How To Write A Spotify Editorial Playlist Pitch in 2024 // SPOTIFY MARKETING
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- เผยแพร่เมื่อ 13 ก.ค. 2024
- How to write a compelling pitch and submit it to Spotify For Artists to get your song on Spotify editorial playlists. I break down:
►How to get playlist curators excited about you.
►The three elements of a successful Spotify Editorial Playlist Pitch
► Why Spotify puts small DIY artists on playlists
► What playlist curators look for in a pitch
►How To use Spotify For Artists playlist pitch submission tool
►How to think about your Spotify Editorial Playlist Pitch and what it should include
Chapters:
0:00 Why A Spotify Editorial Pitch Is Important
1:02 Preparing To Do Your Spotify Pitch
2:32 Element 1: What Makes You Exciting?
4:45 Element 1 Alternative: Create Curiosity
6:21 Hire A Music Writer
7:44 Competing Against The Majors & Big Indies
9:49 Element 2: Co-Signs
11:20 Find The Right Playlists To Target
12:20 Element 3: How Are You Promoting?
13:06 Refine Your Pitch & Get Feedback
14:31 Examples Of Pitches
16:19 How To Submit Your Pitch
►How To Blow Up On Spotify in 2023 • How To Get Millions Of...
►How To Get On Spotify Playlists • How To Get On The Bigg...
►How To Get Playlists, Managers + A&R Excited About Your Pitch - • How To Pitch Your Musi...
►My video on Building Momentum By Releasing Singles
• You Are Thinking Of Re...
► How To Find Community Around Your Music - • How To Build A Music C...
► Chartmetric - chartmetric.com
Links:
👨💻 Become A Member And Get Next Level Fanbase Building Techniques / @musformation
📞 Book A Call With Jesse (My TH-cam Viewers Get A Reduced Rate): www.jessecannon.com/consulting
📺 Subscribe To My Other TH-cam Channel / @morejessecannon
🎛 Mix Or Master A Song With Me: foundsoundation.com/
📘 My Book On Building A Fanbase amzn.to/3LYnbHV
📘 My Book On Making Great Music: amzn.to/3BmJSRu
🧰 Free Tools: ko-fi.com/jessecannon
🖥 Learn More About Me: www.jessecannon.com/
📱 Instagram, Twitter, TikTok @JesseCannon
🗣 My Discord Server: / discord
⌨️ My Facebook Group: / musformationdiy
👽 Reddit On Music Promotion: / musicpromotips
Let's get real about getting your music on Spotify's editorial playlists! In this video, we'll break down the art of crafting a pitch that's not just another email but a compelling story for playlist curators. We'll share insider tips on how to spark genuine excitement from these curators, unveiling the three secret ingredients of a winning Spotify Editorial Playlist Pitch. Ever wondered why even DIY artists have a shot at playlist stardom? We'll reveal why. Peek behind the curtain and understand what playlist curators are really looking for in your pitch. Plus, we'll guide you through Spotify For Artists' pitch submission tool, making it a breeze. Get ready to humanize your pitch, turning it into your ticket to reaching a wider audience on Spotify!
#musicmarketing #spotifymarketing #spotifypromotion - เพลง
![How I write pitches to land on Spotify Editorials (Works for all genres) [lofi beats, lofi garden]](/img/n.gif)
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Today is first day my upcoming release is available for me to write a pitch…and this video pops up in my feed. I’m hoping that’s a sign! Lord knows I need something *good* to happen to me for once!
Praying to the Lord that things fall in place for you❤
@@georghettaconaway1300 thank you… I need that more than I can put into words right now
Wow! That's great timing; I hope goes great for you.
Hope it goes well for you!
@@JustinJ damn bro that’s not what we trying to hear. Ain’t gonna get shit done thinking like that.
I've watched this video like 3 times and have taken extensive notes. I'm making our first pitch tomorrow and i'm going to implement all of this info. Super nervous but fingers crossed...
Love the pitch examples at the end, it would be rad to see more of these for bios, booking emails and mailing lists
This channel is unbelievably UNDERRATED. Thanks Jesse!
