I discovered that crystal fill technique on my own and one thing I do with it is warp it using the tangent normals. Really subtle, but not only does it help it fit in with the sculpted wrinkles, but it can help it blend into UV seams
I've started using substance painter for some projects and I want to give you a Big warm thanks for all the awesome tutorials! Really simple, easy and fun to follow! One more thing, when I go to shading settings, there are different types of shading. Do you have any tutorial explaining that? Again big thanks for all the help :)
Hey guys, thank you for tutorial, always a pleasure to watch your videos! 2 questions: this workflow useful for games, as it's more about bump/normals, what's best workflow for cinematics?(displacement stuff), i think height map from SP won't be useful for that kind of work. So, i suppose workflow needs to be something like this: bring clothes in zbrush, use tiling maps for details etc, then, when its ready, export mesh with normal map to sp for texturing (normal for generating curvature etc, so we could operate in sp), texture diffuse (and maybe add little bump/normal details for fine tuning) and export textures and also displacement from zbrush for rendering. So, is it good workflow, or there is some tricks? Second one: usually i make my hard surface directly in maya, adding supporting loops etc, but as soon as i bring my base in zbrush and subdivide, it breaks my basemesh(like shrinkage problem) and it's never same shape as i made in maya... How could i solve this problem? Storing morph target breaks higher subdiv levels, so it's not a fix. Would you kindly to give me an advice on how to solve this issue, please? I know how subdivision works, but it's really zbrush problem, as neither maya, nor 3ds max has this issue(cuz they have 0 subdiv lvl, which is base mesh actually). Thanks!
Hi thanks very much for the awesome tutorial! I'm new to 3D design and I was wondering, where do you get the 'Normal' map dragged in at the start of the tutorial? Many thanks!
I'm newbe at texturing, and first what I saw is "loading normal map".... but how? Where to get normal map if all I have at this point, is just a mesh? Should I use sculpting before actually texturing?
Awesome! So simple and to the point. Are you guys planning of releasing a full tutorial on texturing fabric materials like you did with Human Skin one? Thanks for the tip!
@@FlippedNormals Awesome great to hear! I think I speak for all when I say I'll love to see one that goes over fabrics and leather objects. Since it would be the last thing you guys haven't really cover yet. All in all you guys have done an amazing job going over Substance so far. Thank you!!
FlippedNormals, u are insane, wtf xD everything I want to know or I need to improve is on your channel, all the ways go to you xD Thanks a lot for this amazing videos and for being so nice all the time, It's not only interesting, it's always fun and impresive. Amazing youtube content. I will buy a lot of courses of your website for sure.
@@FlippedNormals You animated me a lot for working hard on 3D and finding a job, and I want to have more hours on the day only for improving and learning mooore and more so thanks again haha. Btw: Idk if its possible, do u have some kind of interview in some website? like lvl80? cause I would love to make you an interview, to both of you, for Odin3D.com , If you dont have time or dont want to dont worry, for sure u are bussy. thanks anyway! ^^ keep like that!
Hello everyone, can someone answer an important question for me? Let's say I have a shirt, detailed in zbrush, with 7 division levels. What level should I export to a Substance Painter to add normal detail? Or should I export level 3 and add displacement?
Question about this software. After downloading it there's a prompt to change the timeout setting for your GPU in the registry. Is this safe to do? See the following prompt: Why does the GPU driver crash ? In order to prevent any rendering or GPU computation from locking the system, the Windows Operating System kills the GPU driver whenever a rendering takes more than a few seconds. When the driver is killed, the application using it crashes automatically. Since we can't possibly know how long a rendering or computation will take (it depends on the GPU, the drivers, the OS, the mesh size, the texture size, etc.), we cannot put a limit on how much the computer can process and avoid the crash. On Windows there is a key in the registry specifying how long the OS should wait before killing the driver call. Application are not authorized to modify this setting directly, this procedure has to be done manually (see below). You can find more details about it here : docs.microsoft.com/en-us/windows-hardware/drivers/display/tdr-registry-keys What Keys need to be changed ? You can change the TDR values in two ways : Increasing the TDR Delay (this is the safest manipulation) -> Change both " TdrDelay " and " TdrDdiDelay " to a higher value (like 60 seconds). Thanks.
