contextualised over and over. It is the single greatest piece of music I have ever listened to.
One day I hope to write a concerto as good at this and for someone to play it as good as Yunchan Lim.