When I was a young child, I was very ill with bronchitis and had a fever. My parents put this classic Brahms magic on the record player, and I lay on a sleeping bag on the floor in the living room under a blanket and from beginning to end I was enthralled, taken to another place through the journey of sound. By the time the record had finished, I felt soothed, peaceful and revived, my fever had gone, and my breathing was liberated. Such is the power of music. I will be forever grateful for this particular rendition of such an incredible masterpiece. Makes my heart leap for joy ❤
Uno dei più grandi violinisti di tutti I tempi, uno dei più grandi violoncellisti di tutti I tempi e un direttore d'orchestra fantastico ❤❤❤❤❤❤🎉🎉🎉Giuseppe Perego Monza 16.2.1962
Before smart phones and computers everywhere. Wish we could return to those days. Well of course keeping with us certain advantages! But without the requirement to be available 24/7
WHO PUT THUMBS DOWN???? I mean that MUST be a dilettante!!!! One of the BEST performance EVER!!!! These two maestros breath the music!!! No sweat, no fuss...absolutely in accordance to each other and the orchestra as well!!! BRILLIANT!!!! We should be grateful that it have been recorded for the future generation!!! 🥰
Me parece que es más útil deleitarse en lo bello de este concierto en vez de preocuparse de quién o cuántos pudieron un pulgar abajo. Yo ni siquiera presto atención a esa gente sorda.
In these challenging times, we must be thankful we have a bank of recorded images and sound to bring the world back to what it should be. These two are wonderful.
The fingerboard of Rostropovich's cello exhibits the depressions of hundreds, probably thousands, of hours of serious left hand finger action. Check a close up in the light. Oistrakh is so fluid and effortless. It's almost supernatural.
I'm quite sure those aren't depressions. Reflections on Oistrakhs violion also show such striping. Either there is something in the ceiling that reflects that way or (more likely) this are artefacts from digitisation (deinterlacing/aliasing/..).
I see the depressions as well. I am going to start practicing again and run it for at least two hours. Fifteen minutes every day of suggested practice by instructors is nonsense!
Franz Trischberger They are definitely impressions worn by his fingers. All fingerboards get them and eventually a luthier needs to resurface the fingerboard when they get too deep.
And kudos to whoever digitally remastered this historic treasure of a performance. The sound quality of both soloists and the orchestra is crystal clear and sensitively balanced. 🏅🥂⚘
ЩИРО ДЯКУЮ геніальним музикантам за виконання прекрасного і складного твору! БРАВО солістам, оркестру та диригенту. Окрема подяка автору - Й. Брамсу!!!
Raymond Robijns I've admired Oistrakh for quite some time, but just heard Arthur Grumiaux. My favorite work by Grumiaux are Mozart Violin Concertos &Sonatas and Bach Violin Solo. I find myself blessed with purity and peace when hearing his performance.
Professionalism at its very best. No egos here - just pure musicianship. No sign of 'effort' - every sign of personal dedication to great music. So many modern 'greats' seem to want to show off their egos and their wardrobes!
Après 35 ou 40 ans d’écoute émerveillée de ce colossal double concerto, je vois jouer pour la première fois ces deux géants, grâce à cette vidéo. À les regarder, on dirait deux hommes bourrus ou entêtés. Mais quelle magie au bout de leurs doigts, quelle musique jubilatoire, quel souffle !
When I was a kid in college I "discovered" this double concerto and I believe I purchased the violin score to follow it because I was a beginning student of that instrument. (Alas, I dropped the instrument after a few years.) I was so enthralled with this piece that I listened to 2 other recordings by other players and decided that this was the best. The sweetness of Oistrackh coupled with the passion and virtuoso playing of Rostropovich did it for me! Two Russians with an enormous capacity for expression, as well as technique.
