The faces that the basso voce makes when he starts singing in the final movement are absolutely priceless. The way his eyes bug out and twists his face up. He looks like a cartoon character. Gotta love it!
I agree, Daniel, this is angry Beethoven, and I love this performance, but I advise you to seek out Furtwangler's 1942 performance with the Berlin Philharmonic - you might have to revise your judgement ...
Es bestial.El 20:08 por ejemplo. Todas las sinfonías de Järvi para mi, son brillanes, jóvenes, energéticas, ágiles, pasionales, enorme Järvi y la orquesta suena cristalina. Es para estudiarla en los conservatorios
I absolutely love Maestro Jarvi. He's so charismatic, the way he smiles and gestures to the orchestra. He really has a passion for his work and the orchestra responds with just as much passion as well.
What I love about Maestro Jarvi is how obviously he feels the music. He is engaged at not only a musical level, but also emotionally. This flows into the orchestra and enables them to express the emotions written deep into the music!
Deutsche Welle, the German TV channel that broadcasts worldwide has been reporting about and promoting this orchestra and his conductor for years as excellent Beethoven interpreters. They indeed are. Thanks for uploading, and I see there is more.
Why Beethoven can live forever. So many great musicians make it happen through their great love and great works. Generations after generations. Forever.
Definitely one of the best renditions I've ever heard...SO many incredible details, but the way the choir sings "Bruder!" at 1:02:17 is absolutely stunning. What an understanding of Beethoven! Cheers!!!!
great video. thanks for posting this series. at the end the maestro said bravo or danka to his orchestra and tears welled up as they so moved his soul, as was mine. Thank The Lord for Beethoven, an oasis is a cesspool of modern drek.
A stonian who was educated in California under Leonard Bernstein .A kammerphilarmonie which was founded by students in Frankfurt,Germany!What a combination. Listening to them is like watching clockwork in itself .Who was made for whom? And at the very center super Beethoven. The vibs of heaven.
Simply superlative. The truly Beethovenesque tempi, the intensity, the brilliant direction from Järvi, and the ready-to-rumble attitude and capabilities of the orchestra are all stunning. There is so much to learn from Paavo about the craft and art of conducting, including providing the opportunity for the the players to step up and out, individually and collectively, in a performance that requires much of each and all. Absolutely love this.
Just another walk in the park ~ to The Sublime! This is truly amazing. I'm no expert, but the brisk nimble quality here, the patience, trust and feeling with which it is applied, the sense of discovery and wonder. I'm moved to tears. Music for the BEGINNING of The World. Joy!
Die Deutsche Kammerphilharmonie Bremen unter der Leitung von Paavo Järvi. Was für eine Präsentation! Wunderbar! Explosiv! Gigantisch! - Extraordinary. Beethoven would be happy. The best performance of Beethoven's masterpiece. The best symphony ever written.
Unique. Forever. Great Conductor, Fantastic Musicians, and Orchestra in the foremost climax that is imaginable. Jarvi completely understands and catches the core untouchable depth of Symphony No.9. He recalled Beethoven and flourished his music in our hearth. It is beyond of imagination. Thank you all.
This is by far my favorite piece of music to listen to on the headphones while doing stuff. Riding my streetbike, working, jogging, riding the bus, playing video games, but most of all just walking in a crowded public area. It's so much fun listening to this.
Sehr spannende Aufführung dieses großartigen Meisterwerks mit perfekter Synchronisierung aller Instrumente und im ziemlich schnellen Tempo. Der Chor und die Solisten sind auch ausgezeichnet. Der geniale Dirigent leitet alles echt energisch!
A bit of trivia: Some may not know that all the great solo horn writing in the 3rd movement is scored for the 4th horn. In the orchestra for the original performance, the 4th horn was the only hornist who had a valve horn, which was in the earliest days of its existence back then. So Beethoven wrote the demanding horn solos in the slow movement for the 4th horn.
I stand in awe of this work and this performance! Put this and the Sistine Chapel ceiling (and perhaps the Bach Mass in B minor) in a space capsule, and any extraterrestrials that found such a capsule would surely bow their heads in awe. Such originality -human voices with a symphonic orchestra, soloists and choir, singing at the very edge of human capability, wiring for horns and woodwind, especially bassoon, way ahead of its time - and all composed by a deaf man? Ridiculous! And the overall message of the work? The world needs it now more than ever.
