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thereorderboard : Eurovision
United Kingdom
เข้าร่วมเมื่อ 4 พ.ค. 2020
This channel answers the question you never thought needed answering. It also scratches an itch. And it concerns the best TV show in town: the Eurovision Song Contest.
In 2003, the Latvian Song Contest introduced something new to the famous scoring sequence that takes up (usually) the last third of the Eurovision Song Contest: a reactive scoreboard.
What follows on this channel is an edit of each contest since 1980 with a new scoreboard, that’s reactive: The reorder board. Whilst shedding new light on the tight (and not so tight) races for the prize, I’ll be trying to keep the essence of each evening. I may be using newer technology but the design will try to be sympathetic to the design of the time - the video descriptions will explain more.
This goes to everyone waiting for the contest to return. 2020 is another page in our history, and afterall, What’s Another Year?
In 2003, the Latvian Song Contest introduced something new to the famous scoring sequence that takes up (usually) the last third of the Eurovision Song Contest: a reactive scoreboard.
What follows on this channel is an edit of each contest since 1980 with a new scoreboard, that’s reactive: The reorder board. Whilst shedding new light on the tight (and not so tight) races for the prize, I’ll be trying to keep the essence of each evening. I may be using newer technology but the design will try to be sympathetic to the design of the time - the video descriptions will explain more.
This goes to everyone waiting for the contest to return. 2020 is another page in our history, and afterall, What’s Another Year?
Eurovision 2024: Grand Final data board | Every ranking and point
This is a presentation of all the points and rankings from the 2024 Eurovision Grand Final from Malmö.
Thank you again to Danielle Kelly for her code in R which did an efficient pull of all the data from the eurovision.tv website.
The backing music is lifted from the actual broadcasts, via @KubasEurovision - the music was composed by Eirik Røland, Johan Nilsson, SVT, EBU (all rights to them). I also used the 2022 Turin voting music: All rights belong to: Maurizio Filardo, Rai, EBU.
EBU Executive Supervisor Martin Österdahl may well have been relieved that HMS Eurovision was docking into his native Sweden (Österdahl was Executive Producer for 2013 and 2016) after the tumult of the shared production in Liverpool, RAI’s approach to show-running and the COVID years. Unfortunately stormy waters were ahead for Eurovision…where did we leave that boat they had at the back of the stage in 1992?
The surety of a polished production from the House of Melodifestivalen was the anchor around which this edition successfully got to air on time, and without a devastating incident.
For some historical context, we could look to Stockholm 1975. Back then, Israel’s singer Shalom Artzi had a threat to his life just before he went on stage. There was heightened security around the show, with the Israeli delegation separated from the rest. The left-wing ‘Red Army Faction’ was planning an attack in Sweden, but it came at the West German Embassy some months after the Contest. Furthermore, a boycott was being organised too…this time for conductors to opt out of Eurovision in protest at the commercialisation of music. Two conductors out of 70 asked stayed away.
In 2024, Israel’s inclusion was very much the driver of a boycott - although it’s still unclear how effective it was. Artists from numerous nations did sign a public letter protesting Israel’s actions in Gaza (which are following the terrorist attack against Israel in October 2023) but ultimately 37 delegations turned up.
Israel’s inclusion seemed to create a sour atmosphere between delegations backstage. There are numerous claims of misconduct by the Israeli delegation that are due to be raised by Serbia and Slovenia. Ireland, Switzerland and Greece were all absent from one flag parade rehearsal due to a meeting being held with the EBU.
One incident still under investigation and with reportedly no link to the Israeli delegation involved the Dutch artist Joost Klein. Klein was barred from rehearsing in the Grand Final dress rehearsals on Friday, but it wasn’t until the morning of the Grand Final that he was removed from the running order…or not as the case maybe (song 5 remained but with no performance). New ground in Eurovision history was broken here, although late non-participations aren’t unprecedented - see France 1974, but that became evident some 4 days prior to the final and was for very different reasons.