Concerto for Violin and Cello in A minor, Op. 102 "Double" by Johannes Brahms Performer: David Oistrakh (Violin), Mstislav Rostropovich (Cello) Conductor: Kiril Kondrashin Orchestra/Ensemble: Moscow Philharmonic Orchestra Written: 1887; Austria Date of Recording: 10/09/1965 Royal Albert Hall London, England
GOOD OLD DAYS!!! BRILLIANT performance!!!! Both icons are outstanding in this performance as well...as in their others too...what a beauty!!! and...of course, we need to thank also Brahms...but not at last...gorgeous music 🥰
No tenía el placer y privilegio de conocer esta fantástica versión del Doble Concierto de Brahms interpretada por este par de míticos Genios que nos llenan de emoción; impresionante el temperamento de fuego que le imprimen a los clímax que contrastan con la poesía del segundo movimiento. La escucharé muchas veces!!! El Maestro Kiril Koldrashin, excelente!!! junto a la maravillosa Orquesta Sinfónica.
This is truly like making love. These two voices become one and create something beautiful and alive. Being the composer of this piece, I can't imagine a performance more musical and inspiring. Arguing about the "why" and trying to explain it is futile. Close your eyes and feel.
Огромное спасибо! Только такие» ГЛЫБЫ» как Д. Ойстрах, М. Ростропович и К. Кондрашин могли подарить нас такую редкую драгоценность, концерт И . Брамса для скрипки, виолончели с оркестром!!! Спасибо!
IMPRESSIVE! I can't believe that exist this video. I have listen de record that BBC restored, but to see it is different. This is, by far, THE PERFORMANCE OF THE CENTURY of this mastework! Thanks a lot for share!
The recordings with the Moscow Philharmonic under Kondrashin with the soloists Oistrakh, Rostropovich and Richter should be classified by UNESCO as world heritage, unmatched by interpretations using much more advanced technologies to help the sound. In particular, I like the tension between soloists and orchestra moderated and stimulated by the conductor. Thing you feel in these "old" recordings. It is not all about the star soloist.
Oistrakh, its unbelievable how great he is. I started listening hours ago video after another of him playing. I will be late to work tomorrow because I stayed very late hooked to this magician with a violin
Yehudi Menuhin - a passionate admirer of David Oistrakh - once said in an interview, that he never in his life saw anyone whou could move his hand so quickly back and forth over the bridge of the violin.
1:51 I love how the clarinetist is just casually leaning back in his chair when he plays his solo, like "no big deal, im only playing the brahms double with oistrakh and rostropovich"
absolutely...its a ICONIC performance from ALL the players...sometimes the orchestra can mess up even the best performance...but they all JUST breathing this whole piece...like its nothing... (only professionals know what type of pitfalls these 3 parts hide even for the "simple" orchestra player as well) WONDERFUL!!!! We are lucky to have the recording! 😊
I also must say, this is a thought I cannot share at all. The reason, why the musicians of that time are so good, is beyond technic but has more to do with personality and maturity. Maybe also with history - revolution and WWII. But also I have a theory, that all these musicians learned their handwork before the recording technology was mature. They learned to explain their music in the live-act to the audience. That makes them so tense and interesting. Maybe. I believe that at least.
The intelligence and knowledge of the commenters is an added advantage to listening to this wonderful recording. How fortunate we live in the age of recording; we have no idea how Chopin played, or Liszt, or Brahms. Or whether Brahms and Joachim played the Double Concerto together.
Don't forget that the Moscow Conservatory was far and away the best on Earth at that time and the students had wonderful performing musicians for tutors. When children were five years old they were tested across Russia and later the USSR for talent. If they showed great promise, then at age seven they went to live with a top-flight musician during the summers (a friend of mine lived with Khachaturian) and only at fifteen were they then tested, with the very elite going on to the Conservatory.
Let´s not forget that the percentage of interpreters (and theachers) were then far more than today, that was THE music to play. There was no electronic music, Rock´Roll was yet to be born. When you have many people dedicated to pursue and perfect that music and reward them properly, the outcome is better. Today, any barely good or even lousy Rock Star makes amounts of money those legends never dreamed of.