МНЕ ТРУДНО ПРЕДСТАВИТЬ СЕБЕ, ЧТО МОЖЕТ БЫТЬ ИНОЕ ИСПОЛНЕНИЕ, ПРЕВОСХОДЯЩЕЕ ЭТО ! А ВЕДЬ ИСПОЛНЯЕМОЕ ПРОИЗВЕДЕНИЕ----ЭТО ВЕДЬ ДАЛЕКО НЕ ЧТО-НИБУДЬ........ СПАСИБО ВАМ, МАЭСТРО ЯРВИ , И ВАМ - ИСПОЛНИТЕЛЯМ-ОРКЕСТРАНТАМ !!! ДА БЛАГОСЛОВИТ ВАС БОГ НА СЧАСТЛИВУЮ ЖИЗНЬ ----СООТВЕТСТВЕННО УРОВНЮ ВАШЕГО ИСКУССТВА !
Gracias Järvi por elevar a Beethoven a un nuevo nivel. Un nivel donde el alma se alza por encima de las estrellas haciéndonos más insignificantes pero mas humanos
But gangnam never comes back and is forgotten while Beethovens 9th will survive forever - just count all the views of all the different performances together, and remember all the performances since the year 1827 all over the world!
Yes, the interpretation and rendition are outstanding, but note the beautiful photography, the mouvement of cameras, the close-ups, etc. Bravo au réalisateur et au chef Jarvi.
Un Beethoven tempétueux et révolutionnaire comme il se doit ! Je pense que Paavo Järvi nous a donné une des plus belles intégrales de ces dernières années, voire l'intégrale des années 2000. La 9e est enfin menée comme elle doit l'être et le FInale est parfaitement tenu et réussi, pas comme nombre de versions qui s'essoufflent au dernier moment, même si elles sont dirigées par des grands noms de la musique. Ecoutez ce que Järvi nous donne à écouter dans l'Héroïque et vous comprendrez. A noter que le propre frère de Paavo Järvi, Kristjan, a enregistré la 9e aussi mais dans la réorchestration de Gustav Mahler. Intéressant mais pas autant que celle-ci. Génial, mais à écouter en SACD prioritairement si l'on peut...
Świetne, przystępne i żywiołowe wykonanie. Wręcz analityczne - czemu dodatkowo sprzyjała akustyka sali w Bremen. Bez zbędnego nadęcia jak np. u Karajana. Sporo ciekawych pomysłów artykulacyjnych. Dziewczę grające na kontrafagocie - bezcenne :)
When you listen to Paavo's 5th, you'll note he was one of the early conductors where you can hear the piccolos in the last movement the way LVB intended them to be heard.
The Bremer kept themselves small and focussed on this project... So even in fast parts, they listen to eachother - and Järvi puts his 70 steps from `silence and Maestoso`... Wow. I `saw` so many Chamber-Orchestras getting too fast `automatically`... In Beethovens case this is a totally different matter: Because no one gets so close to Ludwigs original Metrum, as Järvi... still being transparent ! Without any haste, echoed in fine, Saqqara-like steps, to get all the dynamic out of these Symphonies... I would like to go on in German... but then this comment would become half a book :)
Järvi a dia de hoy junto a Whung Chung son los mejores intérpretes de Beethoven. Un Beethoven furioso y enérgico con tintes dulces y amables compaginados con un desorden en el finale, ese finale vibrante y unico en el mundo sinfónico. Ese caos que hablaba Fürtwangler, nos permite deleitarnos con una de las versiones referentes y emocionalmente más maduras, de la 9a Sinfonía del maestro de maestros Beethoven.
1:03:18 - *The Final Prestissimo in JÄRVI's Version... Even though it's not same as Furtwaengler's, but it was really fast like Bernstein and Karajan did in 1970s!!!*
comparisons no more necessary, Sir.... `Seid umschlungen`...simply, dear しまたむ Järvi is different as his epic-small Orchestra, to `magic` this out. The marvel here is about Mathematics, but only about `how many` there are determined, to create this nearly unbearable `dynamic silence`. Because from this reference point somewhere in Universe `there` Bremens `Chamber-Angels` start to worry, performing by heart, focussing on `him`... to do it... and Järvi smiles them... directly to heaven, as Beethoven dreams it in advance.
