DESTINO | Lumix S5IIX Cinematic | Spec AD | Film Print emulation

En éste cortometraje promocional para Pedro Sanabria Trainer ‪@pedrosanabriatrainer45‬ hemos utilizado la cámara ‪@PanasonicESP‬ Lumix #S5IIX con una combinación de objetivos Vintage y modernos. Como es un vídeo motivacional queriamos jugar con la curva emocional, sobretodo en los primeros momentos del vídeo, así que utilizamos una lente Helios 44-2 cinemod, ésto nos permite jugar con las luces, reflejos, flares y nos da un movimiento en handheld nervioso, para éso desactivamos la estabilización interna del sensor. También se utiliza la Nikkor 28mm F2 para los planos mas abiertos, Inicialmente la Takumar 35mm F2 pero me di cuenta que necesitaba algo mas abierto como la 28mm. En ambos casos con una apertura de f2.8 para no perder toda la calidad por causa del backlight. Para los planos de seguimiento utilizamos el Ronin Rs2 y la lente Lumix S 50mm f1.8 aprovechando el autofocus de la S5IIX. La estabilización interna del sensor se utilizó solo en algunos casos ya que no queria movimientos raros en el footage. Tamron 90mm F2.8 para los Macros. También comentar que se utilizó V-Log.
Vimos algunos cortos de ​‪@adidas‬ , ‪@nikecorresp‬, @puma , ‪@ASICSGlobal‬, ‪@newbalance‬, ‪@Reebok‬ , ‪@vans‬, ‪@converse‬, ‪@LaSportivaYT‬ , ‪@saucony‬, ‪@SalomonTV‬, ‪@HOKA_TV‬ , ‪@SKECHERS‬ como referencia.
Para el color grading, he usado mi propio sistema; una variación del film print Kodak 2383 como base.
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In this Spec AD short film for Pedro Sanabria Trainer ‪@pedrosanabriatrainer45‬ we have used the ‪@PanasonicLumixVideo‬ Lumix #S5IIX camera with a combination of vintage and modern lenses. As it is a motivational video we wanted to play with the emotional curve, especially in the first moments of the video, so we used a Helios 44-2 cinemod lens, this allows us to play with the lights, reflections, flares and gives us a nervous handheld movement , for that we deactivate the internal stabilization of the sensor. The Nikkor 28mm F2 AI is also used for the more open shots, Initially the Takumar 35mm F2 but I realized that I needed something more open like the 28mm. In both cases with an aperture of f2.8 so as not to lose all the quality due to backlight. For the follow shots we used the Ronin Rs2 and the Lumix S 50mm f1.8 lens taking advantage of the autofocus of the S5IIX. The internal stabilization of the sensor was used only in some cases since I did not want weird movements in the footage. Also comment that V-Log was used.
We looked at some Ad's and Spec from ​ ‪@adidasOriginals‬ , ‪@nike‬, ‪@PUMA‬ , ‪@ASICSEurope‬ for reference.
For the final look I have used my own system; a variation of the Kodak 2383 film print emulation as a base.

[@WEDraskaz]

very cool

[@zenitaudiovisuals]

Thanks!

[@j.b.7133]

Yeah that inner kid transition is I think one of the most tempting things for every video maker to not dabble with.
Nicely done.

[@ChristinaKey]

Well done, super cool film, amazing colours and love the light and the story and aww just everything!!! 😮😮😍😍👌👌

[@zenitaudiovisuals]

🤗 Thank you! I'm glad you appreciate these details.

[@menoats]

I can't believe he had the same shirt all those years.

[@zenitaudiovisuals]

Haha, I know, I know... but you have to believe!😝

[@1bertoimagemaker]

great images and storytelling

[@zenitaudiovisuals]

Thanks a lot!

[@EnalsastudiosEnalsaofficielpro]

NICE BRO SO GOOOOOOOOOOOOOOOOOD

[@davidmultimedia2024]

Very cool storytelling!

[@3D_Zona]

Красивое видео браво😇

[@haulfilms]

Motivating! 🔥

[@zenitaudiovisuals]

Thanks!

[@ManuelFreudenmann]

Amazing production and storyline! Super inspiring

[@zenitaudiovisuals]

Thanks!

[@user-jg2qq4yg1u]

😱 increïble!

[@zenitaudiovisuals]

Gracias!

[@JeffHanesworld]

Amaizing!!!

[@zenitaudiovisuals]

🤜🤛

[@emmanuelpena6991]

¡Diablos. Increíble!

[@zenitaudiovisuals]

Gracias!

[@foggymossstudio]

Awesome work!

[@zenitaudiovisuals]

Thanks a lot!

[@Lumix2023]

Omg great job and can’t believe it was shooting in s5 ii x

[@zenitaudiovisuals]

Thanks a lot! You may be noticing the effect that vintage lenses create. 😉

[@RockWILK]

So dope.

[@zenitaudiovisuals]

🤜🤛

[@leonardovideomakeroficial]

Muito bom. Parabéns, excelente produção.

[@zenitaudiovisuals]

Thanks a lot!

[@FelipeMirandaStudio]

🤩🤩🤩🤩🤩🤩🤩🤩

[@zenitaudiovisuals]

😉

[@QWERTYqwerty-zo1iu]

nice! did you use IBIS?

[@zenitaudiovisuals]

Hi, thanks for the comment. For this video I completely deactivate the IBIS system. I didn't want the jelly effect that it sometimes causes, I preferred the trepidation of the handheld for storytelling reasons. I have to say that the IBIS is very good on this camera, but it is not suitable for all projects

[@TheTravellerSheriff]

se puede connectar microfono podcast con esta camera, se que tiene 3.5 para usar microfonos pero si compro un adapter puedo usar los microfons de usb o no se puede?

[@zenitaudiovisuals]

Hola! no creo que se pueda conectar un micro USB.

[@artizt3863]

it was shooting in Blackmagic Raw?

[@zenitaudiovisuals]

No, i shoot in ProRes and V-LOG. But in the color grading process I have made a CST towards Arri LOG Color Space as a base, before applying the final Look