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Marcus Reeves | Organist
United Kingdom
เข้าร่วมเมื่อ 31 ธ.ค. 2021
Welcome to my TH-cam channel, the aim of which is to produce high quality organ videos.
As Director of Music at a leading Catholic co-educational prep school in the UK a significant part of my job is to play the organ for services in our beautiful Georgian chapel, including at Mass every Sunday. Prior to teaching, I was a first-study organist at Southampton University where I was fortunate to study with Stephen Farr and David Owen Norris before becoming a Choral Scholar for a year at Truro Cathedral.
I hope you enjoy these videos and please do subscribe to the channel to stay up to date with the latest uploads. There's a huge amount we can learn from each other!
As Director of Music at a leading Catholic co-educational prep school in the UK a significant part of my job is to play the organ for services in our beautiful Georgian chapel, including at Mass every Sunday. Prior to teaching, I was a first-study organist at Southampton University where I was fortunate to study with Stephen Farr and David Owen Norris before becoming a Choral Scholar for a year at Truro Cathedral.
I hope you enjoy these videos and please do subscribe to the channel to stay up to date with the latest uploads. There's a huge amount we can learn from each other!
Prelude on 'Down Ampney' – Henry George Ley // Armley Schulze
The Cotswold village of Down Ampney was the birthplace of Ralph Vaughan Williams (1872-1958), whose father was the vicar of All Saints Church. In 1906, Vaughan Williams named his tune for the great Pentecost hymn, 'Come down, O love divine' after his birthplace.
Like Vaughan Williams, his near contemporary Henry George Ley (1887-1962) was the son of a clergyman and also born in the west of England. After serving as organist at Christ Church Cathedral, Ley was charge of chapel music at both Eton and Radley Colleges before his retirement in 1945. His setting of Vaughan Williams' tune is a simple one: the famous melody is framed by two identical passages and is first clearly stated in the tenor before Ley repeats it an octave higher. There is, perhaps, more than a passing resemblance to Vaughan Williams' beautiful prelude on 'Rhosymedre'.
The 'Harrison & Harrison' organ which Ley would have known at Christ Church Cathedral is not too dissimilar to the Schulze organ of St Bartholomew's Church in Armley, Leeds, which is a fine example of Victorian organ building. Like the Christ Church organ, it has a clarinet on the choir division, which sound glorious in the tenor register. Although not indicated in his suggested registration, I suspect that Ley may well have used the clarinet for the first solo, as I have in this performance.
Organ detail: www.lavenderaudio.co.uk/organs/armley/
#hauptwerk #lavenderaudio #armley
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If you have enjoyed this video and wish to support my work further, please hit like and consider subscribing to my channel. This is the most important thing you can do. Making money is not my primary motive in producing these videos, I enjoy playing the organ (it's a big part of my full-time job) and the art of video editing. However, if you wish to encourage me to keep making quality videos, please consider making a donation: www.paypal.me/mrorganist. All donations will be invested back into the channel.
Thank you for watching. 😀
Marcus
Like Vaughan Williams, his near contemporary Henry George Ley (1887-1962) was the son of a clergyman and also born in the west of England. After serving as organist at Christ Church Cathedral, Ley was charge of chapel music at both Eton and Radley Colleges before his retirement in 1945. His setting of Vaughan Williams' tune is a simple one: the famous melody is framed by two identical passages and is first clearly stated in the tenor before Ley repeats it an octave higher. There is, perhaps, more than a passing resemblance to Vaughan Williams' beautiful prelude on 'Rhosymedre'.
The 'Harrison & Harrison' organ which Ley would have known at Christ Church Cathedral is not too dissimilar to the Schulze organ of St Bartholomew's Church in Armley, Leeds, which is a fine example of Victorian organ building. Like the Christ Church organ, it has a clarinet on the choir division, which sound glorious in the tenor register. Although not indicated in his suggested registration, I suspect that Ley may well have used the clarinet for the first solo, as I have in this performance.
Organ detail: www.lavenderaudio.co.uk/organs/armley/
#hauptwerk #lavenderaudio #armley
----------------------------
If you have enjoyed this video and wish to support my work further, please hit like and consider subscribing to my channel. This is the most important thing you can do. Making money is not my primary motive in producing these videos, I enjoy playing the organ (it's a big part of my full-time job) and the art of video editing. However, if you wish to encourage me to keep making quality videos, please consider making a donation: www.paypal.me/mrorganist. All donations will be invested back into the channel.