No he oido aun la version de Paavo Järvi, pero me restan solo dos minutos de ansiedad. Este hombre, ha escuchado desde niño y por mediacion de su padre y profesor, toda la musica del mundo. Es sin duda alguna, el gran director del futuro, pero todavia falta la resolucion del grandisimo Carlos Kleiber, espectacular, muy preciso en las entradas y cortes. No lo dudeis. ¡Va de camino!
I have enjoyed all of these 9 symphonies. So many nuances and superb tempos. Unfortunately, the solo tenor was terrible in the 9th. I speak here as a degreed musicologist, and Beethoven lover for 65 of my 70 years . If any of you can find it, may I refer you to Solti's 9th with the Chicago Symphony Orchestra and Chorus. Original 1972 Decca release and re-released by Decca in 1999. My CD is a "Penguin Classics". Soloists are Lorengar, Minton, Burrows, and Talvela. Solti also knew tempos were to be much faster. Everyone should have listened to Toscanini . He knew tempos, and knew they were all faster.
Cool performance. I still think Ben Zander had it right the first time, and so did Norrington: the trio of the scherzo should be half the speed of the scherzo itself, for various perfectly good technical and musical reasons. Not to mention it sounds really, really right done that way. I wish more conductors would rethink this. Do it as the music seems to say there and it's WAY too rushed. Listen to Norrington's 80s performance of the scherzo, whatever else you might say about it, the trio sounds exactly right. The entire metronome marking thing there is a red-herring, and I think Norrington's explanation of what's supposed to happen at that point is compelling.
The accelerando that leads to the trio is a perfect Beethoven red herring. Everyone forgets the man loved a practical joke. I agree entirely, the trio is correct in the Norrington performance and no other I know of.
Have just celebrated the New Year by having a Beethoven Symphony Marathon by listening to all 9. I enjoy the newer approach to the works, even some liberties in phrasing and interpretation, but I think it works. Noticed some horn parts in the 9th are different, which makes me wonder if Jävi used the Del Mar urtext editions. Does anyone know?
Sir Järvi... and Hansestadt Bremen? I am so proud of of this `keeping small itself - St. Martin in the fields`..., therefore most toxic orchestra on stage ever ! A dangerous mix - Beethoven would have... Ach... Do not mention my ungainly poetry in what shadow ever of this devine as naughty scale... life is wonderful, Ludwig.
Vladimir Poutine is conducting Beethoven's 9th Symphony. Suddenly, short after beating the first bars of the 1st movement, he gets the news from his loyal people at the Kremlin, that the NATO forces have entered Ukraine. He then suddenly becomes angry, speeds up the tempo and thinking during all the concert "Wait for me! Wait for me, and you will see what you will get!".
I like this one , because at the end it is so fast and powerful. just x1,25 speed , it will fast just like furtwangler 's ochestral playing it at the end very fast .
also notice that there are quite a few close-up shots of her hands playing ... notice the ring on her bow hand she has quite a 'feeling ' for the music .... so much passion how great music should be played
It's not the only renditions of the sacred 9th which I listen to, but jarvk is still my favorite conduction - I love Andres Orosco-Estrada and am savagely jealous of Klaus Makela (spelling?) As he does what I would kill to do, and at just 24! I hear he's pretty cute too) Point is Jarvi puts everything into it , his body, his facial expression, almost like dancing, and he gives each musician attention!
I could watch Maestro Jarvi all day. Greetings from Hawaii 😊
Bar none. Every ounce of energy from every single musician...single best performance of the 9th I've EVER heard.
+1
@@aladora3352 Let me guess: Böhm with Jessye Norman und Barenboim in der `Night of the Proms ?` I love them all !
But which is your treasure ?
Jarvi is that one conductor that literally reminds you who's masterpiece you are listening to
I would add John Eliot Gardiner to that list, too👍
The ferocity of the piccolo flute at the end of the symphony always amazes me. Such a small instrument with such a serious part. :)
The faces that the basso voce makes when he starts singing in the final movement are absolutely priceless. The way his eyes bug out and twists his face up. He looks like a cartoon character. Gotta love it!
It looks like he can't contain his excitement, and who could blame him?
