Look at how far the industry has come. I remember purchasing the original Rode Wireless Film-Maker Kit for $399 back in like 2015. We now have two transmitters, 32 bit float internal recorder, and a much smaller unit. Well done to Rode.
Well... Filmmaker's Kit is still the KING 👑 in an out of line of sight situation. This is something that has not been improved in almost the last decade. Is this something, or what ? Nevertheless, Wireless PRO is an astonishing piece of technology. Congratulations to RODE for making it happen in an affordable pricing. They deserve all the credit.
Rode said this mic turns on and off automatically with camera is that the case? I agree with the big logo and glossy front. I don’t know why we have to advertise rode logo when we pay to them
The 'every 4 hours' timecode jam will be because the timing crystals in most cameras can vary by a field (half a frame on 25/30 fps cameras) every 30 mins - the Rode devices themselves might be more accurate but this re-jamming will be because of the variance in cameras.
He mentioned It a little bit. He said he did wish they upgraded the actual onboard mics for these bur was dissapointed they are the same from previous versions. You don't get higher audio quality with the bit rate of the file. 32 bit just has more information, so in post, you can bring up quiet sources without bringing up a high noise floor. And on the opposite end, if the source audio is too hit and distorted. It's like dynamic range on a camera or even the data speed which it records at. More information, more flexibility in post.
I know haha no sound test but for good reason. He mentioned It a little bit. He said he did wish they upgraded the actual onboard mics for these especially being the "pro" version but was disappointed they are the same from previous versions. You don't get higher audio quality with the bit rate of the file. 32 bit just has more information, so in post, you can bring up quiet sources without bringing up a high noise floor. And on the opposite end, if the source audio is too hit and distorted. It's like dynamic range on a camera or even the data speed which it records at. More information, more flexibility in post.
DJI will definitely come up with 32bit audio soon in their mics! I switched from Rode go II to the DJI mic and I love them so much more, they are also much smaller. Can't wait for their upgrade!
@@nodaysoff2005 That's what I wonder with it too. With paying even half attention to what's going on, and the backup track on my DJI Mics, I've never felt like I needed float
Totally agree about the shiny finish. I use gaff tape on my v1 Rode Go to cover up the shiny finish. I really don't know why Rode decided to stick with the same form factor, either. Maybe they're working on a real UHF update to their other wireless system. I can't wait for Curtis Judd's review of the lavs. For $399 including lavs, they can't be that great... but we'll see.
that's who I'm waiting on, I rock with Caleb for most things video but audio I really think Curtis is the best on youtube, runner up is Gerald Undone for just overly detailed breakdowns on gear in general
I'm so glad you brought up the glossy finish. That was the first criticism I had when I first saw these and I hate that Rode decided against a complete matt casing. But they sound promising otherwise. Thanks for the great review!
The feature i'm wishing to see is to be able to sync more devices to it. Like 5 lavaliers with their transmiters, a boom with transmiter, and a single receiver.
I would really like to see some more transmitters in the Rode Wireless Pro series, like a handheld mic with cardioid capsule and a XLR plugin transmitter with P48 power.
They really listened and added som fantastic features. Based on a glance at it’s specs I believe and hop that they support pro lavalier mics that require minimum 5v
A huge feature that many of these wireless lavs don't include anymore is the ability to switch frequencies, like on the Sennheiser G3's for example. Shooting in cities, there are often times where interference is an issue. Being able to switch channels or frequencies is such an underrated feature and arguably the most "pro" feature of all.
Hopefully they fixed the high pitch noise that is nearly impossible to get rid of from the first Wireless GO units. I paid a few hundred back then and they were incredibly disappointing with no offer from Rode on replacements when I contacted their support. It was a common problem that was well documented. I'm looking to upgrade my gear again soon but hesitant to send them another few hundred after my first bad experience.
I cant wait to get a set. I was getting ready to by the Zoom F1 with 32bit float, but this looks more in line with what I want. Cant wait to get my hands on it.
I have the DJI system which I love. But for anyone new to the market, this Rode system is definitely better. Caleb, what camera re you using for the top down shots?
I have (2) Wireless Pro Systems. Two things they should add are these. #1- A way to to Jam Sync Timecode from an external device or at the very least, a way to Sync 2 or more receivers to each other. #2 - A Timecode Mode where Left channel outputs Transmitter 1, Right channel outputs Transmitter 2, and the USB can output or input Timecode. This would make these units infinitely better. I would hope these can be achieved via firmware.
