Metallica: A Tale of Two Tones
ฝัง
- เผยแพร่เมื่อ 20 ส.ค. 2020
- For the first time on A Tale of Two Tones, the two tones of two guitar players... James Hetfield and Kirk Hammett of Metallica!
Being the pioneers of thrash metal we felt we had to cover both guitar players from Metallica, from their humble beginnings of the early 80s Metallica's tone and sound has changed a lot over a career going into their 5th decade. We decided to focus mainly on their tone from around '84/'85 and the more modern Death Magnetic/ World Magnetic tour eras.
As always with A Tale of Two Tones, we didn't go for specific tones and gear but we wanted to capture the vibe of the tone. So to do that we used a Gibson 70s Flying V and Charvel So-Cal through a Marshall JVM for the 80s tones and both James' and Kirk's LTD signature guitars through a Mesa Boogie Triple Crown for their more modern tones.
Hope you enjoy our approximation of the Two Tones of Metallica! Let us know in the comments below what you think.
We'd also love to hear who you would like to hear next in our series of A Tale of Two Tones! (And if you liked us tackling the tones of a band!)
Check out the gear used here:
Gibson 70s Flying V Classic White - bit.ly/2Yitv52
Charvel Pro-Mod So-Cal Style 1 Vintage White - bit.ly/3lbZyO6
Marshall JVM 410H - bit.ly/3hge70r
ESP LTD James Hetfield Signature IRON CROSS SW - bit.ly/2Emfo7C
ESP LTD Kirk Hammett Signature KH-WZ - bit.ly/31eTvAh
Mesa Boogie Triple Crown TC-100 Head - bit.ly/34jW1ai
Boss SD-1W Super Overdrive Waza Craft Special Edition - bit.ly/3gell3V
Boss NS2 - bit.ly/3gbKBHR
Jim Dunlop JCB95B Cantrell Wah Black - bit.ly/2Q8RmzL
Jack’s TH-cam channel: / jackgriffithsmusic
Jack’s Instagram: @jackgriffithsmusic
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Website: www.peachguitars.com
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Hey folks! Hope you're enjoying this latest instalment of the Tale of Two Tones series. Just wanted to point out that a gremlin got in to the system and the duelling guitars towards the end of the video got pushed out of sync with each other, in case you were wondering. I'm usually sloppy but not quite that bad! - Jack
Hey i just thought that you wanted to replicate Kirk's playing! :D :D :D
@@psofoss Hahahahahahahahah you win the internet today!
Sloppy? Sloppy? Yeah yeah Jack ok mate. Were do i learn this sloppyness that you do so well
@Peach Guitars Amazing video filled with a ton of knowledge. The only thing that bothered me was the volume difference between you talking and the music. I had to turn my volume up quite a bit to really hear you and once you started playing it was a mad dash to turn the volume down
Took me nearly 15 years of guitar playing messing around with various different amps and effect pedals etc to realise the classic boosted Marshall setup is what I needed all along. Ended up with a DSL, and discovered it even has a "sound like Metallica" button that helpfully stabs your mid frequencies in the kidneys and dumps their body in a canal.
That, and scoop the mids if you're in your living room.(for those of us who won't need it to sound good live)
The dialogue:🔈
Every other sound: 🔊🔊🔊
tenet?
@@loopeygoopey lol, exactly, worst audio in any movie ever
Jack is delivering again!!! Guys at peach you must be feel lucky to have such a talented player to your team!
No disrepect to Andertons, but this show absolutely wrecks "Sounds Like" even when they bust the bank. Sometimes Matt and Bea are so far off on their tones.
I think one of the reasons its due the fact that they only use what is in the Andertons store, like in the "How to sound Like Dimebag" they use Schecter and Ibanez for Guitar, because they dont have Dean or Washburn, they are stuck in what it is in the store.
@@armansant6607 1.) Peach Guitars is also a store, and thus would be limited to what they have in stock as well. And 2.) There's a fundamental misunderstanding about guitars in your argument. Too many people think that the guitar brand determines what kind of music you can play. Brand almost doesn't even matter so long as you're picking something with similar body construction (i.e. solid vs. hollow body) and pickup type. A lot of it is going to be in the pickups, pedals, and amp/cab/speaker combinations. Not a lot of it has to do with Ibanez, Schecter, Dean, etc. Tone does not come from the label on the headstock.