It is the angriest Beethoven I've ever heard!
Oh, the timpani...! Oh the lower strings..! I love this performance!!
I agree, Daniel, this is angry Beethoven, and I love this performance, but I advise you to seek out Furtwangler's 1942 performance with the Berlin Philharmonic - you might have to revise your judgement ...
Jonathan Priess Thank you. I'll listen.
Es bestial.El 20:08 por ejemplo. Todas las sinfonías de Järvi para mi, son brillanes, jóvenes, energéticas, ágiles, pasionales, enorme Järvi y la orquesta suena cristalina. Es para estudiarla en los conservatorios
FJAC78 - Totalmente de acuerdo. Esta versión es poderosa.
Casualmente, estaba justo en ese pasaje cuando leí su comentario. :)
Daniel Machado Hoy por hoy junto a Myung Whung Chung es el mejor director Beethoveniano que existe. Enérgico, decidido, sublime.
I absolutely love Maestro Jarvi. He's so charismatic, the way he smiles and gestures to the orchestra. He really has a passion for his work and the orchestra responds with just as much passion as well.
Greatest conductor alive today!
Such JOY on his face while conducting the ode to JOY!
David Lis I got to meet him at NYP last January, it was the most awesome experience ever!
What I love about Maestro Jarvi is how obviously he feels the music. He is engaged at not only a musical level, but also emotionally. This flows into the orchestra and enables them to express the emotions written deep into the music!
These Symphonies have now become my favorites and what I now call definitive.
Bravo maestro Jarvi
Douglas Carter Same here!
Deutsche Welle, the German TV channel that broadcasts worldwide has been reporting about and promoting this orchestra and his conductor for years as excellent Beethoven interpreters. They indeed are. Thanks for uploading, and I see there is more.
Why Beethoven can live forever. So many great musicians make it happen through their great love and great works. Generations after generations. Forever.
Definitely one of the best renditions I've ever heard...SO many incredible details, but the way the choir sings "Bruder!" at 1:02:17 is absolutely stunning. What an understanding of Beethoven! Cheers!!!!
Zum Wohl :)
Lp0😊😊😊😊😊😊l LL l0😊
I don't care how he spells his name. A wonderful, energetic performance. Maestro appears at one with the singers and musicians.
great video. thanks for posting this series.
at the end the maestro said bravo or danka to his orchestra and tears welled up
as they so moved his soul, as was mine.
Thank The Lord for Beethoven, an oasis is a cesspool of modern drek.
An absolutely vibrant performance of this work - and Paavo seems to be enjoying it more than everyone else!
He always seems to be enjoying it more than everyone else.
Nothing more exhilarating than performing something as magnificent as this piece.
A stonian who was educated in California under Leonard Bernstein .A kammerphilarmonie which was founded by students in Frankfurt,Germany!What a combination. Listening to them is like watching clockwork in itself .Who was made for whom? And at the very center super Beethoven. The vibs of heaven.
Simply superlative. The truly Beethovenesque tempi, the intensity, the brilliant direction from Järvi, and the ready-to-rumble attitude and capabilities of the orchestra are all stunning. There is so much to learn from Paavo about the craft and art of conducting, including providing the opportunity for the the players to step up and out, individually and collectively, in a performance that requires much of each and all. Absolutely love this.
Just another walk in the park ~ to The Sublime! This is truly amazing. I'm no expert, but the brisk nimble quality here, the patience, trust and feeling with which it is applied, the sense of discovery and wonder. I'm moved to tears. Music for the BEGINNING of The World. Joy!
Die Deutsche Kammerphilharmonie Bremen unter der Leitung von Paavo Järvi. Was für eine Präsentation! Wunderbar! Explosiv! Gigantisch! - Extraordinary. Beethoven would be happy. The best performance of Beethoven's masterpiece. The best symphony ever written.
Unique. Forever. Great Conductor, Fantastic Musicians, and Orchestra in the foremost climax that is imaginable. Jarvi completely understands and catches the core untouchable depth of Symphony No.9. He recalled Beethoven and flourished his music in our hearth. It is beyond
of imagination. Thank you all.
Their movement 4 is just magnitficent! My ears are so satisfied.
