- 30
- 321 480
Sefo Nad
France
เข้าร่วมเมื่อ 4 ม.ค. 2018
A place to share my passion for storytelling and filmmaking through video essays on some of my favorite works.
Arcane's Strangely Familiar Politics
With the release of the second season of the Arcane, viewers are drawing many parallels between the show and today's intense political climate. Those connections are confirmed further with comments made by the creators who referenced recent US elections and the widening wealth gap. What I argue in this video is that the show's political can be traced to more closely to the past - the history of the Steampunk genre, in particular - rather than the present.
---
Arcane and Politics: 0:00
Steampunk and Social Class: 3:04
The Hextech Revolution: 5:19
Steampunk Aesthetics: 8:09
Environmentalism: 9:42
Race and Gender Dynamics: 10:50
Conclusion: 11:24
---
Arcane and Politics: 0:00
Steampunk and Social Class: 3:04
The Hextech Revolution: 5:19
Steampunk Aesthetics: 8:09
Environmentalism: 9:42
Race and Gender Dynamics: 10:50
Conclusion: 11:24
มุมมอง: 698
วีดีโอ
The Wild Robot and the Miyazaki Effect
มุมมอง 2.4K3 หลายเดือนก่อน
The comparisons made between DreamWorks' latest film The Wild Robot and Studio Ghbli films, specifically those created by Hayao Miyazaki, compelled me to explore how far the influence of those films goes in shaping this new production. The analysis goes to cover the movie's depiction of themes of environmentalism and artificial intelligence, which arguably link it to the solar punk artistic and...
The Weird Politics of Megalopolis
มุมมอง 3.8K3 หลายเดือนก่อน
Megalopolis is a 2024 American epic science fiction drama film written, directed, and produced by Francis Ford Coppola. The film is sett in an alternate, 21st-century New York City (restyled "New Rome"), it follows visionary architect Cesar Catilina (Adam Driver) as he clashes with the corrupt Mayor Franklyn Cicero (Esposito), who opposes Catilina's plans to revitalize New Rome by building the ...
When a Director Is Inspired by Toilets | Perfect Days
มุมมอง 6104 หลายเดือนก่อน
Perfect Days is a 2023 drama film directed by Wim Wenders from a script written by Wenders and Takuma Takasaki. A co-production between Japan and Germany, the film falls under the slow cinema genre follows the routine life of Hirayama (Kōji Yakusho), a public toilet cleaner in Tokyo. Introduction: 0:00 Hirayama: 2:37 Perfect Days: 3:55 Music: 5:08 Inspirations: 6:51 Social Class: 8:19 The Parad...
Capturing Liminal Spaces in Media
มุมมอง 2645 หลายเดือนก่อน
In this video, we look at some of the best examples of films, shows, and video games that depict liminality to see what specific tools they use in building liminal spaces, and more importantly, how they manage to evoke the eerie and unsettling feelings that naturally come with them. Intro: 0:00 Liminality Indoors: 01:37 Urban Liminal Spaces: 07:02 Liminality in Nature: 10:56 Outro: 16:22 #movie...
The Manipulative Symbolism of Midsommar
มุมมอง 1.6K6 หลายเดือนก่อน
Midsommar is a 2019 folk horror film written and directed by Ari Aster. It stars Florence Pugh and Jack Reynor as an American couple who are drawn into a violent cult in rural Sweden. Supporting actors include William Jackson Harper, Vilhelm Blomgren, Ellora Torchia, Archie Madekwe and Will Poulter. A co-production between the United States and Sweden, Midsommar was initially pitched to Aster a...
When Directors Get Personal
มุมมอง 3856 หลายเดือนก่อน
A look into old and recent semi-autobiogaphical films and their most outstanding characteristics. Intro: 0:00 Films mentioned: The 400 Blows (1959): 2:10 8 1/2 (1963): 3:46 The Boy and the Heron (2023): 4:35 Past Lives (2023): 5:30 Riceboy Sleeps (2023): 6:38 Lady Bird (2017): 8:10 Aftersun (2022): 9:14 Outro: 10:33 Music: - Bass Walker by Kevin MacLeod incompetech.com/ Promoted by MrSnooze • F...
How to Imagine the Near Future | Her
มุมมอง 4036 หลายเดือนก่อน
With the emergence of artificial intelligence and the heavy integration of technology in our lives, it is reasonable to speculate on the near future as it might look drastically different very rapidly. Science fiction films like Her (2013) or Ex-Machina (2014) present interesting visions for the future that are worth examining. Films shown: Blade Runner 2049 (2017), Cloud Atlas (2012), Promethe...
