This is actually such an effective thing, except I would listen to Breathe by The Prodigy on my way to the restaurant knowing the day is going to be horribly busy.
"Her people will remember the psychopath who killed anybody who stood in the path of rampage in a vain attempt to stop it but to Hanako, she knows who had done it, she knows the individual that humiliated 'Saka.
@@UnknownOps One of the things i dislike about a lot of Cyberpunk genre is that our characters are nothing but a tiny disposable pawn to these big corps but damn Cyberpunk 2077 ? It made me feel like a total badass in that ending.
Rebel path cello ver: I got this. (reminds me of the time where i had 10 minutes to learn chemistry at school and my friend explained the subject to me with excessive swearing and i somehow got better grade than he did.).
I didn't even need to do that. The song is one of the few that you can hear over the gunfights and it perfectly encapsulates Johnny, given he's always the center of attention
Always been the case with CDPR...Lots of the best of Witcher 3 tracks were never released, Ard Skellige Village, combat themes of Skellige, etc. The best tracks are always left out.
Nah. It's only half-true. "Unreleased" soundtracks are unironically released to the public because CDPR knows these are good soundtracks but are excluded from their games.
@@ComeForth. I'd love a survival mode, maybe make it multiplayer so you and a friend can defeat waves of different enemies. Start them off as Scavs, then work all the way up to Adam Smasher, a wave of Arasaka Elites and a Mech. Make the difficulty scale with the amount of people. Let people use their own builds or make it so they can customize between waves. Next, let people either hack or buy turrets. Hell, make the mode similar to the Arasaka raid with Johnny. Have people fight all the way down to Mikoshi, starting from the roof.
I feel that the don't fear the reaper ending mission should have had the layout of the other 3 paths combined to make it a actual challenge and also feel more accurate to one man tearing a whole building apart by their lonesome.
@@Cyberpunk_Radio_PBS In Cannon Johnny was actually a part of a bigger team with Morgan Blackhand. The op was actually from Militech. So that's how. My source? Cyberpunk Red if memory serves me right.
@@saveriannathan1415 I'm not even a furry but I was a bit disappointed at the lack of "exotics". Imagine you are fighting some Tyger claws and just when you think you're done a half human half tigers sneaks up on you. cyberpunk.fandom.com/wiki/Exotics
Don’t kill kids. We’re you expecting something? Because you should be Fuck the furries and gays Racism is not cool I prefer the term he was alive Without me
@@tuskzera8839 Its not that rare to see throughout game OSTs having different melodies but the same leitmotif (look it up, not really sure how to explain it :>) but it is not officially released or named, and usually intended for only listening in-game, but yeah it kinda does suck that it isn't published officially and have to find someone else who may or may not have done it
@@kaiserium8551 Usually the reason is that internally there are so many different versions and slices of a piece using the same motifs (that could be called by the same title) that producers/composers have to produce one cohesive track from the slices to release officially. The same problem with Doom's soundtrack. So many movements of one piece, and in game it's a frankenstein's monster sewn together based on in game happenings (combat, story moments etc). Since you can't control when a player gets to a trigger, or starts combat, you have to do this dynamically. Internally in the witcher 3 the combat tracks were separated into 3 (drums, melody and bass, backing instruments/vocals) and they layered them based on combat situation. (my guess is that the electric cello is layered here) I think this track alone had like 2-3 different versions that were each for 3 different main missions. Also in-game they have to be loopable, which doesn't sound that good on a track alone. plus sometimes tracks get extra compression in-game to not get buried by other sounds, which is why ,,datamined" versions sound often inferior to released ones. It's a curse, because it's basically impossible to solve this problem (in a satisfying way for both us and the creators), and we have to extract or record them from the game if we want to listen.
Love this version. Perfectly captures Johnny‘s mindset during the raid. The cello representing his depression and sadness, the monotone bass his seething anger and hatred, and the conclusion of it into something that sounds like self-destructive rage.
The cello plays the same melody as Johnny's old Samurai song "The Ballad of Buck Ravers" which is about a half-dead guy going all one-man army against his former employer by shooting up the office before he dies. Sound familiar?
The first time he’s there, it’s for Alt. The second time he’s there, he’s there to avenge Alt. The third time he’s there, it’s to be the greatest hype man to V that ever lived. “Don’t worry, you’re better than them.”
I have been making music for a long time. I experiment with different genres. Now I'm interested in working in the cyberpunk/synthwave genre. There are already two great tracks in this style on this channel of mine. If anyone is interested please rate, I will be grateful. The tracks are called *Cyberpunk* and *Dreamer*
Whoever came up with the concept of (Don't Fear) the Reaper and picked this soundtrack for it deserves a fucking medal. This is THE most metal thing I've experienced recently and I play Doom on regular basis. Fuck, I'm still feeling the hype a week later after getting this ending
Ikr, the feeling, when you basically say "fuck you" to the choices presented, and decide to go out like a fucking legend, just as Johnny says. Best moment is, by far, the first guard, upon entry who realizes, that you are here and chose violence
I love that ending too because it scratches that itch in these types of videogames where I just want to go and get shit done myself. In gameplay terms, I'm practically a demigod. I don't need to go around gathering allies and asking folk for help, I could take on an army and not break a sweat. Learning that you can just go and kick down Arasaka's door and go apeshit was hype as all hell.
"There's a reason we remember them. "Because when faced with an impossible choice, they chose both, and they chose neither. I mean, a suicide run, guaranteed to kill them. Stroke of some sort of genius. I mean, they were going to die no matter what, right? They were a walking corpse. But Arasaka can't kill what's already dead, now can they? "They chose to go down burning brighter than nuclear fire, and their flames burned so hot that Arasaka Tower collapsed before they did. 'saka claimed the body count was low, but we saw the cam feeds. There were bodies strewn from the door to the elevator. "Not one of them was theirs. "I don't know where they are now, but I do know that V didn't mean Vincent or Valerie or whatever. It meant Victory. Plain and simple. In an entire city of bad endings, they managed to do the one thing that no one else has managed before or since. "They won. "Went down burning like a fucking meteor, like so many before. And rose back up like a phoenix. *"I'd bet when the Reaper finally met 'em, they just asked why it took so long."*
Might I recommend, then, Little V's cover of Rebel Path? Wherein he slathers Doom Eternal style instrumentation all the hell over the song? "Wake up, Samurai! We a hole to punch through Mars."
The cello in the beginning man. It’s makes you feel like an old, grizzled ronin samurai that’s about to go on one last blood letting. Then the transition to the synth turns it into the “cyberpunk” aesthetic and its just so fucking perfect.
@@xennexen9849 That is true, I was thinking of an endgame where Johnny and V join forces, and Johnny would guide and if necessary sometimes even control V to get him to nuke Arasaka with Smasher as the final boss... I said this to one of my friends and he said that I should write for CDPR... :\
V: tickles security guards with his nerf guns Johnny: handgun single hit 2k+ damage Edit: this comment was made from an early game perspective. You first get to play as Johnny right after the "heist" mission at Konpeki Plaza. At this stage, V's weapons are really nerf guns comparing to Johnny.