Perhaps the shiny finish is meant to force people to use the lav instead of wearing a giant, reflective square on their collars. 😂 Otherwise, looks like a great upgrade. And now a plug for Caleb's LUTs: Buy them. That is all.
@@andreasdk and it’s not that I disagree that audio quality ids important but the features are what is most different so spending time comparing just wasn’t his point this time. And honestly, nobody is gonna watch just one review on these anyway lol
@@beccamitchell05 Well, I wasn’t planning to dig deeply into these since I’m a big fan of my DJI mics. It just reminds me about how I also watch a ton of reviews about smartphones and only about 1% cares about actual sound quality in the calls (which a mobile is still being used for a few times a year ;)). This however is without doubt the main function. If these sounds greater than my DJI mics I might be interested. The rest is specs.
I was JUST ABOUT to pull the trigger on the DJI mic kit for my first lav set as I start my first YT channel ... and then I saw this. Honestly, I've never worked with timecodes and I have no idea how much 32-bit float will actually improve the sound quality, but this has high quality, more features, and a better price if you consider than DJI does not include separate attachable lav mics, which I was going to have to buy, so that pushes the DJI price up from $330 to over $400. If anyone knows of a BETTER lav mic kit for a beginning TH-camr let me know. This looks like the one to me. I've worked as a voice over with my own home recording booth, so I'm familiar with audio editing and not afraid of working with the extra features in this Rode system.
Wish they would have added stereo recording on each transmitter 😢 Now that you can just use each transmitter as a standalone recorder, why not just give it a stereo recording option via mic jack to make it the ultimate ultra portable 32 bit float recorder 🤤
I want to learn more about how to use time code with multiple cameras. My FX3 has a time code but I dont know how to sync with other cameras and this audio.
Also, why do I get the feeling Caleb already knows something is coming from Rode. The Wireless Code box idea he mention even had a supposed price of $79.....suspicious. Caleb are you aware of the next release and "predicting" it in front of us?
I had a lot of peaking issues with the wireless go II using their GO Lav. Even with internal gain (and camera gain) all the way down, anyone with a projected voice was impossible to record without peaking. Have you done any audio tests comparing the units?
Nice. While I like the addition of 32 bit, timecode and a locking connector, for a $100 less the Lark Max has every other features with a better case, build material and touch screen.
This is Rode's response to DJI's offering. I'd be very interested in a Rode vs DJI shoot-out. Do you know if the case can be charged while it is providing top-up charge to the devices? I was a little surprised at the price. Was expecting these to be considerably more expensive. Great overview - thank you
If I understand it correctly, there is no option to jam sync the rode time code from an external source. This makes the great addition of timecode kind of limited for bigger applications. It would be nice if you could jam sync the transmitters trough the input jack, imo this could be done with a software update.
I would absolutely love if in future firmware you could jam-sync the timecode of the receiver from an external source. It sounded like in the Q&A that they are working on that. I've tried unsuccessfully to jam the TC of my Atomos (Timecode systems) One, using the rode as the master. In a perfect world you could slave multiple Rode kits to a master TC generator via RF or BlueTooth (at the least)
After listening to the improvements section, I am finding many of the requests being beyond the price point. Also many of the features being asked for about audio routing and muxing can be done using multitrack recorders or similar. The adapter cables are already available from other companies, quite easily. Many of the features you are calling out are available from other brands already, but at a higher price. Given the target market and price for the products, I think the package is pretty much nailing it.
You mention an external, exclusive time code module. That would be cool. If that module could snap into some sort of slate, or if the slate had a time code module built in, that would be pretty cool too. Maybe make one of those fancy, digital slates within reach of lower-budget film-makers.
Thanks for the review! There are the Tentacle Sync E and the Ultrasync Blue Timecode Generators out there. I am going to sync my Tentacle Sync E via Mode 5. But there is no way to sync my Ultrasync Blue via Bluetooth! It would have been nice, if Rode would have looked for more ore better time code integrety.
Receiver is lacking headphone port. Funny that Rode includes timecode connection for the camera but there is no way to monitor the audio during use of the timecode, camera operator will just have to wait for the playback, since timecode is already a lot of convenience better not include too much.
QUESTION - you mention it can charge while using - when doing this with the Rode GO II - there is TERRIBLE interference when you do this either when charging a transmitter or when charging a receiver - another complaint of my Rode Go II's - there batter life sucks - at least on the receiver. Also - there was a HUGE bug with the RODE and the FX3 - when using the Rode Go II or any rode wireless - into the built in mic port of the FX3 - there was a bad grounding issue - this does not happen with DJI wireless mics - does it happen with the PROs?
