❤sure enjoy listening and learning from you sir! I recently heard of your loss, my deep condolences. Sure enjoy listening to you. The sound of jazz! Beautiful. Amazing how well you speak while playing! Hell, I just struggle to play well! Thanks Mr Bruno.
The 2 year or so lockdown, and my "No Nonsense Jazz Guitar" DVD's by Jimmy Bruno kept me busy. Gave myself many a lesson, and those DVD's turned me into a no nonsense studious student. Highly recommended. Thanks Jimmy for posting this particular lesson which gave me yet more insights on this subject.
@@bscharg Jimmy Bruno's two books: "Six Essential Fingerings For the Jazz Guitarist", and "The Art of Picking" which comes with a DVD is also available from online retailers.
I think my biggest issue with learning any tune is knowing where I am in the tune. It's drummed into our little student heads over and over again. Know where you are and know where you're going. That's not easy. I've been trying to name the chords as they go by.. That helps but it doesn't yet come effortlessly. Many times, if I were to stop a tune in the middle, I wouldn't be able to name the chord we stooped on. So for me right now that's the focus, Know where you are, know where you're going.
Its so true what you were saying about focus. Just working on Blue Bossa, and now getting into all these things about what Tyner was doing with it and all the substitutions.... anyway ... was doing kind of my own fingerings with yours since not sure exactly what you used though there are quite a few times you showed not sure it matters too much... Ended up with a two note starting on the fifth on E string and the 3rd had it on the G the 6th had it on the D and the 2nd had it on the A seventh was on the B.... Used to do them from every finger all sorts of ways
Jimmy Bruno! I found your old channel a few months ago but didn’t know about this one. Moved to Philly recently. lemme know what you think about the tune “isotope” if you know it. Been giving me trouble.
Been checking out the lessons and I never knew for sure what the fingerings were. I found them on a search and the only thing I had wrong was from the fifth one I added that 7th to the top. I have been playing with them and like them. Now using them with the flatted 3rd and trying tacking on the flat six too (not all at once). Them barry harris 3rds are a trip with that one third from fifth has to be a 2nd sounds a little weird but fun. Stumbled on trick, descending and you run out of notes, you want to get down to the lowest note, but you cant then jump up and finish where you wanted. Ah well, guitars... went to see a couple of people Pat martino and Robben ford and the funny thing is I paid more attention to the drummers probably from having a drumset at the time and a place to play it. But still not as crazy as I was at one time listening to guitars. Still listen to them but less. I like Don patterson with martino and grant green with Stitt quite a bit good blues
@@brunoonlineschool7527 Oh just the 5th position fingering ended and descended from the sixth, if C the A. Barry thing is just adding a #5 then the 3rds or chords will be alternating one and five chords with 6th and diminished chords. can do with minor, 7th or 7thb5 chords too.
Unnecessary too complicated.. I don't know why you are flatting 6ths.. the fingering is fingering 6 because it starts on the 6th degree of the tonal center...you are talking about positions.. it goes from low a to high C on the 1st string
@@brunoonlineschool7527 Alright, got it key of C position 5 is low and position 3 is as high as I can play on twelveth fret of my acoustic. Its a seagull s6 and pretty great for 300 bucks. Only guitar I play though got like 11 guitars taking up space. I must think one day will play with other people. Anyway thanks for all the tips and all.
People! Stop calling them modes! What if it was a seven string guitar? Wouldn't these fingerings start on a different note thus, changing the "mode"? It's just where the notes are in different places on the neck! Fuck!
@@brunoonlineschool7527 Thanks Jimmy! I'll be more careful then as I purchase a bundle of jazz standard chord melodies and started to learn them. I posted Misty awhile back but they probably did catch it as I do not have a lot followers and I'm not a known TH-camr. Now the individual who sells them on TH-cam has a ton of folowers and wondering how they get away with it. Maybe the arrangemnet? Anyway thaks for the info! :)
@@jazzguitarneophyte-christo7988 it's not that hard to get the publisher's permission.. some tunes fall under the fair use clause.. that's something that youtube worked out with the publishers, however, i'm not quite sure how it works
@@brunoonlineschool7527 awesome! Learning more each day! Thank Jimmy! I'm watching/reading this while smoking my cigar and nursing a shot of bourbon! Salud!!!