@@amatthew1231 Yea im Pistol-Katana build and cleared half of the map from all side quests and the blue ones im like lvl 20 and not far after prologue the game is so easy on very hard they all die after 1-2 hits lol
There is gun that without any perks in guns deals 50k+ headshots. It's single shot, but that makes it even cooler. ) P.S. It'a a tech pistol, so it shoots thru cover and have HE bullets, btw.
The soundtrack for this game is great all around, but that cello solo is fucking bad ass. By far best part of the soundtrack, idk how but even with all the industrial and EDM that cello nails the feeling of Cyberpunk.
This is your reminder that the Cello follows the same chord progression as Ballad of Buck Ravers, which is arguably the Samurai song that fits the most with Johnny as a whole. The soundtrack for this game is immensely well done.
_"I'm on stage and almost can't breathe. I'm so damn full of... hatred. Then I let it all out into a mic. And I realize it didn't help. I don't feel any better."_
The subtle nuances that Pondsmith snuck into exchanges V has with people are insane. I always knew he was an amazing writer ever since I first picked up 2020, but this game let him stretch his legs in ways I never thought he could
@@victorkreig6089 Um... the script writers for this game are all CDPR folks from poland, you know that right? Pondsmith had literally nothing to do with v's dialogue at all. Literally nothing...
>Invading the Institute in FO4. >Final Missions in Ratchet Deadlocked before your showdown with Gleeman Vox >Heroes Path, Handsome Jack, and The Warrior.
F for Arasaka Door Guy in (Don't Fear) The Reaper who gets met with an instakill Malorian headshot as soon as you cross the metal detector like Johnny's seen The Matrix and knows how that turns out 🤣
I know this is an unpopular opinion, but Cyberpunk is officially one of my favorite games. I loved the story and gameplay, and most definitely the music.
@@TotalImmort7l It certainly seems like that is the case. I have so many hate videos about this game in my recommended. Not to mention that prominent game reviewers like Yong Yea have been getting called shills because they’ve enjoyed the game. That in addition to the fact that videos about why Cyberpunk sucks are thriving right now.
>makes best track in the entire game >cello is only found in this specific version of the soundtrack >doesn’t release it officially >refuses to elaborate >leaves
I can honestly imagine a cut scene with V walking up to arasaka tower in the rain, making sure their guns are loaded with the cello playing and right before they enter they spot their reflection in a puddle or mirror and instead of seeing themselves they see Johnny looking back at them which queues the synths to come in and they keep walking to the door and the drop hits right as they kick in the door and start firing
"He's not exactly the bogeyman.. He was the one you sent to kill the fucking bogeyman." Literally can't stop thinking this is techno John Wick OST level stuff here
Its hard to explain, but this song perfectly encapsulates Johnny Silverhand and the world of Cyberpunk as a whole. The quiet burn at the start as the Cello comes in and is completely foreign to the rest of the song's instruments, but perfectly fits; the sound of rebellion and the anger towards everything else around it, and then it kicks into the world of Cyberpunk: a perfect blend of sound as you feel the energy of the song starts up with dark synth. The gritty, industrial sound is almost normal standing overpowering to the cello at the start, just as Johnny is swept up in almost an instant. And yet, despite it all, the fire rages on as the song keeps building up its energy, as the deeds of what Johnny (and V) echo even in their failures. Mix all that with the heat of the moments when this songs comes on, being one of the few themes in the game that you can clearly hear over the gunfire with its synth and bass, just like how Johnny always takes center stage for Samurai and Kerry. It amps you up and attacks your senses, just like the constant sights and sounds of Night City, but you don't give in, you fight back and fight harder. Even in the moments when this song slows down between gunfights, you're given a moments respite, but the fire still burns as the cello comes back, even with its echos; you live to ignite the flame again, but you're already itching and ready for the next one. And then the song starts to kick back up before you're right back swept into the gunfire again. Whoever made this OST managed to encapsulate so much in one song, and I commend them. I could say more but this is all I could manage to cohesively put together.
My favorite thing is how that heavy beat throughout the song sounds like a gunshot. Whether you're Johnny or V attacking Arasaka, you're going in there shooting. That crushing beat represents every Saka ninja TKO'd with a bat, thrown blade or fired Malorian.
Rebel path from Cyberpunk, bury the light from Devil May Cry, and The Only Thing They Fear is You from Doom. These are the best video game OSTs ever man.
Fun Fact: Johnny never actually nuked Arasaka Tower, he was just a gunman meant as a distraction but because of his ego, his memories were warped to make him seem like the hero and that's why it sorta feels like super corny.
(2 years later) “and in this news report, a building by a Japanese company has fallen to the ground, as the half of the city in south California has been blown to bits by a mini nuke. Reports saying that this was a terrorist attack.
@@Vencidious More Like: Breaking News! Amazon HQ has collapsed. After years of exploiting workers & being all-around douchey corporation, Amazon stock is in free-fall. Early reports indicate a mob of enraged gamers stormed the company’s Seattle campus with a mini-nuke. After plastering the building with memes, the gamers played the score from the game “Cyberpunk 2077” on the building’s PA, then left the building via a swarm of helicopters. It is unknown where the gamers received the mini-nuke or the helicopters.
It’s impressive how good a job the music does to characterize Johnny at the moment of the Arasaka raid. Pure unbridled WRATH. Not the kind of rage or heat that goes away once you’ve cooled down. It’s the slow bitter cold boil of raw contempt for a world that has sown a whirlwind.
I love that nobody has ever said anything bad about this soundtrack, while each platform and each update has its challenges we all agree this track fucking bangs
Literally everywhere else in Night City: *nothing happens* Arasaka Tower Every F*cking Time: *a wild Johnny Silverhand approaches and chooses violence*
"I say you grab the hottest iron you can find, stride in the Tower's front door and cut your own path down to the lower levels." - Johnny "If I gotta die, rather fall into my grave gun in hand and on fire. And not drag anyone down with me." - V "Huh, you just discovered what it takes to become a legend... Grab your iron - let's mobilize." - Johnny 3 quotes that send shivers down my spine
Listening to this while all the Arasaka elite security forces chatter goes from disbelief to panic to sheer terror as you keep tearing through everything they throw at you is one of the best gaming experiences of the past decade.
Cyberpunk is possibly my favorite game ever. In particular, it has this ability to really convey its tone and evoke strong feelings. So in gameplay I really appreciate 1 The way enemies will have adaptive dialogue to your build 2 By the end game the power scaling makes you unstoppable So when you do the secret ending and storm Arasaka tower alone, hell yeah I feel badass as soldiers scream "HE'S JUST ONE FUCKING MERC" before getting eviscerated
Agreeable, indeed! This game's OST is pretty on par with the depth of UT2004 OST. Borderlands 2 OST is another runner-up. It's rare to find absolute banging soundtracks in modern games anymore. I enjoy good music in games, it's a huge perk to them immersion. Bravo, CDPR!
I did heaps of research on this, even in the game files. There is no "cello version" of the song. It's all a misunderstanding lol. The electric cello/guitar we hear during the Silverhand mission is actually a sound effect (that is looped a few times) and dynamically integrated with The Rebel Path. So the finished product is a cool mix. But there is no "track" that has both of them together, since it varies for everyone depending on how long you take to progress the part after the cable shooting. Also, this video is 4:20. Nice.
