Don’t forget they are playing in a freezing cold wind on a plywood floor. Knowing they are probably going to be busted any minute. And with a camera crew filming all this. And the Beatles still managed to play perfectly and put in a kick arse performance!! How many bands today could manage that !
@@drutgat2 One of things you see in Get Back is Paul worries they might be too rusty to play live again. That’s why he insisted on rehearsing for a solid month before doing this. And as you can see it paid off. And this is not the Beatles of the cavern and Hamburg years. Their sound has altered into a much more matured Rock sound.
@@drutgat2 Yeah, I'd forgotten about that-hadn't played live since Candlestick Park in SF. Just proves what an incredible band they were-toppermost of the poppermost! I'm listening to Ringo's perfect drum track right now. He was a magnificent drummer in all ways.
George uses the neck pickup for the intro and verse 1 then switches to bridge pickup right before his fill between and remains there until the end of the last chorus and back to the bridge for the outro. Pretty cool.
Name another band where it would be so enthralling to listen to every band member's isolated part on such an ordinary song? That is the mystique of The Beatles! All their musical achievements aside, every minuit detail of how they did things is incredibly interesting.
I like how they only have one 4x10 Vox cabinet lying on its side as a foldback monitor and still NAILING vocals and instruments. These guys were fvcking unreal live performers on top of their stellar record-making.
Yes, that Get Back documentary really opened my eyes (and ears) listening to him and made me realize just how incredible he was! I recall that someone said they really leaned on Ringo when they needed it and he always provided the perfect grooves and fills. They wouldn't have sounded as good without him, that is a fact!
Ringo's drumming is mesmerizing. Paul was rocking (having a blast) and George seemed to enjoy out despite not liking the idea early. John seemed to be enjoying it as well. Awesome. Always liked this song.
It's awesome to hear the parts isolated while watching the actual footage, great work man! It almost feels like you got the individual microphones and split them up.
Pretty cool. I wish we could hear the actual isolated tracks from the 8 track recorder, as the artifacts and cut-outs from the isolation software are evident on George's guitar and Paul's vocal (still pretty good). I don't know how the engineer assigned the tracks, but they could've done two (stereo) for drums, bass, rhythm gtr, lead gtr, keys, and two vocals. That's 8 tracks. Sure, there would've been some mic bleed, but that's fine.
It was recorded on to two eight-track tape machines (supervised by George Martin, Glyn Johns and Alan Parsons), I'd be surprised if each instrument and vocalist didn't get their own track.
George's guitar, which frequently uses obbligato, is simple yet highly effective. It supports the energy of the song while avoiding unnecessary embellishments, functioning as a complementary element that enhances the overall sound. It's a perfect example of his great guitar-playing sense.
Again and again a breathtaking bass line, audible by those who have sharp ears who do not care about the numbers of pyrotechnic virtuosos. What else ? Thanks for this "deconstructing" !
He was a straight up master at it isn't he? You could probably set up a click and he'd be right on. People who think Ringo wasn't good simply aren't listening in my book!
As great as the music was, they were getting left behind. By this time we had heard Jimmy Page in Led Zep, Alvin Lee in Woodstock and Jimi too. George's guitar work was positively quaint by then.
I don't think George's guitar work was quaint by any means. Sure even George admits that he wasn't the flashiest player. He wasn't a Hendrix or Page, but that's what made him the best guitarist for the Beatles. George had some guitar parts only he would play. Think Don't Let Me Down, his part on Two Of Us, his guitar work on You Never Give Me Your Money just to name a few. Abbey Road alone shows that The Beatles still had it. Let It Be doesn't really count in that regard since the majority of it was recorded before Abbey Road. The Beatles ended it during a peak, but we don't know if that peak would've been higher if they kept going.
@@isolatedstems My larger point with the guitar is that after '69 and the guys I mentioned, you could tell that rock guitar had moved on to a much more sophisticated stage. And for me personally, they should have quit after the White Album. I thought I Dig A Pony, Two of Us etc. was crap, any other group wouldn't have gotten those songs on a record. Even Abbey Road had some real clinkers - "Maxwell" was crap {and they all knew it}, "Garden", Come Together was admittedly nonsense, half the album was solid.They're given a pass on a lot of stuff because it's them.
