Masterclass nº1 David Kadouch - no.16 - Barenboim on Beethoven
ฝัง
- เผยแพร่เมื่อ 6 พ.ย. 2017
- Playlist: • Barenboim on Beethoven...
David Kadouch - Sonata No. 16, first movement.
Saleem Abboud Ashkar - Sonata No. 21 "Waldstein", first movement.
Lang Lang - Sonata No 23 "Appassionata" , first movement.
Shai Wosner - Sonata No. 17 "Tempest", first movement.
Alessio Bax - Sonata No. 29 "Hammerklavier", fourth movement.
Jonathan Biss - Sonata No. 30, third movement.
The genius of Barenboim imparts his genius to the next generation. That is what is important here...Totally mesmeric...
"I swear it was piano in mine" :0 I can completely relate with this LOL
"There is a moment when liberty becomes in anarchy", well said Maestro Barenboim.
This is amazing. This whole video is a jewel of youtube.
진짜요?
This young fellow, David Kadouch, is a true artist. I gotta hear more from him. Absolutely over the top wonderful.
Pensé que sólo iba a verlo unos 10 minutos, y sin darme cuenta ya habían pasado 40 minutos
Yo vengo llegando, que bueno que me adviertes, pondre mi alarma para no quedarme de mas jajaja
Qué lujo poder acceder a este tipo de cosas. Un diamante entre muchos cristales de vidrio
Always colorful, full bodied, filled with character and sonority.
A true delight that leaves unsuspecting bystanders with a flavorful aftertaste.
Barenboim farts never disappoint.
My father is a dentist, my mother is my mother :)
I died at this lmao
Hahaha I died too
앜ㅋ
Fantastic 🌚
And my mother is a non-dentist
If you go for master classes,always expect some criticism. There will be no master class ever where the teacher will just - after the performance - say "wow, that was perfect"
Mister Morne Van der Berg krystian zimerman on schumann fantasiestücke:)
I plan to make it happen. Though it may be very difficult.
Max Hampl is that one where they played it perfect? Can I have a link to the video?
th-cam.com/video/ALDzxU452gA/w-d-xo.html
@@dieaxeldesguten3688 Thank you for referencing this video....absolutely stunning Masterclass by Zimermann
Incredibly insightful! There is so much natural resonance and contrast that comes directly from what is written on the score. I often make the mistake of becoming too "inventive" too soon and "bending" the text as Barenboim mentioned before truly exploring the vast range of character that can come from just the harmonic, rhythmic and dynamic structures alone. Before I begin having thoughts to go against what is written I must truly understand the extremities of what can be done with the written score first. This will help me to understand my intentions and how to express them without "rewriting" the music. This way, my interpretations can achieve both the necessary authentic feel of the piece as well as whatever desired character I aim to portray. The intentions of the composer are equally as important as the performer, and they must be understood to the fullest. Thank you for posting this amazing masterclass!
Well put, and I agree a hundred per cent.
I thought the performer should fully understand and then serve the composer and his composition?! It's ALL about what the composer want's to tell us, about HIS story, isn't it???
"Creo que este es uno de los primeros momentos en que vemos que el sonido permite que la música tenga una dimensión trágica, porque cada nota esta a punto de morir, y la mantienes." y todavía intento bajar de esta frase.
I agree wholeheartedly, a real jewel, touchingly beautiful!!! Thank you.
juste genial Brenboim! il donne a Kadouch toutes les clefs! a lui de les utiliser. Superbe master class!
How wonderful to hear and see this!!! The master and the brilliant young pianist... ❤
This is worth its weight in gold Steinways.
It’s a master class in all art, frankly.
David... hat off!!!
You're really gifted from mother nature! 👏👏👏🎼🎹
Thank you Mater Daniel Barenboim! Absolut amazing your sound, ideas, logic!!!! Brilliant.
"Because I like it"
"that's not enough"
“I’m sorry in my score I’m sure it wasn’t” xd
Que bueno haber encontrado estas clases por este gran maestro con subtítulos al español, soy practicante de violín, pero estas clases también me sirven demasiado. Eternamente agradecido con quien lo subió.
Pure gold..!!thanks for this channel.!
Belíssima aula. Amei e fico muito feliz por ser em espanhol,pois assim compreender o que ensina muito obrigada.
Hoy hay muchos pianistas... pero que me emocionen realmente no tantos, una clase muy interesante para mi gusto. Gracias Sr. Baremboim
Fantástica clase. Gracias.
I've watched Maestro Barenboim for many years, Master Classes, forming his orchestra of musicians from the Middle East, conducting orchestras all over the world, recording his Five Minutes on musical terms, and on & on. He will be 80 this summer. Some orchestra members are accusing him of "being a bully". There are a number of Orchestra Practice sessions you can watch on YT. Demanding yes but bullying? Some day they will brag about working w/ Maestro Barenboim!