Dune and the Horrors of the Desert
มุมมอง 4267 หลายเดือนก่อน
Dune by Frank Herbert stands out for its emphasis on an ecosystem that we don’t often see represented in science fiction cinema, which is the desert. In this video, we look at the ways in which filmmaking tools are employed by Denis Villneuve to represent this fascinating ecosystem in his 2021 adaptation of the story. Intro: 0:00 Introducing Arrakis: 0:48 Exploring the Desert: 3:47 Animal Life:...
The Layers of All of Us Strangers | Video Essay
มุมมอง 5K9 หลายเดือนก่อน
All of Us Strangers is a 2023 British romantic fantasy film written and directed by Andrew Haigh, and based on the 1987 novel Strangers by Taichi Yamada. Starring Andrew Scott and Paul Mescal, it follows Adam (Scott), a screenwriter preoccupied with memories of the past as he develops a relationship with mysterious neighbor Harry (Mescal). [From: Wikipedia] Intro: 0:00 Film Genre: 0:54 Childhoo...
The Nature of Human Horrors in May December | Video Essay
มุมมอง 11Kปีที่แล้ว
May December is a 2023 American drama film directed by Todd Haynes from a screenplay by Samy Burch, based on a story by Burch and Alex Mechanik. Loosely inspired by the Mary Kay Letourneau scandal, it stars Natalie Portman as an actress who travels to meet and study the life of the controversial woman (Julianne Moore) she is set to play in a film-a woman infamous for the 23-year-long relationsh...
Understanding The Boy and the Heron
มุมมอง 18Kปีที่แล้ว
The Boy and the Heron is Hayao Miyazaki's last work and arguably his most abstract films. Its complexity gives a lot of room to interpretation and makes it possible to approach in many different ways. Intro: 0:00 How Do You Live?: 1:29 Miyazaki, A Semi Auto-biography: 5:01 Miyazaki and Flight: 6:59 Dream Logic: 8:22 Conclusion: 10:35 Music: - Love Waltz by Nikos Spiliotis (CC BY-ND 3.0) y2u.be/...
The Real Horror of Over the Garden Wall | Video Essay
มุมมอง 1.7Kปีที่แล้ว
Over the Garden Wall is rightfully praised for its captivating aesthetics and mysteriously compelling story, but by existing in the form and structure that it does, it also brilliantly points to the unsettling state television & fairytales had turned into. Intro: 0:00 One Complete Story: 1:39 Crafting an Original Fairytale: 4:31 Outro: 9:17 “All That Was Lost Is Revealed”: Motifs and Moral Ambi...
In Praise of Slow Cinema
มุมมอง 3.7Kปีที่แล้ว
I'm always fascinated by movies that are narratively minimal and where nothing significant seems to happen, yet manage to evoke powerful emotional reactions in me. This video goes over some of these slow films and their history and how they manage to be compelling. Introduction: 0:00 The French New Wave: 1:34 Italian Neorealism: 2:47 Slow Cinema: 3:59 Aftersun: 5:29 Boyhood: 6:16 Past Lives: 6:...
The Disturbing Side of Spirited Away
มุมมอง 2Kปีที่แล้ว
Spirited Away is one of the most beloved animated movies, and I think that a lot of it goes to its mature themes and blunt exploration of dark and haunting themes despite it being a kids' movies. Intro: 0:00 Immersive World: 1:19 Villains: 3:28 Animation: 6:04 Themes: 8:12 Outro: 11:58 #spiritedaway #studioghibli #animation #moviereview #videoessay
The Horrific Power of our Memories | Eternal Sunshine of the Spotless Mind
มุมมอง 1Kปีที่แล้ว
The Horrific Power of our Memories | Eternal Sunshine of the Spotless Mind
Exploring Identity in Across The Spider-Verse | Video Essay
มุมมอง 684ปีที่แล้ว
Exploring Identity in Across The Spider-Verse | Video Essay
Emotional Maturity in Past Lives | Video Essay
มุมมอง 110Kปีที่แล้ว
Emotional Maturity in Past Lives | Video Essay
Exploring Disney's Most Tragic Film: Bambi
มุมมอง 1.5Kปีที่แล้ว
Exploring Disney's Most Tragic Film: Bambi
Analyzing Disney's Sickest Villain: Frollo
มุมมอง 7Kปีที่แล้ว
Analyzing Disney's Sickest Villain: Frollo
The Horrors of Humanity Animated: Mad God
มุมมอง 4.3Kปีที่แล้ว
The Horrors of Humanity Animated: Mad God
How Puss in Boots Plays with your Feelings
มุมมอง 16Kปีที่แล้ว
How Puss in Boots Plays with your Feelings
The Layers of Everything Everywhere all at Once
มุมมอง 1.2Kปีที่แล้ว
The Layers of Everything Everywhere all at Once
Pearl: A Powerful Villain Origin | Movie Analysis
มุมมอง 3.5K2 ปีที่แล้ว
Pearl: A Powerful Villain Origin | Movie Analysis
The Grossest Romance: Bones and All | Movie Review
มุมมอง 1.9K2 ปีที่แล้ว
The Grossest Romance: Bones and All | Movie Review
The father died? When? It ends up taking her to the airport, alive.