Nada pude atenuar la luz de divino talento que brilla desde interior de estos genios musicales! Fenomenal y exquisita es interpretación del Concierto de Brahms, a la perfección, en su resplandor!!!! Muy amable, muchas gracias, "dingaling 1380"!
I respectfully disagree. I heard these guys live in the 60s and it was the experience of a lifetime. Plus, as far as Rostropovich goes, no cellist since has put out more pure sound than he. He did not need microphones! Just incredible ability to FILL any concert hall with his cello alone.
No respectable classical soloist plays with microphones, except when they play in huge arenas. I have not heard enough solo cellists live to compare them (and for Rostropovich, that is sadly not possible anymore), but Rostropovich is certainly among the greatest.
Tocar aquesta música meravellosa no és senzill. Ha de ser tocada per mestres com Rostropovich, Yo Yo Ma, Casals.... I la part de violí per mi com Oistrakh no hi ha cap. Ara que la música de Brahms es meravellosa i preciosa, no entenc com amb aquestes preciositats hi ha qui escolta reggaeton. Ja són ganes, perquè el reggaeton no té missatge, i en canvi aquesta música, apart de ser un regal per les orelles a mi em fa sentir com si somies. Això és una bona obra. Gràcies, Johannes , per haver composat aquesta bellesa de música.
Magistral interpretación de la Maravillosa Obra Maestra del Genial Compositor Aleman ; en la brillante ejecución de los LEGENDARIOS Y PRESTIGIOSOS MAESTROS CONCERTISTAS DAVID OISTRAKH Y MSTILAV ROSTROPOVICH .
13 of OCTOBER TODAY, 2024 Year ! REALLY TALENTED CROATIAN VIOLONCELLIST StJEPan hauseR ❤❤❤ and I Now WATCH of this BRILLIANT CONCERT , Solo - Партию of His OutStanding TEACHER -- Solo -- Партию Мстислава Леопольдовича РОСТРОПОВИЧА ❤❤❤ ! ___ Teacher SvetLana Here and Now '. ... ... ...
avec de tels solistes de génie , il semble qu on atteigne les cimes du génie musical , de la grâce , l apogée du sublime tel que , je le pense , brahms eut voulu que son œuvre fut interprété , la magie élégiaque opère dès la première note , comment pourrait il en être autrement , et en tant que passionné de johannes brahms , on se laisse transporter vers les cîmes d un univers inaccessible , telle jacqueline du pré interprétant les œuvres pour violoncelle du génie de hambourg que fût brahms qui les soirs s en allait distraire les marins ivres des bars égrenant le grand port de hambourg avec ses brumes et la vie dissolue ou le jeune johannes fit ses premières armes , comme si la graine de l immense génie qu il allait devenir , commençait à éclore dans la pensée classique et torturée de brahms côtoyant la magie et le pire des ports cosmopolites ou dansaient et riaient filles de joie et marins levant leur pinte de bière dans les volutes d un tabac infusées dans cœur de l enfant émerveillé du jeune artiste ,,
Don't compare too much, just listen and become entranced! Then widen your horizons and listen with the same intensity to others. You will double your enjoyment, and you won't become bogged down with an isolationists view. Such beauty can be double and tripled with broad listening.
Classic Russian playing, old school and refreshing. Wish the audio could be remastered and the video colorized and cleaned up. How cool would that be? Slava was my hero growing up, along with Leonard Rose, two very different cellists for sure. I remember Rostropovich rolling into Cleveland to play a concert with the Cleveland Orchestra to benefit their pension fund. He performed Saint-Saens concerto and Haydn C Major. Before his cello even cleared the door as he entered the stage, there was a standing ovation, cheers, almost like a football game. And, of course, he delivered that night. An unforgettable experience I was blessed to have experienced in person.
Entente parfaite, maîtrise absolue et orchestre bien préparé. Pour l'époque l'enregistrement est excellent, autant le son que l'image. On fait souvent moins bien aujourd'hui avec davantage de technologie, malheureusement.
Impressionante a precisão dos solista e do maestro, além do desempenho impecável da orquestra. Uma das obras mais expressivas de Brahms interpretadas com esmero e profundidade... Só mesmo alguns tuberculosos na platéia impedem atrapalham a perfeição desse contexto. Argh.
