People rarely talk about Grace and when they do they only talk about Hallelujah, but the album is imo his best work, every track on it so perfectly and beautifully mixed. Listen to So Real, Grace, and Lover You Should’ve Come Over for the highlights.
Bro, great video! Andy is a genius! Following his work for years. So many people have heard his mixes but not enough know his name. Avenged said they'll stop making records after Andy dies. Morbid but goes to show his skill in the craft.
My favorite mixers are Andy, and Chris Lord Alge, and what's funny is that they both achieve similar results (punchy, organic, real-sounding, breathing mixes)...but CLA has his own studio chock-full of millions of dollars of gear...and AW doesn't even have his own studio. Two different ways of getting similar results. Goes to show you that it's the ears (and what's in-between them) that makes a mix what it is...the gear is just the tools.
I am a big fan of Andy Wallace, and especially his work with Linkin Park, Chevelle, Soad etc. I always wondered how he achieved that snare sound like a kind of "spaced" reverb, but with that great attack, does anyone here have any settings or tips to achieve that type of audio on drums, in the style of meteora or hybrid theory?
Getting the attack does seems key. That metallic ring on the snare must be the tuning and then maybe a sample trigger, I’ve heard it could be a rimshot blended in.
@@mixingmasteringonline thanks for answering, there is something I don't really understand when it comes to doing this trick with a noise gate towards the original snare to capture the first transient and then use a snare sample but... to that sample, send it to a reverb, I can't generate that "glue" between the original snare and the reverb of the sample, I feel that... the attack of the snare is heard but then the reverb of the sample... I feel like they don't match sonically and form a single sound, I'm using fl studio, any solution or suggestions? thank you so much
@@seven-sAndy uses a separate snare sample to complement the recorded snare. Thats the ringy bit we hear on the records mentioned in the video. To achieve the big room feel, Andy uses a snare ambience sample, controls its length by using a gate, then he sends it to a medium room reverb. The snare ambience sample doesnt have any recognisable attack.
The snare mix that you featured in that multi track session @ 2:00min are not on the album by the way. So that's not Andy's work. There is no high pitched tone playing every time the snare hits on the album. It's a bad drum remix downloaded from a video game's audio files. Cheers.
![แฉกลโกงงานวัด 2024 [ โกงมั้ยครับ ep.106 ] | DOM](http://i.ytimg.com/vi/taC5dpP3HXA/mqdefault.jpg)
Andy Wallace is my goat. Every record I loved back in nineties and after sounds amazing
*andy wallace he is legendary.*
This mini doc was really well put together!
Thank you! 🙂
People rarely talk about Grace and when they do they only talk about Hallelujah, but the album is imo his best work, every track on it so perfectly and beautifully mixed. Listen to So Real, Grace, and Lover You Should’ve Come Over for the highlights.
I have always used last goodbye as my reference track
I agree 500%. Andy's legacy IMO is 99% about Grace's mix. His absolute best work
I really enjoy this format. Concise, informative, not dumbed-down, almost documentary-like. Great!
Thank you!
Think he's no.1 spot for me!
*i was watch making of meteora album documentry video is fantastic he is making great mixing studio in NYC!*
Legend.
Very glad I came across this channel. Nice work!
Thank you!
he did a outstanding work on some sepultura records too
Bro, great video! Andy is a genius! Following his work for years. So many people have heard his mixes but not enough know his name. Avenged said they'll stop making records after Andy dies. Morbid but goes to show his skill in the craft.
Thank you!
Amazing video! ANDY is THE MAN!!!
Thank you, he sure is!
My favorite mixer
the goat ♥️
GOAT
He did use samples, even remove some additional hits on snares in come as you are.
My favorite mixers are Andy, and Chris Lord Alge, and what's funny is that they both achieve similar results (punchy, organic, real-sounding, breathing mixes)...but CLA has his own studio chock-full of millions of dollars of gear...and AW doesn't even have his own studio. Two different ways of getting similar results. Goes to show you that it's the ears (and what's in-between them) that makes a mix what it is...the gear is just the tools.
Very true!
As long as Andy has access to an SSL console he can work his magic anywhere!
Forgot SPX90II preset 15 Synphonic chorused flange effect?
I am a big fan of Andy Wallace, and especially his work with Linkin Park, Chevelle, Soad etc.
I always wondered how he achieved that snare sound like a kind of "spaced" reverb, but with that great attack, does anyone here have any settings or tips to achieve that type of audio on drums, in the style of meteora or hybrid theory?
Getting the attack does seems key. That metallic ring on the snare must be the tuning and then maybe a sample trigger, I’ve heard it could be a rimshot blended in.
@@mixingmasteringonline thanks for answering, there is something I don't really understand when it comes to doing this trick with a noise gate towards the original snare to capture the first transient and then use a snare sample but... to that sample, send it to a reverb, I can't generate that "glue" between the original snare and the reverb of the sample, I feel that... the attack of the snare is heard but then the reverb of the sample... I feel like they don't match sonically and form a single sound, I'm using fl studio, any solution or suggestions? thank you so much
@@seven-sAndy uses a separate snare sample to complement the recorded snare. Thats the ringy bit we hear on the records mentioned in the video. To achieve the big room feel, Andy uses a snare ambience sample, controls its length by using a gate, then he sends it to a medium room reverb. The snare ambience sample doesnt have any recognisable attack.
@@edwardkenemorales thanks very much !
⚡⚡⚡⚡⚡
2:00 I thought I was hearing a crane riding in reverse...
where did you get those smells like teen spirit multis?
It's from the .mogg files that were part of the Rock Band game.
The snare mix that you featured in that multi track session @ 2:00min are not on the album by the way. So that's not Andy's work. There is no high pitched tone playing every time the snare hits on the album. It's a bad drum remix downloaded from a video game's audio files. Cheers.
3:41 - Eeeventide, not eVENTide....
Is he a Brit? Or Americano ?
American