This is one of those product launches that completely changes the game. The only limitation is really that most cameras can't sustain Timecode very long for the jam part, not rode's fault though. Thank you RODE, I will for sure have them.
i might need to get this for filming weddings. I currently use Tascam DR10L for weddings, and for my commercial/corporate/interview gigs I use the Sennheiser G4. But it would be kindof nice to monitor audio during a wedding (BUT also even if audio cut out, it's not like I can go stop the wedding ceremony to fix anything lol so maybe it's best I don't monitor and continue with my Tascams). But I do love my Sennheiser G4 for corporate work and monitoring audio on it, I wish they could record a backup track on the transmitter like these. Anyways these look cool.
It would be great to have the time accessory at a competition crushing price… probably will make more sales than any other device, because on set we have cameras mics, smart triggers, BT’s kits… all needing jammed code
Looks solid.. two wishes from me: 1- A cheaper option to buy without the stock lavs, since I'll be connecting Sankens to them and have no use for their mics. 2- I wish the receiver had two outputs so I could easily split the channels into my XLR camera (or mixer) when running two mics simultaneously, without having to buy a bunch of special cables and adapters which may degrade the quality. Other than that, it looks great.
I have the Rode Wireless GO 1 and GO 2 and based on your review, the PRO version is way better. Timecode means NO MORE WAV AUTO ALIGNS and all things being equal, the GO 2 was barely an upgrade over the GO 1 for DSLR shooters. Still waiting for Apple to go to USB C as Rode makes you buy a special USB to lightening cable that you had to use for your iphone.
Good review. The part I found funny is on 14 minutes, where you suggest a new device. I think it was just a matter of asking Rode for a TC-1 Deity unit for these mics. LOL! If they can let us receive timecode in the Rode transmitter units, this will make very productive timecode and will let us even have more mics on the field with the same timecode., Timecode will be usable in short shoots with only one camera for now. I have been using it in some sports jobs the Hollyland marks and the menus are awesome and the quality build is the best. The 32-bit float is the attractive part of these units.
It is very hard to believe that you can unplug the receiver after jam syncing timecode to different cameras. Even plugged all the time plugged a Deity TC1 have drift ! Please Caleb, measure the drift ! 👍
Being able to access the recordings without having to use the app is HUGE for me. I can't get the app to work and actually transfer recordings on 4 out of 5 systems here in our office.
So the receiver is also a very small 2channel audio interface via USB C to your laptop, provided you connect a stereo 3.5 jack IN… am I hearing you correctly?
Labeling the Wireless Pro - - I tried some scrap vinyl from my wife's Cricut and it seems to hold pretty well to the glossy screen. I think I'll make some customized colored labels for each one.
I you choose to make your own labels on the Cricut design something that doesn't have hard corners. This will increase the chances that it will stay on.
I can think of two :) One would be the inability to disable the record on/off button while recording. At the very least it should be a long hold to turn off recording, similar to Tentacle. The 2nd is not having bluetooth so you can monitor/start-stop recording/adjust settings via you phone. Plugging in directly is a decent option but not practical during a shoot. Otherwise it seems great. I'm enjoying playing around with it right now.
As impressed as I am with this Super in depth review, as always. I spy a Zv-E1 build out?! That rig look really really cool and I am looking forward to it
hey caleb! always enjoying watching your videos. 👍 could make a part2 vid for wireless audio monitoring with low latency plz? been 4years, tech got better since (or so i hope)!
Initially very into this but since you mention a desire for Rode to create a time code accessory, might be good to have a look at what @Justin Porter Media is saying about Rode's approach to time code generation and possible shortcomings. Something to be aware of for multicam shoots, which for my work isn't a dealbreaker. This new release still brings a lot.
I’m trying to get the best sound on a stage about 150 feet away (i generally do small theater jobs) from a Sony a7s DSLR. Can’t figure out if the quality of the sound would be better just throwing one of these little wireless transmitters on the stage floor or putting the videomic + shotgun on the dlsr…or 3rd option which is using both by connecting the shotgun to wireless pro near theater speakers. Thanks by the way.
