Secrets to Cinematic Color Grading
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- เผยแพร่เมื่อ 31 พ.ค. 2024
- The "cinematic" look: we all want it, but most of us aren't really getting it. Learn my top three secrets to getting cinematic color inside Davinci Resolve WITHOUT relying on a LUT or plug-in.
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your introduction speech is so deep and concise that, not only i have no urge to skip of the tutorial, but when the tutorial started, I even felt, "oh that's it?"
I need to watch this until i master everything i just saw. SO grateful i found your channel!!!
There are so many gems in just a few minutes. This channel is criminally underrated. Thanks for the amazning tips, Cullen!
thank you for this amazing tutorial
Colors can be bright or saturated but not both. This is what I was missing all the time when I tried to recreate film looks. Thank you for your great work!
There's just something special about how you explain these color grading principles that make it so easy to understand.
It's my first time here but I'm happy with what I've seen so far so, Thank you.
This guy is the real deal. No bullcrap and straight to the point. Those tips are crucial.
Looking forward to trying this!
Well explained Cullen. Thank you!
Very well explained! Thanks!
Key highlights in a node at the start of the chain and fix that blown out hair as well by bringing down gain or use highlights control.
THIS BLEW MY MIND!
Holy Shit....finally Information backed up by knowledge and experience! This has friggin Foundation! You ended my long journey of searching detailed explanation of how to work with colouring! Gosh in TH-cam there is so much misleading or insufficient information of this stuff. I mean, I feel like the majority do not even have the basic ingrained but they already want you to sell their courses....like wtf! I found you through Darren Mostyn! Thank you both for sharing your experience and practical approach and also explaining the whys!
love your tutorial so much, thank you!
Thank You for Your work!!!
Appreciate this. Thanks.
Outstanding.
Came here just trying to get my 3D renders to look right in Resolve with ACES. However, your great teaching style has sucked me in and I'm looking forward to applying these concepts to my work! Thanks so much!
The algorithm has not be fair to me. I’ve been searching for solid lessons such as this one just to find one that was made 2 years ago. Thank you for making this video
Cullen … you are so awesome. I’ve been trying to understand my Blackmagic 6k pro and DaVinci. The more I sought information, the more confused I became. I have been binge watching your content for a couple of weeks now and it is hands down the best I have ever come across. So many things are starting to make sense! Thanks so much!
Cullen; very helpful points. Here is a favorite of mine: "cinematic" means STYLE. That is, for any film with a story to tell there is a mix or balance of the three elements you mentioned: namely, contrast, split-toned color separation and chroma or saturation. That mix or balance is artistically variable and can give us teal-orange, bleach-bypass, or the Mad Max look. And the persistent use of some color balance choices might be called the "style" of the film. In short, cinema has style; and perhaps what people call a "video" look might be called the absence of "style." So that's ma story an' I'm stickin' to it. Love your on-screen style, too, Cullen! Keep it up!
First time Here, Wow I’m blown away, I consider myself intermediate, and Ive devoured the TH-cam Colorist content, And EVERY single secret and point here was completely new concepts to me that turn the light bulb on, You sir have earned my subscription 10 fold❤
so much to learn in this channel! Thank you Cullen!
Thank you for the tips, the hair 9:34 is anoying me somehow but the rest is awesome!
Wow cool techniques, nice video. Thanks for sharing
Just wow, wow, wow! Best tutorial on how to get quickly to rock solid cinematic colors!
I’ve been binge-watching your channel and I can’t believe the amount of wisdom you’ve given me. Thank you for sharing your expertise!!
Loving the content, man! That's the info I'm looking for. The details, the bigger picture, not the by-the-book orange/teal looks, but something that helps me understand color grading better! Subbed!
Great tutorial! Thanks so much :) this gives me more confidence to play with contrast..and the bit about colour density was very insightful.
Can you do a video on matching video and stills please? For example, my DJI Mavic 3 Classic has very different color between stills and video. I know you say the first pass should be exposure, but I need to camera match first - between stills and video from the same camera! I can supply some beautiful footage and photographer of tall ships bound for the Australian Wooden Boat Festival this year.
Thanks a lot for sharing your experience, Cullen! It's so essential and briefly!
