REMASTERED: Yunchan Lim 임윤찬 - RACHMANINOV Piano Concerto No. 3 in D Minor, op. 30
ฝัง
- เผยแพร่เมื่อ 15 ก.ย. 2022
- REMASTERED!
Watch in #hdr by subscribing on @HYFI
June 17, 2022
Bass Performance Hall
Fort Worth, Texas USA
YUNCHAN LIM, 2022 Cliburn Gold Medalist
South Korea I Age 18
Fort Worth Symphony Orchestra
Marin Alsop, conductor
RACHMANINOV Piano Concerto No. 3 in D Minor, op. 30
ABOUT YUNCHAN LIM
In June 2022, Yunchan Lim became the youngest person ever to win gold at the Van Cliburn International Piano Competition; his performances throughout showcased a “magical ability” and a “natural, instinctive quality” (La Scena) that astounded listeners around the world. The depth of his artistry and connection to listeners also secured him the Audience Award and Best Performance of a New Work (for Sir Stephen Hough’s Fanfare Toccata).
Just 18 years old, Yunchan’s ascent to international stardom has been meteoric. His final Cliburn Competition appearance with Rachmaninov’s Piano Concerto No. 3 delivered the defining moment of the three-week event; as one critic noted: “The applause that followed was endless: a star had emerged before our eyes” (Seen and Heard International). The video of that performance trended globally on TH-cam in the days after, reaching #25, and has now become the most-watched version of that piece on the platform, amassing more than 5.5 million views in just one month.
Yunchan has performed across his native South Korea-including with the Korean Orchestra Festival, Korea Symphony, Suwon Philharmonic, and Busan Philharmonic Orchestras, among others-as well as in Madrid, at the invitation of the Korea Cultural Center in Spain. His 2022-2023 inaugural tour as Cliburn winner takes him across four continents, with highlights including the Aspen Music Festival, La Jolla Music Society, and Performing Arts Houston in the United States; Seoul Arts Center, National Concert Hall in Taipei, and the KBS and Korean National Symphony Orchestras in Asia; and recital tours in Europe and South America.
Learn More about Yunchan Here: cliburn.org/yunchan-lim/ - เพลง
2024? hands up!
🙌
✋
Here !!
Of course! 👏👏
At some point, the orchestra knew something special was happening, and they rose to the occasion.
오늘 비오는 날 밤 딱 제게 알고리즘으로 떴네요 덕분에 편안한 밤 보내게 됐어요 ㅎㅎ 감사합니다 🩵
알고리즘으로 뜬게 아니라 추천 영상으로 떴겠지
알고리즘이 뭔지도 모르면서 무의식적으로 그렇게 포장된 단어 써서 유식해보이고 싶냐?
@@user-sy7fx4zj3u 즐겁게만 지내세요, 좋은 하루 되세요! ^^
@@user-sy7fx4zj3u 알고리즘이 뭔지도 모를 정도로 무식해서 괜히 욕 하는 놈 ㅎㅎ
@@user-sy7fx4zj3u 삶에서 사람들한테 많이 치이나 보다... 그래도 어디 이상한데 가서 안 풀고 라흐마니노프 들으러 왔네.
I wish Rachmaninov was alive so that he can see this
Cant actually believe this was in a competition
It wasn't, not for him. 😂😉
@@sergei-prokofiev Yes, it really wasn’t. Yunchan Lim 임윤찬 didn’t even want to appear in a “competition” and his teacher Minsoo Sohn 손민수 convinced him by saying “Don’t treat it as a competition. Treat it as a performance.”
Truth
It seems odd.
I came to watch the piano competition,
but this person is holding a concert.
This music makes Rock & Roll seem like cave men beating on logs.
When his playing is so good that almost every comment is a whole paragraph
A RACH 3 for the AGES! ♥♥♥♥
I'm a grown man, and it's bringing tears to my eyes.
Every time I come back, tears too.
Rachmaninoff was a brilliant composer. Doesn't really matter who is playing - the notes and phrasing are all the same.
@@jimmorrison4ever529
That ranks as one of the dumbest posts I have ever read on the internet. Have you stumbled into this thread by mistake? Maybe try the Sleepy Go Bye Bye videos. By your logic, music is simply a series of lines, spaces, dots and dashes. You've left out the competence of the musician...do you seriously believe that anyone who can play Rachmaninoff's dots and dashes can win the Cliburn Competition?? Horowitz was simply, average?? 😆😆😆
@@Jack-hy1zq I attended two music conservatories on scholarship and have been playing the piano for over three decades. You missed my point entirely and I can tell you've never learned this piece and are merely just music listener. Like a fool, you took what I said and went on an abusive hot-headed rampage. I sympathize for those around you having to listen to your level of entitlement and bizarre verbal abuse. Try reading your comment to me - that, my friend, would be the dumbest thing you've ever read on the Internet. It certainly was for me.
@@jimmorrison4ever529
"It really doesn't matter who is playing". That line would never be written by someone who had attended a conservatoire and played the piano for decades. I do not believe you.