PT Adamczyk (the composer) replied on twitter that it’s a variation on the original theme and that a full version could be released in the future. Though whatever that means he didn’t really elaborate further. Maybe this is what he meant, the full version doesn’t exist but it’s just a looped sound effect but could in the future?
twitter.com/ptadamczyk/status/1338969587635916800?s=20 "Hey, thanks for kind words! That’s one of many cues that didn’t make it to the album release. Maybe I will post it somewhere in January ;) Cheers Beer mug" I hope he's not just teasing us
V and Johnny together are quite literally an unstoppable force and by the end of their raid the most powerful chrome in night city, makes sense that they couldn’t share a body in any ending
CDPR Will always have my respect for how much they tried to make this game fun, and boy oh boy am I glad the music doesn’t even need to deliver its just all a vibe
@@haydencutey I have up to 1.3 on a ps4 slim, and now 1.6, which is also wonderful to play from time to time when I’m craving vanilla as I own fallout 4, Skyrim se, and the Witcher 3 on console for those reasons as well, so I can’t wait to see what they do next, especially for phantom liberty. And as far as 1.7 goes I’m hyped
@@azraelfaust487 if only some hacker could port it to console via a cracked ps4 I’d love to see the performance charts as tbh it would probably run like on launch if you install the game offline like I did, which also had street vendors and an in game weapon view they removed then I think re added
be a young intern at Arasaka, your first day at the main gate security, should be easy, just smile and great visitors. "suddenly there's a figure at the door and this weird music starts plaing...*
@@chrissennfelder7249 I remember someone complaining about the reloads not being "realistic or tactical" this is Night City. First above all else is style.
I legitimately want to strangle everyone over at Arasaka. This game made me build up such an anger towards it. I went and destroyed every single remaining guard at the Arasaka Warehouse. Then played through the ending where me and Johnny fuck shit up alone.
I can imagine him single-handedly burning down the Nilfgaardian army to the ground, hate the living guts out of meanwhile really goes along well Dandellion; breaking the heart of the entire Lodge of Soceresses
Most games give us some random SMG with a color changing skin. Cyberpunk gave us a dope ass pistol with a doper special mêlee attack, with the dopest reload animation in the past decade, while playing as the dopest guy to ever live with a dope ass soundtrack in the background. - The *real* reason Cyberpunk is broken is because the dope level is off the charts. Not a million mortal souls combined could withstand the forces of dope involved with this game.
"Fuck, he's going solo!" ... "Come on, people, it's just ONE SINGLE MERC!" ... "Put a bullet through his head!" ... "Dammit, we're taking heavy casualties!" ... "We need reinforcements NOW!" .. "This can't be happening!"
I searched for this in every full OST videos, and only found parts of it in "You Shall Never Have to Forgive Me Again", then I searched for "Cyberpunk 2077 Violin" because it sounds like violin/strings. Kudos to you mate, for providing this beautiful track.
Please let Denis Villeneuve make a Cyberpunk 2077-movie. And add this song to the soundtrack. Play it when a really dramatic action sequence is about to start. I swear ... the audience will go nuts.
2023 Update: The game is absolutely phenomenal and every time I hear this incredible soundtrack from meeting Alt in cyberspace, to laying down with the doll in Clouds, to storming ARASAKA tower…I get chills. Absolutely breathtaking soundtrack mixed with incredible gameplay and atmosphere and character development this is truly a gem! (As opposed to the state of the game on release lol!)
Cyberpunk as a whole: riddled with bugs and glitches The story: one of the best I have ever experienced since dark souls The music: slaps harder than my dad's belt
One thing that makes this song is the 90 bpm, makes the beat feel alive, since the average heart rate can be 90 bpm makes this fit for the scenario this plays in
I’ve never come across anything in media or books, even life in general, that presented the concept of death and mortality in such a poignant way- the music especially (and male V voice actor) really made those moments and game in general something that will always stick with me which at the time was something I’d never thought about, or had experienced loss.
This is one of THE most badass things I've ever done in a video game. The fact that YOU'RE Johnny Silverhand. The music. The gun. The best reload animation ever.
"My plan ? You grab the hottest iron you can find, stride to Arasaka tower and cut your own path to Mikoshi" - Johnny Silverhand, right before partying like its 2023
The best part to all of this is this plays during the mission where future Ted "Theodore" Logan helps you out in taking down the japanese Jeff Bezos in a ride or die mission.
![The Rebel Path (Cello Extended) [Cyberpunk 2077 Unreleased OST]](http://i.ytimg.com/vi/aYPnSRRUsOE/mqdefault.jpg)
I'm a line cook, and I put this music on when we get slammed.
Full screen of tickets? Rest assured. (Don't fear) THE REAPER.
Unfathomably based
The only time in my life I'm gonna say let him cook
Blast those fucking dishes, choom.
This is actually such an effective thing, except I would listen to Breathe by The Prodigy on my way to the restaurant knowing the day is going to be horribly busy.
It's like when Johnny Silverhand spread drugs during a consert right in front of Arasaka tower
“Hanako has already forgotten about you”
*Then lets give her something to remember*
@@Phantom-of-Tallon-IV they mean it's time to party like its 2023
Dont fear the reaper
"Her people will remember the psychopath who killed anybody who stood in the path of rampage in a vain attempt to stop it but to Hanako, she knows who had done it, she knows the individual that humiliated 'Saka.
@@UnknownOps One of the things i dislike about a lot of Cyberpunk genre is that our characters are nothing but a tiny disposable pawn to these big corps but damn Cyberpunk 2077 ? It made me feel like a total badass in that ending.
@@jacksonm6969 M8 I felt like Neo in the first matrix during that mission.
rebel path: you have an assignment in an hour
rebel path cello version: you have an assignment in 5 minutes
Rebel path cello ver:
I got this.
(reminds me of the time where i had 10 minutes to learn chemistry at school and my friend explained the subject to me with excessive swearing and i somehow got better grade than he did.).
@@xxXXRAPXXxxFood for thought: explaining something while excessively swearing increases the likelihood of a plausible outcome
The devil: you had an assignment 5 minutes ago
*Wake the fuck up ChatGPT, we've got an assignment to write...*
And ur best friend is bleeding out witha. Gun to there head and u r the main charactor
I cranked the music so hard during the mission I couldn't even hear gunshots properly
The music hits harder than Johnny's gun, damn.
that's dedication
TR-TR-TR
Music hits harder than my dad
I didn't even need to do that. The song is one of the few that you can hear over the gunfights and it perfectly encapsulates Johnny, given he's always the center of attention
WE MAKIN IT OUT OF ARASAKA TOWER WITH THIS ONE
FUCK THE ARASAKA!
its time
Today.
Let's blow
Time to party
"Unreleased OST" - * is the best music of the entire game*
Doom fans: "first time?"
@@the_doot_slayer7015 PAIN
Always been the case with CDPR...Lots of the best of Witcher 3 tracks were never released, Ard Skellige Village, combat themes of Skellige, etc. The best tracks are always left out.
Happened in TW3 to, syanna theme and "the mighty jarl of skellige" were unrealesed tracks
Nah. It's only half-true. "Unreleased" soundtracks are unironically released to the public because CDPR knows these are good soundtracks but are excluded from their games.