The ‘incidents’ section of Wiki’s page on this year is also littered with Eurovision perennials - political statements made with clothing, and gestures, oh and the flag policy. Whilst booing came about as part of Russia’s actions in 2014, stifling the booing in the production was denied by SVT and the EBU, despite it being used in Vienna 2015.
Unfortunately the frothy waters surrounding Eurovision ended up washing into the cold hard rocks of data. A few questions spring to mind: the denied ‘Europapa’ did well in its semi-final, where would the audience points gone? ‘Europapa’ received a valid jury result for the Grand Final but only accrued 58 points (which were redistributed)…was that depressed as the juries knew something was up? We know some jurors deliberately ranked Israel’s ‘Hurricane’ lower (see Norway), we know that Israel may have been on a drive to get televotes on the board too - and did the furore puncturing the mainstream media result in a lopsided public vote for them?
The juries eventually steered the ship to safe waters. A landslide, more impressive than Loreen’s in Liverpool, meant Switzerland and Nemo’s ‘The Code’ only needed a fifth place televote score to win by 44 points. The second place being the popular favourite from Croatia (although the public vote was more evenly split this year compared to that for ‘Cha Cha Cha’).
Pleased with 2024 should be Ireland and Germany, who both ended up with their best result in years. Ukraine and Sweden should be pleased that new voting rules meant awful running order positions didn’t dent their excellent entries as much as some might have thought. Portugal and Armenia making the top 10 was little predicted, I feel. Perhaps the least happy with Malmö be the UK, Norway, Australia and Denmark. Two that were perhaps Grand Final worthy, and two Grand Finalists that just didn’t connect with voters, both jury and public.
To Switzerland we go, back home, for the first time since 1989. A land-locked country… which will be a relief to many.
00:00 Intro and notes
01:00 Jury votes
10:56 Audience votes
Thank you again to Danielle Kelly for her code in R which did an efficient pull of all the data from the eurovision.tv website.
The backing music is lifted from the actual broadcasts, via @KubasEurovision - the music was composed by Eirik Røland, Johan Nilsson, SVT, EBU (all rights to them). I also used the 2022 Turin voting music: All rights belong to: Maurizio Filardo, Rai, EBU.
EBU Executive Supervisor Martin Österdahl may well have been relieved that HMS Eurovision was docking into his native Sweden (Österdahl was Executive Producer for 2013 and 2016) after the tumult of the shared production in Liverpool, RAI’s approach to show-running and the COVID years. Unfortunately stormy waters were ahead for Eurovision…where did we leave that boat they had at the back of the stage in 1992?
The surety of a polished production from the House of Melodifestivalen was the anchor around which this edition successfully got to air on time, and without a devastating incident.
For some historical context, we could look to Stockholm 1975. Back then, Israel’s singer Shalom Artzi had a threat to his life just before he went on stage. There was heightened security around the show, with the Israeli delegation separated from the rest. The left-wing ‘Red Army Faction’ was planning an attack in Sweden, but it came at the West German Embassy some months after the Contest. Furthermore, a boycott was being organised too…this time for conductors to opt out of Eurovision in protest at the commercialisation of music. Two conductors out of 70 asked stayed away.
In 2024, Israel’s inclusion was very much the driver of a boycott - although it’s still unclear how effective it was. Artists from numerous nations did sign a public letter protesting Israel’s actions in Gaza (which are following the terrorist attack against Israel in October 2023) but ultimately 37 delegations turned up.
Israel’s inclusion seemed to create a sour atmosphere between delegations backstage. There are numerous claims of misconduct by the Israeli delegation that are due to be raised by Serbia and Slovenia. Ireland, Switzerland and Greece were all absent from one flag parade rehearsal due to a meeting being held with the EBU.