Yes, you are right.I had the much beloved possibility to attend Barenboims rehearsals for over 30 years. There was never such a situation for which he was accused.
Losing oneself to the love of something is a harsh task. Beautiful relationship here.
And great lesson. Not being pianist myself I can understand some layers yet.
Félicitations de Nice
17:15 cuando le discutís al profesor en un final y no sale como esperabas.
Al fin esta subtitulado. Gracias ¡¡¡
This is amazing!!! Thanks for sharing
Extraordinaria cabeza. Un talentoso y un sabio.
I love his accent when he speaks English. It doesn't sound French at all, it's very pleasing to the ear.
See above.
his english dosen't sound
french because Barenboim is not french!
Obviously I was talking about his student :)
El nació en argentina Buenos Aires, 15 de noviembre de 1942
@@ARGENTINE3 Now that’s some quid pro quo :) Me estaba refiriendo al chaval, quien a pesar de ser francés tiene un acento muy bonito cuando habla inglés.
Siempre he admirado el riguroso orden del Maestro,dentro de esa imaginación infinita.
Es fantástico!!
Master teacher and master student.
Genial Beethoven, genial Baremboim, genial la sonata, y todo lo demás, sobra.
Bravo ... I found a very very good one!!!!
Excelente....
"Because I like it" - David Kadouch
Wow.. maestro, bravo
Gracias gracias gracias .... subí todas.graciassss
Must be very strange for both the teacher and student to have a lesson in front of an audience and on the air.
a lot of pressure on the student!
Indeed. And it was a very tough lesson on Kadouch. Barenboim was nice and correct; but this was a heavy lesson for him
Dale Smith, the master wouldn’t put himself in that position if he would feel that way.
He would be him , with or without audience.
Master classes are usually held in front of audiences
Barenboim is amazing! This kid needs 3 years with him and a metronome. Tempo rubato, abused by so many as witnessed here.
Gracias por el videos
La música debe ser interpretada como respirar. Es orgánico no es limite es placer maestro
Es Forte!!! David , es Forteee!! De donde sacaste la partitura 🤦🏿♂️ jajajaja.. Es un capo!!!
Un regalo!!!!!
un trovador, divino
Chapeau !
La forma organicista como percibe el sonido; el símil con la vida humana y el proceso de generación/corrupción; la alternancia de contrarios y el nacimiento de cada uno en el otro (silencio-sonido-silencio) y la lectura siempre, siempre dialógica que tiene respecto a las piezas, una dialéctica entre las partes y las secciones......es Barenboim un filósofo que ve la vida en la música y la expresión de la realidad y el mundo en cada pieza.
Eduardo Poblete de Chile, un monstruo de la interpretación, sólo superado por el maestro Arrau...Baremboim, gran maestro un coloso...
q hablai weón autoreferente
@@rxdxvxnxtx6331 Qué wea jajaja
No word. 🥇👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻
Watch all the way to the end to see Barenboim playing the piece. THANK YOU!
Now some being more talented than the others was a matter of my favorite things that some have realized. Such as anti amnesia.
genial la relación Baremboim - Kadouch. Me recuerda a Elina Leiva de Gonzalez.
Excellent! Salutations de Nice :)
Mr. Kadouche, if you do not forget about yourself you won't enter anywhere.
聴いてます❗
What does he have on the left face side?
i like very much the masterclass, video and interviews. Good work David!
You can really tell the difference when you put maestro and student side by side.
Barenboim ♥️☮️👍
My mother is my mother
My edition didn’t have the forte either...
I was confused I wanted to watch MasterChef
jajajajaajajajajaj
¡No seas malo... Me hiciste reír mucho 😂😂!
He really feels it. Simply fantastic.
th-cam.com/video/JzQN1FKk3wo/w-d-xo.html
XDXDXD
Beautiful staccato
来赞一个👍
Enseñándole a Lang Lang… interesante clase…
I'm watching this again. Kadouch does not bring the music to continuous halts, as Baremboim argues. It's a near perfect performance, full of his wonderful enthusiasm and insights. I think Beethoven would have loved it.
Whish I could play!!!!
I dont know why but I like David
27:50
Because I like it!
what is the DYNAMIC???
They remind me of Liszt and me
Aaahh internet!
oh Chopin, im a big fan of you, love your nocturnes, bye 💁🏻♂️
If all teachers had ten percent of Barenboim's wisdom, pedagogy, love and passion for music, there would be no unmotivated students.
Creo que el chico no estaba acostumbrado a la crítica de un maestro.
27:45 ~ 32:30
2:02
Something that happens often with young musicians is they get so exited that they loose regularity between similar expressions. With maturity comes self control. (And BTW these pianists were all very good so I'm not knocking anyone here 👍)
@davidkadouch ❤😊❤
Please, after watching: check for Kadouch recordings on TH-cam that show how he plays today - the difference is amazing! Is there an empirical study of masterclass participants, say, ten years later ? How they judge the importance of the advice given to them in the long run?