Written in 1887 for Joachim and Hausmann. This looks like a kinescope. Kiril Kondrashin was not well known in the west until around 1960-1970, so it seems to be from that period.
When I was a young child, I was very ill with bronchitis and had a fever. My parents put this classic Brahms magic on the record player, and I lay on a sleeping bag on the floor in the living room under a blanket and from beginning to end I was enthralled, taken to another place through the journey of sound. By the time the record had finished, I felt soothed, peaceful and revived, my fever had gone, and my breathing was liberated. Such is the power of music. I will be forever grateful for this particular rendition of such an incredible masterpiece. Makes my heart leap for joy ❤
Sound like Jesus
@@justinbill3101 ...but is a 'journey of sound'!
Amazing story
ASOMBROSA tu historia!...😮
Your words have the power to paint the richness of your experience. I can feel it. Really I can feel it! Your comment is a masterpiece in itself!
The soloists are of one mind, serving the music instead of their egos. Also Kondrashin's conducting is first class.
Well said!
Uno dei più grandi violinisti di tutti I tempi, uno dei più grandi violoncellisti di tutti I tempi e un direttore d'orchestra fantastico ❤❤❤❤❤❤🎉🎉🎉Giuseppe Perego Monza 16.2.1962
You're absolutely right !
We are so lucky to have these old films : to be able to see how they used their instruments !
Before smart phones and computers everywhere. Wish we could return to those days. Well of course keeping with us certain advantages!
But without the requirement to be available 24/7
WHO PUT THUMBS DOWN????
I mean that MUST be a dilettante!!!!
One of the BEST performance EVER!!!! These two maestros breath the music!!! No sweat, no fuss...absolutely in accordance to each other and the orchestra as well!!!
BRILLIANT!!!! We should be grateful that it have been recorded for the future generation!!! 🥰
Et avec Slatovslav RICHTER, triple concerto de Beethoven .
These two + Richter still have the best version of Beethoven's Trio.
Junto con de Szeryng, Arrau y Fournier son las mejores
Me parece que es más útil deleitarse en lo bello de este concierto en vez de preocuparse de quién o cuántos pudieron un pulgar abajo. Yo ni siquiera presto atención a esa gente sorda.
I due solisti sono strepitosi ed il direttore d'orchestra pure!!! ❤❤❤❤❤❤🎉🎉🎉 Giuseppe Perego Monza 16.2.1962 Grazie
Best crossover ever.
😂😂😂 you’r right
Two legends and their crucial interpretation. Until today, this is the best interpretation of this concert. Unforgettable masters.
In these challenging times, we must be thankful we have a bank of recorded images and sound to bring the world back to what it should be. These two are wonderful.
Kondrashin, Rostropovich, Oistrakh ! All true legends. I'm without words !
A lot of thanks
u left Brahms out 😂
Наистина велики музиканти
Malheureusement, il y a le Sanatorium .
Il faut faire quelque-chose pour ces pauvres gens
In the begining of '70-th....Thanks for that Video.
The fingerboard of Rostropovich's cello exhibits the depressions of hundreds, probably thousands, of hours of serious left hand finger action. Check a close up in the light. Oistrakh is so fluid and effortless. It's almost supernatural.
Superb performance by Rostropovich!
I'm quite sure those aren't depressions. Reflections on Oistrakhs violion also show such striping. Either there is something in the ceiling that reflects that way or (more likely) this are artefacts from digitisation (deinterlacing/aliasing/..).
Yet I read an interview with Rostropovich where he said he never had to practice much, maybe just 2 hours a day, iirc.
I see the depressions as well. I am going to start practicing again and run it for at least two hours. Fifteen minutes every day of suggested practice by instructors is nonsense!
Franz Trischberger They are definitely impressions worn by his fingers. All fingerboards get them and eventually a luthier needs to resurface the fingerboard when they get too deep.