@@news603redux Your entitled to your own opinion, but I think a guitar part doesn't have to be sophisticated to be good. That's what the Beatles were great at doing simple and unusual things together that when combined were on another level. They also released what they wanted to release. The entire debate about whether the White Album should've just been a single disk is a great example of that. Any other group might've said "yeah let's cut it down" but as Paul said in anthology: th-cam.com/video/p9xDBTpLz-8/w-d-xo.htmlsi=Msb53m_cM5lkCYUA. Sure you could argue that because they were the Beatles they got a pass, but there's a reason they're so legendary. They released what they wanted and didn't just follow the trends. Again I think the White Album is the prime example of that. You have at least 10 genres in that album and they still pushed barriers on songs like Helter Skelter or Revolution (single version recorded during those sessions). Again your entitled to your opinion, but I think they were still on a tear through 69.
@@isolatedstems All good points and I'm sure we'd agree that far from following any trends, they SET every trend. Though Pepper deserves it's milestone status, the truth is that when Rubber Soul came out in '65, rock 'n roll was redefined overnight. Growing up in the 60's was indeed a thrill thanks to the Fab Four.
From 6:48 through 6:54, you can see George Martin, Peter Brown and Mal Evans huddling together a few feet from the doorway. At 6:56, Peter Brown is standing in the doorway alone. It doesn’t seem possible that in just 2 seconds, Peter Brown moves several feet toward the doorway, then turns around to face the crowd while Mal and George Martin disappear.
@@isolatedstems Very professional editing as it does not impact the performance in the slightest. Some claim that the Zapruder film of JFK’s assassination was edited to mask a conspiracy; I’m going to give that one a second look.
@@HankFinkle11 Paul aready had problems with its intonation during that period-likely because of the sliding bridge (and they didn’t have guitar techs). D-string is noticeably sharp, also you can hear that in the isolated Get back bass track. But its cool
It’s nothing about his playing. The guitar itself has gone a little out of tune. Paul’s bass is also a little out of tune. They’re on a windy London rooftop in January, so the extreme temperature might have something to do with it.
George's guitar parts here are just genius.
Many thanks for posting this.
Great to hear George and Billy’s parts so clear they killed it.
which billy? shears or preston? 😉
@@nl5828lame bs
@@nl5828lame bs
@@nl5828lame bs
Yes, truly fantastic!
Don’t forget they are playing in a freezing cold wind on a plywood floor. Knowing they are probably going to be busted any minute. And with a camera crew filming all this. And the Beatles still managed to play perfectly and put in a kick arse performance!! How many bands today could manage that !
And it was their first 'concert' since August 29th., 1966!
@@drutgat2 One of things you see in Get Back is Paul worries they might be too rusty to play live again. That’s why he insisted on rehearsing for a solid month before doing this. And as you can see it paid off. And this is not the Beatles of the cavern and Hamburg years. Their sound has altered into a much more matured Rock sound.
@@drutgat2 Yeah, I'd forgotten about that-hadn't played live since Candlestick Park in SF. Just proves what an incredible band they were-toppermost of the poppermost! I'm listening to Ringo's perfect drum track right now. He was a magnificent drummer in all ways.
George uses the neck pickup for the intro and verse 1 then switches to bridge pickup right before his fill between and remains there until the end of the last chorus and back to the bridge for the outro. Pretty cool.
Name another band where it would be so enthralling to listen to every band member's isolated part on such an ordinary song? That is the mystique of The Beatles! All their musical achievements aside, every minuit detail of how they did things is incredibly interesting.
That is a very well observed comment - and I agree wholeheartedly.
Whenever I listen to any song, the first thing my brain is drawn to is analyzing the bass guitar 🎸 line.
Superb separations. Love the individual vocals, the guitars and keyboards.
I like how they only have one 4x10 Vox cabinet lying on its side as a foldback monitor and still NAILING vocals and instruments. These guys were fvcking unreal live performers on top of their stellar record-making.
Yeah it's flat out amazing isn't it? I marvelled at how good George's fills and his lead were, must've been insane to play in that cold and wind!
Wow this is so well done!! It was especially fascinating to hear Billy‘s piano part! I love to hear don’t let me down get the same treatment someday!