You judge as a musician.
Very good job.
@15:22 David! Jajjajaja 100. % argentinian, 1000%villa crespo
É Daví, es forte.
Barenboim habla seis idiomas con total naturalidad. Pronuncia el nombre David en francés porque el chico es francés. Se llama David Kadouch, no "Déivid Kéidoush".
The argentine Mozart 👏❤️
34:59 Ok, mister Barenboim, I`m persuaded.
The faces are a way of dealing with fear. A kind of mask. Ego construct.. to try and block out the fear. But it fks up music making yes.
Agreed
Faces are for feelings. When you play with an open mouth, you also sing to yourself. In any case, practice over five hours a day, prepare for concerts, play for the audience and acquire an utter discipline to not screw up anything. Takes a lot of effort. Hands can't shakes, fingers can't shake, can't lose the rhythm and get too emotional. But at the end, combination of everything makes it all worth the effort. Perfection is everything.
But I listen! He teach me too! I listen!
Anybody criticizing the faces can actuañly play any instrument, beside farting here in comment section?
Can you spell?
This is... english🤤?
which year did this happen?
En una entrevista Barenboim dijo que los gustos eran subjetivos y no tenían una verdad por lo que los críticos se equivocan. Sin embargo; creí que era una mala respuesta ya que un crítico argumenta el por qué. Es precisamente lo que hace él mismo a partir del minuto 27:50. Los gustos son acertados mientras tengan un argumento sólido y verificable.
Thenewjazz no creo que sea una cuestión de gustos, como ponerle carne molida a una tortilla de papas... hay que prestarle atención
pepeloco65 tu comparación es fuera de contexto. Claramente aquí se habla de gusto. El alumno dice lo toco así porque me GUSTA y Barenboim lo acepta, pero su argumento no es valido mientras que el de Barenboim le demuestra que sí lo es. Es cuestión de gusto o acaso existe una verdad absoluta?. Si yo pinto un paisaje digo que es la verdad o mi verdad?...será un gusto propio por pintar los paisajes de esa manera y todos me creerán si mi argumento es mejor que el de los demás.
Yapapapam
I speak English and not Spanish. Why am I keep trying to read the Spanish subtitles
Vamos Argentina!!
1:01 What is that amazing piece?
Hammerklavier, Beethoven’s toughest sonata
Sonata opus 54 no. 2 in G Major (Sonata no. 16)
@@jackiepike1466 No..He was speaking about another piece..Beethoven's Hammerklavier mvt 4
@@juansebastian768 Yes, it is a very difficult piece..But as Barenboim said..Beethovens music pushes yourself to the extreme. Beethoven's works can be soo difficult. Maybe not Liszt difficult..But very difficult.....That is why you must play his works carefully and try to feel what Beethoven was feeling at that stage in his life. A troubled man he was..Me and him have so much in common but...His music is beyond this world.
oh! and this one is opus 31, no.1 - still learning the opus numbers... Yes, the Hammerklavier...thank you
27:50 una joya
Yapapam
28:03 porque me gusta
something in the world of piano turns me off today, its like a sport, maybe spent too much time in Mozarteum
How true. I finally realized just how vulgar most of the repertoire is. All the real musical value of a Twinkie. Give me Schubert or Haydn or Bach, Sibelius...
@@floxy20 most of the repertoire is choosen by the principle of lazyness, cowardice, or narcisismus. People play Mendelssohns violin concerto not exactly because it is beautiful or to comunicates his ideas,but because they know it will work somehow. The point is that there is a lot of knowledge about how to play it, and the students will of course learn it. But then it comes that it will be by default their repertoire even when the concert is too much for them or if the public is already sick of it. This happens with many pieces of good classicals composers that are indeed not that great pieces to hear ANYMORE. The Hamelin is an exception, he truly wanted to communicate what composers did best, not only what good composers did. One just need to think about the meaning of presenting Beethoven in 2020 for the XYZ time in public trying to imitate the own teacher, without being any true personality, when there is already a lot of better performances done and many other composers waiting to be promoted by these - most of the time- narcisist pianists, who think to high of themselves after just have being obedient for so much time. Most of the times the audience can just focus on the pianist to see" if maybe this one plays it as I want to hear it" , the focus comes more to the pianist than to the composer and in this aspect I think it is like a sport where people only have to win or to loose.
@@emanuel_soundtrack I think it's time to give Chopin a rest and tell people Beethoven wrote wonderful pieces other than symphonies and concertos. Maybe I've been around too long.
In my score,it is Forte.
God...
I don't know why such arrogant like Beethoven could write such great complexity. He used to say that God talked to him through music. Ironic and true.
God gave him a great gift.
I think it is a minor ninth and not a diminished ninth :p