This was very helpful. I really struggled with writing a pitch before I watched this video a few times
While getting editorial playlists is always good for story building, editorial playlists don't build fanbases. Editorial playlist listeners are largely passive. You need sustained, high volume listenership on these playlists to really make a dent or build reliable revenue, and the truth of the matter is that often the high volume, sustained listenership comes from active listeners seeking out your music and helping trigger algorithms, not from Spotify editorial playlists. Yes, being able to tell other industry "gatekeepers" about the editorial support is good, but the most savvy managers and booking agents know that editorial playlists in 2023 don't mean what they meant in 2015. And while it still certainly doesn't hurt to get on them, they should be less of a goal and more of a byproduct of doing other things well. Yes, create a good pitch like those in this video and celebrate if you land on editorial playlists. But don't have any delusions about what they actually mean or how far they'll move the needle for you.
Been saying this for years and I agree with everything you said. SPOT ON!!!!
true but it's still more exposure than having no exposure. Also I feel like if one's music is really good and different than the rest of the song, the listener would go and check out said artist
Hey, I loved this comment! You've brought up an important point about the changing landscape of music promotion and the role of editorial playlists. They indeed don't mean what they used to, and it's crucial for artists to understand this. I'm doing some research on how musicians can build fanbases more effectively, potentially moving away from the focus on editorial playlists. I’d love to buy you some lunch over a phone call to talk more about this!
well said lol ive been making music for 6 years and honestly htis is true. i mean obviously it doesnt hurt to have more streams but these kinds of things it shouldnt relaly be a solid goal type shit if u know what i mean
I feel like it could go either way - it's the modern version of having a hit single on radio, people will either enjoy it for the moment then not really think about it 'til it comes on again, or love it so much they go visit/follow the artist page and check out everything else - similar to rushing out and buying the CD of the song you just heard on FM versus just like "huh that was cool" and changing the station.
Thank you so much for this video! Very useful
Friends of mine got into 3mili editorial without any pitch, their song got 2 mili at youtube just randomly when distrokid automaticly uload vid, so sometimes it happend like this) if it's viral you'll be there.
I really took the time and submitted my last single 4 solid weeks in advance, wrote what I thought was a good pitch that accurately described my song, thought it sounded well written and professional and got nothing. But at the same time whenever I release a new song everyone gravitates to TH-cam for it instead of Spotify so maybe I need to have my life revolve around Spotify more, eat sleep breathe Spotify, worship Spotify, talk Spotify, dream Spotify, live my life for Spotify. I think that's what they want.
Let them know you’re doing great in other DSP… I tried that with an artist called Tsunami- Solo Tu My Girl… the song was doing great on YT before Spotify. We tell that, focus on the community making (since it was their first single ever) in the pitch and boom! They added to a Fresh Finds playlist.
You need your distributor to send the pitch.
@@ErickT_MX Thanks man!
@@Dihmarko thanks!
Write to exactly? That part is never explained
I got so excited hearing Dillinger Escape Plan. Hometown heroes! Had no idea they were from the county next to me until recently, grew up listening to them.. Anyway, awesome video!
Man, the “we’re 4 dudes from Kalamazoo just hanging and bangin, ya feel me dawg” hit different while driving around Kalamazoo on my nighttime grind listening to your content, I was bought in after the mention of Head Automatica in the Master Your Mix podcast.
Appreciate the hell out of your content, it’s so damn m stimulating hearing the things I sit and think about all day in a clear cut, no bullshit way.
Ps: were you in The Revive Easycore Group?
Thanks a bunch for feeling the Kalamazoo vibe in our content! I'm glad you're digging in. We love diving into those topics.
I never subscribe or comment on videos but you’re legit. Thanks 🤙🏾
Appreciate that
Right on time 🤙
This one is gold
pure gold man
Thanks for this Jesse , you are now my guru! Unbelievable channel!!
Thanks so much!
Fire content once again dawg! Perfect timing for my next release. I wrote down everything. I f*cking LOVE this “Just because you’re trash, doesn’t mean you can’t do great things. It is called Garbage Can, Not Garbage Cannot.” So good. Miss you man!
❤️❤️
Hey I really liked this comment, it’s awesome that you can take actionable steps from the tips in these videos! I’m doing some incentive based research on how musicians apply valuable tips like these, especially when it comes to fan engagement. I’d love to buy you some lunch over a phone call to talk more!
I just became way more educated on Music Writers and I would love to learn even more. This was an extremely well-made video. As always
Thanks so much!
Solid 🔥
I have been fighting with Spotify's pitches for a long time now getting only on release radar with just a few streams. After watching this video I finally know what I have done wrong and what to do in the future pitches!