One incident still under investigation and with reportedly no link to the Israeli delegation involved the Dutch artist Joost Klein. Klein was barred from rehearsing in the Grand Final dress rehearsals on Friday, but it wasn’t until the morning of the Grand Final that he was removed from the running order…or not as the case maybe (song 5 remained but with no performance). New ground in Eurovision history was broken here, although late non-participations aren’t unprecedented - see France 1974, but that became evident some 4 days prior to the final and was for very different reasons.
The ‘incidents’ section of Wiki’s page on this year is also littered with Eurovision perennials - political statements made with clothing, and gestures, oh and the flag policy. Whilst booing came about as part of Russia’s actions in 2014, stifling the booing in the production was denied by SVT and the EBU, despite it being used in Vienna 2015.
Unfortunately the frothy waters surrounding Eurovision ended up washing into the cold hard rocks of data. A few questions spring to mind: the denied ‘Europapa’ did well in its semi-final, where would the audience points gone? ‘Europapa’ received a valid jury result for the Grand Final but only accrued 58 points (which were redistributed)…was that depressed as the juries knew something was up? We know some jurors deliberately ranked Israel’s ‘Hurricane’ lower (see Norway), we know that Israel may have been on a drive to get televotes on the board too - and did the furore puncturing the mainstream media result in a lopsided public vote for them?
The juries eventually steered the ship to safe waters. A landslide, more impressive than Loreen’s in Liverpool, meant Switzerland and Nemo’s ‘The Code’ only needed a fifth place televote score to win by 44 points. The second place being the popular favourite from Croatia (although the public vote was more evenly split this year compared to that for ‘Cha Cha Cha’).
Pleased with 2024 should be Ireland and Germany, who both ended up with their best result in years. Ukraine and Sweden should be pleased that new voting rules meant awful running order positions didn’t dent their excellent entries as much as some might have thought. Portugal and Armenia making the top 10 was little predicted, I feel. Perhaps the least happy with Malmö be the UK, Norway, Australia and Denmark. Two that were perhaps Grand Final worthy, and two Grand Finalists that just didn’t connect with voters, both jury and public.
To Switzerland we go, back home, for the first time since 1989. A land-locked country… which will be a relief to many.
00:00 Intro and notes
01:00 Jury votes
10:56 Audience votes
มุมมอง: 21 304
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An edited down version of the Eurovision Song Contest 1972 from Edinburgh, with a scoreboard using today’s technology. This all started as a lockdown project! This edit will give a flavour of the evening (Sat 25 March, 9:30pm) with some great commentary from Tom Fleming. Enticing as a Monte-Carlo based Song Contest would have been, there was considerable technical and logistical challenges to R...
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Do love the graphics - really enhances things. Thank you for doing this
Why cut down the songs?
The UK was robbed and Malta should have been second to it but a concerted effort to get the original JLo to win as a writer saw Ireland with 'Why Me?' (a droning dirge that Johnny Logan refused to sing himself) and the whiney, injurious to the aural senses voice of the now shown to be a dreadful human being, Linda Martin, won.
This is completely unrelated to the Contest that year, but it just dawned upon me that it took place the night before Ayrton Senna's death at Imola in May 1st, and the day when Roland Ratzenberger died in the same circuit.
spain was the best
yes Belgium great song
Netherland was the best when they could sing at the end they would have won
weakest off all contests
51:06 Mr. Ingmann not feeling Ronnie Carroll kissing his wife, :D.
The Belgium woman painted a super saiyan 😅 25:55
You can see Udo Jürgens chatting up sandie shaw in the greenroom
The irony of Christer Björkman doing so badly for Sweden - and then effectively becoming Mr Eurovision, shaping today’s productions.
One of the best winning songs ever.
Wonderful work! Thank you.
LITHUANIA THE BEST
De los más intensos y maravillosos de la historia de Eurovisión
Fun fact. Because the Swedish performers were contracted to different record labels at the time of Eurovision, there were two different single records released. One featured Lill Lindfors and Östen Warnerbring whilst the other single featured Svante Thuresson and Ulla Hallin.