@@flips220 Don't take me wrong, I get what you say, I was just saying that sometimes they dont have the equipment that "defines" the sound of an artist, like pedals amps/cabs, etc, like what you were saying, the guitar brand it was just an example.
Big problems like when they decided EMGs was perfect for Megadeth. Unbelievable
To be honest, the budget thing in the Anderton's videos is an issue for bands playing certain brands. I don't think they've done a single demo with a Mark or Rectifier. The second issue is, their demo players don't play in the old 80es style, someone should tell Rabea you don't chug on three strings when playing 80es thrash or Maiden. They're all really good players but the 80es metal just isn't their thing and they don't know it very well.
As someone who played metal in the early eighties can confirm that a jcm 800 and boss superoverdrive does the job. I played a Gibson original 70's V and it's important not to have too hot a sound going in if you want definition. The dynamic range of those old gibson pick ups is a big part of the early Priest/Saxon/Metallica thing. Nice job by the way. Oh yeah. You have to crank the amp a bit too lol.
Very important. We're so hyped up about hot pickups, we forget that you can loose definition if the signal's too hot going in
i'm also an older musician myself and i agree i think many times musicians follow trends just like the rest of us and the mania for EMG's and the like had alot to do with that fact. in reality a GIBSON PAF or, say, a DIMARZIO SUPER DISTORTION has all the power and far more definition. yes i am a hardcore GIBSON man but even still i've delved into the subject quite a bit and the older style (shall we call them) have always been better in my book.
@@NoirL.A. as a player who grew up in the midst of the aftermarket pickup craze and obsessed over PUs for years, switched between over a dozen, here is what i learnt: when playing at home and bedroom level, hot PUs give you instant gratification, they kinda simulate the feel and sound of much louder tones. Thats a big part of what people enjoy about them. With a loud tube amp, it kinda levels out.
there are very good very hot PUs out there that keep definition very well, but nowadays I couldn't be bothered to go any further than a decent Paf style, a Seymour Duncan JB/ 59 or a Super Distortion. Instead I learned about the magic of a buffer in the signal chain (here again, active PUs absolutely have their benefits for a live-rig with all those cables).
James Hetfield didn’t use a genuine Gibson Flying V, it was a Chibson, so I guess it’s just a good pickup, in general.
Took me awhile to figure out my Marshall 100 Watts. I've also found that cranking them and using very little gain actually gets a meaner sound than cranking the gain at lower volumes. My whole life has been a lie lol
I’d love to see two tones with Josh Homme, one when he was in kyuss and the other the kinda Rated R - Songs for the Deaf tones
Kyuss!
I absolutely love the "Blues for the Red Sun" and "Welcome to Sky Valley" tones!
Hell ya!
Humbuckers into a tube bass amp, add a rat and you have josh homme after you tune down to C
Shockheadd45 his Kyuss sound (‘92-‘94) was a JCM 900 in an SVT cab.
This is the most accurate I've heard someone trying to get metallica tone. Doesnt hurt that your playing rips.
This is an outstanding demonstration of Metallica tone.
Kirks main studio guitar in the 80s was a 70s Gibson Flying V. It was reissued (limited run) by Gibson a couple of years back. He didn'† put EMGs in it until after Kill em All was recorded though, perhaps even after Ride The Lightning was recorded too. He also had a Fernandes Strat with EMG SA pickups during RtL, as well as a red Kramer Guitar, A Jackson RR1T and two ESO MM-250 guitars acquired in 1987, one of which became his main guitar for a few years (the one with the Zorlac decal) .
It's important to note that James tracked ALL the rhythm guitars up until their self-titled album, so you don't hear ANY rhythm guitar from Kirk on the albums recorded in the 80s.
They started using Mesa/Boogie amps for the recording of MoP. 1 or 2 tracks were recorded with the Boogies (2c+ coliseum) slaved through the poweramp section of an 800, but the rest were just straight up Boogies through stock Marshall cabs, most likely fitted with G12M-65w speakers (either that or G12T-75s. The T-75s back then were DIFFERENT from the ones produced now, they had a different cone I believe, so the sound wasn't as brittle as the ones currently fitted in 1960A cabs) ..