My absolute favorite Beatles song! Thank you so much for doing this isolation work!
Incredible separation!!!!!! ...Especially a LIVE performance!
Ringo was always amazing and unique. Nobody would play any beatles songs like he did
Yes, that Get Back documentary really opened my eyes (and ears) listening to him and made me realize just how incredible he was! I recall that someone said they really leaned on Ringo when they needed it and he always provided the perfect grooves and fills. They wouldn't have sounded as good without him, that is a fact!
Ringo's drumming is mesmerizing. Paul was rocking (having a blast) and George seemed to enjoy out despite not liking the idea early. John seemed to be enjoying it as well. Awesome. Always liked this song.
Incredible, thanks for sharing!
Amazing isolations!!! Excellent video. Thanks!!
It's awesome to hear the parts isolated while watching the actual footage, great work man! It almost feels like you got the individual microphones and split them up.
Great stuff! Thanks for posting.
These are absolutely fascinating!
It's a damn shame Billy wasn't filmed much during the rooftop performance.
which billy? shears or preston? 😉😉
@@nl5828more lame bs
@@nl5828get a life.
@@nl5828 bs
@@nl5828 bs
Pretty cool. I wish we could hear the actual isolated tracks from the 8 track recorder, as the artifacts and cut-outs from the isolation software are evident on George's guitar and Paul's vocal (still pretty good). I don't know how the engineer assigned the tracks, but they could've done two (stereo) for drums, bass, rhythm gtr, lead gtr, keys, and two vocals. That's 8 tracks. Sure, there would've been some mic bleed, but that's fine.
It was recorded on to two eight-track tape machines (supervised by George Martin, Glyn Johns and Alan Parsons), I'd be surprised if each instrument and vocalist didn't get their own track.
INCREDIBLE! Thanks for this!
George's guitar, which frequently uses obbligato, is simple yet highly effective. It supports the energy of the song while avoiding unnecessary embellishments, functioning as a complementary element that enhances the overall sound. It's a perfect example of his great guitar-playing sense.
This song is the perfect prove that The Beatles reached the perfect status of a band
Awesome & insightful
Fantastic!
Great job!!!!! ❤
a great finale for a fantastic band THE BEATLES
Would love to see the same treatment for I've Got A Feeling take 1. Great video. Thanks!
Again and again a breathtaking bass line, audible by those who have sharp ears who do not care about the numbers of pyrotechnic virtuosos. What else ? Thanks for this "deconstructing" !
Yeah there was that intricate walk down line that sounds so good. Paul is no joke!
Fascinating.
Magic in a bottle. Never see there likes again.x
George is a rock wizard
Great! Thank you!
My goodness, Billy's precision is unbeatable, although it is an easy part it's perfectly executed.
Yeah Preston was always perfect. Love his Hammond B-3 work as well!
Great.thanks❤
Paul❤
I love how it sounds like Paul is almost laughing at some parts
Yeah! John laughed a couple of times too-they were having a blast!
Wow. Billy Preston is magnificent. What a pity his part is buried in the mix.
Oh lord god ,lennon and McCartney togueter god realy exist ❤❤❤❤
hello isolated stems
個々に聴くとまあまあかと思いきや､まとめると､演奏力は凄いと思う。やはり歌が圧倒的に上手い。
武道館初日と比べるとその差歴然。まあLiveを嫌々やってた時と今回は意気込みが違うんだなと思いました。
いつになってもいいなあービートルズは😂72歳のギタリストより
Everything nearly out of tune, but in ensemble sounds ok! Amazing.
Paul laughs at the topic xd
What was the stray lead guitar licks around 13:00 to 14:00?
There’s an innocent soul sitting behind George. 😬
Too bad George didn't do a song
His choice.
@@HankFinkle11 was it in the film? He didn't want to do a song.
This was a fun listen. Excellent musicianship from all 5. Too bad they never did it again.
Everyone knows how well each member performed….now explain the separation process…why did you ignore the most important part in the Description?????
I’m sorry, but to say Ringo isn’t a good drummer is a wild statement. I think this beat is impeccable
He was a straight up master at it isn't he? You could probably set up a click and he'd be right on. People who think Ringo wasn't good simply aren't listening in my book!