I propose that in next Voyager spacecraft, the golden disc with message for other civilisations include Yunchan's Rach 3 concerto
I agree about that
... but not this remastered version..... better the original
That would be nothing but a sign of the crippling of artistic expression in our times.
@Albert wow.... who are you?
@@othmanhassanmajid8192😂the one where the left channel switches off for a moment? Ok.
How is this even possible
Nobody knows
Natural talent and practice!!!
he practices usually around 1pm to 3pm not kidding
yes, 3pm of the next day
@@originof8557😂
I bought a pair of studio headphones so that I could hear this better. It was worth it!
I need to see him live one day
I had tickets for this performance. I couldn't go because I and my family caught COVID! it was the absolute worst possible time to catch it. Gave my tickets away.
@@orchidmozart1 oh no, im so sorry to hear that :(
I agree with you. Even though I'm Korean, it's so hard to get a ticket that I haven't been to the concert.
I saw his Bach performance after this magical performance. He's just... no words can explain. Anyway, I've heard that he's playing with the New York Philharmonic in NY next year. You should check it out.
@@orchidmozart1 ㅠㅜso sorry about that
The orchestral performance is somewhat overlooked due to the brilliance of the piano soloist, but the FWSO played beautifully also, as if they knew they were in the midst of a historic performance! Kudos to all involved. Marin Alsop obviously knew it also!
I have to go to work but I cannot stop listening.... HELP ME!!!!!
This is a competition, not a recording or recital.
Still, it's one of the best Rach 3's ever played.
We met a genius.
A genius paying tribute to another genius. Rachmaninoff would be proud and touched by this outstanding performance.❤
Agree. Very close to Horowitz’ interpretation.
@@uralbob1I would say close to Horowitz’s interpretation with less wrong notes
@@uralbob1 Horowitz, Volodos, Bronfman...bit of each inspiration
@@benebacher2470 Ha, the comment made me laugh for some reason.
A recent interview with Yunchan Lim -September 15, 2022
(whenever I write the link, it's being deleted immediately. So I copied the whole thing)
There are few comparables for what transpired this past June in Fort Worth, Texas. Music lovers around the world watched in bewilderment as an 18-year-old South Korean pianist set new competition standards, first ripping through Liszt’s Transcendental Etudes, then moving listeners to tears in Rachmaninoff’s Piano Concerto in D minor (Op. 30). Below is the transcript of our September 2022 e-mail exchange with the phenomenal pianist, Yun-chan Lim.
EH: At what age did you realize that your musical gifts were perhaps a bit unusual ?
Lim: I never thought I had musical talent in my life. I started playing the piano at the age of seven, and I'm just a person who loves music so much that I'm trying to make great music.
EH: Do you believe you played your very best at the Van Cliburn ? Is there much more you could have done in, say, the Transcendental Etudes or the Rachmaninoff Third ?
Lim: I don't think I was in my best condition at the Cliburn competition. I entered the stage thinking about Carl Sagan's pale blue dot, but I couldn't help being nervous and couldn't show 100% of me. I had to create more universes and there was a possibility, but it didn't come out easily.
EH: The world would love to know your thoughts on the Rachmaninoff Third Piano Concerto. Whose recording inspired you to play it so magnificently ? Is Rachmaninoff a composer who speaks to you on a personal level ?
Lim: Rachmaninoff is like Bach. All the voices are singing their own beautiful songs, and they're developed in a really detailed relationship to create highlights. It's one of the most important factors in Rachmaninoff. I've rarely listened to any other playing than Horowitz and Rachmaninoff. I decided that it's right to listen to the most basic recordings.
EH: On the other hand, is there are composer whose works you cannot fall in love with - or a period of music - that simply does not speak to you ?
Lim: My teacher said, "The composer is not at fault, the performer is always the problem."
EH: Stephen Hough, Daniil Trifonov, and Marc-Andre Hamelin are a few of today’s pianists who perform and also compose. Do you spend any time composing ? Is it necessary for a great performer to compose ?
Lim: Every pianist has to compose. I learned music (composition) at school for two years from Min Jae-jeon, a 2009 winner at the Queen Elizabeth competition, composition category. He told me that a pianist should compose and play his own music. If I can do that, I'll do that.
EH: After the competition, you told the world, “I made up my mind that I will live my life only for the sake of music, and I decided that I will give up everything for music”. What a beautiful sentiment. What are some of the more meaningful musical moments - recordings, live performances, or personal music-making - that have led you to this decision ?
Lim: I think the most beautiful moment to taste music is when a musician practices in the practice room. The artist's practice room is a space that creates various universes, and you can see the frustration and joy of making great music through many attempts. This process was not only for my teacher, but also by pianists like Schnabel and Sofronitsky.
EH: One of the more famous prodigies in America, George Li, told me he was practicing 3-5 hours a day by age 8; as many as 6 hours by age 9; and by his teens, he was doing eight hours whenever possible. How much practicing did you do growing up ? Are you a compulsive practicer, or do you need to be pushed with lessons, concerts, deadlines, etc ?
