วีดีโอ

Hi! Great work! Thanks for sharing. About the pianos, you mention there are 2: a Steinway grand (Hamburg?) and the Challen. Do you know which is the “Piano” and which the “original speed piano”? Thanks!🙏🏻

恒星ライブでは青山吉能がギター演奏しながら歌っていた。

Uittro dont let me down, and btw; this is nót the stolen bass

this is not a beatles song. Paul McCartney was already pressing his luck with "Free as a Bird" and "Real Love"... but they were welcome additions back in the 90's, and all three remaining beatles whole heartedly were involved. We don't need this shit 20 years later, George is dead, Ringo did not want to do it. Paul was the only one who pushed this. You guys already did it in the 90's Paul... stop revisiting the past and needing to stay relevant. It's like a drug for him to be admired and loved. He's ruining the beatles legacy with this type of nonsense. NOT. A. BEATLES. SONG.

Recovery technology is so wildly good these days. I could see how this couldnt possibly be released back then

There were two Audio Dramas included as well which gave us 10 more minutes of Bocchi shenanigans. Here's a link to that translated th-cam.com/video/Nkm5Wj-5hk8/w-d-xo.htmlsi=UWU1oVoWYM08JW8g

He's playing "Don't Let Me Down "

Beast mode ❤

GeorgeHHarrison❤😮🇬🇧👍😎😘💋💌

Paul: Genius songwriter, Terrific Singer, Shit Bass Player

Ringo > Lars Ulrich

Lo que sí grabaron fue piano, bajo, una pista básica de batería, dos guitarras acústicas, George grabó una parte de guitarra eléctrica, shakers y, lo más interesante, algunas voces. Cuando se trabajó en la canción en 2022, se volvieron a grabar el bajo, el piano y la batería. Al final, el disgusto de George con la canción hizo que se abandonara el proyecto. Esto se debió a la calidad de la canción, ya que carecía de una estructura real y era la más inacabada. También se debió a la calidad de la cinta, ya que el zumbido era imposible de eliminar por completo. Además, el piano de la maqueta de John empañaba su voz, haciéndola inaudible en algunos momentos. Así que no fue hasta que existió la tecnología de separación que la canción resucitó.

Quite a smooth buttery sounding Tele. Usually they're plucky as all hell

Aquí tienes un poco más de información de fondo: Sabemos que Now and Then empezó a grabarse en diciembre de 1994, unos meses antes de las sesiones de Real Love. Jeff Lynne y Marc Mann estaban preparando la canción para que la grabaran los Beatles restantes. Eso significaba conseguir que la canción tuviera un tempo estable y mejorar la calidad de la cinta. Sin embargo, para Now and Then, la calidad de la cinta era especialmente atroz. Puedes escuchar con lo que estaban trabajando aquí: drive.google.com/file/d/1kr1I.... Hay un zumbido perceptible en toda la cinta, causado por un televisor, del que no pudieron deshacerse por completo. Sin embargo, Jeff y Marc siguieron adelante y montaron la estructura de la canción. Eso se puede ver en la hoja de letras del vídeo. Hay algunos detalles interesantes, como que el puente es circular, pero la canción final lo sigue al pie de la letra. Eso nos lleva a marzo de 1995, después de que Real Love estuviera completamente grabado. Now and Then estaba programada para ser la tercera canción de reunión publicada con Anthology 3, así que empezaron a trabajar en ella. Según Jeff Lynne, las sesiones para Now and Then duraron «un día -una tarde, en realidad- trasteando con ella». La canción tenía estribillo pero carecía casi por completo de estrofas. Hicimos la pista de acompañamiento, un borrador que realmente no terminamos».

Sabemos cómo suena ahora, pero ¿y entonces? A través de varias entrevistas y fuentes, tenemos una idea de lo que se grabó en 1995. Es una aproximación de cómo podría haber sonado, pero no exactamente, porque no tenemos el piano, el bajo ni la batería que se grabaron. Así que he sampleado el bombo, la caja y los shakers de «Free As A Bird» y he utilizado el bajo y el piano de 2022. También he troceado la maqueta original, ya que eso fue lo que hicieron para FAAB y Real Love. De esta forma se puede entender realmente por qué fue frustrante trabajar en la canción. Ringo lo describió como John «...estando escondido» y Paul diciendo, «Cada vez que queríamos un poco más de la voz de John este piano aparecía y nublaba la imagen» Una cosa interesante es que escuchamos algo de la batería original de Ringo en el cortometraje, que se puede escuchar aquí: - The Beatles - Now And Then - The Last... . La aislé y la utilicé. Todo lo demás de esta mezcla procede de la mezcla final y probablemente se grabó en 1995. La estructura también se decidió en 1995, incluido dónde iría finalmente el puente y cómo eran las estrofas y los estribillos.

