ฝัง
- เผยแพร่เมื่อ 19 ก.ย. 2024
- The goal is to create a cohesive overall sound which will be more impactful for your live mix.
We're giving away Jeff's LV1 presets from this course! Explore what Jeff does to achieve his desired sound and implement some of those same ideas in your church. Follow the link here: app.getmxu.com...
Adding Bass Guitar to the Drum Mix
The bass guitar, in addition to the existing drum mix, can change how the drums sound. This is especially true for the drum reverb. It’s crucial to adjust levels to maintain your desired balance and impact.
Bass can affect the perceived level of drum reverb.
Adjust drum verb levels as needed when bass is added.
Always mix in context to ensure a cohesive end result.
Minimal Processing
With a high-quality bass player and rig, minimal processing is needed. The CLA 76 plugin is used for light compression. It adds smoothness without much gain reduction.
Excellent source quality reduces the need for heavy processing.
Use light compression to maintain a natural sound.
Experiment with plugins like R-Bass for additional low-frequency enhancement.
Integrating Electric Guitars
Add electric guitars strategically. They complement the mix, especially during choruses. This approach helps in creating dynamic song structures.
Introduce electric guitars at strategic points, like choruses.
Use simple, foundational parts that complement the bass.
Balancing Live and Track Acoustics
Chris Tomlin’s live acoustic performance is used in combination with recorded acoustics. They keep the sound consistent and full when he engages with the audience or needs to stop playing for any reason.
Jeff uses SSL plugins for EQ and compression on live acoustics.
Blend live and track acoustics for a fuller sound.
Adjust compression levels based on the performance dynamics.
Adding Reverb to Acoustics
Reverb can add space and warmth to the acoustic guitar sound. Plugins like H-Reverb provide a simple, effective way to achieve this.
Use warm plate reverb settings for a subtle, pleasing effect.
Adjust reverb levels to add space without overwhelming the mix.
Ensure reverb complements the overall tonality and mix context.
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that snare...theres so much life missing from it.
Same with the kick, there's so much low mid buildup.
Yeah, but it’s the concept 😄
Let him live bro 😂 damn
@@tyronethomas6536 Well when someone tries to give mixing advice and isn't being a good mix engineer, we have the right to criticize.
That EG parallel trick is really good! Gonna try that.
Listen in context💯
I LOVE these videos! Thanks Mxu!
A camera head-on to the display would be better to showcase the plug-ins and how each might be of value and clearer view of the settings used. Otherwise this is more of how faders blend to build a balanced mix. LV1 candidates may be M32 to LV1 (like your Grace church did) or X32 or other smaller-digital but older boards. I like what it offers but it has to be rock-solid reliable and volunteer friendly.
great ❤help full video
can i have this multitrack?
Can we download the tracks and practice lol
So fed-up of videos re-mixing an already top notch track. Get a random church track from community and mix that... Then ill appreciate those types of video's
Start from the source 😉
If it sounds like crap going into the board it’s going to sound like crap coming out. Theres no fixing bad sources
@@Save.cesarr Exactly, keep saying this to people watching this type of videos. Maybe you catch a trick or two from them that can work on your mix, but most wont..is just advertising to whatever... Once i called someone from a bigger church to have a look at our stuff, he burst in laughter when they started singing and asked me whats that... Answered that thats how they perform.... So id say again, sometimes the source is not good enough and whatever you throw at them wont improve the output...
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