personally i feel like deep down from the beginning the person just cant imagine themselves as grown up or being alive in a some 10 years to come with some hoping that something takes them out brushing aside the fact that some they might have to do it themselves.
I don’t feel the characters relationships are well developed in this movie. There is no reason why Mohito started to call Natsuki “Mother”, their relationship didn’t evolve but all of a sudden he realized that that’s his mother. Then, I didn’t see the bond and development of the relationship between Himi and Mohito. Himi looks like she is the spirit of his mom, but we don’t feel it, we don’t see their bond.
"this was my sincere love letter to aftersun"
i watched this movie next to my dad while he slept in his hospital bed after chemo, safe to say i am not recovering
One of the darkest animated movies ever and the best Disney movie in my opinion where everything is taking much seriously
this movie broke me
Joe touching the butterfly fresh out of it's cocoon could have resulted in damaging it's wings!!exactly what happened to him..joe was barely out of his 'cocoon 'and Cracies touch resulted in joes damaged "wings "This Butterfly 🦋 was actually really lucky to be able to fly 😢..whereas joe never was able to "fly "and be free 💙
Who is really alive in this movie ? Adam navigates his life mindlessly, absent, a ghost always in the dark whereas the actual dead people are the one bringing light and life in Adam's world. Add to that that the moment Harry accepts his own death (cradled by Adam, going to sleep in the exact position Adam finds his body), he makes a glaring light that joins a sky of stars.
I tried to commit suicde when I was in my 30s and now I’m a single dad to my 5 year old daughter. We’re gong on holiday next month to the Canary Islands. I don’t think I’ve cried so much.
Great analysis! As someone who lost people close to me and dealt with the loneliness that comes with it this movie spoke to me. It also gave me new insights on how to deal with it. Really one of those movies that stays with you.
Great analysis creating utopian world is really hard ❤
This is a movie that did not need to be made.
💙
Im sorry this movie was bad. The ideas/themes are interesting but the execution was a mess and unfinished
The part about manipulation and Quasimodo is really good. 8:23 The fact that Quazimoto is resistent to positivity is something victims of emotional abuse do. And they think its the truth in part because it is familiar and thus safe. Reminds me of Zuko in Avatar tla or Disney’s Rapunzel, and as weird as it sounds it is courageous to reject everything you know to find the truth AND leave an abuser/narcissist. (Tho not everyone that's narcissistic is abusive).
loved your review!
For me the rave scene is a metaphor. Sophie as a kid knows her dad loves to dance, and it is also their last shared memory of the vacation she probably wishes never ended - both because she was happy and also she now knows it was the end for her dad. So in her mind, when he walked away at the airport to his certain demise, he went to some sort of heaven where he is finally happy and at peace at a rave - even the rave is more a scene belonging to Sophie's adult life as she can't fathom what it would've been for her dad back then. So many layers to this film.
Paul Mescal seems to specialize in these broken men. He is so persuasive that you don’t feel like he is acting, although he apparently had a good normal childhood and adolescence. He is simply a great actor. The only issue I haven’t come to terms with is being left without answers. Does he simply go off to another country in Normal People? Does he commit suicide in Aftersun? Does he really exist in All of Us Strangers, or is he a figment of Adam’s imagination? I guess I’m used to Hollywood endings where everything is wrapped in a neat package, although some American movies also leave you with unsolved questions: Redford’s Ordinary People, Woody Allen’s Crimes & Misdemeanors, Martin Ritt’s Hud.
If 45,000,000 lira is about £850, am I right in thinking 50,000 lira is less than £1. If so, I think there is a different meaning to that. It is that she never needed his money. The photo, the memory, the closeness in the photo was more important but he struggled to believe that because his ability to be close to anybody was so marred with pain. It was not her fault but loving her was killing him. He needed her to know that he did love her but he couldn't love himself. He couldn't love himself. When we loath ourselves, we see loathing everywhere. I think this movie could help anybody who's parents died by suicide to understand that they truly were loved and that they really tried but some of us are trapped by circumstance. Please don't blame us and please never blame yourself because you were the only reason we carried on for as long as we did.