GREATEST BAND EVER THE IMMORTAL THE ICONIC THE LEGENDARY BEATLES

Well I know for a fact it’s George playing the guitar solo, because the bends and fills just scream George. People automatically assume that since the solo has a dirty tone, it’s obviously John and that George couldn’t possibly play a guitar part that is so raw and distorted, which just isn’t the case. In early 1968 before their trip to India, both John AND George acquired Fuzz Face pedals, which is the same pedal George used on Hey Bulldog, throughout the White Album, and is most likely the pedal he is using on this song. if you listen to other isolated versions of this song on TH-cam, you’ll find that just before the guitar solo, you can hear George engage the bridge pickup and turn up the volume on his guitar, which would mean he had the Fuzz Face pedal engaged the whole time throughout the first section of the song. According to Take 36 of YNGMYM, which is the band laying down the basic track for the song, you’ll find that Paul is on piano, both George and John are playing guitar, and Ringo is obviously on drums. Throughout the first section of the song, the guitar licks and fills you hear throughout are most definitely played by George, since John was more of a straight forward guitarist and really only strummed chords or played riffs, with fills and licks not really being his specialty. And like I said you can hear George turn up his guitars volume, and engage the bridge pickup just before the solo. Apologizes for the yapping session, but I get real annoyed when people say John played the fuzz guitar solo, which just isn’t true.

I've got a feeling this song will live on.

Guess what? He can play whatever he cares. He wrote the songs!

Rock away John Lennon ❤️

Man Alive. George is totally feeling the Vibe 🤟

0:36 “Beautiful beautiful beautiful boy…”

Carinha de tonto

Can you send me the drum track? I’m working on a version of it for my personal use

I have got a feeling is one of my many fave.

I have got a feelig is one of my faves.

I hear the clear difference between this mix and the one that came out last year. On this mix, some of John's vocals were out of time with the instrumentation, and there was some low frequency buzz remaining from John's demo version of the song. On the other hand, the 2023 mix of Now And Then is just perfect!

This is one of my favorites from George, but for me the tastiest bit of the whole song is Ringo’s superb and subtle drum intro. Thanks for posting this!

ryo singing beuty

George's guitar is amazing!! I'd never noticed just how much he's throwing in on this track.

Paul's backing vocals sound so fragile.😢

Interesting. I'm surprised this is available! Ringo's drumming sure has that Jeff Lynne sound. I see George's point. This recording, although neat to hear, is inferior to Free as a Bird and Real Love. EDIT: Ah, this is a fan creation. Nice job!

Disfruta?o es su forma de llorar?el adios definitivo...

Love to hear and see these isolated videos.

That is beautiful and you can hear why he’s legendary.

Beatles were fing unreal. Smart, witty, talented, kind, brilliant, etc...

Always loved the lead playing in this. Both George's in the first two parts and Lennon's rough outro stuff.

PEAK KIRARA UNIVERSE

ポールがジョージのスライドギターを忠実に再現していたことがよくわかりました❤

1 Something (by Paul) 2 Come Together (by Paul) 3 Old Brown Shoe (by George) Top Three bassline in Beatles discography

George died in a home Paul owned in LA.

John was always the presses darling. Had anyone else worn a fur coat there would have been hell to pay. These songs showed it was the combination of all that made these songs shine.

He such a goofy looking dude... Such an awkward video..lol

He'll never let you down playing like this !!

Billy Preston's piano/organ thing is the star of this song, imho.

『ASIAN KUNG-FU GENERATION feat.青山吉能』実現しないかなぁ…

Me encanta el hombre pelirrojo sosteniendo la letra a Lennon😊😊

John looks so happy and really digging being the rhythm player behind Paul’s incredible vocals on this.

The famous rosewood tele.

I think the song would have been ten times better if they used older lower quality microphones to record the acoustic guitar and piano (the electric guitar slide solo is fine) as they just sound too clear and crisp compared to John’s home tape vocals, I also think that they should have just gotten rid of any use of reverb (the echo on the vocals and the piano) because it just doesn’t hit that dry minimalist Beatles feeling. I also wish they didn’t completely cut out the “I don’t wanna lose you” but But alas I still really like the song regardless and this has always been my favourites of the John Lennon home demos