And kudos to whoever digitally remastered this historic treasure of a performance. The sound quality of both soloists and the orchestra is crystal clear and sensitively balanced. 🏅🥂⚘
Quale grande orchestratore era Johannes Brahms ❤❤❤❤❤❤🎉🎉🎉🎉🎉🎉Giuseppe
ЩИРО ДЯКУЮ геніальним музикантам за виконання прекрасного і складного твору! БРАВО солістам, оркестру та диригенту. Окрема подяка автору - Й. Брамсу!!!
O my God !!
how much I miss this kind of the professionalism !!!!
Raymond Robijns Yes. his Mozart is great
Raymond Robijns I've admired Oistrakh for quite some time, but just heard Arthur Grumiaux. My favorite work by Grumiaux are Mozart Violin Concertos &Sonatas and Bach Violin Solo. I find myself blessed with purity and peace when hearing his performance.
This very concerto has also a modern incredible recording by Kremer and Maisky
You think Joshua Bell, Hilary Hahn or Perlman run around cracking jokes on stage?
@@droryang Grumiaux is marvellous with Bach's Violin Sonata in G Minor.
Professionalism at its very best. No egos here - just pure musicianship. No sign of 'effort' - every sign of personal dedication to great music. So many modern 'greats' seem to want to show off their egos and their wardrobes!
Après 35 ou 40 ans d’écoute émerveillée de ce colossal double concerto, je vois jouer pour la première fois ces deux géants, grâce à cette vidéo. À les regarder, on dirait deux hommes bourrus ou entêtés. Mais quelle magie au bout de leurs doigts, quelle musique jubilatoire, quel souffle !
Timeless beauty shines out from them...
When I was a kid in college I "discovered" this double concerto and I believe I purchased the violin score to follow it because I was a beginning student of that instrument. (Alas, I dropped the instrument after a few years.) I was so enthralled with this piece that I listened to 2 other recordings by other players and decided that this was the best. The sweetness of Oistrackh coupled with the passion and virtuoso playing of Rostropovich did it for me! Two Russians with an enormous capacity for expression, as well as technique.
Think of it, 3 greatest musician were playing together. How AMAZING!!! I wish I could be one of the audiences in this concert.
Concerto for Violin and Cello in A minor, Op. 102 "Double" by Johannes Brahms
Performer: David Oistrakh (Violin), Mstislav Rostropovich (Cello)
Conductor: Kiril Kondrashin
Orchestra/Ensemble: Moscow Philharmonic Orchestra
Written: 1887; Austria
Date of Recording: 10/09/1965
Royal Albert Hall London, England
Thank you for posting the performance date. I was wondering about it. This is a gem of a historical event.
Moscow Philharmonic Orchestra - Royal Albert Hall London - 9 October 1965 (BBC TV)
GOOD OLD DAYS!!!
BRILLIANT performance!!!! Both icons are outstanding in this performance as well...as in their others too...what a beauty!!!
and...of course, we need to thank also Brahms...but not at last...gorgeous music 🥰
Was that the late Richard Baker doing the annoucement?
0:43 1st mvt
16:45 2nd mvt
24:44 3rd mvt
Thank You!
This should be pinned.
La migliore interpretazione di questo capolavoro che io conosca ❤❤❤❤❤❤🎉🎉🎉 Giuseppe Perego Monza 16.2.1962
No tenía el placer y privilegio de conocer esta fantástica versión del Doble Concierto de Brahms interpretada por este par de míticos Genios que nos llenan de emoción;
impresionante el temperamento de fuego que le imprimen a los clímax que contrastan con la poesía del segundo movimiento.
La escucharé muchas veces!!!
El Maestro Kiril Koldrashin, excelente!!! junto a la maravillosa Orquesta Sinfónica.
This is truly like making love. These two voices become one and create something beautiful and alive. Being the composer of this piece, I can't imagine a performance more musical and inspiring. Arguing about the "why" and trying to explain it is futile. Close your eyes and feel.
