Yes he is! And when he grew older the elegance and fineness of his mind, soul and music-making didn't grow lesser... Unbeatable King of Violinists, Greatest of the Greats of all times.
I LOVE LOVE this setting. I wish our performances today would return to this setting where piano is further and violin or any other instrument is up front so that it highlights both equally ❤️❤️❤️
Truly - an amazing footage. Probably one of a handful recordings of young Oistrakh. What a talent! Thank you for uploading the video. I can only imagine what his life would have been had he, at some point in his career, left USSR. Any country on earth would have loved to have him.
At the time when the recording was made - he probably didn't, but perhaps later in life he could have. My point was not about leaving the country he was born in, and forgetting everything that had made him what he's become. It was more about becoming a citizen of the world, so more people around the planet could hear him perform. Many of the modern classical musicians have done just that.
Not many classical musician of Oistrakh caliber born in 1908 in USSR we able to "leave" USSR after 1930s... Especially Oistrakh. Unless of course you didn't really care about your family. Stalin wasn't really known to be a nice and forgiving guy. His successors were a little bit more cool but hardly so. :)
kundalini76 I think it's often refreshing to hear things played in different pitches. Except for when it's done in a key that doesn't really suit the piece. :P
@RizaShiro It is possible that the recording is a bit too fast and the tone is a bit thin and high. Apart from that your comments are ignorant. It is not a song and all the breaks written in the music are there. It is a lovely restrained but very musical performance.
ANNA RIUS.🐾🐾👏👏👏. QUINA PRESIOSADAT DE MELUDÍA PERT MÍ EL TITOL DE LA MELUDÍA ES ***** AMOR AMOR AMOR***** ES SENSIPLA DOLSA QUÉ DE VEGADAS AT FÁ PLURÁ DE TRISTESA SIGUIS HON SIGUIS KREISLER'S VAS INTERPRETÁ UNA OBRA MAGISPTRALMEN Í MARAVALLOSA👏👏👏👏👏👏👏🦋🐾🌺🏵🌻🍂🍁🍃.
@cleopatra 11 Wonderful! Is there no way to know what year this performance was recorded? Also, do we know why the pianist is hidden in the shadows -- apparently to obscure his/ her identity; but why? Also, I must assume that in calling him "Oistry," you mean it only in an endearing and affectionate sense, with no disrespect intended. But it is far from obvious that everyone would see it that way.
YES , When David Oistrach is performing it , it is truly a LIEBESleid ! His playing ALWAYS is so convincing . He is " INTO what he is doing "With ALL of him !! " Beautyful tune and phrasing , as ALWAYS !
@RizaShiro 1. it is recorded with inferior technology, the sound is distorted (even so, the intervals between the pitches are perfectly in tune -- if a piece is played from D or E, the perceived outcome is virtually identical to the brain -- of course strictly thinking of melody and ignoring different timbres between strings) 2. he made excellent pauses... i'm looking at the music right in front of me... what bar(s) do you take these "silences" at?
if it was in american Id say it was very old . the pix and sound quality looks like something from the 30's or 40's. but other countries had poor sound and video quality even in the 60's.
@@hifijohn But if this is a "Young Ostriakh" we can assume that means 20s maybe 30s, and if he was born 1908 that would place this recording at essentially the birth of film with sound, so the late 1920s or early 1930s
Lied is certainly not used to describe a piece of music. As you correctly stated it means song and in English is used to denote art songs such as those by Schubert and others. You are right that this piece has songlike qualities but that doesn't make it a song. Even less the companion piece, Liebsefreud, ("Love's Joy"). No German (or Austrian) would refer to this piece as a Lied.
@@monelleny it's not? It's just a way of showing their love/adoration towards Oistrakh, if anything (although it sounds cheesy), and it's fitting here since this is a recording made when he was a youngster.
@@alfredohess6505 And if he's still there after ten years, he can check the fact that this is an excerpt from the movie "Концерт-вальс" from Mosfilm, year 1940.
I could listen and watch him all day. His use of the bow is so expressive.
He's just so elegant....
Excellent performance!
Yes he is! And when he grew older the elegance and fineness of his mind, soul and music-making didn't grow lesser... Unbeatable King of Violinists, Greatest of the Greats of all times.
One of the world's greatest violinists, David Oistrakh, with his rendition of Austrian composer, Fritz Kreisler's, Liebesleid.