James' main guitars was the Gibson Flyin V copy (it had a bolt on neck) , Gibson Explorer EXP 83 (from 1985 onwards) and ESP Explorers delivered to him during the Damaged Justice tour in 1988 (I seriously doubt James had them when they recorded AJFA).
I think Eminence’s Redcoat series speakers might actually have a copy of the G12T75 speaker in their lineup. I can’t say I know for certain, but I’ve heard that the Eminence Man O War is basically a copy of a Celestion G12. I know the Eminence CV75 is a recreation of the very early Celestion V30 speakers, and they sound really good.
Red Kramer? Ive been following them since the beginning and saw them live several times and cant recall ever...ever ever seeing Kirk with any Red Kramer and ive owned several. Got any links to pics or video? Its weird nobody hardly ever mentions the Tom Anderson custom he played on the Justice tour.
@@gearhead762yep I remember the Tom Anderson Strat this was right around AJFA both he and James had the new Ultra Sonic reference pickups which I believe james used recording the rhythm tracks for that albums sound. I don't know for certain but I did buy one for my guitar in 86 87 ish. I can tell you It was a lot easier getting that sound with it. Yikes that's almost 40 years ago LOL
@@skxj surely around AJFA...i saw Kirk live with it on that tour. James may have used those pickups in the studio but i dont recall ever seeing any press photos or him playing them live. But i guess its possible. I was mainly curious why Kirk never really played it after that tour....stolen? Broke beyond repair? Sold?
@@gearhead762 ya hard to say what happened. One thing for sure if they did use those pickups it wasn't for very long. LoL. I still have mine and it still sounds good.
brilliant video dude, your riffing on that "flying v" in particular "KILLED US ALL"
Nice work! I’m really enjoying this series.
Good god! that 70's Flying V absolutely kills em all, especially in Jack's hands. Seems like Jack can outplay anyone on TH-cam in any style and still come up humble as hell. Maybe humility is the key to why he is so good.
Cool video! The sounds were really close and the playing was fantastic. Please keep ‘em coming \m/
Wow, your tone is spot on, and your playing style is amazing !
James’ “Gibson V” was actually an Elektra copy with a gibson truss rod cover. He used Seymour Duncan Invaders until the Master of Puppets album, when he started trying out EMGs (Mainly the 81/60). He actually retired the Elektra pretty early on (‘84-ish) and went over to a Jackson King V and was using the Invaders in the Jackson as well. Huge Metallica fan myself, and started delving into their tones within my first year of playing (currently on my 2nd year. Crazy to think that it’s only been two years but I’ve improved so much over those 2 years) and then started chasing “Dimebag” Darrell Abbott’s tone. Now I’m just looking for my own tone. Also, love the tones in this one. Not many people tend to get this close without using the AxeFX, Kempers, or even the audio interface and programs such as Softube and Amplitude. 🤟🏼
you're absolutely right except he only used the JACKSON on 'THE THING THAT SHOULD NOT BE' and that was because the song was tuned to 430 rather than 440. no one knows for sure what happened to the ELETKTRA V or why he stopped playing it but thereafter for years the GIBSON EXPLORER became his primary until later 80's when he switched to ESP EXPLORERS mostly because they offered him an endorsement. if you watch the METAL HAMMER festival footage mid 80's he actually switches mid way through the gig. i've always wondered why but he's never comented on it. btw, for only having been at it a few years your knowledge is impressive.
MACABRE L.A. Cheers, man! I’m a huge Metallica guy myself, Slayer and Pantera fan as well. Been listening to them since I was 14-15ish. 18 now, only picked up guitar playing myself at 16. Been delving deep into the history of most bands I listen to. Appreciate it, man. 🤟🏼
@@penguin1893 sher thang!
Can I add a little note? If I'm not wrong (correct me if, please), Hetfield's Elektra guitar was not retired but stolen with their gear in 83 or 84. And that's because he wrote Fade To Black.
JunaiTV Nah, he still has it. In the “Making of Hardwired” film on YT he uses it.
Ordering some stuff from you just for your videos. Well done!
This a great series. And,..yeah, Jack makes us want to buy everything. Well done Peach.👍
Great Vid there Lad! Bloody fine playing!!💪😎
I've waited for a video like this for a long time. Spot on! Ride The Lightning is my favorite Metallica record and you captured that tone perfectly. Although Kirk did use his black flying V to record most of the first two records, he also used his hot rodded strat a lot too. Great tones man.