Lim: George Li is one of the musicians I respect most, and I have always admired him for learning from my teachers, Russell Sherman and Wha Kyung Byun. I practiced for 4 to 5 hours when I was young, but I practiced for 8 hours since I was 12 years old, and now I do it all day. It could be pressure for the concert. Because there is pressure not to disappoint people who pay to see it.
EH: People have noticed a breath of freshness, a certain unbridled freedom you attack pieces with. Do you take chances when you are on stage ?
Lim: I think every pianist can improvise. In fact, Horowitz and Rachmaninoff admired Art Tatum, and the Hungarian musician, Liszt, was also a master of improvisation. If you just do what you've practiced, it causes tension and you lose many possibilities on stage.
EH: What is your relationship with the audience ? Do you deal with stage fright, or, are you like Arthur Rubinstein, who needed an audience in order to give his very best impression of the music ?
Lim: Music was born to communicate. I want to share my ideas with the audience and ask them for their opinions, and this is probably one of the most beautiful things in the world.
EH: You are quickly becoming one of the most talked about musicians in the field. What is one thing listeners probably don’t know about you that you would like for them to know ?
Lim: Not really, because I'm just a person who makes music, and I'm not much of a person at all.
EH: You are currently working with Professor Minsoo Sohn at the Korea National University of Arts. What are some of the most helpful ideas he has imparted upon you ? Will you stay with Professor Sohn, or do you have plans to study with others in the future ?
Lim: I can't tell you my future plan, because I don't know if I'll die tomorrow or seven days later. My teacher’s musical ideas surprise me every time, and Sohn always comes up with new ideas. Sohn values interpretations that people can understand. All ideas are based on good evidence, and my teacher says it's important to bring out the songs deep in my heart into the real world, not to play them like the trends that others play.
EH: Which pianists - dead or alive - mean the most to you ?
Lim: There are so many artists in my mind, but Stanislav Neuhaus, Cortot, Schnabel, Horowitz, Rachmaninoff, Yudina, Josef Lhevinne, etc. are most inspiring to me.
EH: It is the responsibility of the performer to be faithful to the score. Is it possible for a great performer to surpass the vision of the composer ? (I’m thinking of those like Horowitz and Gould, here)
Lim: In fact, no one knows what a composer wanted. Even the composer himself might have something he wants to fix if he were to come back to life. Every musician should be able to sing his or her own song in a given score. If you look at Horowitz's performances, he adds notes that are not in the score, or sings in a completely different phrase, but it doesn't matter because it persuades many artists.
EH: Because everybody struggles with something - which Chopin or Liszt Etude is the most difficult for your hand ?
Lim: I've played all 24 of Chopin's Etudes and op. 25 a lot, but I haven’t played the whole op. 10 on-stage yet. But what I feel is that the Chopin Etude, which has to express characters and the universe for each song, is more difficult.
EH: Your upcoming program in California includes the astonishing Liszt ‘Dante’ sonata. You said you almost memorized Dante’s book from cover to cover. How long does it take you to learn and memorize a piece like the Rachmaninoff Third Piano Concerto ?
Lim: I played the Dante sonata in 2020 and read so many times the great man Dante. Maybe not now, but at the time, I remembered enough to say the words of the book without looking at it, and I think it really meant that I was inspired by Dante. It depends on the piece, but in Rachmaninoff's case, it took seven days for each movement to memorize it.
EH: Korean-pop culture has recently turned into a global phenomenon. Do you listen to pop music yourself ? Are you proud of the growing international success of your country ?
Lim: I'm very proud of the international success of the music, but at the same time, I haven’t listened to a single thing yet.
EH: There are some who hold the belief that a pianist from country X cannot truly understand the culture of a composer from country Y ? What are your thoughts on this matter ?
Lim: Only the stupidest people in the world would have that idea. A great pianist from Japan can understand Rachmaninoff 100%, and a great pianist from India can understand Beethoven. Because this is music. If you try hard enough, you can understand everything about the composer. This is a matter of individual, not race and nationality
EH: Is there anything about the state of music right now - bad programs, musical ignorance, the way performers sound, lack of inspiration, etc. - that you would like to change ?
Lim: I do feel that the world is changing one dimensionally. I think there are a lot of people who swear when new things come out, because they live in a one-dimensional world, they don't get 12 dimensions of inspiration. Artists have to try new things every time and think constantly.
EH: Thank you for taking the time, Yun-chan. And all my very best to you.
Lim: Thank you!
공유해 주셔서 감사해요:D
감사합니다.
감사합니다
감사합니다~~~^^
oooooh I would like a copy of this interview PLEASE
How can I copy it ?
this performance is insane
Even Rachmaninoff would like this rendition.
And Yunchan's Ossia.
He played Rach 3 with the NYPhil at the Lincoln Center last year in May and he played the Ossia with his personal added touch. Such an incredible rendition, so fresh and new. Yunchan is quite known to improvise with his personal touch.