Might not matter to some but the best part about this for me is the change of branding... both the change to the 0 logo and also the darker colour of it, the big white R0DE logo was just obnoxious advertisement and this makes it feel and look more like a product i'm using because it's the best and i want to rather than a product i'm forced to use because it's cheap or i'm sponsored or something lol, it's kinda crazy the power of good vs bad branding and i think they should honestly move to this version on all their products it looks far more professional & still very easy too recognise
when you turn on the rode go 2 transmitter it starts recording without needing a receiver. so the record button on the go2 didnt bring isolated recording, it only brings the ability for you to stop recording, and i dont see why i would want to stop recording on the transmitter.
A deal breaker for me is... The pro will not accept timecode from anything else. This would close the doors on versatility for these mics it would seem.
As always great first impressions/review video! But I do have a question: can the receiver change the gain of the transmitters individually? Like, if I want to have one at -12 and the other at -6? And I understand that with 32 bit float probably negates this need but still.. less editing is less editing.
Gr8 review! 1. Any thoughts on battery life? My Go II receiver randomly cuts off the power after maybe 18 months of usage. 2. Did you notice any of the occasionally hissing noise that the prev model has? Cheers!
Great video, as always. I do have a few questions: can I record internally 32.-bit rate and, at the same time, send the signal to the camera? Also, does it bring any cable that allow me to connect and use the rode with my iphone? Finally, a suggestion to rode: there has to be a way to be able to connect more than 2 TX; 4 would be great.
I've been using my Rode Videomic NTG as an input to one of the Rode Wireless Go II transmitters as a wireless boom mic set up for about a year now. After seeing the new Comica VM30 shotgun mic being sold as a way to do exactly that I was kinda expecting the next Rode wireless mic system to include it. Or maybe even just tease it as a future option. I love the idea of upgrading to 32 bit float and better controls on board and screw on lav connectors, but the price is a little above what I was expecting. Also, you stated it was $499, but both rode and B&H have it listed for $399.
This is the wireless system I’ve been waiting for. Locking 3.5mm jack is an underrated upgrade.
I’ll wait for the DJI mics new mic.
Yep!
Never use DJI garbage
Look at how far the industry has come. I remember purchasing the original Rode Wireless Film-Maker Kit for $399 back in like 2015. We now have two transmitters, 32 bit float internal recorder, and a much smaller unit.
Well done to Rode.
and time code!!!
How much cancer will we get with this frequency strength? Jk
Well...
Filmmaker's Kit is still the KING 👑 in an out of line of sight situation.
This is something that has not been improved in almost the last decade.
Is this something, or what ?
Nevertheless, Wireless PRO is an astonishing piece of technology.
Congratulations to RODE for making it happen in an affordable pricing. They deserve all the credit.
features many of us asked for in the Wireless Go 2!
@@HollywoodweddingfilmsGREECE I also agree that the Filmakers kit is King!
I just realized the whole video didn't have any music and it felt so good and calm, made me focus on the product! love it!
Rode said this mic turns on and off automatically with camera is that the case?
I agree with the big logo and glossy front. I don’t know why we have to advertise rode logo when we pay to them
The 'every 4 hours' timecode jam will be because the timing crystals in most cameras can vary by a field (half a frame on 25/30 fps cameras) every 30 mins - the Rode devices themselves might be more accurate but this re-jamming will be because of the variance in cameras.
Great video dude! However, I did wait 16 minutes for an audio sample of the 32 bit float vs 16 bit float of the RWG2 and was left unfulfilled 😂
He mentioned It a little bit. He said he did wish they upgraded the actual onboard mics for these bur was dissapointed they are the same from previous versions. You don't get higher audio quality with the bit rate of the file. 32 bit just has more information, so in post, you can bring up quiet sources without bringing up a high noise floor. And on the opposite end, if the source audio is too hit and distorted. It's like dynamic range on a camera or even the data speed which it records at. More information, more flexibility in post.
Did he really not include a mic sound test or did I skip it? Wtf?
I know haha no sound test but for good reason. He mentioned It a little bit. He said he did wish they upgraded the actual onboard mics for these especially being the "pro" version but was disappointed they are the same from previous versions. You don't get higher audio quality with the bit rate of the file. 32 bit just has more information, so in post, you can bring up quiet sources without bringing up a high noise floor. And on the opposite end, if the source audio is too hit and distorted. It's like dynamic range on a camera or even the data speed which it records at. More information, more flexibility in post.
Just watch a go2 sound test its the same mic
Same as the GO II 👍
The on-board mic has Max SPL of 100 db, which is kind of low. That's probably why everyone is complaining, saying it clips too easily.
Too dramatic, life is not that serious.
DJI will definitely come up with 32bit audio soon in their mics! I switched from Rode go II to the DJI mic and I love them so much more, they are also much smaller. Can't wait for their upgrade!
