Is 51 years to be considered old for an opera singer? I consider this age to be later stage of one's peak. Especially true since this is a spinto or lyricospinto role.
@Coochie Monster And it's pretty clear there was no passion in Ivy and Kiteman's relationship, she was forcing herself to accept it because it was comfortable. Meaning it was destined to fail from the beginning.
@ShadowNny ruining kite man? As if he was a DC megastar before! The show actually made him a big deal so that we would feel sorry for him by the end, which is clever
There are only three great tenors who brought me to tears with the sheer beauty of their voices: Beniamino Gigli; Jussi Bjoerljng and Luciano Pavarotti. Luciano brings me to tears so easily. There is no scooping up to the top notes. This is Bel Canto singing at it very finest. His technique is assured and his voice is glorious. I love this beautiful tenor aria do much. It is my favourite aria. I feel so sad that he died at just 71 from pancreatic cancer. He was to retire at 70 and then teach other young singers. To learn the beautiful Bel Canto technique is the best. It is rarely taught these days. I learned the Bel Canto technique to make me, technically, a good singer. Like Fernando Pavarotti, I did not become professional, but had my little successes and have sung as bass soloist with a fine choir. I worked with a maestro who put me through my paces. At 71 I still love to sing and my current Welsh male voice choir has the same exacting standards as the superb Rossini Chorale.
To my opinion,technically his sounds are unequal,small and unclear compared to Corelli's,but Pavarotti has the ability to transmit much more of his lyric,passionate soul through his sound,which made him popular among all!
@@edmondulaj7653 Luciano's technique is perfection and pure be canto. There is no lowered larynx and scooping up to the top notes. His voice was not powerful, but what a beautiful sound! His high notes are perfect. Jussi Bjoeling and Beniamino Gigli had the same technical ability.
There are two kinds of reactions that audiences can have with the very rarest of performers. Pavorotti is one and I've seen both reactions: 1) After "Una Furtiva Lagrime" at the Met, the audience was breathless, motionless, as if they had become Pavarotti and were waiting to get back into their own bodies again--so there was silence for several seconds after the aira concluded. The second is what you see here--the excitment is too great, overwhelmin and one must jump and shout-before the end
@LazlosPlane This is how he affects me and I've only seen him on video. I cannot imagine seeing him in a live performance. It had to have been like an out of body experience. There are no words for this man's talent. He is unmatched.
@TheKyomu2010 I don't care about your so called 'marketing machine', I just listen and enjoy it. And Pavarotti was a world famous artist long before the '3 tenors', famous only because of his personal beautiful voice. Pavarotti is one of my all time tenor favourites (one of them) - and will always be!
I have a video of P singing this role at San Fran opera with Renata Scotto. He sounded just as good as this in that incredible performance. The ovation after "Cielo e mar" was stupendous.
Nell’aura fonda Non appar ne suol ne monte. L’orizzonte bacia l’onda! L’onda bacia l’orizzonte! Qui nell’ombra, ov’io mi giacio Coll’anelito del cor, Vieni, o donna, vieni al bacio Della vita, si della vita e dell’amor Vieni o donna qui t’attendo Coll’anelito del cuor Vieni o donna, vieni al bacio Vieni, Vieni, Vieni al’bacio Della vita e dell’amor… Si dell’amor. Ah! vien! Ah! Vien!
Being an opera suited for a dramatic tenor, I did not expect Pav to sing it so beautifully. But this man was a master singer and i confess he does an excelent job and sang an sweet rendition of this aria ( opera ). He stopped however singning heavy roles which allowed him to sing a couple years more after his prime. Great Pavarotti.
What a glorious voice. This is true bel canto singing. It is not taught much these days. His technique was flawless. I was taught Bel canto singing, and at 73, my voice is still in good condition. My teacher sounded like Tita Ruffo, and his technique was superb. Although he had a huge dramatic baritone voice, there was no sign of strain whatsoever. His mantra was "never sacrifice guality for quantity.". As a bass I have sung as soloist in choral works, and continue to do so thanks to my teacher. Tony Bennett studied Bel canto as well.