I liked the thermometer bars. It gave an "at a glance" indication as to which country was doing well.
What is this shit noise in the background during her encore?
For me, 5 for Luxembourg 🇱🇺 3 for Spain 🇪🇸 1 for United Kingdom 🇬🇧
A socialist country (YU) competing at a song festival organized in a fascist country (ES). Those were very strange times.
Trivia: The beginning of the Portuguese song triggered the Carnation Revolution in Portugal which overthrew the Portuguese fascist dictatorship.
This was when it was normal. Now the contest is just full of weirdos, men dressed as women and it's so sexualised as seen in this year's contest (2024) and no one votes for the UK anymore,for all those reasons I will NEVER watch this contest again!
France 🇫🇷
Switzerland 🇨🇭 wins the Eurovision Song Contest 2024 winners champion congratulations 🍾🎊🎈 9:41 😊France
Switzerland 🇨🇭 wins the Eurovision Song Contest 2024 winners champion congratulations 🍾🎊🎈 9:41 😊
Italy 🇮🇹 scores 🎵
SVT actually created a new font for this years competition - once used and never again.
Great Job! But why there are two times Austria in télé voting?
What a mess with the voting! So many mistakes and noone noticed except the Dutch guy 🤣! And the ending is just hilarious, the producer keeps yelling "Run the roller"! Something we wouldn't expect from such a powerful broadcaster like BBC.
Can you do a “every point and ranking” video for the grand final of Eurovision 2021 as well? Please, because it would help me a lot.
Can you answer me?
Mrs Kleveland, Finland is not part of the Scandinavian countries :) Luxembourg was my favourite this year!
Anna Vissi won the Greek national final in 1980 and the three persons accompanying her here were the band that won the 2nd place with a totally different song of theirs. After the selection the broadcaster had the idea to engage both the first two places, so Epikouri, the band, made the vocal crew of Vissi for both of them to sing the winner song on the ESC stage. A really nice idea for the time.
Could someone justify the fact that Denmark back in those days while they never voted for Greece they always voted for Cyprus????
Love the Greek drama unfolding. How nice to see in 2024 that it has not been the first time drama has been going on behind and on stage.
Love the edit of the winning song blended with the interval film here.
Dang, when sir Terry said the votes were all over the place, man he was right. Also, this was the only time Greece completely snubbed Cyprus.
Yugoslavia was greatly underestimated in this vote!
Set list cronologia con minutaje participantes pais y las canciones completas joder!
NO strings could be heard on songs very poor orchestra balance
It's so weird seeing Polish tv feed with a British commentary 😆
Funny that France brought a song in Celtic and Austria one in Swiss German (well, almost - Vorarlbergisch)
Okay that unsure placement of Austria and Cyprus I actually managed to figure it out based on the Eurovision website -In the list of how the countries voted for Cyprus in the televote, Rest of the World is listed between Netherlands and Czechia. The Dutch televote had Cyprus at 21st while the Czech had it at 23rd. In the listing of the countries that voted for a certain country (like Cyprus) ROTW is always listed first. Which means ROTW voted the same way as Czechia and *Cyprus is 23rd in the ROTW.* -With Austria, ROTW is listed at the bottom after Portugal. And the Portuguése televote had it at 21st. Which means *Austria is 22nd in the ROTW.*
I love the lettering of this edition. So British.
Were they the first duet to win the Eurovision Song Contest?
What program do you use to make those graphics? Because they are awesome
Parfait français langue présentation. Mucha variedad, music hall? 15:00 Los escandinavos jugando a la moda internacional anglosajona 11:50 16:14 the best, the spanish Le commentaire : Pas grand chanteur Raphaël, 50 ans de carrière avec succès 🤦🏻🤷🏻🤔
Schlager of the worst kind - dreadful!
I don't like the self-made scoreboard. It is history, keep the original!
why the SRF zwei watermark?