This new youtuber angle you have which i'd like to start calling pissing out good tricks and ideas and skipping all the show around the topic of the video is quickly making you my fav youtuber boiiii.
Blaine strikes again with over the top walk through, showing off ARRI Rhaw, great shots, and your mad skills adjusting it in DRS with a sprinkle of Dehancer. Very impressive my friend, very impressive. ARRI has a lot of flex to fix issues. So awesome. Thanks for the wisdom of years of understanding ARRI, grading and DPing.
As someone who usually plays it on the safe side with looks but also loving dehancer which can be a little much (IMO) I had no idea you could just change the output and just add a touch of some secret sauce to your image. Thanks for a bother great one Blaine!
Brilliant! Ive been working on my own film look workflow in Resolve with Cineprint16. It's pretty good for the price but the node tree isn't always as easy to adjust parameters like Dehancer! Do you shoot while having Dehancer in mind? If so, are there any adjustments you make exposure wise while shooting that are noteworthy or does that not change for you at all?
I like cineprint 16! I’ve graded some images using it and it’s really cool. If I think I will use Dehancer on a project, I won’t expose any different type of way. I also only shoot using the manufacturer 709 LUT. If there’s a LUT that was designed for the project and has to be on the monitors, fine, but I will always toggle the regular rec709 on my monitor.
Quick little tip. You don't have to change the rec709 thing at the beginning. Just click on the dots at the top right corner and set it to default! Voilà
You should try out the color warper’s second screen, set the hue to +30 and then you can map your white balance shifts. Ive been using it to make tungsten shifts move one stop orange/blue for every two stops it normally does and pinching the green magenta shift to correct discoloured lights.
did you find any video tutorial showing what you're suggesting here? Couldn't figure it out, and color shifts are the most horrible thing that needs a good tool / method to fix, so I wanted to try it
@@eladbari i kinda discovered this myself. i often do this on cineon film log, rec709 color level. here are color warper settings: 12 hue points 6sat points, HSP Log, pin h0.92 s0.58, change h0.92 s0.78 to h0.92 s0.69.
Do you have a preference of Rec709 vs sRGB? I feel like most people viewing content online are using sRGB monitors so it would make sense to grade in that space, but what do you think?
I think on the new macs, and any Mac screen really, using this workflow works very well. When I do this workflow and work prep the project to 709A, what I see in resolve is the same as I see on the render, and on TH-cam/Vimeo. It looks good on my phone, and on an srgb monitor I have, and my TV. So it’s working for me. I have always been in the 709 space for video delivery and it’s working. Have you experimented with srgb in resolve? I haven’t.
@@BlaineWestropp1 I haven’t done a proper A/B comparison between them, but I’ve usually been using sRGB at the end of my color space transforms and haven’t noticed a huge difference. I know the gamma curve is a bit different, but it would be interesting to see them side by side. I’ve just always associated Rec709 with television, so if I’m grading for TV I work in that space. I’m no expert though 🤷♂️
@@BlaineWestropp1 nice! So still using the jenas, I have a Flektogon 20mm that has some serious glow issues even after CLA. But seeing from your videos I want to get a good copy of it.
I mean... .like.. how am I supposed to get anything done now? There is so much room to work with things in Resolve, ,and it's like.. I need to find a way to make video my new thing so I can justify buying all this software. Im hooked.
@@BlaineWestropp1 I've been on the fence about getting dehancer. The price point is a bit steep since I am only doing personal projects. But the more I see on it the more I want it.
I would toggle it on and off and see if you see a difference on your display. I would then render under both circumstances in order to get to a point where the file that you render looks like what you see on the display.
@@BlaineWestropp1 Just did the test. Figured I’d share. The rendered shot always looks a little bit different than what I have in the software (which sucks). But when unchecked, rendered shot, looks closer to what it’s supposed to be.
@@BlaineWestropp1 seems to me that it’s definitely worth it! Do you have a beginner/intro vid? Or a recommendation of where to start? I just picked up an FX3 and I am in the stage of learning all the things.
@@robertcapello I have a resolve overview video I am working on. Stay tuned. You could get a start with setting things up how I set them up in this video, and there are a lot of davinci tutorials out there on TH-cam, not all have fully accurate information but there is good stuff out there.
This new youtuber angle you have which i'd like to start calling pissing out good tricks and ideas and skipping all the show around the topic of the video is quickly making you my fav youtuber boiiii.
Thank you Mathias, that means a lot! more on the way
You are without a doubt my new favourite creative channel, love your videos
Thank you so much, that means a lot! I have more on the way!
Blaine strikes again with over the top walk through, showing off ARRI Rhaw, great shots, and your mad skills adjusting it in DRS with a sprinkle of Dehancer. Very impressive my friend, very impressive. ARRI has a lot of flex to fix issues. So awesome. Thanks for the wisdom of years of understanding ARRI, grading and DPing.
Thank you PG!!
Beautiful color grading, Blaine 🖤
thank you :)
As someone who usually plays it on the safe side with looks but also loving dehancer which can be a little much (IMO) I had no idea you could just change the output and just add a touch of some secret sauce to your image. Thanks for a bother great one Blaine!
Thanks brah. It’s nice to dial it back. Just a little kiss.