O CÉU E O MAR Os ventos do amanhecer sopram trazendo o perfume das flores Que refletem na graciosa e linda mulher, de grande simpatia, Que estava passando a minha camisa. No clima dos amores, Disse: veste-a. Ela se emocionou, com lágrimas. É uma fantasia. Assim também na ária "Cielo e mar", da ópera La Gioconda, De Amilcare Ponchielli, o amor está nos ventos do amanhecer E em todo o planeta Terra, em renovação, com grande onda Caindo a densa consciência planetária, e em nós um novo ser. O joio está sendo embarcado pelas tempestades do mar, O conhecido maremoto que ultrapassa o mundo físico, indo Em direção dos mundos congêneres, onde lá terá um novo lar, Tendo trabalho forçado, sem lazer, igual mesmo à escravidão, No mesmo clima em que plantaram no planeta Terra, saindo De vez daqui que será, nos próximos séculos, o amado chão. (*) (*) FERNANDO PINHEIRO, presidente da Academia de Letras dos Funcionários do Banco do Brasil. - O CÉU E O MAR (poesia), de Fernando Pinheiro. - in O mundo de Morfeu, de Fernando Pinheiro.
Cielo E Mar Cielo e mar! L’etereo velo Splende come un santo altar. L’angiol mio verra dal cielo? L’angiol mio verra dal mare? Qui l’attendo; ardente spira Oggi il vento dell’amor. Ah! Quell’uom che vi sospira Vi conquide, o sogni , o sogni d’or! Ah! Quell’uom che vi sospira Vi conquide, o sogni , o sogni d’or! o sogni, o sogni d’or!
That smile at the end genuinely made me smile in response. I have no idea what he's saying and I only came here after watching _Harley Quinn,_ but damn if this didn't get me emotional regardless!
There's more than one way to sing a song-for the platform Pav here sings lyrically,or romantically if you like.There's a lot going on,listen to that low 'sogni',listen to the line or the way he speeds up and slows down.That last held 'note'-show me someone who holds it longer?If he spreads his vowels, it's to bring out the sweetness. Purists, please listen to computer-generated auto-voice and play with your meccano.Don't listen to Corelli's animal magnetism-and,shock,horror,he scoops atthe end!
Del Monaco was trained by Arturo Melocchi who overemphasized the lowered larynx aspect on singing and created many spinto or dramatic tenors. I love Del Monacos voice but he had issues in his voice like lack of mezza voce and notes above high C. He also sang flat in the passagio F, F# and G listen to his Celeste Aida for an example. This aria is on Pavarotti´s dramatic limit. Del Monaco is not Bel Canto. I would say that Pertile was much more of a Bel Canto singer, he could sing lyric stuff.
@TheKyomu2010 You are a real Mr Besserwisser. Fortunately we all have different taste, so that you can hear your favourite and we can hear our heroes. Anyway, Pavarotti is for millions of fans "the peoples choice". And I personally love his voice - and the joy of life that he had. Miss him much. But yt is allways a discussion for or against, and that is fun. It what it's all about.
Pretty well agreed with everything you said. One relatively new singer right now: GIANCARLO MONSALVE -He is using that Melochhi tecnhique, I noticed it when I heard him, and apparently I have read that has also been under the Ettore Campogalliani method-- You can hear him below watch?v=ZKUIltcbDu4
Yes, of course--Emerson Buckley. I didn't think Mitch Miller and Pavarotti had or would have collaborated. Miller and Buckley sure do look alike (or like Col. Sanders, of KFC fame).
@tat6368 For anyone who is involved in Opera, Mario Del Monaco is regarded as the greatest dramatic tenor of the 20 century. Pavarotti is a lyrical tenor with good projection, but his voice is not dramatic or of spinto calibre. His voice is,therefore, small by comparison. Cielo e Mar from the opera La Gioconda belongs to the repertoire of a dramatic/spinto tenor. Pavarotti's attempts to sound 'big' at the top of his range caused him to spread his vowels. These are facts!
A bordo de un bergantín, queda olo Enzo en su cubierta,donde canta esta aria la más celebre de esta ópera.ortos temás interesantes de esta ópera.Bacanal y danza de la furlana.--aria de Laura.- aria del bajo.--aria del suicidio de la Giaconda con una gran voz de contralto.-y el famoso ballet de las Horas.
To my opinion,technically his sounds are unequal,small and unclear compared to Corelli's,but Pavarotti has the ability to transmit much more of his lyric,passionate soul through his sound,which made him popular among all!