Thank you for watching. 😀
Marcus
มุมมอง: 219
วีดีโอ
Clément Loret - Prière (Douze Pièces pour Orgue) // Landau, St Maria
มุมมอง 430หลายเดือนก่อน
Belgian-born Clément Loret (1833 - 1909) is an organist and composer of the nineteenth century. Despite being less famous than many of his French contemporaries, Loret’s influence can be heard in the music of Gabriel Fauré and Eugène Gigout, who were both pupils of Loret at the Niedermeyer School in Paris. Taken from a collection of twelve pieces for organ, this delightful _Prière_ is full of c...
Stanford - At Easter-tide // Romsey Abbey
มุมมอง 195หลายเดือนก่อน
Sir Charles Villiers Stanford (30 September 1852 - 29 March 1924) is one of the giants of music in the Anglican Church. His choral and organ works are probably heard somewhere in the Anglican Communion almost daily. The Six Occasional Preludes are a later work, the third of which based upon an ancient Easter hymn. The chromaticism in this work is perhaps influenced by his studies in Leipzig, th...
Bach - Christ lag in Todesbanden BWV 625 // Noordbroek Schnitger
มุมมอง 2852 หลายเดือนก่อน
Serious, somber and solid, Bach's setting of _Christ lag in Todesbanden_ BWV 625 from his _Orgelbüchlein_ captures in miniature the meaning of Easter. Repetitive descending semiquavers perhaps depict the death of Jesus but an upbeat tempo portrays something of the glory of the resurrection. In just over a minute of music, Bach has perfectly captured the first verse of Luther's chorale, upon whi...
Herzlich tut mich verlangen BWV 727 - Johann Sebastian Bach // Kampen Hinsz
มุมมอง 2592 หลายเดือนก่อน
Hans Leo Hassler's melody from 1600 began life as a secular song but is now better known in its various chorale settings; _Herzlich tut mich verlangen_ and _O Haupt voll Blut und Wunden_ are two of the more famous examples. The melody, set in the Phrygian mode, has a long association with death and has been set by many composers from Bach to Brahms, and in more contemporary songs by the likes o...
Organ Sonata No. 3 in A major - Felix Mendelssohn // Armley Schulze
มุมมอง 5662 หลายเดือนก่อน
The Six Organ Sonatas by Felix Mendelssohn are considered to be amongst the greatest works written for the organ. A skilled organist, Mendelssohn often visited the UK and it was here that he was commissioned to compose a "set of voluntaries", which were published in 1845. The third of the set, in A major, was completed shortly before his Violin Concerto in Bad Soden (near Frankfurt am Main) in ...
Pierre Du Mage - Tierce en Taille // St Maximin Isnard
มุมมอง 2383 หลายเดือนก่อน
The French Baroque composer, Pierre Du Mage (1674-1751), sadly only has one surviving volume of organ works. His first music teacher was likely to be his father, organist at Beauvais Cathedral, and Du Mage subsequently studied under Louis Marchand in Paris. In 1703, he was appointed as the organist of the Collegiate Church of St-Quentin and it is to the chapter of St-Quentin that his 1708 _Prem...
Fantasia in G minor - Johann Pachelbel // Bückeburg Stadtkirche
มุมมอง 4493 หลายเดือนก่อน
Oh, Pachelbel! He of Canon fame is much more than the one hit wonder much of the world considers him to be. Here he is, in perhaps one of the most somber of pieces, perfect for this Lenten season. A dark and despondent journey from one suspension to another. And it was Wagner who first claimed to suspend the key in the overture to Tristan! Pachelbel suggests two ways of playing this piece. I ha...
Buxtehude - Durch Adams Fall ist ganz verderbt BuxWV 183 // Groningen Martinikerk
มุมมอง 3473 หลายเดือนก่อน
The chorale preludes are among Buxtehude’s most characteristic works and are devoted to the main festivals of the Christian year, to Christian life, and to Lutheran theology. Of these, none is more important than the doctrine of justification by faith, which is expounded in _Durch Adams Fall ist ganz verderbt._ Buxtehude’s treatment of this chorale focuses on the first verse which deals with th...