Thank you!
Hey I really liked this comment, it’s awesome that you can take actionable steps from the tips in these videos! I’m doing some incentive based research on how musicians apply valuable tips like these, especially when it comes to fan engagement. I’d love to buy you some lunch over a phone call to talk more!
Please tell me that’s a KLF t shirt under there… the greatest pop band of ALL TIME!!! 😅 Thanks for the reminder that we, the musos, are the best people to tell our stories, and honestly, if the music is good, we SHOULD be able to write about it too.xx
Hell yeah KLF
No one rocks an ice cream truck better than the KLF
@@Musformation Time to interview Bill Drummond about updating the "The Manual (How to Have a Number One the Easy Way)," for 2024?
@dinowalrusofficial dream interview and ask him if he’s banksy
you feel me dawg
love your advice. thanks for your hard work
Hey I really liked this comment, it’s awesome that you can take actionable steps from the tips in these videos! I’m doing some incentive based research on how musicians apply valuable tips like these, especially when it comes to fan engagement. I’d love to buy you some lunch over a phone call to talk more!
Hey Jesse, maybe you can consider me as your project for these videos. Really show the people the live growth and take me under your wing. You have great content, but a real demonstration with an artist who works hard such as I would be really cool to see. Keep making content
8:57 I like that background 😁
Appreciate you! You're a goldmine 👊👊
🕺🏼
Hey I really liked this comment, it’s awesome that you can take actionable steps from the tips in these videos! I’m doing some incentive based research on how musicians apply valuable tips like these, especially when it comes to fan engagement. I’d love to buy you some lunch over a phone call to talk more!
Thank you
I'm still not sure what genre my music fits into, but this video confirms I'm getting better at writing pitches.. although to radio & blogs, not Spotify, :) Thanks!
if you are not sure what genre you "fit" into, that could mean you are doing something right!
@@thealleys Ha! I love that. Thank you :)
Great stuff as always, Jesse. Question: I'm planning for my first release, so have not yet claimed my Spotify Artist page. Can I set up a "fake" release for sometime out in the future so I can claim my page and get it updated prior to the actual song I plan to release? Then when it is time to release the real song, just remove the "fake" placeholder one? Is this an option? Thanks in advice for input.
So I recently enrolled into a coding bootcamp.
I’ve always worked jobs that I wasn’t stoked about between projects and not got paid a whole lot for it
The goal is to build some skills that give me more time and money to put towards my music
What do you think some good ways to spend money would be?
I know we hate Facebook ads here
I’ve heard you talk about just making more content and tik toks, shooting music videos, playing shows, submitting to playlists, making merch etc.
What else would be a good investment as a musician?
As always, appreciate your hard work
Love ya Jesse!
Press campaigns, TikTok ads. Also some distribution companies have their own MKT department / artist relations consultant. they know what’s working with a decent amount of budget.
Hey, I'm looking for your release checklist and artist checklist that you used to have in your channel, if you have an updated one it would really help me
If I release from Spain and in Spanish and English what language should I submit my pitches in? Thanks
Love your channel big time❤️🔥
i noticed releasing music more frequently triggers the algorithm to be more in your favor and then can get you added to playlists later after your song has traction. A lot of the artist and my band included didn’t retain actually fan engagement from being on editorial playlist, because the big playlists arnt designed for new artist discovery causing your song to get plays but not saves and negatively effects your popularity score.. It is a fact major labels own 80% of the playlists on Spotify…and are major share holders….who are also upset independent artists get the same royalty split as signed artists. Just like your not being played during warners radio slot if your with universal. Edgar Allen Poe could write your pitch but if your not distributed by a label your not gna land on big playlists like rap caviar or indie essentials Pitching to playlists are essentially calling the radio station and asking them to play your song lol..yea it could work but algorithm will reward you in more meaningful way if you release twice a month.
Hey, I loved this comment! It sounds like you've really dug deep into the workings of Spotify's algorithm and the politics of playlist placements. Understanding where my community exists and how to engage them is something I've been thinking of a lot lately. I’m particularly intrigued by your point on the benefits of frequent releases. I’d love to buy you some lunch over a phone call to talk more about this!
This is how you will help us way better... Let's say your single is baby by justing Bieber,. Tell us , what would you write to the curators so they can listen to it and place it ..