The feeling of leading a one man army against Arasaka while this plays in the background is the coolest feeling ever
It really is bliss
Great idea, mode where you play as johnny against waves of arasaka soldiers
@@ComeForth. I'd love a survival mode, maybe make it multiplayer so you and a friend can defeat waves of different enemies. Start them off as Scavs, then work all the way up to Adam Smasher, a wave of Arasaka Elites and a Mech. Make the difficulty scale with the amount of people. Let people use their own builds or make it so they can customize between waves. Next, let people either hack or buy turrets. Hell, make the mode similar to the Arasaka raid with Johnny. Have people fight all the way down to Mikoshi, starting from the roof.
I feel that the don't fear the reaper ending mission should have had the layout of the other 3 paths combined to make it a actual challenge and also feel more accurate to one man tearing a whole building apart by their lonesome.
@@Maniacman2030HIRE THIS MAN !!
“Time to party like it’s 2023”
-Johnny Silverhand
now take it as it is, just 6 months and you have to say it on every party you will go to... :D
The little flair and comments are so badass. Makes you feel like he's got your back, even if he isn't there
it is now 2023
Now that it's literally 2023, time to actually party 😎
God. We’re already 8 months into 2023
Edit: Today is the day guys. Let’s go rock Arasaka
BlackRock interrogator:
"How did you acquire fissile material?"
“Wouldn’t you like to know weatherboy”
We're all thinking it 😂
@@Cyberpunk_Radio_PBS In Cannon Johnny was actually a part of a bigger team with Morgan Blackhand. The op was actually from Militech. So that's how. My source? Cyberpunk Red if memory serves me right.
*Larry Fink enters*
"Your boss don't look too pleased with your work"
@@bell3287 both cyberpunk red and Firestorm: Shockwave for cyberpunk 2020
Ah yes, the "fuck everything in that general direction" theme.
Underrated
lmfaooo
Only Johnny, V, and a Jichu-maru Katana in his hands, and a shitload of Arasaka soldiers with Smasher at the top.
@@Nek-oski nah, Satori katana all the way
Johnny: “Your mother was a hamster, and your father smelt of elderberries!”
Finally, a version that doesn't randomly get quiet after the drop.
Jill huh. An individual of culture as well. Va11-Hall-A soundtracks are also really good
Sad that we cant have Corgi/shiba inu people in night city
@@saveriannathan1415 eh, leave that up to modders and they'll figure it out
@@saveriannathan1415 I'm not even a furry but I was a bit disappointed at the lack of "exotics".
Imagine you are fighting some Tyger claws and just when you think you're done a half human half tigers sneaks up on you.
cyberpunk.fandom.com/wiki/Exotics
@@saveriannathan1415 a damn crime they didnt include the cyberfurries lmao
“The most dangerous creation of any society is the man who has nothing to lose”
- James Baldwin
"Post that video. Let's light this candle, huh? Sure, I'll lose everything, but then? I have nothing to lose." -Homelander
Cyberpunk 2077 fans on their way to beat up a kid named Adam Smasher:
Kid named smasher: 🗿
Adam Smasher?
More like Adam Smashed ⚰️
Kid named meat
DON’T BULLY HIM
WITHOUT ME.
Don’t kill kids.
We’re you expecting something?
Because you should be
Fuck the furries and gays
Racism is not cool
I prefer the term he was alive
Without me
The melee of the pistol of Johnny Silverhand is one of the sickest things in the game
And the moment he reloads it, fuckin badass
Fucking oath mate
@@odchudzanie7 I started fucking cackling like a goddamn lunatic. It's the little things in life that bring pure joy.
the whole mission was amazing and everything in it
@@odchudzanie7 I fucking nutted
“Well Johnny’s idea of a romantic night out was blowing up Arasaka tower”
- Rouge
*Rogue
@@spoodurmin9742 Rouge😂😂😂😂😂😂😂😂😂😂😂😂😂
She isn't named after makeup. It's ROGUE
*Roach
@Interstellar Celestial which ends in losing an arm then getting your soul stolen.
This version is objectively better than the released Rebel Path.
I don’t know what’s up with game osts being released different from what they are in game recently
@@tuskzera8839 Its not that rare to see throughout game OSTs having different melodies but the same leitmotif (look it up, not really sure how to explain it :>) but it is not officially released or named, and usually intended for only listening in-game, but yeah it kinda does suck that it isn't published officially and have to find someone else who may or may not have done it
@@kaiserium8551 when I talked to alt as v
I heard violin playing the same melody
that was cool af
@@kaiserium8551 Usually the reason is that internally there are so many different versions and slices of a piece using the same motifs (that could be called by the same title) that producers/composers have to produce one cohesive track from the slices to release officially.
The same problem with Doom's soundtrack. So many movements of one piece, and in game it's a frankenstein's monster sewn together based on in game happenings (combat, story moments etc). Since you can't control when a player gets to a trigger, or starts combat, you have to do this dynamically. Internally in the witcher 3 the combat tracks were separated into 3 (drums, melody and bass, backing instruments/vocals) and they layered them based on combat situation. (my guess is that the electric cello is layered here)
I think this track alone had like 2-3 different versions that were each for 3 different main missions.
Also in-game they have to be loopable, which doesn't sound that good on a track alone. plus sometimes tracks get extra compression in-game to not get buried by other sounds, which is why ,,datamined" versions sound often inferior to released ones.
It's a curse, because it's basically impossible to solve this problem (in a satisfying way for both us and the creators), and we have to extract or record them from the game if we want to listen.
you get this version at the ending mission if you go rouge side.
Love this version. Perfectly captures Johnny‘s mindset during the raid. The cello representing his depression and sadness, the monotone bass his seething anger and hatred, and the conclusion of it into something that sounds like self-destructive rage.
Same can be said for V in the don't fear the reaper ending.
@@KhoaLe-uc2ny Well technically speaking for johnny is speaking for V since they both share the same feelings and bodily experiences.
The cello plays the same melody as Johnny's old Samurai song "The Ballad of Buck Ravers" which is about a half-dead guy going all one-man army against his former employer by shooting up the office before he dies. Sound familiar?
The first time he’s there, it’s for Alt.
The second time he’s there, he’s there to avenge Alt.
The third time he’s there, it’s to be the greatest hype man to V that ever lived. “Don’t worry, you’re better than them.”
Johnny is the cello, V is the beat keeping everything in motion
Almost forgot to listen to this today
so it seems.... i got no heart from the guy :(
DubStepZz=Childhood
Oh what are you doing here? ^^ Hii!
@@Nifitria Gettin high of course
I have been making music for a long time. I experiment with different genres. Now I'm interested in working in the cyberpunk/synthwave genre. There are already two great tracks in this style on this channel of mine. If anyone is interested please rate, I will be grateful. The tracks are called *Cyberpunk* and *Dreamer*
Whoever came up with the concept of (Don't Fear) the Reaper and picked this soundtrack for it deserves a fucking medal.
This is THE most metal thing I've experienced recently and I play Doom on regular basis.
Fuck, I'm still feeling the hype a week later after getting this ending
Ikr, the feeling, when you basically say "fuck you" to the choices presented, and decide to go out like a fucking legend, just as Johnny says. Best moment is, by far, the first guard, upon entry who realizes, that you are here and chose violence
@@birdnoir5841 "violence is not an answer. It's a question, and the answer is YES"
Proceeds to assert dominance over Arasaka
I love that ending too because it scratches that itch in these types of videogames where I just want to go and get shit done myself.