@tat6368 What School of Singing do you attend? I didn't say he damaged his chords but that the spreading of vowels such as 'Ah' particularly approaching the passagio can lead to pushing and possible damage - De Stefano and Carreras are cases in point. Pavarotti would transpose down many arias that had a top 'C'. As his career went on his voice began to 'crack' significantly as he attempted to hit a top 'C' thus the need to transpose down. The ignorant are easily lead! Not lost, I do, I am!
That was initially reported and was wrong. The family was fighting over his 500 Million dollar fortune, and the will. They have since come to terms- He had incredible wealth.
Pavarotti was only marketed? What about his work in Donizetti, Bellini, song repertoire? And yes, also Puccini, Verdi and Ponchielli and Leoncavallo and Giordano. I will not argue with you about Del Monaco. I like him. But I would say it is not fair to wipe out Pavarotti just because you are a fan of the floating larynx technique and producing big sound. In singing there are line, shading, legato, text , and other factors involved. The basics of singing is bel canto.
I studied Bel Canto. It it rarely taught these days. It is the correct way to sing. Luciano never scooped up to a high note. He placed it perfectly. In Bel Canto, the throat should be relaxed, totally. Excellent abdominal support and breath control; shifting the voice over the passagio's low to middle to high voice; always maintaining a legato line; singing the consonants through the vowels; focused sound and changing the vowels, as nessesary, to maintain a frontal sound are vital. No dropping of the larynx and singing in the mask. Young singers these days strain their voices and I can hear a slight wobble at the top of the register, which will damage their voices. I am still singing at 73 with no loss of vocal range. "never sacrifice quantity for quality" was my teachers mantra, even though he had a voice like Tita Ruffo. His squillo in his top register made my ears ring. I am a bass baritone.
I heard him do this role at the San Francisco opera. Two years later they brought Bonisolli. Which one was better? I don't want to ruffle feathers. I will keep my own counsel.
@petereuropa I don't care how many millions like Pavarotti I am only concerned with the truth of singing. Pavarotti aswell as Carreras and Domingo were well marketed but there were (and are) better opera singers who had successful careers on stage. They had no need for a huge marketing machine to bolster their voices.
Sorry, friend but truth is truth. I am one of the most fanatic Pava fans around, however, in the mid to late 80's, in the 90's and 2000's, Pava did occasionally transpose down the C4 in Boheme, ll Trovatore, and others, including concerts and those performances are posted here. Even he, himself in his book "My World" admits to doing this for the sake of not chancing ruining a lovely performance with a wrong top note. In my humble opinion, no performance should be solely judged on top notes.
EN CIERTA MEDIDA ESTA AREA SE LA PODRIA INCLUIR COMO UNA UNIDAD DE SENTIMIENTOS EMOCIONALES DE Y A LA VEZ DE FILTREO Y SEDUCCIÓN CON ANSIAS DE AMAR Y SER AMADO.
@tat6368 Theories have nothing to do with it! Facts are facts! It is quite obvious you are not trained in any operatic singing school! It is also quite clear that you have no clue as to the problems Pavarotti had with his voice. The 'play' and 'flow' you spout is utter nonsense. Your 'interpretation' is competely false. Del Monaco was the greatest Bel Canto tenor that ever lived. He sang without tension in the throat, the sound was fully open and relaxed-just what every tenor aspires to.
![[Live] : ONE 168 วันนี้!! "โจนาธาน vs ซุปเปอร์เล็ก"](http://i.ytimg.com/vi/0jIN65KgJsI/mqdefault.jpg)
![[LIVE] : ONE ลุมพินี 78 | คู่เอก "ปกรณ์ vs ฟาบิโอ"](http://i.ytimg.com/vi/LSOmgl0Th2c/mqdefault.jpg)
To be 51 years old and sound this good, and in original key?! He was indeed the best.
Foe him it isn’t a high aria. This actually quite low for him.
Is 51 years to be considered old for an opera singer? I consider this age to be later stage of one's peak. Especially true since this is a spinto or lyricospinto role.
I got here from Poison Ivy and Kitemans wedding.
me too - cross-cultural training much?
I think clayface actor actually sang in the final of season 2
the ending was shite
@@laraqistesh73 the end was good
me too!!!!!
The way he smiles at the end of the song.....nobody does that anymore. He is an incredible singer.
Have you watched Pene Pati a New Zealander, he smiles at the end of each and every aria. Please listen to him, he is second to none
Have you watched Pene Pati a New Zealander, he smiles at the end of each and every aria. Please listen to him, he is second to none
This and Poison Ivy finally together with Harley Quinn? Best ending song EVEEERRR
And kudos to the singer who sang this beautiful piece!