The arrow shooting by itself into the wall reminds me of Ashitaka's hand in princess mononoke when he meets Lady Eboshi
Didn't House Kirraman create a system of vents that pulled the Grey out of Zaun and keep the air down there somewhat clean? Didn't Caitlin weaponise it to achieve a tactical advantage?
Imagine your partner with their old fling wondering what could've happened with them if they stayed together in front of you. Disrespectful
I watched Past Lives within the first week of its premiere last year and left the theater with the conclusion that this film just wasn’t my cup of tea. The ending is what really disappointed me. I felt so underwhelmed by the way they chose to end it, and I admittedly was bothered by the fact that this story didn’t land on a happier note. Or at least, happy in the traditional sense. I had been expecting just another predictable love triangle situation that we have all seen many times before. I didn’t come to fully understand the deeper message that was being conveyed through the nuanced narratives of these characters. During this time I was initiating a similar transitional phase in my life as Nora, and I’ve experienced a lot of the same lessons in identity, fate, love, and commitment as well since watching this film. Reflecting back on Past Lives with this new insight has helped spark a new appreciation for how poignantly the intricacies of navigating who we are and what meaning we have in the lives of those we cross paths with Song portrays through this pragmatic perspective. It uncovers the parts of human connections that are less appealing, but nonetheless crucial for our personal development. Loved your analysis of this film! It really is so amazing to see a story on screen that incorporates all these unique themes in a mature, realistic way that feels quite refreshing.
Even seeing some of these clips in your video make me tear up. What an amazing movie and amazing performances from Paul and Frankie. I'd love more of them together.
💯
Great video! To add to the conclusion: one aspect that makes Arcane season 2 stand out from it's previous steampunk alikes is the introduction of the cult of the individual. I don't recognize that 'trope' being this prevalent in other steampunk narratives, and it does a good job of mirroring how social media and personification of politics has influenced our societies - making it easy to fracture one society into smaller, sometimes fanatical groups. Trump is one figure that comes to mind. Also, the ending of season 1 has introduced the topic of terrorism, which seems very relevant nowadays (I've felt that the show was a good warning sign for us to do better so no more 'Jinxes' need to be made [especially since she wasn't born as Jinx, she became one after all she's been through]).
Arcane is, unfortunately, very relevant to the modern-day.
Judge Claude Frollos is Disney's darkest villian!! Because he's the human of all the Disney Villains!!! He's a genocidal, racist, lustful, religious zealot!! He represents the evil tyrants of the past e.g Adolf Hitler, Idi Amin, Joseph Stalin etc
The Wild Robot was good, but had too much action for the sake of having action set pieces. Could have been something incredible if it was given more time to breathe.
It seems to me that the comparison is a bit shallow (not on your part, on the part of the bloggers and "journalists" writing these pieces). What makes Miyazaki's films unique is their deep introspection, the suspended moments of silence and beauty that don't "move the plot along" (that basically no other director allows), and the sophistication of his character development. The Wild Robot is very beautiful, and sure, the matte painted backgrounds even look similar to a Miyazaki film. But it doesn't seem to share any of the other extremely unique features of Ghibli films.
im gonna loose it if this mid ass generic early 2000s ass kids movie (i love kid movies when they arent smashing my head in with the fact that they're most definately meant for kids and not adults) gets compared to actual slow introspective art JUST because the visuals were nice.
Claude Frollo remains number 1 on my favorite Disney villain list (Maleficent, Hades, Gaston, Scar and Ursula)
Now that there’s a movie of it I hope the books get love because they’re genuinely some of the best pieces of American litature
REAL i read the books and its just ironic when i tell people its based of the books they clearly don’t know it was based of a book :(
Really good analysis
Nice vid.
Hey Your a small TH-camr, I'm a small TH-camr Let's team up
The acting, the costumes, and the sets were amazing.
This film certainly made me "unhappy" so FFC is ironically part of the system he hates. That said, it is horrible in new and unique ways, ways I could never have imagined, so that gets it a spot in my memory.
Great video :) I loved the set design of this movie. Love then there is actual fashion in future society.
Perhaps the Tragedy of the West is the tragedy of genius. Just sayin....
Emersonian Mind: Detected
The repetitive images really were annoying.
Try having your accounts frozen. THAT'S annoying.