Oui
That’s what she said
Couldn't have been a better combination of soloists. Who better to match the incredible intensity of Rostropovich's playing than Oistrakh
Feuermann and Heifetz
MAGNÍFICO!...,¡¡DOS intérpretes EXTRAORDINARIOS!!...👏👏👏👏
Огромное спасибо!
Только такие» ГЛЫБЫ» как Д. Ойстрах, М. Ростропович и К. Кондрашин могли подарить нас такую редкую драгоценность, концерт И . Брамса для скрипки, виолончели с оркестром!!!
Спасибо!
A breathtaking performance. Oistrakh and Rostropovich's brilliance dazzles.
This piece should be performed much more often.
It’s too hard there aren’t enough musicians who can play it
Гениальный Брамс в исполнении двух великих музыкантов!!❤
Трех Великих музыкантов..
amazing soloists obviously, but also amazing orchestra! best recording ever!
IMPRESSIVE! I can't believe that exist this video. I have listen de record that BBC restored, but to see it is different. This is, by far, THE PERFORMANCE OF THE CENTURY of this mastework! Thanks a lot for share!
Fabuleux, extraordinaires interprètes qui surpassent tout
the second movement is so beautiful
The recordings with the Moscow Philharmonic under Kondrashin with the soloists Oistrakh, Rostropovich and Richter should be classified by UNESCO as world heritage, unmatched by interpretations using much more advanced technologies to help the sound. In particular, I like the tension between soloists and orchestra moderated and stimulated by the conductor. Thing you feel in these "old" recordings. It is not all about the star soloist.
The American's "introduction''-- the guests 're in Moscow?!
Nailed it, three of the greatest in their respective instruments.
Oistrakh, its unbelievable how great he is. I started listening hours ago video after another of him playing. I will be late to work tomorrow because I stayed very late hooked to this magician with a violin
Yehudi Menuhin - a passionate admirer of David Oistrakh - once said in an interview, that he never in his life saw anyone whou could move his hand so quickly back and forth over the bridge of the violin.
yeah, he is a master violinist
1:51 I love how the clarinetist is just casually leaning back in his chair when he plays his solo, like "no big deal, im only playing the brahms double with oistrakh and rostropovich"
Kind of like he tied one one before the concert and his buddy was holding him up.
absolutely...its a ICONIC performance from ALL the players...sometimes the orchestra can mess up even the best performance...but they all JUST breathing this whole piece...like its nothing...
(only professionals know what type of pitfalls these 3 parts hide even for the "simple" orchestra player as well)
WONDERFUL!!!! We are lucky to have the recording! 😊
And he glides over the displaced downbeats with perfect metrical balance!
Listened to this epic performance a hundred times growing up. So cool to now see video of it.
Yes, I used to play it over and over again!
TODOS...,SOLISTAS...,DIRECTOR...,y,TAMBIÉN la ORQUESTA...,dan como RESULTADO...,UNA INTERPRETACIÓN MAGNÍFICA!...,y un PLACER escucharles!...👍👍👍👍
Brahms is really unbelievable!
... and is increasingly so over time ....
Que interpretación de estos grandes maestros. Concierto histórico inigualable. Gracias por poner el video, patrimonio de la humanidad. Desde Perú
I also must say, this is a thought I cannot share at all.
The reason, why the musicians of that time are so good, is beyond technic but has more to do with personality and maturity. Maybe also with history - revolution and WWII.
But also I have a theory, that all these musicians learned their handwork before the recording technology was mature. They learned to explain their music in the live-act to the audience. That makes them so tense and interesting. Maybe. I believe that at least.
Изумительно, солисты - Великие личности. Браво! Спасибо за радость!
Insanely well played, one of the truely great performances of this superb piece of music.
It's a spirited and overwhelming performance. It's great.
Fasciné par cette musique vivre sans est impossible ❤❤❤❤❤
Потрясающее исполнение неимоверно прекрасной и глубокой музыки!!! Спасибо!
Words cannot describe how wonderful....
Гениально и прекрасно❤
At a loss for words. Truly grateful. Thank you 🙏
O my Lord!Thanks!!