@Coochie Monster And it's pretty clear there was no passion in Ivy and Kiteman's relationship, she was forcing herself to accept it because it was comfortable. Meaning it was destined to fail from the beginning.
Coochie Monster u mad? kite man got cucked by Harley lol
@Coochie Monster too much whinning for a tv show.
I saw Pavarotti perform live 4 times in my life. I HAVE LIVED!!!
I've only seen him performing once. That was my best evening ever.
I'm here for the Harley Quinn ending.
I couldn't find this song for a long time (all day). Thank you, DC, for this cartoon.
@ShadowNny I partially agree. For the sake of a" joke", the grieving widow was turned into a whore.
bender hub. Yeah I had a hard time finding it too but it is worth it! Clayface is a treasure trove for hidden gems such as this
@ShadowNny ruining kite man? As if he was a DC megastar before! The show actually made him a big deal so that we would feel sorry for him by the end, which is clever
There are only three great tenors who brought me to tears with the sheer beauty of their voices: Beniamino Gigli; Jussi Bjoerljng and Luciano Pavarotti. Luciano brings me to tears so easily. There is no scooping up to the top notes. This is Bel Canto singing at it very finest. His technique is assured and his voice is glorious. I love this beautiful tenor aria do much. It is my favourite aria. I feel so sad that he died at just 71 from pancreatic cancer. He was to retire at 70 and then teach other young singers. To learn the beautiful Bel Canto technique is the best. It is rarely taught these days. I learned the Bel Canto technique to make me, technically, a good singer. Like Fernando Pavarotti, I did not become professional, but had my little successes and have sung as bass soloist with a fine choir. I worked with a maestro who put me through my paces. At 71 I still love to sing and my current Welsh male voice choir has the same exacting standards as the superb Rossini Chorale.
This is the most beautiful aria in La Giaconda. And Pavarotti is always magnificent!
Best tenor ever, the golden voice.
Clayface: (singing)
Tim Burton: ......(crying)
Catwoman: Gary let's get out of here. That guy is creeping me out.
Songs like this are why Luciano Pavarotti will always be the greatest tenor - EVER - in all eternity!
this video's comment section will slowly transition into people who came here from Harley Quinn rather than the people who were here long ago
Yep
Doesn't look so slow to me. The saturation tends to be on fire in cases like this.
But if that show brought this song to prominence, isn't that a good thing?
Muthusamy Sai Arun oh ya that’s perfectly fine it’s just something that tends to happen in these situations
yup
A voice that fills every space of the soul!!!
I just came from a wedding... ;)
love the seeming effortlessness, the exhaled musicality ... his ready smile before the big finish. Gonna miss you, big guy.
To my opinion,technically his sounds are unequal,small and unclear compared to Corelli's,but Pavarotti has the ability to transmit much more of his lyric,passionate soul through his sound,which made him popular among all!
@@edmondulaj7653 Luciano's technique is perfection and pure be canto. There is no lowered larynx and scooping up to the top notes. His voice was not powerful, but what a beautiful sound! His high notes are perfect. Jussi Bjoeling and Beniamino Gigli had the same technical ability.
It looks so easy when you see Pavarotti sing... Super!
The song that played as the Poison Ivy/Kiteman ship went down, much like how Nearer My God To Thee played as the Titanic slipped beneath the waves.
Su timbre es absolutamente inigualable...No tiene igual!!!
GRACIAS MAESTRO! por sentir en mi vida esto ....
En la actualidad gozamos con buenas voces, pero PAVAROTTI sólo ha habido uno, su voz es, de momento, irremplazable
Que canto hermoso y con finales si
👏🏻👏🏻👏🏻👏🏻👏🏻
De harley quinn de final
Clayface had me shook not gonna lie. All of the little spurts we’ve heard him sing were pretty garbage.
There are two kinds of reactions that audiences can have with the very rarest of performers. Pavorotti is one and I've seen both reactions: 1) After "Una Furtiva Lagrime" at the Met, the audience was breathless, motionless, as if they had become Pavarotti and were waiting to get back into their own bodies again--so there was silence for several seconds after the aira concluded. The second is what you see here--the excitment is too great, overwhelmin and one must jump and shout-before the end
vaya final!!! impresionante!!