Such a heart-meltingly played lovely music - In my opinion the unbeatable King of Violinists, Greatest of the Greats of all times.
I LOVE LOVE this setting. I wish our performances today would return to this setting where piano is further and violin or any other instrument is up front so that it highlights both equally ❤️❤️❤️
You love this setting???? Wouldn't you rather see snoop dog at the super bowl halftime????
Блин , стольких уже послушала ... Но Ойстрах - это как всегда ... Вот это я понимаю , муки любви ! Вот это - исполнение ... Верю !
Il più grande. Il più grande in tutto il Novecento. Questa esecuzione del Liebesleid avrebbe reso orgoglioso anche Kreisler.
Straightforward Viennese waltz played sweetly without a bunch of "interpretation". One of my favorite videos.
K
It's not a Viennese Waltz, it's a Ländler.
@@steinweyNice to know.
He was so handsome when he was young❤❤❤
La sobrietà di questa interpretazione è ammirabile !
Truly - an amazing footage. Probably one of a handful recordings of young Oistrakh. What a talent! Thank you for uploading the video. I can only imagine what his life would have been had he, at some point in his career, left USSR. Any country on earth would have loved to have him.
It looks like he loved to stay in his country.
Do you really think he had some kind of choice???
At the time when the recording was made - he probably didn't, but perhaps later in life he could have. My point was not about leaving the country he was born in, and forgetting everything that had made him what he's become. It was more about becoming a citizen of the world, so more people around the planet could hear him perform. Many of the modern classical musicians have done just that.
Not many classical musician of Oistrakh caliber born in 1908 in USSR we able to "leave" USSR after 1930s... Especially Oistrakh. Unless of course you didn't really care about your family. Stalin wasn't really known to be a nice and forgiving guy. His successors were a little bit more cool but hardly so. :)
Гений!!!
The Great Master 💚😍🙏😇
the best version！
I don't think you've heard the version by Kriesler himself!
kinda wish he had recorded this again when he was older :(
So young! Thanks for posting this!
OUCH it's a semitone up in pitch! (original tape machine running slow)
kundalini76 I think it's often refreshing to hear things played in different pitches. Except for when it's done in a key that doesn't really suit the piece. :P
noticed that too! still sounds amazing though
If its up in in pitch then it means tape is playing to fast.
You can easily change it yourself if you want.
Wonderful to be able to hear and see this!!! :)
Bravo! he played better than Kreisler himself.
awww...he was so young!
So beautiful ! Thanks for sharing :)
quédate con quien te mire como Oistrakh mira su violín
I want more!
La obra mas bella 😂 que he escuchado exelente. 😅
好听！
wundervoll!!!
Çok güzel ya 😍😍😍
Oh yes it is! Probably around the time when he did compete with Ginette Neveu.
Beautiful
Genius Oistrakh
hermosa interpretación ! no me canso de escucharlo
Es una belleza 😍 exelente 😂
I love this song. I play it on my violin. There is perfect intonation and sound. It is just a wonderful song.
Благодарю!
Но,так не хватает информации о том,где это исполнено и в каком
году.
19.02.2024.
Всего Вам доброго!
この曲のお手本の様な演奏でした。🎵🎵🎵
great
2019 anyone?
yeah, because this is king David :D
No one! Unfortunately, all busy with impressive faces and presentation.....They don't even come close.....
Checking-in for 2021 because Oistrakh is timeless!
2022
2023 and still listening to this masterpiece❤️
@RizaShiro It is possible that the recording is a bit too fast and the tone is a bit thin and high.
Apart from that your comments are ignorant. It is not a song and all the breaks written in the music are there.
It is a lovely restrained but very musical performance.
Thanks
❤❤❤❤❤❤
It is common for some players to play Romantic pieces at 442-444 Hz, much like how it is appropriate to play a Baroque piece at 438-436 Hz.
ANNA RIUS.🐾🐾👏👏👏. QUINA
PRESIOSADAT DE MELUDÍA PERT
MÍ EL TITOL DE LA MELUDÍA ES
***** AMOR AMOR AMOR*****
ES SENSIPLA DOLSA QUÉ DE
VEGADAS AT FÁ PLURÁ DE TRISTESA
SIGUIS HON SIGUIS KREISLER'S VAS
INTERPRETÁ UNA OBRA MAGISPTRALMEN Í MARAVALLOSA👏👏👏👏👏👏👏🦋🐾🌺🏵🌻🍂🍁🍃.