Suite Gothique: Toccata - Léon Boëllmann // Nancy Cathedral
มุมมอง 9343 หลายเดือนก่อน
Léon Boëllmann's _Toccata_ forms the concluding movement of the _Suite Gothique_ published in 1895 two years before his untimely death at the age of 35. He was the nephew as well as pupil of Eugène Gigout, and was choirmaster and later organist of the church of St Vincent-de-Paul in Paris. The brilliant toccata, with its moto perpetuo effect, is dominated by an eerie pedal theme which is heard ...
Théodore Dubois - Prière (Sept Pièces) // Nancy Cathedral
มุมมอง 4114 หลายเดือนก่อน
A winner of the Prix de Rome at the age of 24, Théodore Dubois (1837-1924) is now considered to be a famously conservative composer. In 1877 he became organist at the Church of St. Madeleine and from 1871 he was a teacher of harmony at the Paris Conservatoire, of which he became director in 1896. His Prière is a gentle, introverted work, with a brighter central section for the flute stop; it wa...
Bach - ‘Gigue’ Fugue in G major BWV 577 // Krzeszów Engler
มุมมอง 1.1K4 หลายเดือนก่อน
The famous Fuge (or Fugue) à la Gigue BWV 577, better known as the 'Jig' Fugue is one of Johann Sebastian Bach's most famous pieces of organ music. For many years, the work was thought to be a misattribution but scholars now largely agree that Bach was indeed the author. Named for its lively subject, in a jig rhythm, it was perhaps inspired by Buxtehude's similar setting, BuxWV 174. Given that ...
Marche-Sortie (Sept Pièces) - Dubois // Oloron-Sainte-Marie
มุมมอง 3624 หลายเดือนก่อน
Théodore Dubois (1837 -1924) was a Paris-based composer, organist, and music teacher. He began his career impressively, winning the Prix du Rome at 24 years old, but was subsequently viewed as musically conservative and (somewhat unfairly) as ‘capable and tasteful, but not strikingly original or inspired’. Whilst this could be said of many of the works of his 1898 collection _Sept Pièces_ they ...
Stanford - Six Short Preludes & Postludes Op. 101 No. 1 (Allegretto) // Salisbury Cathedral
มุมมอง 3404 หลายเดือนก่อน
A hugely influential Anglo-Irish composer, Charles Villiers Stanford (1852-1924) has left an indelible mark on the music of the Anglican church and 2024 marks the centenary of his death. A prolific composer in numerous genres (including seven symphonies and nine operas), his two sets of 'Short Preludes and Postludes' are stalwarts of many-an-organist's repertoire. The first set was published by...
John Ireland - The Holy Boy // Romsey Abbey
มุมมอง 2705 หลายเดือนก่อน
_The Holy Boy_ was written by the English composer, John Ireland (1879-1962) in 1913. Originally scored for piano, Ireland later arranged the piece for organ at the request of Alec Rowley, then organist of St John's, Richmond. Although the work is inherently suitable for Christmas, the piece is also highly appropriate for use at Epiphany; the text in the choral version (words by Herbert Brown) ...
Bach - In dulci jubilo BWV 729 // Görlitz Sonnenorgel
มุมมอง 2565 หลายเดือนก่อน
Bach - In dulci jubilo BWV 729 // Görlitz Sonnenorgel
Es ist ein Ros entsprungen - Johannes Brahms // Chemnitz Sauer
มุมมอง 1935 หลายเดือนก่อน
Es ist ein Ros entsprungen - Johannes Brahms // Chemnitz Sauer
Wachet auf, ruft uns die Stimme BWV 645 - Johann Sebastian Bach // Kampen Hinsz
มุมมอง 1.3K5 หลายเดือนก่อน
Wachet auf, ruft uns die Stimme BWV 645 - Johann Sebastian Bach // Kampen Hinsz
Bach - Ich ruf zu dir, Herr Jesu Christ BWV 639 // Krzezsów Engler
มุมมอง 7526 หลายเดือนก่อน
Bach - Ich ruf zu dir, Herr Jesu Christ BWV 639 // Krzezsów Engler
Rheinberger - Cantilene from Organ Sonata No. 11 // Chemnitz Sauer
มุมมอง 4737 หลายเดือนก่อน
Rheinberger - Cantilene from Organ Sonata No. 11 // Chemnitz Sauer
Ein feste Burg ist unser Gott BuxWV 184 - Dieterich Buxtehude // Noordbroek
มุมมอง 5167 หลายเดือนก่อน