The film fails at its stated vision. The Megalopolis utopia was not built through cooperation or by discussing the future. It was built because a crashing satellite destroyed the neighborhoods that were in Catalina's way. Instead of coming together, the film says that opposition must be destroyed.
It's dramatic irony. Don't trust what the characters are claiming as being what the film itself is claiming. The movie is ultimately about the Roman shift from a Republic to an Empire (and musing that modern day America may be following a similar path, in similar fashion). Cesar represents... well, Ceasar. The dictator who took over, while believing he was in the right, but actually led Rome to become a more hierarchical empire, which eventually led to its downfall. The film isn't an example of what to do... it's an example of what NOT to do. We shouldn't fight with each other, we shouldn't be in competition with each other, we shouldn't be jealous of others' success or seek to tear them down just because we disagree, etc... Megalopolis is what happens when we DON'T come together, and just let some megalomaniac take over by exploiting a disaster and creating some "utopia" that will likely "become dystopia", as Cicero warns. IMO, the ending shot, where it focuses in on the baby right before the film ends... this is saying, "Despite what these megalomaniacs actually believe about their ability to shape the future... it's the future generations that will ultimately really control the future." Once that kid's generation grows up, they'll be the ones that shape the future... and hopefully, it will be better than what we've done so far.
But he DID suffer. HIS ACCOUNTS WERE FROZEN! NO! NO! NOOO!
9 months late but this is insanely good. Loved this!
anmnmnmnmnmnmnmmnnmnmnmnmnmnmnmmnnmnmnmnmnmnmnmmnnmnmnmnmnmnmnmmn This movie should be at least 18+ ❗ The director has turned to the dark side in his old age ⁉ znmnmnmnmnmnmnmmnnmnmnmnmnmnmnmmnnmnmnmnmnmnmnmmnnmnmnmnmnmnmnmmn
great topic but editing paste doesn't match it at all.
A good analysis thank you!
If there is one thing that is undeniable its that this film really doesnt look like anything else. I guess thats fairly big props
I felt that Megalopolis floundered as a film, but the ideas it brings up stayed with me. Thanks for putting this together and expounding on these ideas
Give it time. It'll grow on you as a film. Unconventional films like this are usually offputtingly strange or unfamiliar in a way that feels "wrong" at first, but once you get used to the strangeness, it stops feeling "wrong". A LOT of unconventional movies go through this kind of arc in their story of acceptance among audiences. A lot of movies that even seem conventional by todays standards, were very unconventional at the time and didn't do well, but came to be celebrated as masterpieces later on. The key to determining the real level of value is indeed what you said: Do the ideas interest you? Are you thinking about the movie, even if you have issues with it? Can you imagine yourself watching it again some day in the future and understanding it better, or even just still being interested by it? That's what's gonna decide how it'll measure up to the test of time.
@AWSVids Excellent comment. Personally, I can't say I was wowed by much of whatever I got out of my first viewing. But I admire the ambition and daring of the movie. Do I think the movie will become a classic...? Hey, it COULD happen...(although I will point out here that while I'm generally okay with ambiguity in film exposition, there ARE some things you HAVE to explain -- or at least make less mystifying -- to those of us who don't have majors in Roman history). I remember watching "Killing Them Softly" for the first time several years ago and being left feeling flat by a curious sense of "emptiness" and the film's dark and bitter cynicism and utter misogyny. But, later that night, I found myself rolling the movie over and over in my mind before sleep. And I realized it had somehow disturbed me enough to THINK about the damned thing. Similarly, when William Friedkin re-made "The Wages of Fear" into "Sorcerer," I thought "Why? The original was fairly complete and perfect as-is..." But, as you pointed out, some movies grow in the audience's estimation over time (in this case, the general perception evolving from "bloated, self-indulgent financial disaster" to "cult classic," or even "masterpiece." The ability to make us think -- or, as you say, make us even WANT to keep thinking about something -- is a fairly rare quality in any studio production nowadays. I like the way you expressed that.
*No spoilers here.* The way in which "Megalopolis" introduces its characters and their different kinds of relationships, and then goes from one conflict to the other... It feels as if it was intended to be a series and it was re-written to be a movie at the last minute. Regardless of the structure, I didn't find myself invested in this fictional world. A very brief scene that shows a female body and then twin fetuses inside her was achieved with a very creative technique. If only the whole movie had that kind of vision. Don't get me wrong. There are unconventional artistic choices throughout the running time, but they're neither thought-provokingly good nor fascinatingly bad; they're simply uninteresting and sometimes even pretentious. 5/10