El mejor de la historia
@LazlosPlane This is how he affects me and I've only seen him on video. I cannot imagine seeing him in a live performance. It had to have been like an out of body experience. There are no words for this man's talent. He is unmatched.
"**sigh** I love you Ive!"
"I love you too Harles."
you made me cry.
Sei unico, sei il nostro grandissimo amore! Indimenticabile!
He simile before the final top note...spectacular...
@TheKyomu2010 I don't care about your so called 'marketing machine', I just listen and enjoy it. And Pavarotti was a world famous artist long before the '3 tenors', famous only because of his personal beautiful voice. Pavarotti is one of my all time tenor favourites (one of them) - and will always be!
I have a video of P singing this role at San Fran opera with Renata Scotto. He sounded just as good as this in that incredible performance. The ovation after "Cielo e mar" was stupendous.
Meraviglioso grande luciano
Nell’aura fonda
Non appar ne suol ne monte.
L’orizzonte bacia l’onda!
L’onda bacia l’orizzonte!
Qui nell’ombra, ov’io mi giacio
Coll’anelito del cor,
Vieni, o donna, vieni al bacio
Della vita, si della vita e dell’amor
Vieni o donna qui t’attendo
Coll’anelito del cuor
Vieni o donna, vieni al bacio
Vieni, Vieni, Vieni al’bacio
Della vita e dell’amor… Si dell’amor.
Ah! vien! Ah! Vien!
Harley Quinn has taken over this comment section
More like Clayface
finest tenor of all time
Nonsense.
Bellissimo ~
Pt2. Therefore, transposing down an aria should not deter from the magnificence that was Pavarotti's performance!
.
Excelente!!!!!
Joder la Boda de Ivy y Kite-Man es inolvidable!
Grazie maestro.!
grande il maestro super gobbo! :D
FANTASTICO!
In Pavarotti's time there was none better.
Aragall?
Aragall? Beautiful voice but better than Pavarotti no
U don't have to move a limb....the voice does it all...!
Who else here after the DC Harley Quinn show?
me
me
Being an opera suited for a dramatic tenor, I did not expect Pav to sing it so beautifully. But this man was a master singer and i confess he does an excelent job and sang an sweet rendition of this aria ( opera ). He stopped however singning heavy roles which allowed him to sing a couple years more after his prime.
Great Pavarotti.
Best note that he hit in this concert: At 4:44 !!!!!!!!!!!!!! A, vieeeeeeeeeeeeeeeeeeeeeeeeeeeeeeen....!! 🤣😂🤣👍👍👍 fantastic!!!
What a glorious voice. This is true bel canto singing. It is not taught much these days. His technique was flawless. I was taught Bel canto singing, and at 73, my voice is still in good condition. My teacher sounded like Tita Ruffo, and his technique was superb. Although he had a huge dramatic baritone voice, there was no sign of strain whatsoever. His mantra was "never sacrifice guality for quantity.". As a bass I have sung as soloist in choral works, and continue to do so thanks to my teacher. Tony Bennett studied Bel canto as well.
O CÉU E O MAR
Os ventos do amanhecer sopram trazendo o perfume das flores
Que refletem na graciosa e linda mulher, de grande simpatia,
Que estava passando a minha camisa. No clima dos amores,
Disse: veste-a. Ela se emocionou, com lágrimas. É uma fantasia.
Assim também na ária "Cielo e mar", da ópera La Gioconda,
De Amilcare Ponchielli, o amor está nos ventos do amanhecer
E em todo o planeta Terra, em renovação, com grande onda
Caindo a densa consciência planetária, e em nós um novo ser.
O joio está sendo embarcado pelas tempestades do mar,
O conhecido maremoto que ultrapassa o mundo físico, indo
Em direção dos mundos congêneres, onde lá terá um novo lar,
Tendo trabalho forçado, sem lazer, igual mesmo à escravidão,
No mesmo clima em que plantaram no planeta Terra, saindo
De vez daqui que será, nos próximos séculos, o amado chão. (*)
(*) FERNANDO PINHEIRO, presidente da Academia de Letras dos Funcionários do Banco do Brasil. - O CÉU E O MAR (poesia), de Fernando Pinheiro. - in O mundo de Morfeu, de Fernando Pinheiro.
Vive en nuestros corazones
Cielo E Mar
Cielo e mar! L’etereo velo
Splende come un santo altar.
L’angiol mio verra dal cielo?
L’angiol mio verra dal mare?
Qui l’attendo; ardente spira
Oggi il vento dell’amor.