At that time, I saw an orchestra member who performed with YoonChan-Lim said that it was a pity that a lot of the sound had disappeared at youtube play, and I am very much looking forward to it.
From the VC magazine;
The Friday night Final Round concert had just wrapped, and a group of us
were walking down the street to the post-concert Patron Party at the
City Club. Everybody was strung as tight as, well, as tight as a piano string.
The signs were unmistakable: dilated pupils, nervous and excited chattering,
an overwhelming sense of euphoria and rapture-we were all high on
Rach 3, Yunchan Lim style. Everyone was talking over everyone else.
I turned to former Cliburn Chairman Alann Sampson and wondered how
a teenager could even understand that level of emotion, noting that he
hasn’t had his heart broken enough to play like that. She just shook her
head and said, “Otherworldly.”
- Jeffrey B. King
Chairman of the Board
oh thank you so much for sharing
Truly otherworldly!
I believe he's had his heart broken a million times from his other past lives as an artist ... or nothing can explain this phenomenon!!!
An entire palette...faster than the speed of color... slowing to a singular delicacy that moves you with joy's silence...
We love grandmaster Lim...
Gyorgy Sebok said that a three year old has experienced enough of sorrow and longing to express it. 😑
I enjoyed this more than World cup soccer lol ❤
I was thinking that Rachmaninoff would probably compose a piece for this guy to play until I realized that he actually did.
I wonder how the other 5 finalists felt after witnessing this iconic performance.
I guess they were speechless and knew they weren’t going to win.
He kind of ruined this concert for me..now I only want to listen to THIS version..in loop..forever and ever till the end of times.
I can't agree more to you😂
Yeah, me too! It's the best version I have ever heard
Totally agree! This is a serious problem. I mean it.
Fr, had us in the first half, but I completely agree. It’s astonishing how amazing he is, I plan on learning Rach 3 in about two years but nowhere in a million years could I reach his level of just pure music. He is the marvel of the century
There are plenty other remarkable performances like Horowitz, Bronfmann, Berman... No need to listen this one in a loop
Isn't it surprising, Yun Chan Lim said that he only performed 30% of his capacity?? Like you can DO BETTER?? HOW?
How can this be from a competition contest?!?? This must have been a concert!!!!! How!!!!?????
People will be talking about this performance in the way that we speak of Horowitz, in the decades to come. Just amazing.
"스테이지 위에서 울어본 적이 언제였는지 기억도 나지 않는다. 임윤찬의 예술성에 감동했다. 윤찬은 어린 나이임에도 불구하고 이미 성숙한 영혼을 가지고 있고, 완벽한 테크닉과 함께 경탄스러울 만큼 놀라운 재능을 가지고 있다. 헤아리기도 어려울 만큼 깊이 있는 내면의 음악을 가진 것에 대해 칭찬하고 싶다." (마린 알솝)
“윤찬과의 라흐 3 공연 때는 내가 이전에 그 어떤 공연에서도 느껴보지 못한 엄청난 에너지의 기운이 감돌았다. 심사위원 바부제가 "고귀함"이라는 단어를 사용한 것이 좋았다. 그 모든 불꽃과 로켓을 단 듯한 빠른 템포에도 불구하고, 오케스트라는 알았다. 그것은 그에 관한 것도 아니고, 우리에 관한 것도 아니라는 것을. 그것은 음악에 대한 헌정이었다. 역사적인!” (포트워스 오케스트라 단원)
““보통 사람의 인내심에는 한계가 있고, 어떤 악절을 연습하다 보면 이만 하면 되겠지 안도하려는 본능이 있는데, 윤찬이는 가장 높은 기준을 향해 절대 만족하지 않는다. 윤찬의 연주를 보면 때론 작곡가와 가장 사적인 공간에서 둘만이 이야기하고 있는 것 같다. 작곡가가 요구하고 이야기하고 싶어 하는 메시지를 담아내기 위해서 외길을 간다. 이번 콩쿠르 기간에도 윤찬이가 새벽까지 연습을 거듭한 뒤 궁금증이 남으면 문자로 보내는 일이 다반사였다.” (손민수 교수)
“라흐마니노프 3번은, 초등학교 3학년 때 처음 듣고 너무 충격을 받고 평생 좋아한 곡이기 때문에.. 제가 피아노를 칠 수 있게 해 준 존경하는 모든 예술가들에게 바친다는 마음으로 연주했다. 그리고 매 경연마다 작곡가들이 남긴 위대한 유산을 잘 전달하는 데만 신경을 썼다. 결선 반주를 지휘한 마린 알솝은 가장 존경받는 지휘자 중 한 분이고, 내가 특별히 뭘 하지 않아도 알아서 잘 맞춰주셨다. 세상에서 가장 열정 적인 콩쿠르 관객의 뜨거운 응원이 큰 도움이 됐다. 그리고 제가 먼저 오케스트라 단원분들에게 마음을 여니까 오케스트라 단원분들이 저에게 맞춰주셔서 더 음악에 빠져서 연주를 할 수 있었다.” (임윤찬)
: 남들이 쉽게 가는 길 말고, 아무도 가지 않은 어려운 길을 가는 사람이 되고 싶다는 아름다운 피아니스트 임윤찬! 그의 위대한 스승 손민수 교수님과 반 클라이번, 마린 알솝, 오케스트라, 호스트 패밀리분들께 진심으로 깊이 감사드립니다. 모두의 음악적 헌신과 노력으로 탄생한 이 멋진 영상을 매일 들을 수 있어 행복합니다. ‘임윤찬의 라흐마니노프 3번’ 영상은 앞으로도 오랫동안 수많은 사람들에게 깊은 감명과 영감을 줄 것입니다.
