I think he's trying to emulate field hollers; might be the first time on record he's heard eviscerating the popular song form; have to check (Plugged Nickel sets were later, in '65). Great job, Omree! Thank you!
A jazz-expressionist conception. Those volcanic eruptions into the top register. I remember hearing this for the first time. I don't think anybody ever did anything similar. You are hearing an expressive event.
Wow!! You are amazing, thank you so much for sharing the result of all your energy, talent and hard work with the world, brother! I admire not just your incredible skills to transcribe this amazing music but also your choice of sharing it selflessly to the world. Dude ❤
Thank you! I truly appreciate the comment. It feels good sharing the knowledge so everyone who wants to know how to play these chords and harmonies is able to
I love Miles, but sometimes it really feels like he's just torturing the audience by giving them hope he's actually going to play the tune they know and love, but he never does. This isn't even the worst example.
@@silver1788 I’m on the internet, which explains your ignorant response. I understand and play jazz, I just like to hear the tune as well as the improv. Let me know if that’s ok by you.
@@robappleby583 sure Just maybe widen your understanding of what jazz can be Just because you dont like it it doesnt mean that he is “torturing his audience” as if everybody thinks the way you do
@@silver1788 here’s the thing: when all the musical development is harmonic and the melodic theme is left out, then the improvisation becomes unmoored from the actual song. Personally I appreciate when Coltrane or Chet Baker state the melodic theme and then improvise in relation to it, both in terms of motifs and the harmonic structure. After all, do it the hard way is more than a chord progression surely. Anyway tastes differ.
@@robappleby583 i mean sure I personally don’t mind And obv tasted differ But that also means that “torturing the audience” is just projecting your own taste onto a whole audience as if your taste were universal which it obviously isnt
I think he's trying to emulate field hollers; might be the first time on record he's heard eviscerating the popular song form; have to check (Plugged Nickel sets were later, in '65).
Great job, Omree! Thank you!
Tony Williams disapears at 10' and never comes back. High musical IQ for such a young player ...
A jazz-expressionist conception. Those volcanic eruptions into the top register. I remember hearing this for the first time. I don't think anybody ever did anything similar. You are hearing an expressive event.
Wow!! You are amazing, thank you so much for sharing the result of all your energy, talent and hard work with the world, brother! I admire not just your incredible skills to transcribe this amazing music but also your choice of sharing it selflessly to the world.
Dude ❤
Thank you! I truly appreciate the comment. It feels good sharing the knowledge so everyone who wants to know how to play these chords and harmonies is able to
Wow, well done! Having listened to this track countless times, seeing the music opens up the performance even more! Thank you!
Amazing work, tons of appreciation to you and your incredible passion for this outstanding music!!
Incredible job documenting this amazing performance. 👏🙏
This is incredible. Thank you.
God bless you, sir!
wow. well done.
Great work. Thank you.
George Coleman!
Thanks so much!
😍
lindo a transcrição Pretendo adquirir a transcrição.você pretende colocar as cifras ?
sim, tudo está incluído
Has miles ever had a good band?
😄
you think this is not good?
NOT SO FUNNY....SERIOUS RENDITION FOR SURE!!!!! KUDOS FOR THE TRANSCRIPTION!
I love Miles, but sometimes it really feels like he's just torturing the audience by giving them hope he's actually going to play the tune they know and love, but he never does. This isn't even the worst example.
Are you complaining that they arent playing the melody
Tf are you on
This is jazz
You dont have to play the head as notated lmao
@@silver1788 I’m on the internet, which explains your ignorant response. I understand and play jazz, I just like to hear the tune as well as the improv. Let me know if that’s ok by you.
@@robappleby583 sure
Just maybe widen your understanding of what jazz can be
Just because you dont like it it doesnt mean that he is “torturing his audience” as if everybody thinks the way you do
@@silver1788 here’s the thing: when all the musical development is harmonic and the melodic theme is left out, then the improvisation becomes unmoored from the actual song. Personally I appreciate when Coltrane or Chet Baker state the melodic theme and then improvise in relation to it, both in terms of motifs and the harmonic structure. After all, do it the hard way is more than a chord progression surely. Anyway tastes differ.
@@robappleby583 i mean sure
I personally don’t mind
And obv tasted differ
But that also means that “torturing the audience” is just projecting your own taste onto a whole audience as if your taste were universal which it obviously isnt