Exceptional. Amongst the best I have heard, possibly the best. Fabulous drive and energy.
i really cant describe how unique this interpretation is....just....wow
This is by far my favorite piece of music to listen to on the headphones while doing stuff. Riding my streetbike, working, jogging, riding the bus, playing video games, but most of all just walking in a crowded public area. It's so much fun listening to this.
Sehr spannende Aufführung dieses großartigen Meisterwerks mit perfekter Synchronisierung aller Instrumente und im ziemlich schnellen Tempo. Der Chor und die Solisten sind auch ausgezeichnet. Der geniale Dirigent leitet alles echt energisch!
Great symphony and a great performance, bravo maestro Jarvi
A bit of trivia: Some may not know that all the great solo horn writing in the 3rd movement is scored for the 4th horn. In the orchestra for the original performance, the 4th horn was the only hornist who had a valve horn, which was in the earliest days of its existence back then. So Beethoven wrote the demanding horn solos in the slow movement for the 4th horn.
I believe that this is the most well-informed and most interesting orchestra currently playing today.
HOLY SH***********T! the climax at 7:49 is from out of this world!!!!
Für mich, ein Laie zwar, aber die beste Interpretation...DANKE
So powerful! Jarvi is to Beethoven's symphonies what Callas was to opera. Thanks for the upload.
Very nice, but let's not leave out Roger Norrington though
I stand in awe of this work and this performance! Put this and the Sistine Chapel ceiling (and perhaps the Bach Mass in B minor) in a space capsule, and any extraterrestrials that found such a capsule would surely bow their heads in awe. Such originality -human voices with a symphonic orchestra, soloists and choir, singing at the very edge of human capability, wiring for horns and woodwind, especially bassoon, way ahead of its time - and all composed by a deaf man? Ridiculous! And the overall message of the work? The world needs it now more than ever.
МНЕ ТРУДНО ПРЕДСТАВИТЬ СЕБЕ, ЧТО МОЖЕТ БЫТЬ ИНОЕ ИСПОЛНЕНИЕ, ПРЕВОСХОДЯЩЕЕ ЭТО ! А ВЕДЬ ИСПОЛНЯЕМОЕ ПРОИЗВЕДЕНИЕ----ЭТО ВЕДЬ ДАЛЕКО НЕ ЧТО-НИБУДЬ........ СПАСИБО ВАМ, МАЭСТРО ЯРВИ , И ВАМ - ИСПОЛНИТЕЛЯМ-ОРКЕСТРАНТАМ !!! ДА БЛАГОСЛОВИТ ВАС БОГ НА СЧАСТЛИВУЮ ЖИЗНЬ ----СООТВЕТСТВЕННО УРОВНЮ ВАШЕГО ИСКУССТВА !
Most sublime has wrote as classical music of all times,a real máster work of a human mind ever!!!
Fantastic - beautifull filming as well.breath taking finale
Gracias Järvi por elevar a Beethoven a un nuevo nivel. Un nivel donde el alma se alza por encima de las estrellas haciéndonos más insignificantes pero mas humanos
I absolutely adore this conductor.I mean come on to fuuch
Magnificent Maestro & The Sinfonia !
Maestro Jarvi é stato un piacere immenso ascoltare la sua interpretazione di questo capolavoro musicale. Praticamente perfetto.
The Ninth Symphony. Probably the greatest creation to to come from the mind of man.
素晴らしい演奏だ！ありがとうございます。サイコウダ
who is that incredible first cellist? her passionate playing anchored the whole performance. Bravo!
But gangnam never comes back and is forgotten while Beethovens 9th will survive forever - just count all the views of all the different performances together, and remember all the performances since the year 1827 all over the world!
1824
Beethoven, his 9th symphony, and Paavo Jarvi--that what I call a Holy Trinity!
Great! Great! Great!!! Incredibile Paavo Järvi! 🌹
Yes, the interpretation and rendition are outstanding, but note the beautiful photography, the mouvement of cameras, the close-ups, etc. Bravo au réalisateur et au chef Jarvi.
oh my God this is.... too beautifullll
Järvi and the DKBs beethoven is the best of all!