Nice Video, you guys probably know this but if you would of baked that wool normal onto the shirt you would of received much better results for your video ;)
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I discovered that crystal fill technique on my own and one thing I do with it is warp it using the tangent normals. Really subtle, but not only does it help it fit in with the sculpted wrinkles, but it can help it blend into UV seams
Fast and simple, like it! Didn’t knew about switching between channels button above layers window. Was making it with black mask+fill 😅
That crease map worked so darn well
every time i see your videos i learn something new , even i have seen the same videos earlier
THANKS so much Guys you are doing an amazing job
That crystal fill is a game changer guys!!! I was going to sculpt a bunch of secondary freq folds in zbrush on a shirt but then I saw this haha
Adds some really nice variation!
@@FlippedNormals add a little blur filter and it's really great!
I've started using substance painter for some projects and I want to give you a Big warm thanks for all the awesome tutorials! Really simple, easy and fun to follow!
One more thing, when I go to shading settings, there are different types of shading. Do you have any tutorial explaining that?
Again big thanks for all the help :)
Hey ,Thanks
I really like these small video tuts , they are easier to watch and have a good amount of knowledge
We'll definitely do more of these!
This is what I was looking for!! thank you so much, guys!!
Thaks a lot, I was struggling with this just yesterday
You guys are great! Thank you for this tutorial.
Awesome video! All of substance videos are so useful.
really nice and quick tutorial, thanks
Glad it was helpful!
Love this, thank you all so much
wow great tips! thank you for the videos
I often struggle with this for my game characters because of the resolution limits... I end up doing this in engine
i love your laughing voice
So good, thanks alot!
May i ask at what resolution you where working?
I think this was at 4k
best thumbnail
Hey guys, thank you for tutorial, always a pleasure to watch your videos!
2 questions: this workflow useful for games, as it's more about bump/normals, what's best workflow for cinematics?(displacement stuff), i think height map from SP won't be useful for that kind of work. So, i suppose workflow needs to be something like this: bring clothes in zbrush, use tiling maps for details etc, then, when its ready, export mesh with normal map to sp for texturing (normal for generating curvature etc, so we could operate in sp), texture diffuse (and maybe add little bump/normal details for fine tuning) and export textures and also displacement from zbrush for rendering.
So, is it good workflow, or there is some tricks?
Second one: usually i make my hard surface directly in maya, adding supporting loops etc, but as soon as i bring my base in zbrush and subdivide, it breaks my basemesh(like shrinkage problem) and it's never same shape as i made in maya... How could i solve this problem? Storing morph target breaks higher subdiv levels, so it's not a fix. Would you kindly to give me an advice on how to solve this issue, please? I know how subdivision works, but it's really zbrush problem, as neither maya, nor 3ds max has this issue(cuz they have 0 subdiv lvl, which is base mesh actually).
Thanks!
Have you tried to turn off "smooth" when you subdivide in Zbrush? This will stop it shrinking. :)
you are amazing guys! :D
Hi thanks very much for the awesome tutorial! I'm new to 3D design and I was wondering, where do you get the 'Normal' map dragged in at the start of the tutorial? Many thanks!
I found that your fabrics link does not work... can you please check this out?
Great video! Would love some more substance paintee
I'm newbe at texturing, and first what I saw is "loading normal map"....
but how?
Where to get normal map if all I have at this point, is just a mesh?
Should I use sculpting before actually texturing?
You asked me to comment If I liked the video so here I am
What If I have a model that already has a shirt on? How would I specifically have the cloth apply to the clothes part only?
Guys how to have an environment with focused lights everywhere that can cover the whole piece of mesh including back, front, sides, top, and so?
How did you get the fabric normal map? How was that created?
flippednormals.com/downloads/flippednormals-fabrics-personal-use/
Awesome! So simple and to the point. Are you guys planning of releasing a full tutorial on texturing fabric materials like you did with Human Skin one? Thanks for the tip!