The sign of a good teacher is when the student doesnt come back. Just the small thing of naming the notes in your chords, you could work on it even a little and get a lot out of it. For example, play a C triad, have the E go up to F with that play a D minor then play a G major seven thats the F#, then the Gs 2 chord and you know you have a C again and theres a bit of a progression with a couple keys in it. Thats just working on it a little.. Theres guys selling lessons on here but its like you say do the work and you get the pay off
Oh had a bit of a breakthrough I think playing a six minor and mixing in some five with that scale just a touch of the b7 dominant scale and just a touch of the 3 chord dominant scale sounded good! After trying minor through the cycle a bit. Now as far as this tune, havent messed with it but interesting, flattening the third, you still get the minor six instead of the 4 chord if you used the 6 chord scale... I was just wondering why Miles had Kelly do Freddie freeloader and found bill evans solo for it and it really did not sound as bluesy
@@brunoonlineschool7527 I guess I mean when the C became minor did you just flat the third of the scale and did it change to key C minor? I was thinking the sixth chord in Eb key center does not have a minor 6, if you lower the 7th a degree you end up with a 4maj7 chord.... unless you can use that major scale with a b3 on a 1 minor chord? Then you get a minor 6 chord
@@brunoonlineschool7527 Cool, reviewed one of your lessons and like that philosophy. You says 7 colors or b/# the 9th 5th or b the 7th. Joe Pass is pretty good too and feels like that, says - If its hard I dont do it
Jazzskills guy seems to have some pretty good stuff... go down or up the scale and do 3rds, 4ths, 5ths, 6ths scale runs for each of the seven notes and start with a half step lead in or end with half step lead in what ever works sounds pretty good.... seconds are cool too
@@brunoonlineschool7527 Will have to work some more at it and get back later. Started with Blue bossa, will have to work some of the ideas into the tune and see if it adds up.
❤sure enjoy listening and learning from you sir!
I recently heard of your loss, my deep condolences. Sure enjoy listening to you. The sound of jazz! Beautiful.
Amazing how well you speak while playing! Hell, I just struggle to play well! Thanks Mr Bruno.
The 2 year or so lockdown, and my "No Nonsense Jazz Guitar" DVD's by Jimmy Bruno kept me busy. Gave myself many a lesson, and those DVD's turned me into a no nonsense studious student. Highly recommended. Thanks Jimmy for posting this particular lesson which gave me yet more insights on this subject.
How do we order the DVD?
@@bscharg Jimmy Bruno's two books: "Six Essential Fingerings For the Jazz Guitarist", and "The Art of Picking" which comes with a DVD is also available from online retailers.
I was just working on this tune when you posted this. I’m going to be at camp next week. Let’s play it.
I think my biggest issue with learning any tune is knowing where I am in the tune. It's drummed into our little student heads over and over again. Know where you are and know where you're going. That's not easy. I've been trying to name the chords as they go by.. That helps but it doesn't yet come effortlessly. Many times, if I were to stop a tune in the middle, I wouldn't be able to name the chord we stooped on. So for me right now that's the focus, Know where you are, know where you're going.
Deep heartfelt condolences Mr Bruno for the loss of your wife Peggy. Thank you for your artistry, insights, and inspiration.
Its so true what you were saying about focus. Just working on Blue Bossa, and now getting into all these things about what Tyner was doing with it and all the substitutions.... anyway ... was doing kind of my own fingerings with yours since not sure exactly what you used though there are quite a few times you showed not sure it matters too much... Ended up with a two note starting on the fifth on E string and the 3rd had it on the G the 6th had it on the D and the 2nd had it on the A seventh was on the B.... Used to do them from every finger all sorts of ways
I learn more from this guy in 10 mins than hours of listening to theory wankers showing us all how they went to college. Old school rules,
Jimmy Bruno! I found your old channel a few months ago but didn’t know about this one. Moved to Philly recently. lemme know what you think about the tune “isotope” if you know it. Been giving me trouble.
i don't like that tune
Thanks Jimmy ❤
National treasure. (True story).
good vibes
Been checking out the lessons and I never knew for sure what the fingerings were. I found them on a search and the only thing I had wrong was from the fifth one I added that 7th to the top. I have been playing with them and like them. Now using them with the flatted 3rd and trying tacking on the flat six too (not all at once). Them barry harris 3rds are a trip with that one third from fifth has to be a 2nd sounds a little weird but fun.
Stumbled on trick, descending and you run out of notes, you want to get down to the lowest note, but you cant then jump up and finish where you wanted.