Pepper reprise drum sound
Yoko friert sich den arsch ab
Johnのボーカルだけ！
プレストンの演奏
ラストジョージの演奏か！
As great as the music was, they were getting left behind. By this time we had heard Jimmy Page in Led Zep, Alvin Lee in Woodstock and Jimi too. George's guitar work was positively quaint by then.
I don't think George's guitar work was quaint by any means. Sure even George admits that he wasn't the flashiest player. He wasn't a Hendrix or Page, but that's what made him the best guitarist for the Beatles. George had some guitar parts only he would play. Think Don't Let Me Down, his part on Two Of Us, his guitar work on You Never Give Me Your Money just to name a few. Abbey Road alone shows that The Beatles still had it. Let It Be doesn't really count in that regard since the majority of it was recorded before Abbey Road. The Beatles ended it during a peak, but we don't know if that peak would've been higher if they kept going.
@@isolatedstems My larger point with the guitar is that after '69 and the guys I mentioned, you could tell that rock guitar had moved on to a much more sophisticated stage. And for me personally, they should have quit after the White Album. I thought I Dig A Pony, Two of Us etc. was crap, any other group wouldn't have gotten those songs on a record. Even Abbey Road had some real clinkers - "Maxwell" was crap {and they all knew it}, "Garden", Come Together was admittedly nonsense, half the album was solid.They're given a pass on a lot of stuff because it's them.
@@news603redux Your entitled to your own opinion, but I think a guitar part doesn't have to be sophisticated to be good. That's what the Beatles were great at doing simple and unusual things together that when combined were on another level. They also released what they wanted to release. The entire debate about whether the White Album should've just been a single disk is a great example of that. Any other group might've said "yeah let's cut it down" but as Paul said in anthology: th-cam.com/video/p9xDBTpLz-8/w-d-xo.htmlsi=Msb53m_cM5lkCYUA. Sure you could argue that because they were the Beatles they got a pass, but there's a reason they're so legendary. They released what they wanted and didn't just follow the trends. Again I think the White Album is the prime example of that. You have at least 10 genres in that album and they still pushed barriers on songs like Helter Skelter or Revolution (single version recorded during those sessions). Again your entitled to your opinion, but I think they were still on a tear through 69.
@@isolatedstems All good points and I'm sure we'd agree that far from following any trends, they SET every trend. Though Pepper deserves it's milestone status, the truth is that when Rubber Soul came out in '65, rock 'n roll was redefined overnight. Growing up in the 60's was indeed a thrill thanks to the Fab Four.
the names for the guitar parts should be swapped
nope
@@juliosanchez8263 oh they fixed it. good
From 6:48 through 6:54, you can see George Martin, Peter Brown and Mal Evans huddling together a few feet from the doorway. At 6:56, Peter Brown is standing in the doorway alone. It doesn’t seem possible that in just 2 seconds, Peter Brown moves several feet toward the doorway, then turns around to face the crowd while Mal and George Martin disappear.
I edited down some of the footage and audio to get rid of some pauses, so it's actually a few seconds longer between the two scenes.
@@isolatedstems Very professional editing as it does not impact the performance in the slightest. Some claim that the Zapruder film of JFK’s assassination was edited to mask a conspiracy; I’m going to give that one a second look.
Hofner being so out of tune is a big part of the whole charm
It isn’t
@@HankFinkle11 Paul aready had problems with its intonation during that period-likely because of the sliding bridge (and they didn’t have guitar techs). D-string is noticeably sharp, also you can hear that in the isolated Get back bass track. But its cool
@@MopedistiI also think the strings he used don’t stay in tune very well from what I remember reading/watching about them online.
The cold weather probably didn’t help
@@mikemcconville2495 I miss this imperfections so much. Impossible to see anything like that in a modern production
I bet Peter Jackson's sound better!
Am I wrong here, or is John playing mostly out of tune?
It’s nothing about his playing. The guitar itself has gone a little out of tune. Paul’s bass is also a little out of tune. They’re on a windy London rooftop in January, so the extreme temperature might have something to do with it.
que es esta porqueria, dañaron la version
THE GRATEFUL DEAD BLEW THESE GUYS & THE STONES AWAY !
Okay then whatever helps ya sleep at night pal.