너무 감동입니다.세달째 윤찬군 덕분에 행복합니다!
항상 좋은 글 감사합니다.♡♡♡
고귀함과 음악에 대한 헌정이라는 귀절이 인상적이고 정말 공감합니다
이거 맨위에 고정 댓글 됐으면 좋겠네요~^^
@@Jenna-mp9tp 저도 그날부터 지금까지 듣고 또 듣습니다. 감사하고 행복하네요. 🙏
Who else has viewed - experienced, rather - this at least fifty times, awestruck each time and reliably tearing up toward the end, and has just realized they never pressed like? Lol
Я тоже иногда от восторга забываю поставить лайки😊
Exactly 😂 Had to make sure I was liked after reading this
@@elmiramuradova561😊😊😊😊
Meee😢
WHAT JUST HAPPENED - I am in shock at this talent
A titanic performance now superbly remastered. thank you for posting.
I still can't believe that I was there in front of stage😍
영상의 소리가 현장에 비해 어떤가요??
궁금합니다.
영상도 좋지만 맨앞에서 오케 단원들, 지휘자님,그리고 윤찬군의 호흡 까지도 느낄수 있어서 정말 황홀했습니다..
@@user-hr1zl5pq3d 최근에 커튼콜에 moc대표님이 출현하셨는데 현장 분위기의 반도 못담으셨다고 했어요.
The absolute joy on the face of Marin Alsop at 32:35. She knew he was the ONE
I am so lucky to be living in the Yunchan Lim era.
What makes this performance very special is that it is not a concert nor a recording, but a contest. It was literally a performance that you can only see once in your life. A huge thank you to the Van Cliburn Competition for allowing me to hear these performances.
Yes, this is competition, this should be blood, not art, just pianists hitting each other with their instruments and panels thereof.
ALSOP IS A HACK, THE WINDS SOUND AWFUL, CLUSTERS OF NOTES, IN THE BRASS, I FEEL SORRY FOR THE GREAT PIANO TALENT PLAYING, NOT TO MENTION HOW THE ORCHESTRA LAGS, HOW DID SHE GET THAT GIG? OPUS 3 IS HOW
Where is gergiev when he is needed
@@peterrobles3910 cut the orchestra some slack. this was the last performance of a grueling schedule where they played this concerto along with others many times. Everyone in that orchestra was pretty fatigued by the time this performance happened.
🎉🎉🎉🎉🎉
I can't stop listening to this. I come here every night after work listening to this and his other performances.
join the club!
He is a genious
You're not alone. 😂
저도요❤
Ditto😂
Rather than the orchestra accompanying the pianist, Yuachan Lim is playing with the orchestra and the conductor and they are playing with him. A beautiful, magical experience.
The part where he turns directly to the orchestra and put his thumb up like “let’s do this” before what I call the “horse race” is so epic.
timestamp for this?
28:40
It was a remarkable moment - connecting to all those playing with him. I've never seen anything like it before.
I want to forget this performance so that I can watch it and be amazed again.. though it never fails to amaze me, no matter how much I listen to it.
Rach 3 GOAT! 😭 Always has me in tears. 😭 Excited for his world tour. I hope to hear his Rach 3 live.
New standard for Rach 3.
I never tire to listen this genius. There are still people who bring beauty and happiness in our sad times… we are blessed with enchanting performance
This performance will live forever.
이 녹음은 인류의 문화자산입니다.
👍
I saw Marin Alsop conduct the Chicago Symphony Orchestra with Yunchan Lim performing this piece last Saturday at Ravinia Festival. I was standing just outside of the pavilion, stage right, where I could see the piano keys directly. I witnessed something incredible.
One of a select few you were
I was there too! Breathtaking.
Once in a lifetime thrill!
You are the CHOSEN ONE!!! 👍wow...
Clapping and whistling in my kitchen while the kids look at me like I’ve lost my mind. This is an immortal performance. Nobody has done it quite like this gifted lad.
Agreed. It's just epic.
Listen that from Sgouros
Wow wow wow. That's all I can say.
No doubt Rachmaninov himself is watching this performance in heaven over and over (like all of us) with a huge smile on his face.... 👏👏
I am crying. My 6 yrs old son asked why.
I answered it is because the sun light is too bright over this troubled water.