DJI is still better. That 32 bit is nice, but the average person won't notice the difference
@@nodaysoff2005 rode's lavalier mics are huge difference.
@@nodaysoff2005 That's what I wonder with it too. With paying even half attention to what's going on, and the backup track on my DJI Mics, I've never felt like I needed float
Totally agree about the shiny finish. I use gaff tape on my v1 Rode Go to cover up the shiny finish. I really don't know why Rode decided to stick with the same form factor, either. Maybe they're working on a real UHF update to their other wireless system. I can't wait for Curtis Judd's review of the lavs. For $399 including lavs, they can't be that great... but we'll see.
that's who I'm waiting on, I rock with Caleb for most things video but audio I really think Curtis is the best on youtube, runner up is Gerald Undone for just overly detailed breakdowns on gear in general
I believe the audio quality is the same as the GO which isn't fantastic but good enough for weddings or youtube videos.
Can you imagine shooting weddings a decade ago with this type of gear 😭 my setups were so janky man
I know! Too easy!
I'm so glad you brought up the glossy finish. That was the first criticism I had when I first saw these and I hate that Rode decided against a complete matt casing. But they sound promising otherwise. Thanks for the great review!
The feature i'm wishing to see is to be able to sync more devices to it. Like 5 lavaliers with their transmiters, a boom with transmiter, and a single receiver.
I would really like to see some more transmitters in the Rode Wireless Pro series, like a handheld mic with cardioid capsule and a XLR plugin transmitter with P48 power.
This set is a steal. Really looking forward to using it in the field soon.
They really listened and added som fantastic features. Based on a glance at it’s specs I believe and hop that they support pro lavalier mics that require minimum 5v
Was just about to get the DJI mic... thank goodness I waited! Well done Rode
Definitely very interested in a comparison between this and the Diety Theos.
Me too, I have both on preorder and am curious which one to cancel
A huge feature that many of these wireless lavs don't include anymore is the ability to switch frequencies, like on the Sennheiser G3's for example. Shooting in cities, there are often times where interference is an issue. Being able to switch channels or frequencies is such an underrated feature and arguably the most "pro" feature of all.
That’s true. What do you recommend
True but to be honest I’m more like to use the onboard recording with the timecode for final sound and just use the wireless for monitoring.
Hopefully they fixed the high pitch noise that is nearly impossible to get rid of from the first Wireless GO units. I paid a few hundred back then and they were incredibly disappointing with no offer from Rode on replacements when I contacted their support. It was a common problem that was well documented. I'm looking to upgrade my gear again soon but hesitant to send them another few hundred after my first bad experience.
This is a MUST for me - Can't wait to pick these up. Great video Caleb!
Great. They come out with something that solves all of the problems of the Wireless Go II after we bought it!
I cant wait to get a set. I was getting ready to by the Zoom F1 with 32bit float, but this looks more in line with what I want. Cant wait to get my hands on it.
I have been so happy with these updates. Mine just came in today and I can’t wait to use them on my next project.
Great review and product from Rode
If Rode will come out with a XLR transmitter that will work with this system, I‘ll would buy this.
I have the DJI system which I love. But for anyone new to the market, this Rode system is definitely better. Caleb, what camera re you using for the top down shots?
I have (2) Wireless Pro Systems. Two things they should add are these. #1- A way to to Jam Sync Timecode from an external device or at the very least, a way to Sync 2 or more receivers to each other. #2 - A Timecode Mode where Left channel outputs Transmitter 1, Right channel outputs Transmitter 2, and the USB can output or input Timecode.
This would make these units infinitely better.
I would hope these can be achieved via firmware.
Holy crap. I ALMOST bought the DJI Mic kit yesterday. So glad I didn't! Locking connector + 32 bit float recording are HUGE UPGRADES!!!
Oh man. Just bought the DJI mic 4 days ago... Lets see
Perhaps the shiny finish is meant to force people to use the lav instead of wearing a giant, reflective square on their collars. 😂 Otherwise, looks like a great upgrade. And now a plug for Caleb's LUTs: Buy them. That is all.
Absurd they can’t just make it solid black SMH
@@DailyCitizenOfficial Yep. It's production gear. They should know better.
Not only that but if you're filming outdoors in full sun it be difficult to see the settings on the receiver.@@JasonFoxLCB
Why not include any sound test in a 16 minute video?
Probably cause it isn’t much different from the other recent rode updates
@@beccamitchell05 Yeah - guess we'll have to watch other reviews to actually get an impression of what is most important: The audio quality!
