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Hi there, the lead level (70) I’ve set here is not dramatic but you can increase it if you want more boost. I know I’m stating the obvious but just ensure that you are in fact engaging the toe switch to enter the lead state of the preset… You should be hearing a gain boost, reverb and delay as well as some more level. Of course, these are just guidelines and you can adjust the parameters to adjust the sound to suit your own preferences.

Normally i don’t feed the trolls but I’ll give you the benefit of the doubt in case English isn’t your first language. The operative word in the title is “Preview”. Preview means it shows clips of what you can expect within the tutorial.. all the sounds in this “preview” are from the Boss GT10 and if you took a moment to read the description, you would understand that all of the individual tutorials can be found on my channel, amongst many for other Boss multi-fx.

That’s great to hear Peter, glad my video helped you out.

Cheers again!

Thanks for watching, glad it helped!

Will do, coming up soon, stay tuned ☺️

As requested, a video on Tap Tempo - th-cam.com/video/fRdS8k612W4/w-d-xo.html

Cheers and Happy New Year!

If it’s a dedicated volume pedal, it may not function as an expression pedal so you would just place it before the input, or in the fx chain

The Crybaby is not an expression pedal. Just use it like a conventional Wah. Plug your guitar in to the Crybaby, and the output to the GX100 Input.

No, it doesn’t have any Pitch effects at all

@@tianjay thx man

Absolutely, in terms of amp sounds, really you can get almost anything with the use of the third-party cabinet impulse responses… Once you’ve dialled in your Amp, just add some of the on board chorus and reverb and delay to get you into Def Leppard territory.

haha, unfortunately it doesn’t. I have a camera overhead

Each patch has a BPM in the master settings. You can set this globally or per patch and then when you want to use tap tempo for time based effects, you just set what interval you want which you will find when you rotate the data encoder past the milliseconds.

@tianjay WoW! 🙏🏻 Thank you. I would have never figured that out by myself, especially the "end of the ms" part.

You’re welcome.

That’s great, i’m glad I’ve managed to open up some ideas for you

Absolutely you can! I would recommend utilising the four cable method which Will allow you to use the effects in the amps effects loop as well as utilise effects such as the Wah, Compressor and EQ before the amplifier. If you’ve never used this method before, it has been well documented, just search.

You’re welcome, thanks for watching

You’re welcome, thanks for watching!

The fact that the Tank G is capable of using cabinet impulse responses means that the tonal possibilities are endless so I have no doubt that you’ll be able to achieve any sound you want. My knowledge of the Arctic Monkeys is that the sound is quite clean, chimey and often ambient so you would start with one of the clean amps and use some reverb but it’s not a very complicated sound.

@tianjay thanks man that's encouraged me more to get it and I'll do as you recommended...appreciate the advice 🙏🙏

Just drag a send/return block from the effects palette into your effect chain.

Thanks for watching!

Cheers

Yes, the Tascam has combo inputs so the 1/4” output of the TankG will plug straight in

@tianjay have a pc but not tech minded for a daw lol

@@davidmurray9193 A DAW (Digital Audio Workstation) is just a fancy name for any recording software.. To record to the DAW, you will need an audio interface and the TankG can be your audio interface via USB. You will need software to record to and there are free apps like Audacity which you can use for this.

Hi, unfortunately I don’t have a GX10 yet however I believe most settings works similarly to the GX100. Obviously, you have more limited switching capabilities but in terms of software, I believe they’re very similar.

it can be used in either, this video where i share some presets is recorded with a mic on cabinet through an amp. th-cam.com/video/8LKtyhzJvdQ/w-d-xo.html

haha, hopefully that means you thought it was okay? 😅

you are welcome, thanks for watching!

I'm not sure why it's like this for you however I've just updated to 2.02 and this functionality hasn't changed. Maybe try running the update again?

@tianjay thank you for confirming yours on 2.2 is working. I know 1 other person has the same issue as me and has a ticket open with Boss, thinking might have to do the same. Great videos and very helpful. Thanks.

thanks Mark, hopefully I will get a GX10 soon so I can play around and do some videos with it.

thank you, I know exactly what you mean… There’s so many TH-camrs getting paid to do reviews and tutorials but sometimes it’s hard to just find the information you want. I don’t make money out of this, I’m just simply trying to provide information from a real user’s perspective with gear that I actually have purchased and use.

I don’t have a Hot Rod to try it however I imagine you would connect the output of the GX100 directly into the power amp in of the Hot Rod. This should give you the most neutral setting but again, it may take some trial and error and if it doesn’t work, then I would plug into the input directly from the GX100 output and try to run the amp as clean and flat as possible.

thanks for the “heads up“… I will look into that and see why.

Thanks very much!

hi Ricardo, thanks for your message… To address question number one, there’s multiple ways to do this, you could set the expression switch to toggle between the whammy and Wah so when one is on the other is off and then use my active range settings as shown in a previous video to bring the effects level of each respective effect from 0 to 100 as soon as you move the pedal. Alternatively, you could assign one of the switches to toggle between whammy and wah. 2. Yes, once in manual mode, all the switches are freely assignable. 3. I would imagine this list exists on the boss global website but you can download the user manual which will also have this list. Essentially, the GX 100 is incredibly flexible, even more so than some flagship models such as the quad cortex which has very poor switch implementation. for the money, it’s hard to go wrong. I hope I’ve answered your questions, good luck, cheers!