Ah well, guitars... went to see a couple of people Pat martino and Robben ford and the funny thing is I paid more attention to the drummers probably from having a drumset at the time and a place to play it. But still not as crazy as I was at one time listening to guitars. Still listen to them but less. I like Don patterson with martino and grant green with Stitt quite a bit good blues
? i don't understand what your youre saying about adding the 7th to the top.. Don't know barry harris teaching
@@brunoonlineschool7527 Oh just the 5th position fingering ended and descended from the sixth, if C the A.
Barry thing is just adding a #5 then the 3rds or chords will be alternating one and five chords with 6th and diminished chords. can do with minor, 7th or 7thb5 chords too.
Unnecessary too complicated.. I don't know why you are flatting 6ths..
the fingering is fingering 6 because it starts on the 6th degree of the tonal center...you are talking about positions.. it goes from low a to high C on the 1st string
@@brunoonlineschool7527 Alright, got it key of C position 5 is low and position 3 is as high as I can play on twelveth fret of my acoustic. Its a seagull s6 and pretty great for 300 bucks. Only guitar I play though got like 11 guitars taking up space. I must think one day will play with other people.
Anyway thanks for all the tips and all.
paypal.me/jazzguitar506
People! Stop calling them modes! What if it was a seven string guitar? Wouldn't these fingerings start on a different note thus, changing the "mode"? It's just where the notes are in different places on the neck! Fuck!
I am surprised that the YT copyright patrol is now trolling Jazz Standards? That's sad but as always appreciate the lessons here Jimmy!
it was always like that
@@brunoonlineschool7527 Thanks Jimmy! I'll be more careful then as I purchase a bundle of jazz standard chord melodies and started to learn them. I posted Misty awhile back but they probably did catch it as I do not have a lot followers and I'm not a known TH-camr. Now the individual who sells them on TH-cam has a ton of folowers and wondering how they get away with it. Maybe the arrangemnet? Anyway thaks for the info! :)
@@jazzguitarneophyte-christo7988 it's not that hard to get the publisher's permission.. some tunes fall under the fair use clause.. that's something that youtube worked out with the publishers, however, i'm not quite sure how it works
@@brunoonlineschool7527 awesome! Learning more each day! Thank Jimmy! I'm watching/reading this while smoking my cigar and nursing a shot of bourbon! Salud!!!
Nice to see you again Jimmy. Your old student, Alain.
nice to see you here
The sign of a good teacher is when the student doesnt come back. Just the small thing of naming the notes in your chords, you could work on it even a little and get a lot out of it. For example, play a C triad, have the E go up to F with that play a D minor then play a G major seven thats the F#, then the Gs 2 chord and you know you have a C again and theres a bit of a progression with a couple keys in it. Thats just working on it a little.. Theres guys selling lessons on here but its like you say do the work and you get the pay off
that's the same ƒo® a bad teacher too lol
Flipper's Green Road? :) Thank you, working on this today.
good alternative title
paypal.me/jazzguitar506
paypal.me/jazzguitar506
Oh had a bit of a breakthrough I think playing a six minor and mixing in some five with that scale just a touch of the b7 dominant scale and just a touch of the 3 chord dominant scale sounded good! After trying minor through the cycle a bit.
Now as far as this tune, havent messed with it but interesting, flattening the third, you still get the minor six instead of the 4 chord if you used the 6 chord scale... I was just wondering why Miles had Kelly do Freddie freeloader and found bill evans solo for it and it really did not sound as bluesy
?
@@brunoonlineschool7527 I guess I mean when the C became minor did you just flat the third of the scale and did it change to key C minor?
I was thinking the sixth chord in Eb key center does not have a minor 6, if you lower the 7th a degree you end up with a 4maj7 chord.... unless you can use that major scale with a b3 on a 1 minor chord? Then you get a minor 6 chord
@@TheRealSandleford that's way too complicated ..the Cm7 is a II chord of Bb major
@@brunoonlineschool7527 Cool, reviewed one of your lessons and like that philosophy. You says 7 colors or b/# the 9th 5th or b the 7th.
Joe Pass is pretty good too and feels like that, says - If its hard I dont do it
i don't know what any of that means.. chord built from the 6th in jazz are usually dom7th ex in c the 6th chord is A7
the 6th in Eb is cm7..
Jazzskills guy seems to have some pretty good stuff... go down or up the scale and do 3rds, 4ths, 5ths, 6ths scale runs for each of the seven notes and start with a half step lead in or end with half step lead in what ever works sounds pretty good.... seconds are cool too
?
@@brunoonlineschool7527 Will have to work some more at it and get back later. Started with Blue bossa, will have to work some of the ideas into the tune and see if it adds up.