Ein feste Burg ist unser Gott BuxWV 184 - Dieterich Buxtehude // Noordbroek
Henry Smart - Postlude in C // Romsey Abbey
มุมมอง 8278 หลายเดือนก่อน
Henry Smart - Postlude in C // Romsey Abbey
Salix from 'Plymouth Suite' - Percy Whitlock // Salisbury Cathedral
มุมมอง 2829 หลายเดือนก่อน
Salix from 'Plymouth Suite' - Percy Whitlock // Salisbury Cathedral
Louis Vierne - Berceuse (No. 19 from 24 Pièces en style libre, Op. 31) // Nancy Cathedral
มุมมอง 61310 หลายเดือนก่อน
Louis Vierne - Berceuse (No. 19 from 24 Pièces en style libre, Op. 31) // Nancy Cathedral
Chorale Prelude on "Melcombe" - Sir Hubert Parry // Salisbury Cathedral
มุมมอง 40210 หลายเดือนก่อน
Chorale Prelude on "Melcombe" - Sir Hubert Parry // Salisbury Cathedral
Bach - Schmücke dich, o liebe Seele BWV 654 // Noordbroek Schnitger
มุมมอง 84611 หลายเดือนก่อน
Bach - Schmücke dich, o liebe Seele BWV 654 // Noordbroek Schnitger
Guilmant - Paraphrase sur un Chœur de Judas Macchabée // Oloron-Sainte-Marie
มุมมอง 536ปีที่แล้ว
Guilmant - Paraphrase sur un Chœur de Judas Macchabée // Oloron-Sainte-Marie
Healey Willan - Chorale Prelude on a Melody by Melchior Vulpius // Blackburn Cathedral
มุมมอง 1.5Kปีที่แล้ว
Healey Willan - Chorale Prelude on a Melody by Melchior Vulpius // Blackburn Cathedral
Bach - O Mensch, bewein BWV 622 // Krzeszów Engler
มุมมอง 907ปีที่แล้ว
Bach - O Mensch, bewein BWV 622 // Krzeszów Engler
Suite Gothique: Prière à Notre-Dame - Léon Boëllmann // Nancy Cathedral
มุมมอง 695ปีที่แล้ว
Suite Gothique: Prière à Notre-Dame - Léon Boëllmann // Nancy Cathedral
Love it this way... will use during communion for a funeral!
I love these pieces and your performance is brilliant and inspiring.
Thanks so much!
What soothing organ music! It couldn't be better suited to this instrument. The organ stops you use are beautiful. Many greetings dear Marcus.
Thank you very much!
Just beautiful, Marcus. A very nice and atmospheric piece.
Many thanks, Ralph!
Thanks Marcus. Isn't it a lovely piece? I will be playing it on Sunday. Tim
Yes, it’s such a tranquil setting. I think it will be making an appearance at Mass this Sunday too. Thank you for the comment.
Danke für dieses wundervolle Orgelspiel!
Danke für das Lob!
Wonderful music that is very moving. Unfortunately, I have never heard of the composer before. All the better to follow his music. Your interpretation is wonderful, many greetings from Roland.
Thank you very much, Roland. I don’t play much Loret but his music is definitely worthy of being better known.
I love Loret, the reasons why is shown in this piece, melodically very strong. Well played, sounds great on this new Steinmeyer set!
Thank you. It’s a beautiful organ - I think it can make almost anything sound good!
Excellent execution, compelling crescendo, exciting finale! my best compliments, Maestro!
Thank you very much!
I didn’t know this composer but thank you for this lovely rendition. How do you find the sample set?
I only have the demo version at the moment but I am tempted to buy it. It’s certainly very spacious.
@@MarcusReeves How does it compare to Dudelange? I am torn between those two
I don’t know Dudelange that well but I think there are similarities. Dudelange definitely has more of a French accent though. I guess Landau sits somewhere between Görlitz and Dudelange?
@@MarcusReeves Görlitz is more neobaroque with some romantic additions. I would place this Steinmeyer more between Dudelange (with its French romantic influences) and a Sauer/Walcker model (with its German romantic influences). Which makes it quite versatile.
You’re not wrong but most Sauer-Walcker organs available for Hauptwerk are not in such resonant spaces, Annaberg perhaps one of the exceptions. Perhaps a comparison to that would have been better. The romantic touches at Görlitz (and the non-romantic ones too) such as the Fifaro and Onda Maris are beautiful nonetheless.