The hot rod Strat was the vibe we were going for with the Charvel! - Luke
The off key noodling was pretty spot on
You can tell when Jack enjoys playing his favourite music.
Well done, Peach People!
Great series!!
great tones, but Jack's versitility is the stand out for me
right! this man absolutely nails (with integrity! that's the hard part) just about every style he demonstrates in these Peach vids from jeff beck, to claption, jack white, etc. our Homie here is the real constant to what's cool about these vids. Kudos, Jack
Amazing playing dude, enjoyed watching
Absolutely ripping. Nice work dude.
If Peach isn't paying this guy a million bucks a year they need to be. God knows how much gear he's helped them sell. Monster player!!
Hetfield in the early 80 played a Electra flying wedge with a Gibson truss rod cover
Great video! Keep it up, dudes!
GASsing hard on that 70's V! Good job on the video man.
Great video!
Dude, whatever you played with that strat was absolutely banger!
Great video! Tones were spot on! The mark llc+ crunch berries amp was also huge for the master of puppets Era tone.
Really good ! A pleasure to listen to ! Good Job Jack. We need an other episod for clean tones !
whoa. that was incredible
the earlys metallica were celestion g12-65 and the later are Vintage 30s the guitar speaker is the most underated importent thing of sound
Great comment !
Speaker makes a huge difference to sound for sure, but I think it's usually overlooked because it's just not as easy or practical to get the right speaker (and cabinet, let's not forget) as it is to get the right pedals and settings.
Most guitarists of sufficient experience can hear the tone "through" the colouration of the speaker, or otherwise compensate for it anyway.
Haven't really seen much proof for Metallica using 65s. T75s are more likely. I've tried to get close to Lightning and Puppets tones and T75s sounded very close. V30s combined with T75s also got a good justice tone.
@@chug6742 because the 75t is brought late1985 they used this for master off pupets but the on ride the lightning the g12-65 was in the cab
@@dominikpohli2381 Ah. I didn't know the 75s came out that late
4:57 thats what i do with my 800, i run into the dirty side with something like a dual overdrive and my gain down on like 2-3 especially for something like an 800 you need to EQ it properly. When i did go for the RTL tone i noticed that james scooped the mids, more than you would think and actually didnt push alot of bass in his tone, somewhere the treble was in the ballpark of about 7-8. Yes passive pickups are the best to go for when shooting to mimic a tone from this metallica era.
You just made a Metallica fan happy. So glad you made a video about them. Thanks a bunch and great playing!
Just noticed it's a video from two years ago. Well, who cares, I rest my case anyway despite the damn TH-cam algorithm. 😛
Damn man, you’re the best.
I really like this. I just wish you would have shown a quick picture of the two boss pedals you refer to in the kea/rtl section. Great video!
Great playing Jack!!
Question: How close to this can YOU come, while playing a mid 90's Kramer through a Digitech RP10 and Kramer amp? That's what I had back then.
Great job!
Uhh amazing man ✨
Nice. Although it' a bit of a shame the RAT wasn't used. James used it to boost his cranked Marshall during the Kill 'em All era and the tone he got was quite unique compared to using standard overdrives.
the recording of death magnetic James said they used the rat for also ride the lightning. But kirk used the tube screamer for his leads.
damn good video! this channel is killer!.
Great stuff guys, Jack you're one heck of a player mate. Is there owt you can't play??!!! Sounded like a full on metal player there and my fave band ever to boot, nice one. Lovin the Vee!
I’ve never seen any other videos from this series before, but I am very impressed by the respect shown to the artists’ playing style and tone. Could have told me some of the riffs came straight out Master of Puppets, played by Hetfield himself and I would have bought it.
You’re opening tone sounded fantastic. James’ Marshall tone definitely 👍🏼
great playing dude
This was cool. You should do Judas Priest and Iron Maiden !
Wow!! Great playing!! When you were doing Kirks part on the yellow charvel I think I prefer your tone/playing to the original!
Keep up the good work!!
Wish I lived in the UK and could visit the store. Maybe someday.
Fascinating video idea. I'd like to know what songs Kirk recorded on his single coil guitars like his American Strat (EMG SA pups), Ritchie Blackmore Signature Strat, 1963 original Strat, and his ESP Strat copy. I'd argue that certain songs sound like they were recorded on single coil guitars, but what guitar was used on what song? I had seen Metallica live back in 1992 and Kirk used his vintage white Strat with the EMG SA pickups on "The Unforgiven".