I released a single last week and got onto New Music Friday and multiple smaller editorial playlists, which I am extremely grateful for. I have a question tho. What next? Do you recommend going by your 60 day strategy, or any other tips? Every video on YT is about how to get on editorial playlists, but not about what to do afterwards. I love your channel and your insight, so any tips or guidance is greatly appreciated!
Hey, I loved this comment! First off, congratulations on making it onto New Music Friday and other editorial playlists. That's a big achievement! You raise an important question about what to do post-release, especially after gaining some traction. I've been thinking about this topic a lot lately and I’m doing some research on how musicians can best leverage these wins to keep the momentum going. I’d love to buy you some lunch over a phone call to talk more about your experience and your plans moving forward!
Love ya, mus-daddy
Hey Jesse! Love the channel. Not sure if I will get a response on an older video, but here goes! So we released a single which we think is our best song. We couldn't pitch it because we weren't on Spotify before. Can we/should we pitch it now that EP is dropping even if song is already a single?
Won’t be allowed
Im learning so much.
That means a lot.
"We're four dudes from Kalamazoo" that one never gets old 🤣
Hangin and bangin 🤘
I wonder if any playlist curators want to come out to northern Indiana to be wined and dined. I'll grab a case of Miller Lite and some Michigan weed. I'll take you to check out some farm land.
Hey Jesse, love you channel. I have a question that I thought might make an interesting video, you talk about how it's best not to release music more often than 6 weeks apart or so. I think you're probably right but the independent rapper Russ blew up after releasing a single every week for almost a year. He credits his massive numbers with his saturation. I was wondering if maybe you could make a video about if you agree with him or maybe why this worked for him and what the rest of us can learn from it. Thanks, Jesse! You rule!
I already did! It’s on the channel!
I don't see any option to pitch on my spotify for artists dashboard or on the upcoming tab plzzz help!
Great Video as always Jesse! Quick question - any cheaper alternatives for that playlist journey information! Can't justify the $140 / month Chartmetric paywall but the playlist journey is such a sick feature! I want it!
Really appreciate that. If you need more personalized advice go to my website and email us
Hey Jesse, great vid as always. Do you know what the best way to pitch songs that aren’t in English is? I tried to ask Spotify directly but didn’t get a satisfying answer. I make music in Chinese mostly and am wondering if my pitches should be in Chinese too.
Hey I really liked this comment, it’s awesome that you can take actionable steps from the tips in these videos! I’m doing some incentive based research on how musicians apply valuable tips like these, especially when it comes to fan engagement. I’d love to buy you some lunch over a phone call to talk more!
Charli XCX hat, Caroline Polachek shirt, my man has TASTE 💫
Hell yeah
I pitched my song 4 weeks in advance of the release BUT I edited the pitch a week later. (and my pitch on the spotify for artist page now says "Pitched on" the edited date rather than the original date from a week prior) Do I need to set my release date back another week to compensate?
Hey these videos are really helpful and are giving me alot of insight but I would like to know what to do if I want to start out on Soundcloud with music. Is it a smart decision? Plus how would I go by marketing my music over there? I would really appreciate it!
It can be smart to “mess around on SoundCloud” and as you find your sound upload to Spotify. Watch my video on starting a music project from scratch.
@@Musformation yea yea thank you so much i’m binging all of your “beginner” videos…I’m already learning so much 🙏🏾
I would like to know more about Beatport.
what is that track in the back?? I can't get it out of my head! the first one from the start..
So does it mean that when I distribute my song today i need to wait for 7 days before I pitch or I can do that the same dayc
if i write almost the exact same pitch twice can the curators see what i have said on previous pitches?
I got lost at the template examples. I could not figure out what you were saying. Are those band names?
Im a sincere fan of yours. The knowledge you’re sharing is extremely valuable. Some sincere feedback I’d tweak. Your knowledge exceeds the editing. IMO the visual and music choices of this editing ends up being more distracting then engaging. Also, your videos feel really bloated. It takes way too long to get to your main points of advice. Just my thoughts - I’m sure many feel different and love it. Whatever the case, greatly appreciate your info!
If my songs are in spanish but I live in the US does my pitch have to be in spanish??