In gameplay terms, I'm practically a demigod. I don't need to go around gathering allies and asking folk for help, I could take on an army and not break a sweat.
Learning that you can just go and kick down Arasaka's door and go apeshit was hype as all hell.
"There's a reason we remember them.
"Because when faced with an impossible choice, they chose both, and they chose neither. I mean, a suicide run, guaranteed to kill them. Stroke of some sort of genius. I mean, they were going to die no matter what, right? They were a walking corpse. But Arasaka can't kill what's already dead, now can they?
"They chose to go down burning brighter than nuclear fire, and their flames burned so hot that Arasaka Tower collapsed before they did. 'saka claimed the body count was low, but we saw the cam feeds. There were bodies strewn from the door to the elevator.
"Not one of them was theirs.
"I don't know where they are now, but I do know that V didn't mean Vincent or Valerie or whatever. It meant Victory. Plain and simple. In an entire city of bad endings, they managed to do the one thing that no one else has managed before or since.
"They won.
"Went down burning like a fucking meteor, like so many before. And rose back up like a phoenix.
*"I'd bet when the Reaper finally met 'em, they just asked why it took so long."*
Might I recommend, then, Little V's cover of Rebel Path? Wherein he slathers Doom Eternal style instrumentation all the hell over the song?
"Wake up, Samurai! We a hole to punch through Mars."
The cello in the beginning man. It’s makes you feel like an old, grizzled ronin samurai that’s about to go on one last blood letting. Then the transition to the synth turns it into the “cyberpunk” aesthetic and its just so fucking perfect.
Well said, well said.
100% this, why this is my hype song before diving into the game
ma man!
100% intentional to start the music with a more 'organic' instrument before going full digital with the synths.
Given that Street Samurai comes from this genre, that's one helluva fitting description
August 20, 2023 Blackrock HQ.
Never fade away brother
Ah yes here comes liberty.
@@yefe28cringe 🤡
@@Anstreki323 ?
@@Anstreki323 I cringed more reading your reply rather than the one you're responding.
Johnny is like: fuck I had a bad day and now arasaka is gonna have an even worse night
me:reading this with keanu voice in my head
I really wish they made an ending where either as V or Johnny, you could lead an attack on Arasaka Tower to nuke it again like in 2023.
@@xennexen9849 That is true, I was thinking of an endgame where Johnny and V join forces, and Johnny would guide and if necessary sometimes even control V to get him to nuke Arasaka with Smasher as the final boss...
I said this to one of my friends and he said that I should write for CDPR... :\
@@cosmic2750 There is no better way to end the game than running away with nomads
@@xennexen9849 the closest thing to that is the arasaka ending, I was really hoping that the rogue one was going to be like that
V: tickles security guards with his nerf guns
Johnny: handgun single hit 2k+ damage
Edit: this comment was made from an early game perspective. You first get to play as Johnny right after the "heist" mission at Konpeki Plaza. At this stage, V's weapons are really nerf guns comparing to Johnny.
Its cool cause late game with a full handgun build you can reliably pop elites for like 10k when you crit headshot them, feels like your at his level.
@@amatthew1231 Yea im Pistol-Katana build and cleared half of the map from all side quests and the blue ones im like lvl 20 and not far after prologue the game is so easy on very hard they all die after 1-2 hits lol
There is gun that without any perks in guns deals 50k+ headshots. It's single shot, but that makes it even cooler. )
P.S. It'a a tech pistol, so it shoots thru cover and have HE bullets, btw.
Endgame V >>>>> Johnny
say that to my 200k+ damage Overture and DR12 Quasar
The soundtrack for this game is great all around, but that cello solo is fucking bad ass. By far best part of the soundtrack, idk how but even with all the industrial and EDM that cello nails the feeling of Cyberpunk.
Perfect for plowing through arosaka
checkout "You Shall Never Have To Forgive Me Again" and "Been Good to Know Ya'' from the soundtrack, both bangers with the cello
the cellist that recorded it was the same one that did wonder woman's theme
The Cello is like a Violin with a much darker tone.
Not sad, but ominous
@@UltimatePowa i think its an erhu
This is your reminder that the Cello follows the same chord progression as Ballad of Buck Ravers, which is arguably the Samurai song that fits the most with Johnny as a whole.
The soundtrack for this game is immensely well done.
I KNEW BUCK RAVERS SOUNDED FAMILIAR THATS SO COOL
I mean ballad of buck ravers is talking about johnny
Never fade away is the best Samurai song and you know it
@@victorkreig6089who asked you?
I guess I’ll just literally sink hundreds of more hours into this game just because you called out that detail. Literally never caught that.
_"I'm on stage and almost can't breathe. I'm so damn full of... hatred. Then I let it all out into a mic. And I realize it didn't help. I don't feel any better."_
The subtle nuances that Pondsmith snuck into exchanges V has with people are insane. I always knew he was an amazing writer ever since I first picked up 2020, but this game let him stretch his legs in ways I never thought he could
@@victorkreig6089 Um... the script writers for this game are all CDPR folks from poland, you know that right?
Pondsmith had literally nothing to do with v's dialogue at all. Literally nothing...
damn with a soundtrack like this it doesn't make terrorism seem so bad
Hol up
lmao
If you played the game, you'll understand that it was much more than terrorism. He was there to
!SPOILERS!
Destroy mikosha.
@@MetoagaYT yeah ik but it was still an act of terrorism
@@bigbrotherbear7912 to stop a crime against humanity.
Rebel path goes with everything.
The new "You say run" ?
"when someone cuts you off the line in the cafeteria but you're the quiet kid"
@@captaindiamond6895 *Quick Melees with Malorian Arms 3516*
@@CCgivemeawedgy More the new Guile's Theme
>Invading the Institute in FO4.
>Final Missions in Ratchet Deadlocked before your showdown with Gleeman Vox
>Heroes Path, Handsome Jack, and The Warrior.
Happy new year everyone, time to party like it's 2023 !!!
i literally put that on my ig story as a headline haha
Happy New Year chooms!
thought i‘m the only one still here hahahah
time to bring on the future
time for keanu reeves and his 2 bit acting to get adam smashed
This is the best version of this theme on youtube, simply because of how it seemlessly incorporates the electric cello in the beginning.
Facts
Not really there’s a 1 hour version
The intro is from the wither 3 sound track ladies of the woods
@@SuperMinto2566 It's not, just made by the same composer with what I assume is the same instrument, that's why it's so similar.
@@knight1706 nah pretty sure it's a hurdy gurdy used in Ladies of the Wood and this is a cello, but yeah pretty similar
*Johnny Silverhand played this in his head when he was bombing arasaka tower*
the cello almost adds to the historical context
And then he and V repeated in once more.
@@Marvsterer they chipped in ?
@@koriyou6178 This track plays during the secret ending
@@addmen96 what secret ending? I'd it the option where you let Johnny take over and bomb saka again?
"I love it when you're mad really gets my southern blood pumpin'." -Silverhand
Press 'F' for that first guy coming up the stairs.
In Johnny's case, the F comes out more as an "F you" as his cannon blows people's heads clean off.