Kirk only plays leads.
James plays everything else.
@Shockheadd45 learn the difference between writing and playing, dickbreath.
He only plays leads on the albums, Hetfield plays everything else to keep it tight.
They have both said this multiple times.
James switched to a Mesa mk II Coliseum on master of puppets. He didn't really change it until load-re-load.
People often assume that Hetfield’s Mark II is a 6-tube Coliseum because it’s a long head chassis, but that’s not correct. Many quad tubed Mark II heads were built in the long head chassis, too. Hetfield’s Mark II was no exception; his is a 75 watt simul-class head with the ++ factory mod.
actually james was using a Mark IIC+ into a modded JCM800 using the IIC+ as the preamp and the JCM800 as the power amp
@@Tomcat82 was that the red dot or blue dot?
@@Tomcat82 and I thought it was a IIC ++
@@Tomcat82 Quick question...did Randall Smith rip off Mike Saldano, or was it the other way around? And I wouldn't say rip...that's to strong a word. More like... borrowed, lol
I think James had to change his setup or risk being swallowed whole by Kirk's massive solo tone in the latter years. Wow, you nailed it!
Well done 🤟🍻 my fav eras of Metallica tone are ironically the Garage Days EP and later Garage Inc. album, when they were probably at their least "produced." Ex. Helpless, Green Hell, Mercyful Fate medley, Sabbra Cadabra
Agreed! Garage Inc had a great guitar sound
I think James was using a Wizard Modern Classic on Garage Inc.
BTW, I started listening to Metallica when Garage Days Re-revisted came out. Blew me away and then I was blown away again when I got all the other albums up to then.
@@wadereynoldsgm there's definitely Wizard stuff floating around that era. Some of their thickest tones 🤟
The tones James got out of those Wizard MCs were some of his best. Similar huge open sound as Angus from ACDC but with James's heavy twist.
I’ve got me a JCM 800, and my Green Rhino just ain’t doing it. Can someone recommend the proper boost pedal for Metallica? All the Screamer style pedals I try are too tight and don’t have enough fuzz under the note. It’s just not working with thick sounding riffs like Jambi (Tool) or The Motherload (Mastodon) or Orion for example, the bass response is there, but there’s this slight fuzziness under the chug that’s missing with a screamer circuit.
@Peach Guitars Amazing video filled with a ton of knowledge. The only thing that bothered me was the volume difference between you talking and the music. I had to turn my volume up quite a bit to really hear you and once you started playing it was a mad dash to turn the volume down
Old school all the fucking way. Great work, dude!
I want to learn about tone, I am a big ginger guitarist and I don’t have guitar amp, I use garage band. So what tones can I get from there. I love both Kirk and James, but I love Kirk’s solo more.
Aces!
My favourite band 🤘🤘🤘🤘
That’s the sound. The latter boogie sessions had a smoother tone to my ear.
Great video 😃😃😃
What are the settings in the JVM ???🤔🤔🤔
Love that Marshall tone
Not sure which era, maybe MOP, AJFA, I heard they used a Mesa Boogie MKIIC+ for it’s preamp, slaved into the power section of a Marshall which I found interesting.
The slaving was only for leads, though.
For rythm, it was the Mark IIC++.
Jonathan M ok that makes more sense, thanks.
Jonathan M Yep, Flemming confirmed in a recent(ish) interview that James sound was the Mk2C+ pre and power amp.
Imo, the iconic Metallica tone.
The main vibe for modern Metallica rhythm tones will always be a Mesa Mark IIC+. A Mark V would be the better choice in this video. But! The early era sounded killer! A tad too much gain but so pleasing!
What about the mid 90s tone. Load, Reload, Garage Inc?
If we did more than two tones we definitely would have covered some of these tones. However, we felt that the eras we covered would be a good representation of Metallica.
Garage Inc. tones would have been fun to do though! - Luke
YESSS
You had me at V
I’d love to see one of these on Dan Auerbach of the black keys , John Fogherty of CCR , Neil Young, or Jimmie Vaughan with his Fender Strat and Fender Coronado?!
Man, Jack you sound ALOT better that most of those Sobs from the eighties.., you all can play anything!