Really beautiful organ playing. My mother learnt to play this piece of music on the piano in 1940 at Sherborne Girls school! She has now passed away but it will be played again at her memorial service in Chagford this summer.
Great organ music, fantastically rendered with this sample set, dear Marcus. The music goes through the whole body! Best regards, Roland
Thank you very much, Roland!
Dear Maestro, let me send you best wishes on the day when the Church remembers St. Mark the Evangelist, always grateful to enjoy your music
Thank you!
A nice and triumphant piece, compliments for playing it on this relatively dry set (compared to the big English models). It gives a lot of insight and transparency in the recording of this piece. Well done, Marcus.
Thank you, Ralph. The organ at Romsey definitely leaves the player nowhere to hide!
Fantastic!!! Bravo Marcus! Such a thrill to hear your interpretation - and it sounds marvelous on Romsey! It's a tricky piece!!! Well done!!!!!
Thanks so much, Jerry!
Fabulous piece! Thank you, Marcus :)
Thank you, James. 😊
A magnificent performance, Marcus, and as you remark, Stanford's 'At Easter Tide' is particularly well suited to the splendid Romsey Abbey Walker Organ sample set: bravo!
Thanks very much, Graham.
Great playing, Marcus. CVS must have had a particular affection for this tune: I'm about to play his Prelude On an Easter Hymn, Op. 88, No. 4 in a recital, which is based on the same melody.
Thank you, Lyndon. I came across that prelude recently too, it looks good! I hope the recital goes well.
Bravo... wonderful music making.
Thank you!
Oh les belles chaussettes !
Merci! J'aime bien une bonne paire de chastens!
Really great to hear more played on IMHO fabulous C-C instrument, a real gem (OK- I have to admit I have just acquired it). What do you begin with on the Recit- it sounds quiet, is it the H-B or the Trompette with the box shut?
Thank you. I hope you’re enjoying this beautiful C-C! I’m pretty sure that the was the recit trompette and H-B at the start with the box shut.
Great tempo !
Thank you very much!
Extremely delicate and deeply meditative performance. Most heartfelt congratulations, Most Illustrious Maestro.
Many thanks!
There is a lot of power in your interpretation, very nice dear Marcus! Best regards, Roland
Thanks very much, Roland!
What a thrilling sound and performance. Thanks Marcus!!!
Thank you! Noordbroek is such a beautiful sample set.
Beautiful registrations and playing. Thanks Marcus!
Thanks very much, Jerry.
Beautiful, Marcus. The raw energy of Noordbroek really lifts this piece up. Can you imagine this organ sounds even more raw in real life.
Thanks, Ralph. One day, I hope I can visit all these Dutch jewels and hear them for real!
A fabulous performance, Marcus - and a stunning sample set which lets the majesty in the music shine through with both sparkle and power: bravo! (Your nimble footwork in those colourful, jazzy socks certainly added to the visual treat!)
Thanks very much, Graham!
Just listening to this as I am planning on relearning it (learnt it when I first started playing the organ) for a Buxtehude to Bach recital, fab performance!
You should record your recital? Buxtehude and Bach can’t be beaten!
@@MarcusReeves It will be somewhere in the summer on a Neobaroque mechanical instrument pretty much in Noordbroek Style. I am currently thinking of the following program (in case you are interested); Buxtehude: C manor prelude buxwv 137 Ach herr mich armen sunder Herr christ enig gottes sohn Bohm vater unser Bach Cathedral BWV 533 Bach O mensch Bewein Bach Dies sind die heiliges zehn gebot Bach prelude Es Dur BWV 552 As for recording: I shall try, have to get a microphone from somewhere though!
Great programme! I wondered if Böhm would feature too. Best of luck and if you manage to record it, I’ll look forward to listening.
@@MarcusReeves Thank you Marcus!
So schön lieber Marcus, Bach hat ein unerschöpfliches Geschenk hinterlassen. Vielen Dank dir, für die so sehr gefühlvolle Aufnahme! Viele Grüße, Roland
Thank you very much, Roland. 😊
Wunderbar! Besonders das flüssige Tempo gefällt mir sehr gut!
Thank you! I’m often think (and I’m sometimes told) that I play too slowly so I appreciate your comment all the more!
Sehr schön registriert und gespielt Marcus
Danke, Markus!
Very nice to hear this piece on this English beast, which makes it even more romantic than Mendelssohn ever could have imagined. I like the reed sound very much in the first part. Well done, Marcus!