F for Arasaka Door Guy in (Don't Fear) The Reaper who gets met with an instakill Malorian headshot as soon as you cross the metal detector like Johnny's seen The Matrix and knows how that turns out 🤣
Lmao headshot everytime
@@SilverPrince_ "Johnny has seen the matrix"
Johnny: I AM THE MATRIX.
Game has issues. The soundtrack is *not* one of them.
When the game isnt going at 5fps the music is definitely a strong suit
@@thefreshprincer5587 i was jamming hard with this with the revolver just racking the headshots
@@berk-berk-berk Huh? Marcin Przybyłowicz works for CDPR. He is a composer hired by them.
@@berk-berk-berk P.T. Adamczyk (producer for this track) is an in-house composer for CDPR too.
One of the few games I would literally stop what I was doing to literally listen to the entire soundtrack.
I know this is an unpopular opinion, but Cyberpunk is officially one of my favorite games. I loved the story and gameplay, and most definitely the music.
this is not an unpopular opinion.
@@TotalImmort7l It certainly seems like that is the case. I have so many hate videos about this game in my recommended. Not to mention that prominent game reviewers like Yong Yea have been getting called shills because they’ve enjoyed the game. That in addition to the fact that videos about why Cyberpunk sucks are thriving right now.
@@rurutherussian I found the game quite interesting, and no doubt that this game has a lot of potential.
@@TotalImmort7l Same here, man.
Same lol
Imagine how nostalgic this will be in 20 years....
This game will be like a wine -
the older the better. U will see
@@TS-rp9ty I hope you are right
Let's party like it's 2022
i have to agree with that, for people who loved this game... and especially coz keanu ofc
@@TS-rp9ty Something like Vampire The Masquerade Bloodlines.
>makes best track in the entire game
>cello is only found in this specific version of the soundtrack
>doesn’t release it officially
>refuses to elaborate
>leaves
Best tracks are not on official soundtrack for some reason. The ending ambience, Judy's romance scene theme... I don't know why they excluded those
This hits differently in the Don’t Fear the Reaper ending...
"The name's V. I'm here on behalf of Mr. Silverhand. I'm afraid we don't have an appointment."
Absolute power fantasy....
...and I loved it.
"The rumours about my slow dying have been greatly exaggerated."
@@apxutekctypa wtf, the line reference under a cyberpunk video lol
@@apxutekctypa Adam, on his knees: "This can't be happening"
V: "Oh, I assure you: it is"
I can honestly imagine a cut scene with V walking up to arasaka tower in the rain, making sure their guns are loaded with the cello playing and right before they enter they spot their reflection in a puddle or mirror and instead of seeing themselves they see Johnny looking back at them which queues the synths to come in and they keep walking to the door and the drop hits right as they kick in the door and start firing
Epic
Oh. My. God. Yes.
Excellent scene
we need a mod for cyberpunk that does just that but leaves the ”(DONT FEAR) The reaper” mission completely alone
That would be so epic
"He's not exactly the bogeyman.. He was the one you sent to kill the fucking bogeyman."
Literally can't stop thinking this is techno John Wick OST level stuff here
God I want someone to do an edit with this and john wick
He killed him...with a pencil. A fucking pencil.
hm... I was thinking about it before the realese...th-cam.com/video/2N9FUQQxllU/w-d-xo.html
But he got caught and absolutely destroyed
Replace "Bogeyman" with "Cyber Bogeyman", and suddenly it feels like an in-game trivial lore.
Its hard to explain, but this song perfectly encapsulates Johnny Silverhand and the world of Cyberpunk as a whole. The quiet burn at the start as the Cello comes in and is completely foreign to the rest of the song's instruments, but perfectly fits; the sound of rebellion and the anger towards everything else around it, and then it kicks into the world of Cyberpunk: a perfect blend of sound as you feel the energy of the song starts up with dark synth. The gritty, industrial sound is almost normal standing overpowering to the cello at the start, just as Johnny is swept up in almost an instant. And yet, despite it all, the fire rages on as the song keeps building up its energy, as the deeds of what Johnny (and V) echo even in their failures.
Mix all that with the heat of the moments when this songs comes on, being one of the few themes in the game that you can clearly hear over the gunfire with its synth and bass, just like how Johnny always takes center stage for Samurai and Kerry. It amps you up and attacks your senses, just like the constant sights and sounds of Night City, but you don't give in, you fight back and fight harder.
Even in the moments when this song slows down between gunfights, you're given a moments respite, but the fire still burns as the cello comes back, even with its echos; you live to ignite the flame again, but you're already itching and ready for the next one. And then the song starts to kick back up before you're right back swept into the gunfire again.
Whoever made this OST managed to encapsulate so much in one song, and I commend them. I could say more but this is all I could manage to cohesively put together.
I ain't reading allat
@@misterbobb No one asked you to
@@misterbobb You're missing out.
@@HanfgurkenhasserHe’s still missing out (jokes aside, amazing music piece analysis)
My favorite thing is how that heavy beat throughout the song sounds like a gunshot. Whether you're Johnny or V attacking Arasaka, you're going in there shooting.
That crushing beat represents every Saka ninja TKO'd with a bat, thrown blade or fired Malorian.
Rebel path from Cyberpunk, bury the light from Devil May Cry, and The Only Thing They Fear is You from Doom. These are the best video game OSTs ever man.
Don't forget "The only thing i know for real" from MGRR
these truly one of the soundtracks ever
no, so cry
@@attdesigner No, I won't cry. Now you cry.
Oh, and Hell March from Red Alert. Yeah, I'm old.
CDPR really know how to set time and pacing when it comes to music. Nailed in the Witcher and nailed it on this
@Mr Death skull thats your opinion on not fact
@Mr Death skull lmao arrogant much?
@Mr Death skull the witcher sucks especially 3
Play this at New Year's Eve at 11:58:56 pm and the drop will hit when the new year hits.
This way you're gonna party like it's 2023
you better
As powerful as Arasaka was, they never expected someone like Johny.
Or V
Fun Fact: Johnny never actually nuked Arasaka Tower, he was just a gunman meant as a distraction but because of his ego, his memories were warped to make him seem like the hero and that's why it sorta feels like super corny.
@@comfyphoenixthen who dropped the bomb
@@i_love_musique333 Morgan Blackhand + Millitech
"Time to party like it's 2023" 🔫🧨💣
cant wait those 2 years :DDD
(2 years later) “and in this news report, a building by a Japanese company has fallen to the ground, as the half of the city in south California has been blown to bits by a mini nuke. Reports saying that this was a terrorist attack.
Did this mission with my Corpo female!V, legendary mantis blades, legendary Sandevistan, and virtual jumpsuit on. Boy... that was good
@@Vencidious More Like: Breaking News! Amazon HQ has collapsed. After years of exploiting workers & being all-around douchey corporation, Amazon stock is in free-fall. Early reports indicate a mob of enraged gamers stormed the company’s Seattle campus with a mini-nuke. After plastering the building with memes, the gamers played the score from the game “Cyberpunk 2077” on the building’s PA, then left the building via a swarm of helicopters. It is unknown where the gamers received the mini-nuke or the helicopters.
@@Dreikov GG
It’s impressive how good a job the music does to characterize Johnny at the moment of the Arasaka raid.