I came across this performance at 2 a.m. this morning .... and I just booked tickets to fly out and see him in April in Omaha. Never been so impressed and transported quite this way before. What a genius. What a gift.
Wow envious!
Lucky you. Enjoy ♡
Can I carry your luggage🧳 😏 😅 would love to hear him live. Have a blast!!
Have a fabulous time!
You will be very glad you did. I heard him live in Houston. Very, very special.
Marin Alsop has probably performed this piece dozens, if not hundreds, of times. Watch her wipe tears from her eyes at the end, acknowledging that this was something special. I wish he had chosen the longer cadenza, but I'm looking forward to replacing my current favorite of the Rach 3 with this remastered version. Thanks to the Cliburn for their help in bringing the competition and contestants to people, like me, who are unable to travel to the live event.
Yes Danny Goodman - you are quite right are you doing justice !Bravo for this! Some kind and warm words - so fair - about the great nort-american conductor Marin Alsop (born in NYC 65 years ago) being.director laureate of the Baltimore Symphony Orchestra and attending by God direction, the Cliburn Competition this year.And a most unique remarkable event happened She gently decided to adopt Yunchan as a spiritual her grandson
Gently and determinated she conducts brilliant her musicians in an extraordinary way, resolute and tender faithful and full to the unique soul of Rach sonically enabling Yun's pianistic virtuosity to seamlessly merge into an anthological musical utterance that may never be repeated the same. That unique and splendid night Marin and Yun became the newest members of the sacred pantheon of the Immortals.
With reverence,gratitude and identity, the young classical composer Yan Ayrton.
Discover me also.Danny . I am a rare and gifted young classical composer.(Be prepared for a imense and rewarding all-jife surprise)
2022 is a good year to Marin Alsop: she performed Rachmanioff Concerto 3 with Yunchan Lim and is currently on a tour in Japan performing Chopin Concerto No. 1 with Hayato Sumino. Two exquisite and exceptional young talents. She wiped off tears during this performance with Lim; she has had big and happy smiles during her performance with Hayato Sumino. 😇🙏🏼👏👏👏💕💕
I agree. Marin Alsop - not much mention made but she is a great conductor because watches each soloist so closely. VC Foundation is to be applauded for making this event accessible to those who are unable to go to Fort Worth much less attend.
👍👍👍👍👍
1111
He Deserve Gold Medal !!!
Alsop’s smile at 32:37!! What a magical moment
Can't even explain how I feel right now. so many emotions. Had to sit in silence for a minute to regain my composure. I really hope I'll be able to see him perform live someday.
That’s what Marin Alsop had to do after it was finished. She couldn’t walk off the stage with Yunchan. She was overcome and needed a moment to gain her composure.
Thank you, Cliburn!!!🤍🖤🤍🖤🤍🖤🎹
If it sounds this and compelling and emotional coming out of my tiny built-in computer speakers, imagine what it must have sounded like to the audience members who were there that day! Bravo!
Shed a tear listening to this live with the New York Philharmonic
I'm still in a daze...
which do you think was better? The cliburn performance or the new york one? I wish someone would upload his latest rach performance onto youtube
@@tyrrelllox7392 The Ossia Candenza in David Geffen Hall was a transcendental experience. I still heard ticks in both performances. Looking forward to Vail
Hey the dci guy likes classical music! Cheers from BK 23’ hope you come to watch us.
@@ThatWasLoud where can I dm you?
I watched this as I was on my deck looking at the eclipse. Both were fascinating and extraordinary. However, YLim was the winner. I have watched again and again. Also, congratulations to the conductor and orchestra. Fabulous.
It's a masterpiece I'll keep for the rest of my life! Yoonchan's Rach3 performance is GOAT!
Definitely
We have to give credit to conductor and the orchestra too.
They really paid attention to how he wants to play the piece.
Yes you are right. Thanks all ❤
So very true! Well said. The conductor masterfully followed him while guiding the orchestra to lay a foundation underneath.
맞아요! 지휘자 연주자 단원들 모두 진정으로 소통하는 무대였습니다
Indeed.
@@luvleecha8029 The conductor and the orchestra simply followed Yunchan's lead.
Sergei would have been proud of this young person and their devotion to this wonderful piece with such masterful technique and interpretation❤️
watching this on repeat as I prepare to see him perform the concerto n°2 tonight
just can't stop watching it!! personally, the best Rach 3 ever!
unbelievable performance. melted my heart. he deserves the world
This is why it's still worth living.