Metallica - Rock am Ring 2008
That's the best tone I have ever heard from any band.
I’m pretty sure Metallica also used Boss Overdrives and Super Overdrives too, especially on Ride the Lightning, so that works perfectly!
nice! that was very interesting. could you do one with Judas Priest please?
Ride the Lightning is my favorite album of theirs
I believe that James' gear was Roland 120, Gibson Flying with Seymour Duncan Invaders and a distortion pedal, probably a Pro Co Rat.
🤘😃🤘🎸🎸🎸
So did I just blink and miss it, or was there really no talk about settings, dialing these tones in, signal path for how you recorded, etc? Not even a close pass on the amp front?
You should try to get Jerry Cantrell's Tone, and compare it between albums and eras
the charvel sounded killer, even for the rithm
The charvell sounded bad ass , I'm impressed.
Mastodon or Queens of the stone age next?
Mesa Mark V 25 for the Metallica Win! 🤘😜🤘
Emg in the later years? They started using EMG in 1984 lol.
Het didn't use a boost, his jcm on rtl was modded.
Kirk boosts for the solos👍
Can attest to that
I have seen interviews where james talked about using a rat distortion pedal back in the very early days.
@@burnsZY85 James use the rat for the kill em all
From what I've read, Fleming said they boosted the 800 with a ts9
@@DaveElchingon hat was on ride t
he lightening, he used a rat pro distortion on kill em all.
You didn't put an Explorer there?
Can you guys do dave mustaine and his bc rich bich and jackson king v or dean
It would be awesome if Metallica would return to Marshall style anps for some shows. I would really love to hear some new songs on this old gear. It sounds so aggressive and raw.
Metallicas live guitar sound is really thin and buzzy nowadays.
Seems their live shows are mostly digitized nowadays..
IMO Metallica's modern tone (especially live), is cleaner in a good way, the way I hear it is like if they dialed back the gain a little bit. If you listen for example to Mexico's DVD from 2008, I think you can clearly hear that it’s more clear, you can hear the articulation that James and Kirk add in their own way
but if you've grown up loving their first 4-5 albums (yes, I'd include the black album), you hate their modern tone and the lack of gain... All a matter of taste
@@francescobarbaro7114 imo I think the tone is fine, it's just the drum sound I dislike. The playing is perfectly fine, it's just the sound itself that I dislike
Jack’s a badass.
Much preferred the JVM
That was an awesome video guys....im so glad you didn't use that axe fx Kemper units that don't sound anything like a good tube amp....you guys nailed it
Early Metallica rigs:
Hetfeild
Guitar:
White Gibson Flying V with a Dirty fingers Humbucker in the bridge position
Amp:
Marshall JCM 800 head into a Celestion Greenback loaded 4x12 cab
Effects: Ibanez Tubescreamer (TS9) and MXR analog chorus (for clean tones)
Ernie Ball 11-48 strings, Dunlop greens .88 picks
Mustaine
Guitar:
Natural B.C Rich Perfect 10 Bich with a Di'marzio super distortion in the bridge position
Amp:
Marshall JVM 410 head into a Celestion Vintage 30 loaded 4x12 cab
Effects:
Dunlopcry baby wah wah (GCB95)
Boss metal zone (MT-2)
Boss super chorus (CH-1)
Miselarious: clear tone 10-52 strings, dunlop yellows .73mm picks
I'm pretty sure that's what was used in the early days, before they got kirk instead
Metal zone didn't come out until 1991.. I remember buying one when they first came out..
@@yelserpsivle4443 it did? Then I have no idea what Dave used in the early days... i was just going off memory since I've looked up the rigs earlier
@@wilhelmtheconquerer6214 yeah.. I think they were pretty limited in the Mustaine days to the Marshalls, ProCo Rats, and tubescreamers..
When he hit Leper Messiah I had no choice but to headbang until the riff ceased.
It's time to mosh!!!!!!🤘👍👹😷😷🤙🎸🎸🎸
Settings??
No wheezing the ju-uice.
It should be a tale of 3 tones! You should also have done Cliff Burton ;)
Early tone all the way, best of metal ever Early Metallica guitar tone paired with Justice era James' vocals
The tones are great. But to be maybe be a bit more helpful for those hunting the tones touching more into general ballpark amp and pedal settings would be great.