@@andreasdk and it’s not that I disagree that audio quality ids important but the features are what is most different so spending time comparing just wasn’t his point this time. And honestly, nobody is gonna watch just one review on these anyway lol
@@beccamitchell05 Well, I wasn’t planning to dig deeply into these since I’m a big fan of my DJI mics. It just reminds me about how I also watch a ton of reviews about smartphones and only about 1% cares about actual sound quality in the calls (which a mobile is still being used for a few times a year ;)). This however is without doubt the main function. If these sounds greater than my DJI mics I might be interested. The rest is specs.
I was JUST ABOUT to pull the trigger on the DJI mic kit for my first lav set as I start my first YT channel ... and then I saw this. Honestly, I've never worked with timecodes and I have no idea how much 32-bit float will actually improve the sound quality, but this has high quality, more features, and a better price if you consider than DJI does not include separate attachable lav mics, which I was going to have to buy, so that pushes the DJI price up from $330 to over $400. If anyone knows of a BETTER lav mic kit for a beginning TH-camr let me know. This looks like the one to me. I've worked as a voice over with my own home recording booth, so I'm familiar with audio editing and not afraid of working with the extra features in this Rode system.
What a great review ! I’m super excited ! Order some today ! And love your voice !!
Wish they would have added stereo recording on each transmitter 😢 Now that you can just use each transmitter as a standalone recorder, why not just give it a stereo recording option via mic jack to make it the ultimate ultra portable 32 bit float recorder 🤤
I want to learn more about how to use time code with multiple cameras. My FX3 has a time code but I dont know how to sync with other cameras and this audio.
Me: Rode can we have real, usable and reliable timecode?
Rode: We have timecode at home.
...timecode at home...(Rode Pro).
Also, why do I get the feeling Caleb already knows something is coming from Rode. The Wireless Code box idea he mention even had a supposed price of $79.....suspicious. Caleb are you aware of the next release and "predicting" it in front of us?
I had a lot of peaking issues with the wireless go II using their GO Lav. Even with internal gain (and camera gain) all the way down, anyone with a projected voice was impossible to record without peaking. Have you done any audio tests comparing the units?
32 bit gets rid of this issue
The real video I was waiting for... Always appreciate the SUPER in depth reviews like this!!
Same here!
Nice. While I like the addition of 32 bit, timecode and a locking connector, for a $100 less the Lark Max has every other features with a better case, build material and touch screen.
Such a superb review. As always. IMHO, you’re the very TOP of the heap in camera/tech/info. Cheers!
Can. you tell me more about how you attached it to your Sony headphones? What clip do you have on your headphones that it'll attach to?
This is Rode's response to DJI's offering. I'd be very interested in a Rode vs DJI shoot-out. Do you know if the case can be charged while it is providing top-up charge to the devices? I was a little surprised at the price. Was expecting these to be considerably more expensive. Great overview - thank you
Should have demoed the audio coming from them.
If I understand it correctly, there is no option to jam sync the rode time code from an external source. This makes the great addition of timecode kind of limited for bigger applications. It would be nice if you could jam sync the transmitters trough the input jack, imo this could be done with a software update.
I would absolutely love if in future firmware you could jam-sync the timecode of the receiver from an external source. It sounded like in the Q&A that they are working on that. I've tried unsuccessfully to jam the TC of my Atomos (Timecode systems) One, using the rode as the master. In a perfect world you could slave multiple Rode kits to a master TC generator via RF or BlueTooth (at the least)
After listening to the improvements section, I am finding many of the requests being beyond the price point. Also many of the features being asked for about audio routing and muxing can be done using multitrack recorders or similar. The adapter cables are already available from other companies, quite easily.
Many of the features you are calling out are available from other brands already, but at a higher price. Given the target market and price for the products, I think the package is pretty much nailing it.
0:54, 6:16 nice teaser for the screen "holder", I need one for my FX30 rig
You mention an external, exclusive time code module. That would be cool. If that module could snap into some sort of slate, or if the slate had a time code module built in, that would be pretty cool too. Maybe make one of those fancy, digital slates within reach of lower-budget film-makers.
WHAT is that FX3 rig from the intro? I have never seen mounting options like that... you going to do a video on that?
My biggest question is can you lock out a wearer on the device so they dont accidentally turn off the recording?