15:57 I always come back to this. It's shockingly meditative.
my heart is swollen, i've fallen in love with this boy.
there is so much to unpack. his wayward hair, his suit too long at the cuffs, the way he steadily creeps closer and closer to the piano throughout his performance only to remember at the last moment to pull away and right his posture. he is for all intents a boy. yet lim yunchan is able to produce such a magnificent, utterly breathtaking performance the likes i have seldom seen.
his technique is phenomenal, obviously. the articulation and enunciation of each note and the crispness he maintains even in the most muddled of passages. the sound he is capable of when the whole orchestra is playing their hearts out. yet there is the innocence of his character that sings through. this piece was as dense and robust as it was delicate and playful. the low set of his palms and the tenderness and passion he plays with reminds me of horowitz in his later years. he is also mature enough to allow the other instruments and soloists a spot in this performance, in a competition no less where most musicians would focus on showing off their own skill.
i love listening to music, of course, but i have never been so bewitched as to sit here and watch with fascination for all forty-three minutes of this. the way he leans into the conductor and the ensemble, jumps toward them almost, is so endearing. as if he's saying, "catch me please" at times and at others "jump with me too; meet me here". and the orchestra does, they catch him and embrace him like a mother would her son. there is something so honest about that.
i had chills; i'm filled with sorrow at the thought of never being able to experience this for the first time again. i'm envious and darkly jealous. "if only i loved the piano a little more" i thought at times, "if only i'd loved playing as much as i love listening". but i'm also wowed by the graciousness of him to have created this moment for everyone watching and listening. it is things like this that give me hope for the world. for as doomed as it feels we are, for something so beautiful to have been made must mean something, right?
I hope you are young enough to say that
I love music as you do, to describe what you have done so eloquently places me in the same place listening and appreciating the persona of this little master while he plays. I describe to others a meeting such as this where the muscian(s) play so magically together that they pen a master piece. This I call magic of a live concert and am pleased to have been in that moment to catch this performance and the magic that ensued. Bravo
@@suburbaninhabitor
1) falling in love with someone does not have to be romantic, i guess it's hard to explain what i mean though. i hope you get to experience falling in love with a musician, a friend, with life the same way i have.
2) if google is honest i am like three months older than him ???
@@ningning2023 yes ik im joking
Of course, it does. Seeing this performance, I felt proud to be a human being, in that we were able to put together something so beautiful and devine. And that we could be as one in this concert, for I believe there's no separate player and listener but only music itself when something this beautiful happens. Music is transcendental in that way, too.
Unreal.
1.45 am and I’m working at the computer and I wanted some Rach. Do you think I can actually work right now?
It’s like there is no pianist. Only the music. Pure, cascading, uplifting, enticing your being into otherworldly realms.
Unreal. 😮
So many people used to say "He is gifted." But i must say "He is the gift. The gift for all living, not just only mankind, can listen this amazing music."
"out of orbit"
궤도 밖으로 나감으로써 자유로움을 찾은 피아니스트.
듣는 청중들까지도 손을 잡아 끌어.. 궤도 밖 어딘가에 있었을 세르게이라흐마니노프를 만나게 했군요..
캄캄한 하늘에 새로운 획을 그리면서 가고 있는 윤찬림. 이탈했지만 자유롭고,
궤도로 돌아오지 못할지라도 청중들은 기꺼이 박수를 칠 것입니다.
자유롭게 , 새롭게. 당신 만의 궤적을 그리면서 가십시요.
It is just a magical moment of 43mins.
He can play Rach 3 like this virtuoso at the age of 18...I come in every day and listen to him play Rach 3. It purifies my soul to think about his playing and the passion he puts into practicing.
Thanks to Marin
You made the bird fly free.
I could feel your warm regards toward the young guy all through the music.
Great conductor!!!!
Most endearing dialogue between the conductor and the soloist that I have ever experienced. Great respect to both artists together with the whole ensemble.❤
The orchestra's performance got deeper and the pianist's performance took us to heaven.
I have never heard someone play with such honesty before. I've seen plenty of dramatic performances from pianists , but this more than any I've ever heard or seen is purely from the heart, nothing done to wow. It's a powerful thing to be on stage and be "on", something I've experienced a few times. I've found myself in the middle of a choir during a performance moved to tears and had to quickly compose myself to continue. A sacred experience that I'm reminded of while watching this young man. I feel like he has allowed us the privilege of watching him play something publicly that is very private and sacred to him. Something that he is not obsessed with showing off repeatedly in flashy manner, but rather someone who is kind enough to share his brilliance with such grace . Amazing, and absolutely beyond his years.
Grigory Sokolov ~ Rachmaninoff concerto 3
@@adrianopiano5551
I like the word Hoensty.
Beautiful comment. 😎🎹
what an honest praise.
I seem to keep re-listening to it at least once a day. I think it's the most impressive of Rachmaninoff's piano concertos I've ever heard.
Unbelievably incredible performance.
He has something special... I do not know how many times I have been watching his performance. He is just amazing.
