Bravo Marion pour cette interprétation qui sert parfaitement Telemann et notre merveilleux instrument : la flûte à bec. D’autant moins facile que l’acoustique est très réverbérante.
Beautiful recorder playing, with delightful improvisation in the third movement. Unfortunately, I can't say the same for the strings, which have trouble staying together.
Streicher und Cembalo begleiten wunderbar, und man erfreut sich auch an der Fülle und Klangschönheit des Flötentons, der makellosen Technik sowie an den herrlichen Willkürlichen Veränderungen besonders des dritten Satzes! Danke für diesen Hörgenuss! Strings and harpsichord accompany wonderfully, and one also enjoys the fullness and beauty of sound of the flute tone, the flawless technique and the wonderful Arbitrary Changes especially of the third movement! Thank you for this listening pleasure! Les cordes et le clavecin accompagnent à merveille, et on apprécie aussi la plénitude et la beauté du son de la flûte, la technique sans faille et les merveilleux changements arbitraires surtout du troisième mouvement! Merci pour ce plaisir d’écoute!
12:12 is just a party for me, 😂LOVE IT 💃🏻🕺🏻💃🏻🕺🏻💃🏻🕺🏻💃🏻 I don’t know how that part is called in music or which song exactly is but I love it and makes me wanna shake-twerk it like disco 😂
Two things! It would have been even more epic if it was all women! No offense. Minor note… the vibe is great but imagine if the were all closer together. Bravo!!!!
@@loupgris4628 sounds like an abuser comment. Social workers can be musicians too. Ones that call me wrong and want to cancel me. Are you that, or just a commenting person. What's your job?
Is that a happy video in front of a statue of Jesus dying in front of the cross? Sorry should have been Jesu Meine Freude or something or play in a concert hall because it implies you're happy that Lent is herre or something.
Wie fast immer: Tempo in den schnellen Sätzen überzogen. Gefällt mir nicht. Wirkt zu hastig und manchmal auch „atemlos“. Aber sehr schöner Blockflöten Ton. Sehr schönes Instrument. 🤗
Interesting interpretation... but played with the wrong recorder, not enough sharp in my opinion, especially for the fast movements. Furthermore, the recorder player is not always precise with her double tonguing.... in a nutshell, not convincing in this place with this group of musicians.
You are entitled to your opinion, but I think the comments are mainly in the positive for a reason. The players sound good! I am interested as to what is wrong with the recorder. This piece was written for the treble!
@@martinmonks9267 th-cam.com/video/SVM12mpsSk8/w-d-xo.html Here the chosen recorder has a sharper sound and is fitting Telemann's writing better, and the recorder player is really precise with her playing !
Thanks for the excellent contrasting performance. Dorothea Oeberlinger and Marion Fermé certainly take different approaches to the final presto movement, which I think is mainly what you're talking about with your "precise double tonguing". Oeberlinger took it faster, did not play around with the tempo as did Fermé, and altogether tried to kindle a fire where Fermé was more taking a brisk stroll. Was that Telemann's intent? Maybe. I don't read 18th-century minds very well. I think each performer considered her effort a success.
2 ปีที่แล้ว +7
@@daveburch235 thank you for this nice opinion ;-) I appreciate your comment. It is also possible that Dorothee Oberlinger has much more choice in the instruments she has than as I do. She is a great performer and she certainly played it many more times than I, which was my first performance of this concerto . So all things concerned, some people can always criticize, they do not always know the context behind....
@ I very much enjoyed your performance, though I'm no expert on the fine points of baroque recorder interpretation. I'm still at the 'working my way through Handel's recorder sonatas' stage. I love baroque recorder music. Anyway, thank you for making this public so we can enjoy it.
These performers deserve to be much better known and more viewed here on TH-cam! Spectacular recorder virtuosity!
Bravo Marion pour cette interprétation qui sert parfaitement Telemann et notre merveilleux instrument : la flûte à bec. D’autant moins facile que l’acoustique est très réverbérante.
I'd love to see more of her performances. She's amazing!
Very heartful performance. I love the sound colour, so bright. Also very balanced with the orchestra.
This inspirational performance she plays with exquisite skill Ìs captivating and intriguing, and exhilarating and off the charts
Magnifique concert de Teleman et magnifique interprétation des musiciens bravo à tous
Is just an amazing recording, and performance. Extremely well balanced and lucid. Being a baroque player I can say they excell.
Wonderfull....fills my heart with love. 🧡
Thank you for sharing
shes' a maestro of the recorder
wundervolle Interpretation, beeindruckende Musikalität, Telemann wäre begeistert
Wonderful !
Assolutamente meraviglioso ❤️❤️❤️🎼🎼👏👏👏👏
What a gem!
Beautiful recorder playing, with delightful improvisation in the third movement. Unfortunately, I can't say the same for the strings, which have trouble staying together.