Thanks for the review! There are the Tentacle Sync E and the Ultrasync Blue Timecode Generators out there. I am going to sync my Tentacle Sync E via Mode 5. But there is no way to sync my Ultrasync Blue via Bluetooth! It would have been nice, if Rode would have looked for more ore better time code integrety.
Receiver is lacking headphone port. Funny that Rode includes timecode connection for the camera but there is no way to monitor the audio during use of the timecode, camera operator will just have to wait for the playback, since timecode is already a lot of convenience better not include too much.
QUESTION - you mention it can charge while using - when doing this with the Rode GO II - there is TERRIBLE interference when you do this either when charging a transmitter or when charging a receiver - another complaint of my Rode Go II's - there batter life sucks - at least on the receiver. Also - there was a HUGE bug with the RODE and the FX3 - when using the Rode Go II or any rode wireless - into the built in mic port of the FX3 - there was a bad grounding issue - this does not happen with DJI wireless mics - does it happen with the PROs?
14:54 Yes!
How does the auto gain handle extraneous noise when the person you are recording is silent, e.g. air conditioning, people far away, traffic noise.
Been waiting for this! Only thing that seems to be missing is formatting on each device. That would be great. But a small inconvenience!
This is one of those product launches that completely changes the game. The only limitation is really that most cameras can't sustain Timecode very long for the jam part, not rode's fault though. Thank you RODE, I will for sure have them.
i might need to get this for filming weddings. I currently use Tascam DR10L for weddings, and for my commercial/corporate/interview gigs I use the Sennheiser G4. But it would be kindof nice to monitor audio during a wedding (BUT also even if audio cut out, it's not like I can go stop the wedding ceremony to fix anything lol so maybe it's best I don't monitor and continue with my Tascams). But I do love my Sennheiser G4 for corporate work and monitoring audio on it, I wish they could record a backup track on the transmitter like these. Anyways these look cool.
It would be great to have the time accessory at a competition crushing price… probably will make more sales than any other device, because on set we have cameras mics, smart triggers, BT’s kits… all needing jammed code
absolutely agree with having further timecode units to daisy chain a few cameras. Please......
Looks solid.. two wishes from me: 1- A cheaper option to buy without the stock lavs, since I'll be connecting Sankens to them and have no use for their mics. 2- I wish the receiver had two outputs so I could easily split the channels into my XLR camera (or mixer) when running two mics simultaneously, without having to buy a bunch of special cables and adapters which may degrade the quality. Other than that, it looks great.
I have the Rode Wireless GO 1 and GO 2 and based on your review, the PRO version is way better. Timecode means NO MORE WAV AUTO ALIGNS and all things being equal, the GO 2 was barely an upgrade over the GO 1 for DSLR shooters. Still waiting for Apple to go to USB C as Rode makes you buy a special USB to lightening cable that you had to use for your iphone.
This seems like it would be so useful for filming weddings!
Good review. The part I found funny is on 14 minutes, where you suggest a new device. I think it was just a matter of asking Rode for a TC-1 Deity unit for these mics. LOL! If they can let us receive timecode in the Rode transmitter units, this will make very productive timecode and will let us even have more mics on the field with the same timecode., Timecode will be usable in short shoots with only one camera for now. I have been using it in some sports jobs the Hollyland marks and the menus are awesome and the quality build is the best. The 32-bit float is the attractive part of these units.
Ive been using the tentacle system, but may now to switch to these!
It is very hard to believe that you can unplug the receiver after jam syncing timecode to different cameras. Even plugged all the time plugged a Deity TC1 have drift !
Please Caleb, measure the drift ! 👍
There will be drift, that's why they recommend reconnecting every 4h
Being able to access the recordings without having to use the app is HUGE for me. I can't get the app to work and actually transfer recordings on 4 out of 5 systems here in our office.
Rode finally adding all the features and including all the parts!
So the receiver is also a very small 2channel audio interface via USB C to your laptop, provided you connect a stereo 3.5 jack IN… am I hearing you correctly?
The clip showing the wireless pro connected to the shotgun mic… isn’t there supposed to be another cable connected into the camera’s microphone Jack?
Labeling the Wireless Pro - - I tried some scrap vinyl from my wife's Cricut and it seems to hold pretty well to the glossy screen. I think I'll make some customized colored labels for each one.
I you choose to make your own labels on the Cricut design something that doesn't have hard corners. This will increase the chances that it will stay on.
I truly can't think of a flaw with this. I mean, it really is a Pro microphone system. The price doesn't even make me flinch. Beyond worth it.