Hi! Our lyrics are in Finnish, so obviously the biggest market for our music is here in Finland. We have always written our pitches in Finnish and have been added to 1-3 playlists with almost each released song. The question is: should we use English instead of Finnish when writing pitches? Does that matter? I always set our current location to our bands hometown here in Finland when writing the pitch, so does Spotify even offer our pitch to playlist curators outside of Finland?
Spotify does have a lot of great playlist targeted for Finnish listeners and I'm not complaining about getting on those BUT I have seen bands with non-English lyrics end up in bigger playlists across the language barrier, and I'm curious of how that happens. I haven't found a definitive answer to this so I'm reaching out here if you happen to have the answer. Thanks!
Also interested in this, I got the same issue except in Chinese. Might do my next pitch in Chinese and see what happens.
Been watching your channel a long time. Wasn't keeping up for awhile, and watching this video, see you are mixing up your presentation style. A video awhile ago you mentioned the channel wasn't moving forward like you hoped. Is the new presentation style showing good things in your numbers? I'm not expecting an answer, I'm asking bc my impression from this video was that you came across a bit more scripted, less dynamic, and the holding the mic thing felt kinda forced. I REALLY liked how you came across as more conversational in previous video formats, I think that + the mix of memes and humor would be even more engaging.
Really hope your channel just gets more and more successful, I especially enjoyed it when I first discovered you and checked out your books. I think your personality can shine through even more than it does in this format, and that was what attracted me to your previous work. This format has the same value text-wise, advice is solid, but you don't feel like the center of it, and your performance and presentation just didn't draw me in like previous videos.
I really hope it doesn't come across as trolly, I LOVE your content and came to this video as it was what I needed and I always enjoy your advice. I just figured I'd comment on it as I remember the background leading up to my experience w this video was that you weren't satisfied w the channel's performance so my guess is you're working on the formatting to make it more successful.
Really appreciate this and it’s super helpful. It’s doing A LOT better since I went to this format
@@Musformation Awesome! Definitely more trendy and humorous so it makes sense it’s doing better. Hope it just keeps improving. I was hooked long ago.
@@Musformation Never go against what's working well.
is there a specific type of playlist we should mention when including what playlist we belong on? like do they have to be legit spotify ones? if so, is there a easier database of playlists to search/select from?
??????????????????????????
Yes Spotify ones like I said find ones that look like you belong on with smaller artists. Use chartmetric if needed
@@Musformation thanks dude... is chartmetric worth it? and am i going to get a simple, easy UI database i can look and search through and find the spotify created playlists i need?
Got a quick ? if Jesse or anyone with more knowledge can answer. ive heard jesse and other folk mention uploading a dummy track to spotify just to be able to access the spotify page and get it in order for when you start the process of your first release. is that still way to claim your artist page and does it affect your first (technically 2nd single) in terms of being picked up by spotify algorithms? or is there an easier way to claim your page before actually upload? ive signed up with distrokid also but i im going around in a circle trying to find out how to go about this! Thanks
That’s still the way and no it doesn’t affect it
@@Musformation Thanks for getting back! also i signed up for the spreadsheet that you spoke about on the how to find a community but ive not received the spreadsheet yet. i believe i signed up before and never received it. was just wondering if its still something youre giving out. thanks
If the song is in german, should I write the pitch german aswell?
Jesse, do you have any music writers that you’d recommend?
It’s really all about the genre you do. Google reviews of records that are similar tonyou
@@Musformation right on. Thanks!
We release Amelia Chain's music. Not a single 'editorial' playlist, but approaching 1,000,000 just by working individual playlists. The way forward? We think so.
Impressive
Many thanks.Jessie. Great to see you wearing the My Bloody Valentine T-Shirt. Small world.. Amelia Chain as well as producing glorious classical music recently toured with a band (Membranes) MBV were responsible for getting to reform. Great channel by the way!
music is not on upcoming?
Jesse, is there a way for admirers (not physically) who may want to do a little business with you to contact you, like maybe an email or a secret code that leads to an email or other contact info?
Lol yeah look in the description of any video
I'm a bit confused on how often you can pitch a song to editorial playlists. I've heard people say once per 28 days, once per 30 days. But also I've heard people say you can pitch as many songs as you want, as long as the song you previously pitched has gone live, you can pitch another song right after, even if it is released 7 days later. Can anyone clarify this?
I am under the impression you can only pitch one song at a time. So once your song has gone live you can pitch another. It's just that it is recommended to give It 4 weeks for each song.