Un Beethoven tempétueux et révolutionnaire comme il se doit ! Je pense que Paavo Järvi nous a donné une des plus belles intégrales de ces dernières années, voire l'intégrale des années 2000. La 9e est enfin menée comme elle doit l'être et le FInale est parfaitement tenu et réussi, pas comme nombre de versions qui s'essoufflent au dernier moment, même si elles sont dirigées par des grands noms de la musique. Ecoutez ce que Järvi nous donne à écouter dans l'Héroïque et vous comprendrez. A noter que le propre frère de Paavo Järvi, Kristjan, a enregistré la 9e aussi mais dans la réorchestration de Gustav Mahler. Intéressant mais pas autant que celle-ci. Génial, mais à écouter en SACD prioritairement si l'on peut...
Thanks for the uploaded...great performance..maravilloso 👏 👏 👏👍😁❤🙏
Świetne, przystępne i żywiołowe wykonanie. Wręcz analityczne - czemu dodatkowo sprzyjała akustyka sali w Bremen. Bez zbędnego nadęcia jak np. u Karajana. Sporo ciekawych pomysłów artykulacyjnych. Dziewczę grające na kontrafagocie - bezcenne :)
Amrei Liebold;)
th-cam.com/video/Drn6bP9lFgg/w-d-xo.html
When you listen to Paavo's 5th, you'll note he was one of the early conductors where you can hear the piccolos in the last movement the way LVB intended them to be heard.
Love the attention to detail everywhere, like 46:34
Food for your soul, magnific interpretation
Third mov...so difficult to express the lines at that tempo, but it's just.. done. Exceptional musicianship to accomplish that.
The Bremer kept themselves small and focussed on this project... So even in fast parts, they listen to eachother - and Järvi puts his 70 steps from `silence and Maestoso`...
Wow.
I `saw` so many Chamber-Orchestras getting too fast `automatically`...
In Beethovens case this is a totally different matter: Because no one gets so close to Ludwigs original Metrum, as Järvi... still being transparent !
Without any haste, echoed in fine, Saqqara-like steps, to get all the dynamic out of these Symphonies... I would like to go on in German... but then this comment would become half a book :)
The best scherzzo: is the complete version, the timpanies's timbre (17:27) and timpaniest performance.
Järvi a dia de hoy junto a Whung Chung son los mejores intérpretes de Beethoven. Un Beethoven furioso y enérgico con tintes dulces y amables compaginados con un desorden en el finale, ese finale vibrante y unico en el mundo sinfónico. Ese caos que hablaba Fürtwangler, nos permite deleitarnos con una de las versiones referentes y emocionalmente más maduras, de la 9a Sinfonía del maestro de maestros Beethoven.
Merci mille fois pour le Upload.
One of the best versions.
1:03:18 -
*The Final Prestissimo in JÄRVI's Version... Even though it's not same as Furtwaengler's, but it was really fast like Bernstein and Karajan did in 1970s!!!*
comparisons no more necessary, Sir....
`Seid umschlungen`...simply, dear しまたむ
Järvi is different as his epic-small Orchestra, to `magic` this out.
The marvel here is about Mathematics, but only about `how many` there are determined, to create this nearly unbearable `dynamic silence`.
Because from this reference point somewhere in Universe `there` Bremens `Chamber-Angels` start to worry, performing by heart, focussing on `him`...
to do it... and Järvi smiles them... directly to heaven, as Beethoven dreams it in advance.
No he oido aun la version de Paavo Järvi, pero me restan solo dos minutos de ansiedad. Este hombre, ha escuchado desde niño y por mediacion de su padre y profesor, toda la musica del mundo. Es sin duda alguna, el gran director del futuro, pero todavia falta la resolucion del grandisimo Carlos Kleiber, espectacular, muy preciso en las entradas y cortes. No lo dudeis. ¡Va de camino!
Che Capolavoro!! Immenso!!
Beautiful -
I thought I was in for another 9th symphony and I was surprised from the beginning.
Incredible, thanks for bringing me here.
I wonder common orchestra cannot catch up with this speed,
however. I like this original speed Beethoven wrote.
IT'S MAJESTIC MASTER JARVI!
Makes my night!
SUPER Jarvi
A maior herança que uma pessoa poderia ter deixado para a humanidade em termos artísticos!
OMG...This is so beautiful
1:01:58 to 1:03:33 best finale ever!!!
Bravo!