Je m'éverveille toujours que pour des chefs d'oeuvre pareilles, il puissent y avoir quelqu'un qui mette JE N'AIME PAS!!!
Brilliant, nothing more to add.
yeeeees this is legendary, this is pure beauty!!!
The intelligence and knowledge of the commenters is an added advantage to listening to this wonderful recording. How fortunate we live in the age of recording; we have no idea how Chopin played, or Liszt, or Brahms. Or whether Brahms and Joachim played the Double Concerto together.
We do have a recording of Brahms but its very deteriorated
Don't forget that the Moscow Conservatory was far and away the best on Earth at that time and the students had wonderful performing musicians for tutors. When children were five years old they were tested across Russia and later the USSR for talent. If they showed great promise, then at age seven they went to live with a top-flight musician during the summers (a friend of mine lived with Khachaturian) and only at fifteen were they then tested, with the very elite going on to the Conservatory.
Did you mean Moscow Phil, as some others commeting have suggested? Thanks.
beautiful recording, btw. Beautiful to watch them playing and feeling the music. Thx for uploading, dingaling1380
the anguished faces that Rostropovich makes in the close-ups are incredible.
Me too, Mstislav. Me too.
The dignity of a Brahms music
귀한영상 볼수있고 좋은음악 들을 수 있어서 감사합니다
오이스트라흐와 로스트로포비치 연주 영상최고입니다
Kondrashin Oistrakh y Rostropovich.-Tres colosos
GRACIAS...,por AÚN conservar,para quienes NO somos de ÉSA època,de PODER CERLOS Y ESCUCHARLOS!...❤
Quelle maîtrise ! À couper le souffle !!
Let´s not forget that the percentage of interpreters (and theachers) were then far more than today, that was THE music to play. There was no electronic music, Rock´Roll was yet to be born. When you have many people dedicated to pursue and perfect that music and reward them properly, the outcome is better. Today, any barely good or even lousy Rock Star makes amounts of money those legends never dreamed of.
Nada pude atenuar la luz de divino talento que brilla desde interior de estos genios musicales! Fenomenal y exquisita es interpretación del Concierto de Brahms, a la perfección, en su resplandor!!!! Muy amable, muchas gracias, "dingaling 1380"!
Legends never die
Grandes maestros tocando una pieza de un exquisito compositor, Oistrakh mi violinista favorito.
I respectfully disagree. I heard these guys live in the 60s and it was the experience of a lifetime. Plus, as far as Rostropovich goes, no cellist since has put out more pure sound than he. He did not need microphones! Just incredible ability to FILL any concert hall with his cello alone.
No respectable classical soloist plays with microphones, except when they play in huge arenas. I have not heard enough solo cellists live to compare them (and for Rostropovich, that is sadly not possible anymore), but Rostropovich is certainly among the greatest.
Jacqueline Mary du Pré perhaps.
Classical musicians don't use microphones. (They do hang a few up from the ceiling far from the players sometimes, but no individual is mic'ed.)
Haha the soloists look so in love! I love how much passion they have
Interpretazione sublime ❤❤❤Giuseppe
Una composiciòn maravillosa, de un mùsico genial interpretada por dos solistas supremos !!!!!
Tocar aquesta música meravellosa no és senzill. Ha de ser tocada per mestres com Rostropovich, Yo Yo Ma, Casals.... I la part de violí per mi com Oistrakh no hi ha cap. Ara que la música de Brahms es meravellosa i preciosa, no entenc com amb aquestes preciositats hi ha qui escolta reggaeton. Ja són ganes, perquè el reggaeton no té missatge, i en canvi aquesta música, apart de ser un regal per les orelles a mi em fa sentir com si somies. Això és una bona obra. Gràcies, Johannes , per haver composat aquesta bellesa de música.
Profoundly played.
Magistral interpretación de la Maravillosa Obra Maestra del Genial Compositor Aleman ; en la brillante ejecución de los LEGENDARIOS Y PRESTIGIOSOS MAESTROS CONCERTISTAS DAVID OISTRAKH Y MSTILAV ROSTROPOVICH .