Ah! Quell’uom che vi sospira
Vi conquide, o sogni , o sogni d’or!
Ah! Quell’uom che vi sospira
Vi conquide, o sogni , o sogni d’or!
o sogni, o sogni d’or!
Einfach grandios!
Stupendo
Sempre vivo nel. Mio cuore❤❤❤
It's pollen season in this bitch!!! POLLEN SEASON!!!
That smile at the end genuinely made me smile in response. I have no idea what he's saying and I only came here after watching _Harley Quinn,_ but damn if this didn't get me emotional regardless!
Anche io arrivo qui dopo aver ascoltato la Versione in harley quiin la Serie.
There's more than one way to sing a song-for the platform Pav here sings lyrically,or romantically if you like.There's a lot going on,listen to that low 'sogni',listen to the line or the way he speeds up and slows down.That last held 'note'-show me someone who holds it longer?If he spreads his vowels, it's to bring out the sweetness.
Purists, please listen to computer-generated auto-voice and play with your meccano.Don't listen to Corelli's animal magnetism-and,shock,horror,he scoops atthe end!
Exelent!!!!!
this is the song i wanted to sing for my choir final.
4:32: "I love you too, Harls."
:))))))
Del Monaco was trained by Arturo Melocchi who overemphasized the lowered larynx aspect on singing and created many spinto or dramatic tenors. I love Del Monacos voice but he had issues in his voice like lack of mezza voce and notes above high C. He also sang flat in the passagio F, F# and G listen to his Celeste Aida for an example. This aria is on Pavarotti´s dramatic limit. Del Monaco is not Bel Canto. I would say that Pertile was much more of a Bel Canto singer, he could sing lyric stuff.
Te quiero mucho amor mio ❤❤❤❤❤❤❤
Super tenor - there are certain arias that belong to LP - this one is close but Giovanni di Stefano is my favorite - the Sicilian tenor
La dichiarazione d 'amore più bella
@TheKyomu2010 You are a real Mr Besserwisser. Fortunately we all have different taste, so that you can hear your favourite and we can hear our heroes. Anyway, Pavarotti is for millions of fans "the peoples choice". And I personally love his voice - and the joy of life that he had. Miss him much. But yt is allways a discussion for or against, and that is fun. It what it's all about.
Pretty well agreed with everything you said. One relatively new singer right now: GIANCARLO MONSALVE -He is using that Melochhi tecnhique, I noticed it when I heard him, and apparently I have read that has also been under the Ettore Campogalliani method-- You can hear him below
watch?v=ZKUIltcbDu4
TU, AMADA ERES PARA MI CIELO Y MAR Y NADA MAS NECESITO QUE NO SEA VTU AMOR TAN GRANDE COMO EL CIELO Y EL MAR JUNTOS asi lo veo yo.
Keanu Reeves pays his respects to this great man.
Clayface was spectacular!
Yes, of course--Emerson Buckley. I didn't think Mitch Miller and Pavarotti had or would have collaborated. Miller and Buckley sure do look alike (or like Col. Sanders, of KFC fame).
@tat6368
For anyone who is involved in Opera, Mario Del Monaco is regarded as the greatest dramatic tenor of the 20 century. Pavarotti is a lyrical tenor with good projection, but his voice is not dramatic or of spinto calibre. His voice is,therefore, small by comparison. Cielo e Mar from the opera La Gioconda belongs to the repertoire of a dramatic/spinto tenor. Pavarotti's attempts to sound 'big' at the top of his range caused him to spread his vowels. These are facts!
I came here from the Harley Quinn animated series, and what a way to end the second season!
A bordo de un bergantín, queda olo Enzo en su cubierta,donde canta esta aria la más celebre de esta ópera.ortos temás interesantes de esta ópera.Bacanal y danza de la furlana.--aria de Laura.- aria del bajo.--aria del suicidio de la Giaconda con una gran voz de contralto.-y el famoso ballet de las Horas.
aman the best
To my opinion,technically his sounds are unequal,small and unclear compared to Corelli's,but Pavarotti has the ability to transmit much more of his lyric,passionate soul through his sound,which made him popular among all!
@tat6368
What School of Singing do you attend?
I didn't say he damaged his chords but that the spreading of vowels such as 'Ah' particularly approaching the passagio can lead to pushing and possible damage - De Stefano and Carreras are cases in point. Pavarotti would transpose down many arias that had a top 'C'. As his career went on his voice began to 'crack' significantly as he attempted to hit a top 'C' thus the need to transpose down.