Bro ! ur amazed me your workflow is lit
💥
😇😇
Brilliant! Ive been working on my own film look workflow in Resolve with Cineprint16. It's pretty good for the price but the node tree isn't always as easy to adjust parameters like Dehancer! Do you shoot while having Dehancer in mind? If so, are there any adjustments you make exposure wise while shooting that are noteworthy or does that not change for you at all?
I like cineprint 16! I’ve graded some images using it and it’s really cool. If I think I will use Dehancer on a project, I won’t expose any different type of way. I also only shoot using the manufacturer 709 LUT. If there’s a LUT that was designed for the project and has to be on the monitors, fine, but I will always toggle the regular rec709 on my monitor.
Yes, been a while, Keep up the uploads, Love your channel...
Thanks, will do!
@@BlaineWestropp1 Please do, You have some great content, right down my alley. Thanks brother
Thanks so much, lot more to come!
Quick little tip. You don't have to change the rec709 thing at the beginning. Just click on the dots at the top right corner and set it to default! Voilà
You have very significantly just changed my life. Thank you deeply.
@@BlaineWestropp1 I'm happy to have had such an impact on your life 🙏🏻
lol thanks again!
You have also just significantly changed my life.
I think about Julien every time I open resolve 😂
You should try out the color warper’s second screen, set the hue to +30 and then you can map your white balance shifts. Ive been using it to make tungsten shifts move one stop orange/blue for every two stops it normally does and pinching the green magenta shift to correct discoloured lights.
Will try!
did you find any video tutorial showing what you're suggesting here? Couldn't figure it out, and color shifts are the most horrible thing that needs a good tool / method to fix, so I wanted to try it
Sometimes you just gotta spin the wheels. What type of color shifts are you experiencing?
@@eladbari i kinda discovered this myself. i often do this on cineon film log, rec709 color level. here are color warper settings: 12 hue points 6sat points, HSP Log, pin h0.92 s0.58, change h0.92 s0.78 to h0.92 s0.69.
Wow - it really is!
Love it
Holy shit balls 🤣 so many nuggets! Thanks B, pumped to go shimmy some sliders on my own footage now! 🤩
You’re welcome. Enjoy!
Try filmbox dude, I would be curious to see a comparison with dehancer
I have Filmbox, love it. Just got new computer, haven’t put it on yet.
Do you have a preference of Rec709 vs sRGB? I feel like most people viewing content online are using sRGB monitors so it would make sense to grade in that space, but what do you think?
I think on the new macs, and any Mac screen really, using this workflow works very well. When I do this workflow and work prep the project to 709A, what I see in resolve is the same as I see on the render, and on TH-cam/Vimeo. It looks good on my phone, and on an srgb monitor I have, and my TV. So it’s working for me. I have always been in the 709 space for video delivery and it’s working. Have you experimented with srgb in resolve? I haven’t.
@@BlaineWestropp1 I haven’t done a proper A/B comparison between them, but I’ve usually been using sRGB at the end of my color space transforms and haven’t noticed a huge difference. I know the gamma curve is a bit different, but it would be interesting to see them side by side. I’ve just always associated Rec709 with television, so if I’m grading for TV I work in that space. I’m no expert though 🤷♂️
Great video! What lenses for these shots?
thank you! range of different lenses here, from anamorphic, to vintage Zeiss, to sigma 24-70!
@@BlaineWestropp1 nice! So still using the jenas, I have a Flektogon 20mm that has some serious glow issues even after CLA. But seeing from your videos I want to get a good copy of it.
I loooove the 20. I got a good copy. They are out there here and there on eBay.
Great video can you do a video on how to achieve the soft skin look
Thank you! I can potentially make a video about that :) anything specific you want to see?
Nice, I've never used Dehancer before
You should try it!
Once you get your hands on dehancer it’s really hard to not go to it every time
Everyone should have it!
I mean... .like.. how am I supposed to get anything done now? There is so much room to work with things in Resolve, ,and it's like.. I need to find a way to make video my new thing so I can justify buying all this software. Im hooked.
😂😂 go for it!
Wait so dehancer has a built in colorspace transform?
Yes! If you select your camera, it automatically transforms it. You should download the free trial.
@@BlaineWestropp1 I've been on the fence about getting dehancer. The price point is a bit steep since I am only doing personal projects. But the more I see on it the more I want it.
It’s a wise move. They also update it. So it will likely continue to grow and add new features. Download the trail, try it out!
Odd question, but if I use macbook to edit, but not mac monitor, should I still check "Use mac display..."?
I would toggle it on and off and see if you see a difference on your display. I would then render under both circumstances in order to get to a point where the file that you render looks like what you see on the display.
@@BlaineWestropp1 good piece of advice. Thanks a lot! Great content, recently discovered you.
@@BlaineWestropp1 Just did the test. Figured I’d share. The rendered shot always looks a little bit different than what I have in the software (which sucks). But when unchecked, rendered shot, looks closer to what it’s supposed to be.
Thank you :)
Are you using rec709-A in your project settings?
you can share footage ?
I could possibly share with you. DM me on Instagram and I’ll see what I can do. @wstrpp
Is this the paid version of DaVinci?
yes
@@BlaineWestropp1 seems to me that it’s definitely worth it! Do you have a beginner/intro vid? Or a recommendation of where to start? I just picked up an FX3 and I am in the stage of learning all the things.
@@robertcapello I have a resolve overview video I am working on. Stay tuned. You could get a start with setting things up how I set them up in this video, and there are a lot of davinci tutorials out there on TH-cam, not all have fully accurate information but there is good stuff out there.