Hey! Incredible fugue. Bach would be proud. I hope that one day I can reach to your level in fugal writing. Btw, what's the sound font that you used for this piece? I would really appreciate it if you tell me!
Wow, thank you so much! ^^ The VST is called "Intimate Piano" by Spitfire Audio. Here is a link: www.spitfireaudio.com/originals-intimate-grand-piano It's what I use for all my most recent pieces (starting with the Counterfugue in B-Minor).
Well, it wouldn’t really be a fugue without counterpoint. I’m not sure what you mean by “academic”, but I follow the traditional counterpoint rules. (:
I have been taking private lessons for one and a half years now. We went through baroque harmony, pre-baroque and baroque counterpoint, and the techniques and structure of fugues. It would have been much harder if I had tried to teach it to myself. You should also know that I had been composing for more than ten years before that, so I had a lot of experience already. Hope that helps. (:
My advice: start small and don't bite off more than you can chew. Study two and three-voice writing (Bach's inventions are a good place!) and try your hand at simple, two-voice counterpoint. Learning the basics of Baroque theory is going to be helpful, also. More importantly--be patient too! Rome wasn't build in a day, and neither are most fugues. It takes time but I believe in you! :)
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The sequence after the exposition is exquisite!
Thanks a lot! (=
Great writing once again! I love your sequences very much. Your harmonic language is really well-mapped too.
Thank you very much! ‹ɜ
You're welcome!
Hey! Incredible fugue. Bach would be proud. I hope that one day I can reach to your level in fugal writing. Btw, what's the sound font that you used for this piece? I would really appreciate it if you tell me!
Wow, thank you so much! ^^
The VST is called "Intimate Piano" by Spitfire Audio. Here is a link: www.spitfireaudio.com/originals-intimate-grand-piano
It's what I use for all my most recent pieces (starting with the Counterfugue in B-Minor).
@@averynhiell Thanks!
Здравствуйте!!Какая прекрасная фуга!!Я бы такую никогда не написал и не сыграл.
@@user-to5rw8kl3c большое спасибо! ‹ɜ
Do you use academic counterpoint rules to make these fugues? (Curiosity, I don't know the rules of counterpoint, only those of classical harmony).
Well, it wouldn’t really be a fugue without counterpoint. I’m not sure what you mean by “academic”, but I follow the traditional counterpoint rules. (:
Wow, could you make a tutorial to write an esposition of fugue?
Thank you! That’s an interesting idea, I will consider it. ^^
@@averynhiell 💯👏👏
how do i learn to write fugues
I have been taking private lessons for one and a half years now. We went through baroque harmony, pre-baroque and baroque counterpoint, and the techniques and structure of fugues. It would have been much harder if I had tried to teach it to myself. You should also know that I had been composing for more than ten years before that, so I had a lot of experience already. Hope that helps. (:
My advice: start small and don't bite off more than you can chew. Study two and three-voice writing (Bach's inventions are a good place!) and try your hand at simple, two-voice counterpoint. Learning the basics of Baroque theory is going to be helpful, also.
More importantly--be patient too! Rome wasn't build in a day, and neither are most fugues. It takes time but I believe in you! :)