Thank you!
It's something we've been thinking about yes
@@FlippedNormals Awesome great to hear! I think I speak for all when I say I'll love to see one that goes over fabrics and leather objects. Since it would be the last thing you guys haven't really cover yet. All in all you guys have done an amazing job going over Substance so far. Thank you!!
@@FlippedNormals pls do.
Please come up with a video on hair texturing in substance. Please 😁
We might look into it 👍
@@FlippedNormals thank you😊
Presenting models in #Marmoset toolbag would be nice topic for another video , since MTB is getting more common among artists
That's a great idea!
it was very helpful
why you don't use udim for this? this textel denisty is very low!
How it's de right way to import from Marvelous to Substance?
How to turn the height info into normal?
FlippedNormals, u are insane, wtf xD everything I want to know or I need to improve is on your channel, all the ways go to you xD Thanks a lot for this amazing videos and for being so nice all the time, It's not only interesting, it's always fun and impresive. Amazing youtube content. I will buy a lot of courses of your website for sure.
We might be a bit crazy at this point 😂
Thanks for the kind words and support!
@@FlippedNormals You animated me a lot for working hard on 3D and finding a job, and I want to have more hours on the day only for improving and learning mooore and more so thanks again haha. Btw: Idk if its possible, do u have some kind of interview in some website? like lvl80? cause I would love to make you an interview, to both of you, for Odin3D.com , If you dont have time or dont want to dont worry, for sure u are bussy. thanks anyway! ^^ keep like that!
Guys, can i bring these height and normal information to zbrush? (i want to do bpr rendering)
hey, how can I use height map and normal map at the same time in Arnold ???? plz help
Plug the disp/height into the shader group and the normal into the bump slot, set to normal
Hello everyone, can someone answer an important question for me? Let's say I have a shirt, detailed in zbrush, with 7 division levels. What level should I export to a Substance Painter to add normal detail? Or should I export level 3 and add displacement?
is more easy to do it in zbrush from my point of view but anyway, good tutorial
True! Both advantages and disadvantages to both
Question about this software. After downloading it there's a prompt to change the timeout setting for your GPU in the registry. Is this safe to do?
See the following prompt:
Why does the GPU driver crash ?
In order to prevent any rendering or GPU computation from locking the system, the Windows Operating System kills the GPU driver whenever a rendering takes more than a few seconds. When the driver is killed, the application using it crashes automatically. Since we can't possibly know how long a rendering or computation will take (it depends on the GPU, the drivers, the OS, the mesh size, the texture size, etc.), we cannot put a limit on how much the computer can process and avoid the crash.
On Windows there is a key in the registry specifying how long the OS should wait before killing the driver call. Application are not authorized to modify this setting directly, this procedure has to be done manually (see below).
You can find more details about it here : docs.microsoft.com/en-us/windows-hardware/drivers/display/tdr-registry-keys
What Keys need to be changed ?
You can change the TDR values in two ways :
Increasing the TDR Delay (this is the safest manipulation) -> Change both " TdrDelay " and " TdrDdiDelay " to a higher value (like 60 seconds).
Thanks.
It's safe if you follow the instructions exactly. It's also recommended to avoid you computer restarting if the gpu freezes up
Nice Video, you guys probably know this but if you would of baked that wool normal onto the shirt you would of received much better results for your video ;)
can you please make a video on how to attach substance painter exported maps in maya using arnold standard surface
This shirt looks a bit weird tbh. Good information though!
It's a texturing video not a modeling video
It's a texturing video not a modeling video
@@DejiDigital all they did is detail the model you smartass
I see booba i click
Due to the support this channel has shown for the Nazi regime in Ukraine, I am closing my subscription. Please keep politics and propaganda out of the Industry.
First
clickbait
I am texturing artists at Technicolor
I would like to inform you that working with out mask is considered very very bad practice
why?
@@squitani because it's not procedural. And if you paas you file to some one else its difficult to understand.