Спасибо за обмен! (Перевод Google)谢谢您的分享！（谷歌翻译）
That's why I love Soviets.
They did the pianist dirty
1:21 king crimson used something
Court of the crimson king? Cool to see the reference 👍
@@alexpate8626 ho ho you are approaching
@@karmassacrilegiouscomposit9261 I cant bet the shit out of you without getting closer
yes half
Igual
@Frank Pam ***** The tittle is LiebesLEID (sorrow) not lied (song), so there's no controversy
@cleopatra 11
Wonderful!
Is there no way to know what year this performance was recorded?
Also, do we know why the pianist is hidden in the shadows -- apparently to obscure his/ her identity; but why?
Also, I must assume that in calling him "Oistry," you mean it only in an endearing and affectionate sense, with no disrespect intended. But it is far from obvious that everyone would see it that way.
YES , When David Oistrach is performing it , it is truly a LIEBESleid ! His playing ALWAYS is so convincing . He is " INTO what he is doing "With ALL of him !! " Beautyful tune and phrasing , as ALWAYS !
True. On a side note, the best performance of Beethoven's "Kreutzer" that I've listened to is also by Oistrakh (and Oborin on the piano).
@RizaShiro
1. it is recorded with inferior technology, the sound is distorted (even so, the intervals between the pitches are perfectly in tune -- if a piece is played from D or E, the perceived outcome is virtually identical to the brain -- of course strictly thinking of melody and ignoring different timbres between strings)
2. he made excellent pauses... i'm looking at the music right in front of me... what bar(s) do you take these "silences" at?
Does anyone know when this was filmed?
-- Oistrakh, le meilleur coup d'archet du XXe. --
Avec Nathan Milstein & Jascha Heifetz :-D
@3NUNS : Hey that's what I said eight months ago !
Can someone put a date on this performance?
if it was in american Id say it was very old . the pix and sound quality looks like something from the 30's or 40's. but other countries had poor sound and video quality even in the 60's.
@@hifijohn But if this is a "Young Ostriakh" we can assume that means 20s maybe 30s, and if he was born 1908 that would place this recording at essentially the birth of film with sound, so the late 1920s or early 1930s
Ada Apa Dengan Cinta - Melly Goeslaw
What year was this?
1937
Lied is certainly not used to describe a piece of music. As you correctly stated it means song and in English is used to denote art songs such as those by Schubert and others. You are right that this piece has songlike qualities but that doesn't make it a song. Even less the companion piece, Liebsefreud, ("Love's Joy"). No German (or Austrian) would refer to this piece as a Lied.
Good thig it's called Liebesleid (Love's Sorrow) instead of Liebeslied (Love Song).
Sorry about the typo: Liebesfreud.
@@AtomTomZeitalter Unfortunately the confusion arises because it is often incorrectly listed as Liebslied.
Tell us which languages! In any case, not in English!
It's an unfortunate recent trend. I don't know where it came from
Liindisima musica para oir todo el con ungran violinista .Buen dia
It is a semitone higher...almost...
Tamanho das orelha
Is this piece in 3 4 or 4 4 time ?
David White i think it's 3/4
Thanks.
Thanks Rebecca.
A beautiful Viennese waltz.
Must be the recording but this is very slightly sharp.
I dont understand how a friend of Kreisler starts this piece with the open A. Still nice tone.
The pianist in silhouette is a bit scary like something out of Fantasia!
He kind of looks like beniamino gigli.
is it a half step sharp, or is it just me?
BringinSexyBach it is
This guy was once not fat.
A bit silly to call him "Oistry".
Not to mention disrespectful.
@@monelleny it's not? It's just a way of showing their love/adoration towards Oistrakh, if anything (although it sounds cheesy), and it's fitting here since this is a recording made when he was a youngster.
@@varunsathya1912 - To each her own :)
i think u smucks don t need to give sugestion..
don't think this is oistrakh
Oh yes he is.But young and thin
@@alfredohess6505 And if he's still there after ten years, he can check the fact that this is an excerpt from the movie "Концерт-вальс" from Mosfilm, year 1940.
@@albertberal2882 Thank you! Regards
This is NOT David Oistrakh
David White true.it'd david white