I mean GT 100 I can see on the whole wide screen, no writing

hi there, sorry I’m not really sure what your question is…

it may be that you’re overloading the mixer inputs? are you checking the metering to make sure you’re not pushing it too hard.. try reducing the gain and raising the output

@@tianjay That's a good idea. I'll check the metering the next time I play. Are you referring to the gain that is adjusted in the processor or on the mixer, cause the mixer I use has a gain knob beneath the line input. And when you say output, do you mean the output adjustment in the processor itself?

@ It’s just a suggestion, but it could be digital feedback or aliasing from the GT10 hitting the input of the mixer too hard.. this can result in a high pitched noise. Generally i would start by setting the mix master at unity (0) with the channel slider down. Then adjust the channel gain knob so that it doesn’t peak (clip). Normally there would be a LED light that indicates when this happens… Play your loudest sound and ensure that the LED doesn’t light up. Adjust the gain until it does and then back it off just below and then you can bring the channel slider up to your desired output level .

probably a bit hard to diagnose without being there, however I would troubleshoot with the standard things first, such making sure the software is up-to-date including yourcomputer’s operating system, try a different cable, things like that.

Yeah, for a guy who has used a floating trem my whole life, this thing is incredible.

Hi Mark, thanks for the great feedback! Yes, this would be great for acoustic guitar, although you’d probably bypass the amp simulation altogether and just use it for the on-board effects and set up a bunch of presets, four of which she could access instantly and then have other banks of different effects if she wanted but I would say for acoustic, having a pallate of basic effects like reverb, delay, chorus would be mostly what she would need. She could also access the tuner, which would be handy.

for me, it depends on the situation and the type of gig… Sometimes I run directly into the PA and just monitor through in ears or a fold back wedge, and sometimes I run directly into a power amp and cabinet but i always use app and cabinet simulations from whatever pedal/device I’m using.

The last page on both the reverb and delay has a “carryover” parameter. This needs to be on however the carryover will only occur if the same effect is saved in the patch that you’re switching to.. for example, if Patch A has the Delay+ active, but Patch B has just the normal Delay effect, you won’t get carryover.. they both need to be Delay+ or both a different type.. the settings can be different, but the block has to be the same.

@@tianjaythank you. Tried this just now but no luck. Still “simple delay in both patches” saved and carryover selected. Cuts out as soon as patch changed. Have you tried this and it worked?

@@tianjayfigured it out. Entire effects block has to be identical, including amp types. Can just have them switched off. Otherwise, no go.

what kind of trouble are you experiencing? Boss recently released a new version and new firmware so I would suggest the first thing is to update everything and see how you go because if there were issues before, they may be resolved now.

@tianjay I already updated the pedalboard and Boss tone Studio and nothing... My problem is when I open Boss Tone Studio, it does not link with the pedalboard. I always get the following message: "Communication error, try again".

you are very welcome!

Thank you ☺️

Yes, these things are amazing for the money, you got a bargain!

Nice, I’ve heard great things about the UA Pedals.. haven’t had chance to try any yet though.

This is actually quite easy to do… Just run 2 Amps in parallel, one distorted and one clean and then assign the volume of each amp to the expression pedal and just set the minimum and maximum settings opposite so that one amp is at 100 at the minimum whereas the other is at zero. You could play around with the minimum and maximum values so that you get the taper that you want.

@@tianjay Many many thanks for coming back so quickly. That is so kind of you. I will try this out tomorrow morning. The way you explained it sounds so simple . I will come back here to let you know how I got on. Once again thanks so much for the info and for even bothering to answer, much appreciated.

@@tianjay I've done it. It is working just as I wanted it to. Brilliant, can't tell you how grateful I am. Cheers mate.

@@tianjay Hi I'm sorry to bug you and I thought I had it done but it turned out only one side was going up and down but the distortion part of the divide was disguising the clean. Which was ok for that sound but when I tried 2 clean sounds opposing each other it obviously became a problem. I have tried to put a volume control on both sides of the divider with the opposing pedals set opposite to each other. So when one is going up the other is going down. I've set that in the pedal parameters with each pedal but they don't work together. One will go up and down but the other wont even though it works in that way if you take away the the opposing pedal. So I am stuck at the moment. An advice thanks.

@@kenmcd2014 Hi Ken, try this: Set the "DIV" to Dual and the "Mix" to Stereo, the assign both the Level A and Level B to the EXP Pedal with opposing Min and Max.. that should do it.

Boss recently released a new firmware that added the Slicer however it doesn’t contain a Synth block unfortunately

@tianjay thanjs a lot fir your reply.. new suscriber here

I saw another TH-cam video of someone using the slicer, I know Boss recently released a new firmware update that added some new amps and effects. I don't have a GX100 yet, been researching about it.

@MelodicFrets thanks a lot for ur reply