Magnifique interprétation, bravo a tous les artistes !
Scotché ! Bravo !
Streicher und Cembalo begleiten wunderbar, und man erfreut sich auch an der Fülle und Klangschönheit des Flötentons, der makellosen Technik sowie an den herrlichen Willkürlichen Veränderungen besonders des dritten Satzes! Danke für diesen Hörgenuss! Strings and harpsichord accompany wonderfully, and one also enjoys the fullness and beauty of sound of the flute tone, the flawless technique and the wonderful Arbitrary Changes especially of the third movement! Thank you for this listening pleasure! Les cordes et le clavecin accompagnent à merveille, et on apprécie aussi la plénitude et la beauté du son de la flûte, la technique sans faille et les merveilleux changements arbitraires surtout du troisième mouvement! Merci pour ce plaisir d’écoute!
Brava bravissima❤️🎵❤️🎶
Whoa! that was amazing!
Beautiful
¡Qué gran concierto!
brava, bravi!
Love it.
Una melodia dolça interpretada amb cura, un massatge a l'oïda.
Telemann es una estrella de primera magnitud en el cielo barroco y más aún
Wunderschöne! 💖
good performance
Bravo 👏
Lovely, tyvm!
Great! Thx
Prachtig!
12:12 is just a party for me, 😂LOVE IT 💃🏻🕺🏻💃🏻🕺🏻💃🏻🕺🏻💃🏻 I don’t know how that part is called in music or which song exactly is but I love it and makes me wanna shake-twerk it like disco 😂
13:55 is the vibe too 💃🏻🕺🏻
Please tell us about this beautiful recorder ! Who made it? Gorgeous playing on a gorgeous instrument !
wow! I really enjoyed that wonderful spirited performance. How come i don't sound anything like that??? ( only learning 6months so far!)
Thanks, this wonderful. Who are the performers, please, or at least the soloist?...Ah, all are named at the end. Marion Fermé is the recorder soloist.
Please watch the credits at the end of the video.
Merry Christmas 🌞🫶❤❤❤❤❤❤
Danke für die schöne Aufführung! Gelobt sei Jesus Christus!
Toll
Bravo les filles pour votre choix de musique par contre j'ai vu une qui dormait 🎻🎻🎻🤣
Der Größe nach ist das aber keine Sopran-Flöte.
assordante
Two things! It would have been even more epic if it was all women! No offense. Minor note… the vibe is great but imagine if the were all closer together. Bravo!!!!
You all remind me of social workers.
Thank you, but you are wrong.
@@loupgris4628 sounds like an abuser comment. Social workers can be musicians too. Ones that call me wrong and want to cancel me. Are you that, or just a commenting person. What's your job?
Is that a happy video in front of a statue of Jesus dying in front of the cross? Sorry should have been Jesu Meine Freude or something or play in a concert hall because it implies you're happy that Lent is herre or something.
I have to go beg an abuser which is also which social worker musicians think I should do. Have a phone number?
Wie fast immer: Tempo in den schnellen Sätzen überzogen. Gefällt mir nicht. Wirkt zu hastig und manchmal auch „atemlos“. Aber sehr schöner Blockflöten Ton. Sehr schönes Instrument. 🤗
Interesting interpretation... but played with the wrong recorder, not enough sharp in my opinion, especially for the fast movements. Furthermore, the recorder player is not always precise with her double tonguing.... in a nutshell, not convincing in this place with this group of musicians.
You are entitled to your opinion, but I think the comments are mainly in the positive for a reason. The players sound good!
I am interested as to what is wrong with the recorder. This piece was written for the treble!
@@martinmonks9267 th-cam.com/video/SVM12mpsSk8/w-d-xo.html Here the chosen recorder has a sharper sound and is fitting Telemann's writing better, and the recorder player is really precise with her playing !
Thanks for the excellent contrasting performance. Dorothea Oeberlinger and Marion Fermé certainly take different approaches to the final presto movement, which I think is mainly what you're talking about with your "precise double tonguing". Oeberlinger took it faster, did not play around with the tempo as did Fermé, and altogether tried to kindle a fire where Fermé was more taking a brisk stroll. Was that Telemann's intent? Maybe. I don't read 18th-century minds very well. I think each performer considered her effort a success.
@@daveburch235 thank you for this nice opinion ;-) I appreciate your comment. It is also possible that Dorothee Oberlinger has much more choice in the instruments she has than as I do. She is a great performer and she certainly played it many more times than I, which was my first performance of this concerto . So all things concerned, some people can always criticize, they do not always know the context behind....
@ I very much enjoyed your performance, though I'm no expert on the fine points of baroque recorder interpretation. I'm still at the 'working my way through Handel's recorder sonatas' stage. I love baroque recorder music. Anyway, thank you for making this public so we can enjoy it.
Great string and continuo. Another boring noodling recorder player.