Pure unbridled WRATH. Not the kind of rage or heat that goes away once you’ve cooled down. It’s the slow bitter cold boil of raw contempt for a world that has sown a whirlwind.
I love that nobody has ever said anything bad about this soundtrack, while each platform and each update has its challenges we all agree this track fucking bangs
a games quality and music are not at all related. a game can be complete trash and still have bangers in it. league players know that well.
Cyberpunk fans when they hear about Blackrock
man fuck you i was about to make that joke choom
cyberpunk fans with senior IT credentials working on a 10 year plan to do this (it's not me this is a joke btw)
Honestly I just look at the shit they get away with and just think “do you want Arasaka? Because that is how you get Arasaka.”
WE MAKING IT OUTTA BLACKROCK WITH THIS ONE 🔥🔥🔥
That guy when he heard about them Twin Towers...
When you have a gig to play at 9 and city to burn at 11.
9-11 baby!
@@mrsupreme5316 NO! Don't you freaking dare!
@@Grubbybump253 g
@@Grubbybump253 u
@@mrsupreme5316 u
Smashing Arasaka ninjas at 17 fps be like
Edit: Holy dog shit almost a year since i made this comment and it's still getting replies lol.
Lmfao.
Lol. The cyberpunk experience that be
I too wanna play next gen games with my 7 years old PC and if i cant run it, ill just have to cry and get a refund. Ez
@@triforce1311 they also did market it for current gen but oh well.
@@triforce1311 Just look at the minimum requirements, all a lie, it's not the consumers fault lmao
Literally everywhere else in Night City: *nothing happens*
Arasaka Tower Every F*cking Time: *a wild Johnny Silverhand approaches and chooses violence*
ah yes, violance.
@Brandon Bidder Good one lol
Chill bitches it’s just a spelling mistake sorry for not having english as my first language smh
What do you mean nothing happens theres shit happening around every corner
@@Dognuhtz And that keeps you going
"I say you grab the hottest iron you can find, stride in the Tower's front door and cut your own path down to the lower levels." - Johnny
"If I gotta die, rather fall into my grave gun in hand and on fire. And not drag anyone down with me." - V
"Huh, you just discovered what it takes to become a legend... Grab your iron - let's mobilize." - Johnny
3 quotes that send shivers down my spine
Listening to this while all the Arasaka elite security forces chatter goes from disbelief to panic to sheer terror as you keep tearing through everything they throw at you is one of the best gaming experiences of the past decade.
Hearing it's just one Merc will never not make me snicker
Goes from “why you here bitch?” To “FUCKING KILL HER!!” Real fast lol
When you have to make a soundtrack to a cyberpunk game, but already invested in strings for slav folk.
Yea except the strings here are Japanese style folk, not slavic, following the Arasaka Japanese theme.
@@mahapralaya999 The cello musician is Tina Guo so you're correct
Well, a slavic themed cyberpunk sounds interesting
@@darrogen6200 Why wear the tracksuit when you can become the tracksuit?
Just need some subdermal lightstrips, Vodka and a sharp knife.
@@derain95 and every car on the street will look like a nomad style "Galina"
This. I FINALLY FOUND THIS ONE. This is WICKED, it makes hairs on my arm stand up.
Which arm? Pretty sure the left one is cybernetic. 😏
Understand
Ikr looking everywhere for that beautiful whine of the cello
We call those goosebumps
John wick man. Just add ed. Wicked. Conidence? I think not.
Cyberpunk is possibly my favorite game ever. In particular, it has this ability to really convey its tone and evoke strong feelings. So in gameplay I really appreciate
1 The way enemies will have adaptive dialogue to your build
2 By the end game the power scaling makes you unstoppable
So when you do the secret ending and storm Arasaka tower alone, hell yeah I feel badass as soldiers scream "HE'S JUST ONE FUCKING MERC" before getting eviscerated
The electric violin is sick
Cello* its in the title
Sir
@@XG-OFFICIAL-59 the title used to say violin but it was changed
3:28
The cyberpunk sound track is one of if not the BEST soundtrack to any game ever, idc what anyone says its amazing!
Agreeable, indeed! This game's OST is pretty on par with the depth of UT2004 OST. Borderlands 2 OST is another runner-up. It's rare to find absolute banging soundtracks in modern games anymore. I enjoy good music in games, it's a huge perk to them immersion. Bravo, CDPR!
This is the only part of the game that NEVER disapointed. Change my mind.
What about the doom one ?
hades is gotta be my top soundtrack
@@Andrea-is1ldto hell and back is cyberpunk but literally seethes with Doom
I did heaps of research on this, even in the game files. There is no "cello version" of the song. It's all a misunderstanding lol.
The electric cello/guitar we hear during the Silverhand mission is actually a sound effect (that is looped a few times) and dynamically integrated with The Rebel Path. So the finished product is a cool mix. But there is no "track" that has both of them together, since it varies for everyone depending on how long you take to progress the part after the cable shooting.
Also, this video is 4:20. Nice.
wow
PT Adamczyk (the composer) replied on twitter that it’s a variation on the original theme and that a full version could be released in the future. Though whatever that means he didn’t really elaborate further.
Maybe this is what he meant, the full version doesn’t exist but it’s just a looped sound effect but could in the future?
I think you're right since I got a violin part at 1:05 in my game and I can't find anything on yt that is how it sounded for me :'(
twitter.com/ptadamczyk/status/1338969587635916800?s=20
"Hey, thanks for kind words! That’s one of many cues that didn’t make it to the album release. Maybe I will post it somewhere in January ;) Cheers Beer mug"
I hope he's not just teasing us
right, if you keep circling in the helo, the cello loops constantly. badass sound nonetheless
I used this song on a nerf battle with my brother, oh boy he screamed "why the hell am I hearing a boss theme" while walking towards his camping spot
Beautiful
need to try this
> Activates Sandevistan
> Shoots at every single enemy without even being shot at.
Hahaha, that's awesome. Hope you guys had fun! ^^
Answer "Why do you think?" as you charge your Nerf Hail-Fire
Someone’s got to start playing this outside of the blackrock HQ
THANK YOU!! I’m not sure why I couldn’t find the cello version of this track anywhere. Definitely my favorite track of the game so far.
Yeah when i heard i know this will be my favorite also my ringthone xD
Omg im too
It's unreleased so it's probably difficult to find
This is Cyberpunk's "Silver for Monsters".
I mean silver for monster has another effect on us but they are both good
Have you heard Hunt or be hunted though
@@irecordwithaphone1856 yeah its decent too
"Chrome to psycho".
Silver for arasaka
1:52 Good morning Night City!
this is one of the most badass songs i’ve heard in a game
V and Johnny together are quite literally an unstoppable force and by the end of their raid the most powerful chrome in night city, makes sense that they couldn’t share a body in any ending
CDPR Will always have my respect for how much they tried to make this game fun, and boy oh boy am I glad the music doesn’t even need to deliver its just all a vibe
HAHAHAH WELL THEN, TRY THE NEW 1.2! ITS AMAZIN
@@haydencutey I have up to 1.3 on a ps4 slim, and now 1.6, which is also wonderful to play from time to time when I’m craving vanilla as I own fallout 4, Skyrim se, and the Witcher 3 on console for those reasons as well, so I can’t wait to see what they do next, especially for phantom liberty.