The ignorant are easily lead!
Not lost, I do, I am!
Nu exista asemănare cu niciun cântăreț contemporan
from La Gioconda
NO it is not Mitch Miller
That was initially reported and was wrong. The family was fighting over his 500 Million dollar fortune, and the will. They have since come to terms- He had incredible wealth.
Pavarotti was only marketed? What about his work in Donizetti, Bellini, song repertoire? And yes, also Puccini, Verdi and Ponchielli and Leoncavallo and Giordano.
I will not argue with you about Del Monaco. I like him. But I would say it is not fair to wipe out Pavarotti just because you are a fan of the floating larynx technique and producing big sound. In singing there are line, shading, legato, text , and other factors involved.
The basics of singing is bel canto.
I studied Bel Canto. It it rarely taught these days. It is the correct way to sing. Luciano never scooped up to a high note. He placed it perfectly. In Bel Canto, the throat should be relaxed, totally. Excellent abdominal support and breath control; shifting the voice over the passagio's low to middle to high voice; always maintaining a legato line; singing the consonants through the vowels; focused sound and changing the vowels, as nessesary, to maintain a frontal sound are vital. No dropping of the larynx and singing in the mask. Young singers these days strain their voices and I can hear a slight wobble at the top of the register, which will damage their voices. I am still singing at 73 with no loss of vocal range. "never sacrifice quantity for quality" was my teachers mantra, even though he had a voice like Tita Ruffo. His squillo in his top register made my ears ring. I am a bass baritone.
@@davidwhyberd7612 So good to hear it from an expert!
L' opera è di D' Annunzio, vero?
Emerson Buckley.
Is the conductor Mitch Miller?
I heard him do this role at the San Francisco opera. Two years later they brought Bonisolli. Which one was better? I don't want to ruffle feathers. I will keep my own counsel.
@petereuropa
I don't care how many millions like Pavarotti I am only concerned with the truth of singing. Pavarotti aswell as Carreras and Domingo were well marketed but there were (and are) better opera singers who had successful careers on stage. They had no need for a huge marketing machine to bolster their voices.
Is this transposed for half a tone?
No
Sorry, friend but truth is truth. I am one of the most fanatic Pava fans around, however, in the mid to late 80's, in the 90's and 2000's, Pava did occasionally transpose down the C4 in Boheme, ll Trovatore, and others, including concerts and those performances are posted here. Even he, himself in his book "My World" admits to doing this for the sake of not chancing ruining a lovely performance with a wrong top note. In my humble opinion, no performance should be solely judged on top notes.
Define "Line" please.
Thanks.
PARECE EVOCAR QUE QUE TENGAMOS PRECAUCION EN ESCOGER LAS AFINIDADES Y CRITICAS QUE TENGAMOS CON OYRAS PERSONAS QUE SEAN PARA MEJORARNOS HUNANAMENTE
Compare this to franco corellies if you want to be a lifelong fan of corelli if you ain't already
EN CIERTA MEDIDA ESTA AREA SE LA PODRIA INCLUIR COMO UNA UNIDAD DE SENTIMIENTOS EMOCIONALES DE Y A LA VEZ DE FILTREO Y SEDUCCIÓN CON ANSIAS DE AMAR Y SER AMADO.
i'm here for Harley Quinn, bitch! Clayface is the best version ^_^
Harley Quinn fans what i expected
Why do they applaud before he is finished and drown out the last note? Its maddening.
Nessuno come lui capici?
OK Pavarotti was good but comparing to Jussi Bjorling he is was a student
19 no entienden nada
Anyone here because of Harley Quinn?
Stop asking that, dimwit. Just keep your voice down and listen the pure masterpiece.
@tat6368
Theories have nothing to do with it! Facts are facts! It is quite obvious you are not trained in any operatic singing school! It is also quite clear that you have no clue as to the problems Pavarotti had with his voice. The 'play' and 'flow' you spout is utter nonsense. Your 'interpretation' is competely false. Del Monaco was the greatest Bel Canto tenor that ever lived. He sang without tension in the throat, the sound was fully open and relaxed-just what every tenor aspires to.
Not meant to be rude or mean but have his childeren/remaining family paid off his debts yet ? He was as much of a great spender as he was a singer !
fake false News he was very sound Financial.