Attacco con impeto. Potenza e dolcezza nell' armonia di natura romantica.
Merci beaucoup.
13 of OCTOBER TODAY, 2024 Year ! REALLY TALENTED CROATIAN VIOLONCELLIST StJEPan hauseR ❤❤❤ and I Now WATCH of this BRILLIANT CONCERT , Solo - Партию of His OutStanding TEACHER -- Solo -- Партию Мстислава Леопольдовича РОСТРОПОВИЧА ❤❤❤ !
___ Teacher SvetLana Here and Now '. ... ... ...
great expression of this klasssik Musik und Komposition 😊
Excellent clarinetist.
avec de tels solistes de génie , il semble qu on atteigne les cimes du génie musical , de la grâce , l apogée du sublime tel que , je le pense , brahms eut voulu que son œuvre fut interprété , la magie élégiaque opère dès la première note , comment pourrait il en être autrement , et en tant que passionné de johannes brahms , on se laisse transporter vers les cîmes d un univers inaccessible , telle jacqueline du pré interprétant les œuvres pour violoncelle du génie de hambourg que fût brahms qui les soirs s en allait distraire les marins ivres des bars égrenant le grand port de hambourg avec ses brumes et la vie dissolue ou le jeune johannes fit ses premières armes , comme si la graine de l immense génie qu il allait devenir , commençait à éclore dans la pensée classique et torturée de brahms côtoyant la magie et le pire des ports cosmopolites ou dansaient et riaient filles de joie et marins levant leur pinte de bière dans les volutes d un tabac infusées dans cœur de l enfant émerveillé du jeune artiste ,,
Quando la malinconia si fa arte ❤❤❤❤❤❤Giuseppe
this is nuts. also best piece ever.
Just fabulous stuff!
A treat for my ears !
Thanks for this video performance!
Micsoda. két művész óriás! Köszönöm!!♥️🤍💙
I'm crying ❤❤❤❤❤❤Giuseppe
Beautiful. Thank you.
Wonderful ❤❤❤🎉🎉🎉Giuseppe Perego Monza 16.2.1962 Grazie
Don't compare too much, just listen and become entranced! Then widen your horizons and listen with the same intensity to others. You will double your enjoyment, and you won't become bogged down with an isolationists view.
Such beauty can be double and tripled with broad listening.
The Andante is truly powerful and sentient.
The 3rd movement's motif is so catchy!
Великолепно!!! ❤❤❤
I love your story!
Great Performance!!! Thank you for sharing!!!
Classic Russian playing, old school and refreshing. Wish the audio could be remastered and the video colorized and cleaned up. How cool would that be? Slava was my hero growing up, along with Leonard Rose, two very different cellists for sure. I remember Rostropovich rolling into Cleveland to play a concert with the Cleveland Orchestra to benefit their pension fund. He performed Saint-Saens concerto and Haydn C Major. Before his cello even cleared the door as he entered the stage, there was a standing ovation, cheers, almost like a football game. And, of course, he delivered that night. An unforgettable experience I was blessed to have experienced in person.
Entente parfaite, maîtrise absolue et orchestre bien préparé. Pour l'époque l'enregistrement est excellent, autant le son que l'image. On fait souvent moins bien aujourd'hui avec davantage de technologie, malheureusement.
Le chant du monde. et. l' ange graveur.
Rostro est farceur .
Vous ajoutez S. Richter , et c' est parti pour le Triple Concerto ( sans changer de Chef - une équipe qui gagne ) .
Impressionante a precisão dos solista e do maestro, além do desempenho impecável da orquestra.
Uma das obras mais expressivas de Brahms interpretadas com esmero e profundidade...
Só mesmo alguns tuberculosos na platéia impedem atrapalham a perfeição desse contexto. Argh.
Written in 1887 for Joachim and Hausmann. This looks like a kinescope. Kiril Kondrashin was not well known in the west until around 1960-1970, so it seems to be from that period.
1965 Royal Albert Hall