And as far as 1.7 goes I’m hyped
@@greendude0420 1.6 and it's in a great state, 1.7 is gonna be insane tho
@@azraelfaust487 if only some hacker could port it to console via a cracked ps4 I’d love to see the performance charts as tbh it would probably run like on launch if you install the game offline like I did, which also had street vendors and an in game weapon view they removed then I think re added
bro you gotta try out 2.0.
be a young intern at Arasaka, your first day at the main gate security, should be easy, just smile and great visitors.
"suddenly there's a figure at the door and this weird music starts plaing...*
“I just felt so much hatred. I screamed it all out into a mic, and I realised it didn’t help.”
This song makes any FPS 10x more intense. Even from the mere action of reloading.
It kinda makes you get bloodlust for saka elites.
That reloading animation is SO sick.
@@chrissennfelder7249 I remember someone complaining about the reloads not being "realistic or tactical"
this is Night City. First above all else is style.
Adam and Yorinobu must've been the 2 people who disliked this.
And Saburo... if he could
fuck it Royce disliked it too with his bitch ass, lookin like a phoropter and shit
Now we have the leader of the Animals and Oda too
@@truehalixon6356 he can tho
I legitimately want to strangle everyone over at Arasaka. This game made me build up such an anger towards it. I went and destroyed every single remaining guard at the Arasaka Warehouse. Then played through the ending where me and Johnny fuck shit up alone.
We boutta hit the Blackrock corp building
If Johnny Silverhand ended up in Velen during the Conjunction of Spheres.
I can imagine him single-handedly burning down the Nilfgaardian army to the ground, hate the living guts out of meanwhile really goes along well Dandellion; breaking the heart of the entire Lodge of Soceresses
“...I must be skezzed outta my fuckin’ mind right now.”
At last, the true Johnny Silverhand theme
I'm also getting some serious John Wick vibes.
It's crazy how many people come back to this today. Legendary.
Don't know how many people know this, but the cello is the riff from "Ballad of Buck Ravers" by Samurai
Most games give us some random SMG with a color changing skin. Cyberpunk gave us a dope ass pistol with a doper special mêlee attack, with the dopest reload animation in the past decade, while playing as the dopest guy to ever live with a dope ass soundtrack in the background.
-
The *real* reason Cyberpunk is broken is because the dope level is off the charts. Not a million mortal souls combined could withstand the forces of dope involved with this game.
Go back and try it now, 1.5 is pretty awesome! Unless you play a super crit-focused build.
@@TheRogueX yeah i've been playing it. Performance has definitely increased and the new DLC are cool
in short: this game is fucking nova, chooms.
listening to this while in my car and all of a sudden I’m driving a Porsche smoking a cig and have a silver arm driving to Blackrock HQ.
Fellow Helldivers entering Sony HQ
fkn corpos bro, they ruin everything we love
Damn right
FOR LIBERTYYY
yoooo! fellow helldiver!
No fuckin way a single Diver? Alone?!
"Fuck, he's going solo!"
...
"Come on, people, it's just ONE SINGLE MERC!"
...
"Put a bullet through his head!"
...
"Dammit, we're taking heavy casualties!"
...
"We need reinforcements NOW!"
..
"This can't be happening!"
I searched for this in every full OST videos, and only found parts of it in "You Shall Never Have to Forgive Me Again", then I searched for "Cyberpunk 2077 Violin" because it sounds like violin/strings.
Kudos to you mate, for providing this beautiful track.
The intro is from the Witcher 3 sound track , ladies of the woods
@@SuperMinto2566 wait, holy shit. How did I not recognize that
@Minto Smith It's not, actually. The cello here is quite a bit different to Ladies Of The Wood along with the tune being different
Please let Denis Villeneuve make a Cyberpunk 2077-movie. And add this song to the soundtrack. Play it when a really dramatic action sequence is about to start. I swear ... the audience will go nuts.
God no that movie would be shit like dune
lol Denis Villeneuve movies are all shit.
I think there's too much to cover for a movie honestly, probably would work better as a mini series
THIS! Hopefully when he's done with the Dune series?
try blade runner cyberpunk was based of it after all
SAY GOODBYE BLACKROCK
They gone yet?
@@qkwwiuwhejajawlw just be patient brother
@@spasmboi266 Next is the WEF, Amazon, Oracle, Blackstone, Lockheed Martin and Google.
@@spasmboi266 this is what they call deluded
Sweet Baby Stink… one at a time bro, one at a time. These globalists know we got their number. Trump needs to get in.
2023 Update: The game is absolutely phenomenal and every time I hear this incredible soundtrack from meeting Alt in cyberspace, to laying down with the doll in Clouds, to storming ARASAKA tower…I get chills. Absolutely breathtaking soundtrack mixed with incredible gameplay and atmosphere and character development this is truly a gem! (As opposed to the state of the game on release lol!)
Cyberpunk as a whole: riddled with bugs and glitches
The story: one of the best I have ever experienced since dark souls
The music: slaps harder than my dad's belt
🤣
Bro u understood the dark souls story? I've seen lore videos and I still have no clue what the fuck is going on in those games
@bruh criiiinge wat
One thing that makes this song is the 90 bpm, makes the beat feel alive, since the average heart rate can be 90 bpm makes this fit for the scenario this plays in
Cyberpunk players in 2023 bringing lore into reality at the BlackRock Capital Investments Corporation offices be like:
I’ve never come across anything in media or books, even life in general, that presented the concept of death and mortality in such a poignant way- the music especially (and male V voice actor) really made those moments and game in general something that will always stick with me which at the time was something I’d never thought about, or had experienced loss.
With the new update 2.0 changes released (especially the new combat features/skills) this song is about to hit harder than ever
Honestly this song made history, you just can't stop listening to this, and when listening, you can't stop vibing
Favourite song in the whole game and couldn’t find it anywhere, thanks for this!
Cybberpunk player at 23th august 2023 under the Blackrock building :
No idea why this didn't make the ost. This edit got my goat.
oh it's you! hello! I love your music.
Bruh locknar
Johnny Silverhand is the cyborg version of John Wick, change my mind...
A little wilder but yeah... I think the invincible badass image is is just glued to Keanu Reeves at this point, no matter what role he is in.
John is a professional. Johnny is a sarcastic rockerboy.
John Wick is useful, Johnny Silverhand is just a douche
John Wick is a retired mercenary, Johhny Silverhand is a cyber terrorist
In the lore? Nah, not at all. In the actual game? Ehh, also not really. He's badass in his own right, but not in the way that Wick is.
This is one of THE most badass things I've ever done in a video game. The fact that YOU'RE Johnny Silverhand. The music. The gun. The best reload animation ever.
"My plan ? You grab the hottest iron you can find, stride to Arasaka tower and cut your own path to Mikoshi"
- Johnny Silverhand, right before partying like its 2023
the player gets to choose Corpo, Nomad or Streetkid path,
but this..this is Johnny's path.
Ok, this is good. Now put it on Spotify
The best part to all of this is this plays during the mission where future Ted "Theodore" Logan helps you out in taking down the japanese Jeff Bezos in a ride or die mission.
Rogue's plan: enter through the roof
Panam's plan: enter by underground
...
Johnny Silverhand:
Walk in through the front door 😎