Thanks very much, Ralph. I wonder if Mendelssohn would have approved? I hope so!
If you had a very heavy cold when making this recording, Marcus, it does not have a detrimental effect at all on the wonderful artistry in this interpretation and performance of Mendelssohn's gorgeous A major Organ Sonata. The music fits the Armley Schulze perfectly and listening to you play is always a real pleasure. Hopefully, you are now fully recovered and back to good health . . . and working on your next upload. B R A V O !
Thank you very much for your kind words, Graham. Fortunately for me, I feel much better and working out what to record next!
This is my new favorite recording of this piece!!!! You play it SO well!!!! I am a young organist and hope to play this piece when I am older.
Thanks very much and good luck when the time comes to learn it!
Fantastic dear Marcus, for me it is one of the most beautiful organ sonatas by Mendelssohn. Best regards, Roland
Thanks very much, Roland. I like all of Mendelssohn’s music, he’s a great tunesmith - it’s such a shame his life was so short.
Beautifully played. Thank you for this! I need to learn some of this some day 😊
Thank you, Jerry. I think the whole Suite is worth learning, although I don’t play it all yet.
Congratulations Marcus!! This was a joy - beautiful playing. Congratulations on adding Armley to the collection - such a beautiful instrument. Your playing as always is divine. And your video production inspirational!!! Bravo!!!
Aw! Thanks so much, Jerry. 😊 It was your recent Stanford Prelude and Fugue which made me think seriously about acquiring Armley - it’s a great organ! I’m sorry I’ve overlooked it for so long.
Excellent performance Marcus. It's always a challenge to record pieces, especially as they get longer and more complex. I'd much rather a real performance than a "CD perfect" one. In saying that, there is absolutely nothing wrong with your playing. I hope you get better real soon and I look forward to your next upload.
Very true, James. Even a short piece can be a challenge! It’s funny how I make different mistakes when recording to the ones I make playing live! 🤦🏻♂️ Thanks for your kind words.
Lovely, Marcus. This is a wonderful piece that I got to perform as the recessional to my best friend's wedding in Switzerland on a wonderful 1888 Walcker instrument. I believe you picked a wonderful sample set to record this on and congratulate you on a job well done, especially if you were not feeling great! Thank you for sharing your fabulous performance.
Thanks very much, Christopher. I bet it sounded great on a Walcker too!
Finally a longer piece on this amazing channel! Great stuff! I might have to learn this quite soon, been putting it off for too long: any tips to get started?
Thanks, Tim! You should definitely learn it, it’s a great piece like all Mendelssohn.
One of the best organs/models to present a Tierce en Taille. Well done, Marcus, it sounds very nice.
Thank you, Ralph.
Gorgeous, Markus - and the perfect sample set for this stunning performance: bravo!
Thanks very much, Graham.
Beautiful dear Marcus! This is fantastic music and your recording of the video is marvellous. Many thanks and best regards! Roland
Many thanks!! ☺️
Dumage is amazing. I play this entire suite. I hope you share more with us. Beautifully rendered and on the authentic sample set. ❤
Thanks, James. 🙏🏻
Clever use of the Unda maris, Marcus. Both on Bückeburg and Krzeszów (knowing that you have both), these stops are delightful. I'm glad you don't pay attention to the registration suggestions in your edition, because they are mostly awful and tasteless.
Thanks, Ralph. I almost recorded this on Görlitz with the original Casparini Onda Maris but the 16’ tone was too prominent. Registration is an art and the suggestions are quite often best ignored, but that’s half the fun of being an organist!
Very nice playing. A wonderful, somehow dark piece
Thanks very much, Markus.
Certainly recommended to use this set in full, Marcus. A nice intimate interpretation of this beautiful Buxtehude chorale. I've played this organ about a year ago, I can definitely recommend mainly using the distant and rear channels. That really gives the image how it sounds on the church floor.
How awesome to have played the real instrument! I’m seriously tempted… watch this space! And thank you for your kind words.
Very nice and beautiful 👏 😍 🤩 👌 Thank you 👏 😍 🤩 Subscribed! New friend ❤️
Thank you!
Beautifully played Marcus - such gorgeous registration too! (Shiny new shoes!!!)
Thanks, Jerry! It’s a fab instrument. The shoes? Old ones, I just felt like wearing them for a change!