When you say “Spotify needs your pitch 28 days in advance” what do you mean in advance of? The song release date?
Yes you can’t pitch a song that’s been released
Cheers man, appreciate it, will do it for my next release with The Sprats!
If a song is pitched just before its release, what happens? Is the pitching procedure cancelled? Why does it have to be long before the release? Thanks for all the useful info! ❤
How do I check the popularity score on my track?
Musicstax.com
@@Musformation 🙏
why cant i find ayahuasca edge break anywhere lol ?
Does anyone know if you can pitch cover songs to editorial playlists?
They say no BUT it’s clear that covers get placements at times so I’d say it’s dicey.
@@Musformation So would you recommend an artist pitch covers to editorials or not? Pros and cons?
I’d not mention it’s a cover and give it a try
what do you think of this pitch
Down North sound like if Red Hot Chili peppers had an orgy with the roots and had James Brown and Michael jackson film it (sounds interesting huh well go listen to the other tracks you passed up on).
now image they had to make a new version of human nature, thats what sounds like "lonely girl".. so we know youre not goin to pick this song so this is a waste of time but we dare you to prove us wrong.
Good Day sir
DN
this is literally how i describe our music in radio interviews and people agree but this is the first time i thought to use it for Spotify lets see if it works
Random question, but does anybody know the background music the video starts off with🤔😂
Its original from my company
Be careful with "Extensive Playlist Promotion" part tho.
It's the same payola as radio. Maybe for less mainstream genres the pitch actually matters,but if you're doing pop or rap, you're not gonna get on any big playlist without wining and dining the curators.
Lol
Facts let’s please start keeping it real about this the major three labels own 80% of the playlists and also are major shareholders on Spotify editorial playlists arnt how you break as a new artist in 2023 the majority are paid placements
Fun fact - on chartmetric you can actually see the breakdown of which labels are on each playlist. And while the major labels largely are it, you are wrong that it’s all payola and it’s far more democratized than anything we’ve seen before. Secondly this is why I suggest researching the smaller playlists that feed the big ones since a lot of artists get deals to get on the bigger playlists from being on the smaller one. In other videos I’ve debunked this 80% statistic as it’s total bullshit
@@Musformation no it isn’t more democratized. Labels specifically now have a department designated to put artists on playlists. Artists are now a charged a budget for playlist placement on all dsps (just like radio). It’s the exact same as payola. I’m not against playlists or m just saying pretending it’s a game changer is using dated info. With the trends of how much music is coming out daily your shooting your self in the foot waiting every 30 days to release because you wanna get on a playlist. If we’re being really technical it’s a bad thing for a new artists with no traction to even get on a playlists because it jumbled up all your data. A lot of marketing firms in the industry don’t use playlists when tryna break new artists for that specific reason. Landing on rap caviar sounds great hella plays for a new artists. Those are all vanity points because after your removed from the playlist you have to analyze the plays in your stats coming from almost every single city in the world leaving you clueless where or how to isolate your true fan base. Again big fan of yours lol but playlist smoke screen is my biggest pet peeve it’s almost like cruel hope for NEW artist
no "Hyperpop" genre search on Chartmetric 😔
If you find an artist with that tag you can click the tag and it’ll do a search
@@Musformation oh me oh my. thanks Jesse!
I've heard horrible songs on playlists with zero catchyness and can't believe how they ever made it there while I've seen plenty of great songs get rejected.
It’s almost like taste isn’t absolute and objective 🤔
Not a piece of shit but. Never been 1st comment before so imma revel in that
Jesse, I don’t know why you waste your time trying to educate us dullards… your REAL natural talent is coming up with band names… Ayahuasca Edgebreak… I almost fell out of my chair with that one. 😂🤣😂🤣
Lol
Ever listened to one of those editorial playlists? It’s 90% trash music
Plenty of ones I listen to give me great recommendations
Imma keep it real though, why would should we listen to a person talk about sounds and music when they can't even stop their mic from distorting and peaking like crazy.
This video was unbearable to listen to due to the constant distortion coming from the mic, you need to get this sorted out.
Imma keep it real. I got a few hours to make a video every week sometimes you discover your settings got changed but you don’t have time to retape. My body of work speaks for itself.
Fruit Space & Time (Daydreaming) ❤ th-cam.com/video/q0np-mrIlVs/w-d-xo.htmlsi=FAtsoiHEyyMNUlU7