볼 때마다 느끼는 거지만 참 예술적이다 라는 말이 절로 나오네요. 다른 사람의 라흐3 공연을 보면 기계적이다 라는 생각이 제일 먼저 떠오르는데 이 공연에선 기교가 하나도 안보여요. 피아니스트는 마치 노래 하는 것 같이 들려요. 호흡이 너무 자연스럽고 전체 곡이 마치 하나의 스토리 같이 느껴지고 라흐마니노프의 자서전을 시청하고 있는 상상을 하게 만듭니다. 그리고 진정한 콘체르토가 무엇임을 알게 해줍니다. 알솝 지휘자와 임윤찬 피아니스트의 호흡이 찰떡궁합. 또 피아노가 오케스트라의 하나의 악기에 불과함을 느끼게 됩니다. 협주곡에서 피아니스트의 음악에 대한 자기 희생이 무엇임을 보여 줍니다. 이기심을 버리고 음악 그 자체에 헌신하는 피아니스트와 그에 호응하는 오케스트라와 그 지휘자까지 모든 것이 거의 완벽한 혼연일체된 공연. 지휘자 알솝의 멋진 카리스마와 배려심. 그로인해 더 돋보이는 임윤찬 피아니스트의 신들린듯한 연주. 매일 저녁 퇴근하고 들어와서 최소 두 번은 시청하게 되네요. 아, 라흐2를 다시 들었는데 마치 라흐3과 라흐2는 서로 이어지는 이야기가 아닐까라는 생각을 하게 됐어요. 그리고 이 곡을 매일 들었더니 마치 20세기를 대표하는 곡이 아닐까하는 생각도 들었어요. 특히 마지막 3분간의 대단원의 막은 전형적인 20세기 초반의 격동적인 세계를 대변한다는 상상을 불러 일으켜요. 이런 생각과 감상이 나만의 생각일까요? 여러분은 어떻게 생각하세요?
완전 공감해요 내 마음을 그대로 읽은 것도 모자라 깊숙히 더 알려주신 느낌
오홍, 저도 비슷하게 느끼긴 했지만 말로 차마 표현이 안 되었던 것을 정확히 짚어주셨네요. 진짜 희생이란 말이 맞는 것 같아요. 돋보이려는 욕심, 그래 내가 독주자인데 스포트라이트를 받아야지하는 생각으로 쳤으면 저런 음악이 안 나왔을 것 같아요.
마자 딱 그말! 공감. 누군가의 자서전을 보고있는 듯한 느낌
+ 튀어나와야 할 때는 먼저 달려가서 오케스트라가 따라오도록 하는 강렬함! (29:33)
제가 머릿속으로만 한 생각을 정말 멋진 글로 표현해주셨네요!!
맞아요. 경연장에서 이런 퀄리티의 공연이 나올 줄이야!!♡ 40분이 순삭되는 느낌 저만 느끼는 게 아니군요.
라흐3을 임윤찬의 연주로 처음 접한 저는 행운아라는 생각이 드네요.(다른 버전을 받아들이기 힘들다는 단점도 있네요^^;;)
오랜만에 이 새벽에 다시 듣는데 들을 때마다 벅차 오르네요. 언젠가 공연장에서 직접 보고 들을 수 있는 날이 올 거라 믿숩니다❤
Still tearing up. Let's cherish this video for the coming ages..
That low B-flat on 24:18 with a thumb - allmighty heavens! :D Rach: "There's no Gong in my concerto" Yunchan: "There is one" ;)
i honestly dislike calling an artist „THE BEST“ in anything since it all comes down to taste in the end and preferences, however the galloping section at 38:50 has not been played at such tempo while remaining clearness and steady rhythm throughout (actually goes with a lot of sections in lim‘s performance) and if anyone is fitting for „the best“ performance of rach 3 it is indeed yunchan lim :)
I was there, he IS the gift to our world.
Lucky you !
Its been a year yet this is just on the top od my youtube sesrch list
The recording of the century
3악장 클라이막스에서 18세 소년이 어떻게 살아왔는지 알 수 있었습니다. 이 순간을 위해 살아왔다는 듯이 영혼을 불사르는 연주에 눈물을 안 흘릴 수 없었습니다.
it’s not a competition but a concert which opens a new era of classic piano!!🎉
Speechless. The 3 is definitely his now.
Im at least one thousand of the views i think 😅
I just can't get enough of Rach3 by Y-Lim!
Yunshan's playing is so brilliant he almost makes me forget that he is playing Rachmaninoff music...!!
THIS is what LIFE is all about ❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤
I finally get to see him playing Roch 3 tomorrow and can’t believe how lucky I am. I’m pretty sure I’m going to cry!
I was holding my breath the whole time and couldn’t take my eyes off from him. It was the most amazing concert of my life! Will remember it forever.
@suekim8946 where did you seehim? LA?
Just listening to this performance is not enough. When I listen to this music, I see the video.
Seriously, there is no better Rach 3 performance than this magical one.
Rach himself playing it?
There is - Olga Kern.
Argerich and Chailly, televised, is absolutely out of this world.
Ok, now you can go listen to them. I'll stick with Lim.
@@EpicPianoArrangements I'd seen her concert with Pacific Symphony. Not much stamina to be honest. I guess she is getting old.
Not only was that live and in a major competition, it was the most incredible performance of Rach 3 I jave ever heard... 😮
Monday morning I'm listening to it again and tearing up.
Shouldn't this be in the Guinness Book of World Records? 😮❤️🔥
They even stopped recording the amazing performances of the entire Flight of the Bumblebee in under 5 seconds in the Guiness book of records.