I can think of two :) One would be the inability to disable the record on/off button while recording. At the very least it should be a long hold to turn off recording, similar to Tentacle. The 2nd is not having bluetooth so you can monitor/start-stop recording/adjust settings via you phone. Plugging in directly is a decent option but not practical during a shoot. Otherwise it seems great. I'm enjoying playing around with it right now.
As impressed as I am with this Super in depth review, as always. I spy a Zv-E1 build out?! That rig look really really cool and I am looking forward to it
hey caleb!
always enjoying watching your videos. 👍
could make a part2 vid for wireless audio monitoring with low latency plz?
been 4years, tech got better since (or so i hope)!
Sounds quality of the lav?
Would be great to connect timecode via Bluetooth on the atomos monitors, what do you think?
Extremely helpful as always. I’ve learned so much from your videos. Thank you for creating this for us.
Looks like they listened to customer feedback which is commendable.
you can scuff the sheen off the glossy surface. 220? 320? grit sandpaper
So no demo of how they actually sound?
Can you turn on the recording in transmitters from the receiver?
Initially very into this but since you mention a desire for Rode to create a time code accessory, might be good to have a look at what @Justin Porter Media is saying about Rode's approach to time code generation and possible shortcomings. Something to be aware of for multicam shoots, which for my work isn't a dealbreaker. This new release still brings a lot.
I’m trying to get the best sound on a stage about 150 feet away (i generally do small theater jobs) from a Sony a7s DSLR. Can’t figure out if the quality of the sound would be better just throwing one of these little wireless transmitters on the stage floor or putting the videomic + shotgun on the dlsr…or 3rd option which is using both by connecting the shotgun to wireless pro near theater speakers. Thanks by the way.
Might not matter to some but the best part about this for me is the change of branding... both the change to the 0 logo and also the darker colour of it, the big white R0DE logo was just obnoxious advertisement and this makes it feel and look more like a product i'm using because it's the best and i want to rather than a product i'm forced to use because it's cheap or i'm sponsored or something lol, it's kinda crazy the power of good vs bad branding and i think they should honestly move to this version on all their products it looks far more professional & still very easy too recognise
Why do create a system that records 6 channel so up to 6 transmitter could connect. Still only 2 is not pro
Mine will be here tomorrow, can't wait!!!
Great ideas and great breakdown Caleb! Can’t wait to play with mine as I preordered a week back 🙏🏻🙏🏻
I really want to have a reason to purchase this!!
when you turn on the rode go 2 transmitter it starts recording without needing a receiver. so the record button on the go2 didnt bring isolated recording, it only brings the ability for you to stop recording, and i dont see why i would want to stop recording on the transmitter.
A deal breaker for me is... The pro will not accept timecode from anything else. This would close the doors on versatility for these mics it would seem.
I'd love to see a quick comparison between these and Tentacle Track E and Deity offerings
As always great first impressions/review video! But I do have a question: can the receiver change the gain of the transmitters individually? Like, if I want to have one at -12 and the other at -6? And I understand that with 32 bit float probably negates this need but still.. less editing is less editing.
Mute? Did Rode show that the transmitter is on mute, either by changing one of the light colours or blink speed change
Gr8 review! 1. Any thoughts on battery life? My Go II receiver randomly cuts off the power after maybe 18 months of usage. 2. Did you notice any of the occasionally hissing noise that the prev model has? Cheers!
So is that glass or plastic on the front? Any change in durability/construction of them?
One question: can we adjust gain/sensitivity of each transmitter individualy ? Tks
Røde Wireless Code? Yes, please!
Could the Rodes Pro be integrated with your idea for the ultimate record center, to sync time between the recording and the remote wireless audio.
Great video, as always. I do have a few questions: can I record internally 32.-bit rate and, at the same time, send the signal to the camera? Also, does it bring any cable that allow me to connect and use the rode with my iphone? Finally, a suggestion to rode: there has to be a way to be able to connect more than 2 TX; 4 would be great.
All these have issues at some distance if there is people moving in between the mic and receptor, same the DJI, can’t be compared to Shenheiser
I've been using my Rode Videomic NTG as an input to one of the Rode Wireless Go II transmitters as a wireless boom mic set up for about a year now. After seeing the new Comica VM30 shotgun mic being sold as a way to do exactly that I was kinda expecting the next Rode wireless mic system to include it. Or maybe even just tease it as a future option.
I love the idea of upgrading to 32 bit float and better controls on board and screw on lav connectors, but the price is a little above what I was expecting. Also, you stated it was $499, but both rode and B&H have it listed for $399.