The last 2 minutes are incredible to me
I have enjoyed all of these 9 symphonies. So many nuances and superb tempos. Unfortunately, the solo tenor was terrible in the 9th. I speak here as a degreed musicologist, and Beethoven lover for 65 of my 70 years . If any of you can find it, may I refer you to Solti's 9th with the Chicago Symphony Orchestra and Chorus. Original 1972 Decca release and re-released by Decca in 1999. My CD is a "Penguin Classics". Soloists are Lorengar, Minton, Burrows, and Talvela. Solti also knew tempos were to be much faster. Everyone should have listened to Toscanini . He knew tempos, and knew they were all faster.
Bravo!!!
Cool performance. I still think Ben Zander had it right the first time, and so did Norrington: the trio of the scherzo should be half the speed of the scherzo itself, for various perfectly good technical and musical reasons. Not to mention it sounds really, really right done that way. I wish more conductors would rethink this. Do it as the music seems to say there and it's WAY too rushed. Listen to Norrington's 80s performance of the scherzo, whatever else you might say about it, the trio sounds exactly right. The entire metronome marking thing there is a red-herring, and I think Norrington's explanation of what's supposed to happen at that point is compelling.
The accelerando that leads to the trio is a perfect Beethoven red herring. Everyone forgets the man loved a practical joke. I agree entirely, the trio is correct in the Norrington performance and no other I know of.
Have just celebrated the New Year by having a Beethoven Symphony Marathon by listening to all 9. I enjoy the newer approach to the works, even some liberties in phrasing and interpretation, but I think it works. Noticed some horn parts in the 9th are different, which makes me wonder if Jävi used the Del Mar urtext editions. Does anyone know?
Christiane Oelze - soprano,
Petra Lang - alto,
Klaus Florian Vogt - tenor,
Matthias Goerne - baritone
Well, you got at least 1 out of 4 ;-) - Christiane Oelze, Annely Peebo, Simon O'Neill, Dietrich Henschel are singing here.
Nice job Nice Job Bravooo!!!
Sir Järvi... and
Hansestadt Bremen? I am so proud of of this `keeping small itself - St. Martin in the fields`..., therefore most toxic orchestra on stage ever !
A dangerous mix - Beethoven would have...
Ach... Do not mention my ungainly poetry in what shadow ever of this devine as naughty scale... life is wonderful, Ludwig.
I still believe that the last 2 minutes have yet to be surpassed.
Vladimir Poutine is conducting Beethoven's 9th Symphony.
Suddenly, short after beating the first bars of the 1st movement, he gets the news from his loyal people at the Kremlin, that the NATO forces have entered Ukraine.
He then suddenly becomes angry, speeds up the tempo and thinking during all the concert "Wait for me! Wait for me, and you will see what you will get!".
the woman playing the bassoon is amazing haha @ 50:50
Wie ein Held zum Siegen !
Bravi !!!
There’s a circle of hell for advertisers who interrupt Beethoven.
Use add block, add block plus and add block for TH-cam. Problem solved.
I like this one , because at the end it is so fast and powerful. just x1,25 speed , it will fast just like furtwangler 's ochestral playing it at the end very fast .
Best Beethoven 9
Those are some serious virtuosi!
I love the way the cellos roll like thunder.
Yes, but they will soon be forgotten. This will get hits as long as human beings exist and listen to music.
I've heard this hundreds of times in dozens of performances. How can he find anything new in it?
The video focused frequently on a cello lady player. She must be playing well. May we have her name, please?
She was shown at 21:09, 21:16 and 21:19!
also notice that there are quite a few close-up shots of her hands playing ... notice the ring on her bow hand
she has quite a 'feeling ' for the music .... so much passion
how great music should be played
excelente!!!
Musicos DKB: Benditos seais todos que habèis traido tan inmenso goce a mi alma
Bernstein has been a great Beethoven-Conductor-but Jarvi is topping him
Nagyon jó zene, különlegesen jó előadásmódban!
Melhor música que eu JARVI
Entendeu? Entendeu?
Sim!
It's not the only renditions of the sacred 9th which I listen to, but jarvk is still my favorite conduction - I love Andres Orosco-Estrada and am savagely jealous of Klaus Makela (spelling?) As he does what I would kill to do, and at just 24! I hear he's pretty cute too)
Point is Jarvi puts everything into it , his body, his facial expression, almost like dancing, and he gives each musician attention!