Hey Cullen, thank you so much for this. I am just a hobbyist starting out, and trying to involve my kids and have some fun. But these tips helped me put a slightly more professional look onto the short film I just finished. Now I've scratched the surface I realize I have so much more to learn, but I think its going to be fun. Thanks for your informative and calm approach. I find it easy to take in.
Such a really well explained short piece, filled with useful aesthetic ideas thanks.
Just discovered your channel. I subscribed as soon as I saw your copy of Masters of Light. Excellent book with chapters from a couple of my old teachers, Billy Williams and Haskell Wexler. I enjoy your teaching style too, clearly and logically explaining the why as well as the how.
Thank you very much for this thoughtful and very helpful tutorial. I really appreciate you sharing!
I have had tunnel vision on Color Grading education... and now i'm expanding my influences and really enjoying these types of lessons. Subscribed!
this channel is such a gem, thank you sir!
Honestly one of the best info out there. Agreed Cullen, you are vastly underrated… I’m going to give this a try and I’ll be in touch 🙌🏻. Thanks for these gems, keep at it!
Found Many Videos On Color Grading But I Love Your Way Of Teaching. Thanks For Sharing The Knowledge You Have With Us
OMG this amazing, I came across first time. Thank you for sharing.
Love your explanation and confidence in your talking. Keep up the good work.
You’re awesome bro! Thank you for making these videos. It’s really helping me in this world of color grading. 👏🏽👏🏽👏🏽
Lots to think about and apply, in a way I typically wouldn’t. Many thanks for shaking my ideas up!
Love this explanation! Any updates to this since all the Davinci Resolve updates over the past few years?
Thanks again!
Absolutely so helpful!
wow..... great great tutorial!!! Thank you so much!
Good stuff, Cullen! Thanks for this!
Thanks for a very informative and interesting video.
Wow I wasn’t expecting to learn so much in this video! Thank you.
Wow, I learned something new. Great stuff Cullen!
Such a masterclass here, keep it simple is a great tool
Thank that’s huge 😮
I was asked to do the same less contrast work you showed that we would be satisfied....but hearing you say more contrast is fine just made me happy....you are underated man....anyways great video...
Thank you so much for your secrets. Usually people are not to tend to share them with others.
U have no idea how mich this blessed me. Applied this concepts in my footage on bmpcc 4k almost made me cry 😢 🤣 great value!
Amazing, I appreciate the use of historical strategies to achieve historical results. It is also refreshing to watch a video on TH-cam where the presenter has a solid command of the English language. My next action is to subscribe
This was excellent, Cullen. I just saw you in a video with Darren Mostyn and came running to check your channel out. Happy to have discovered it! Thanks for all the great tips. Cheers
Hey Cullen! I’m new to your channel and man, I gotta say I’m learning a ton! Do you have any videos for styling color? I’m working on a sci-fi/action/fantasy show right now and it would help give some signature looks(I.e. greens and blue themes for outdoors scenes, warmer tones for indoors or familial settings etc). I was looking thru your library and didn’t see anything on that topic. Thanks for all your content!
great~~~ thank you so much
Thank you for making this great content 💪👍
Thank you, I have been learning a lot from you. Can you do a video on why one would want to use a Kodak Film emulation out at the end. I personally find it very ugly, perhaps I am doing it incorrect, even while using a CST
Thank you so much Cullen your videos have been so helpful! Also what's the ID on the acid track playing in the background? :)
Thank you so much for sharing this! If I may make a suggestion. I'm sure this isn't an issue for people who are super familiar resolve, I find the way you lay out your nodes to be a little difficult to keep track of things (i'm a complete novice). Just a suggestion, if you could be mind to keep your node structure from left to right (beginning to end), it may be a quality of life adjustment that really helps beginners. Again, thank you so much for the free educational content. It's greatly appreciated.
Thanks for the video, this has helped me a lot with my project! For some of the clips in the project they were shot on a green screen, so I had to pair the moving background and my footage in fusion. I have created a grade in the color tab I like a lot, but I cannot see an easy way to move this to the fusion page without messing up the color of the background node. Do you have a workaround on this?
This is superb.
Verryy informative!! More Davinci Resolve and color please...👌🏾👌🏾
Thanks for sharing your knowledge, it's so eye-opening to me!
I wanna ask you if it's correct to analyze feature films inside DaVinci or other software, to really understand how they managed contrast and saturation in a cinematographic work. Which parameter is important to preserve? File resolution or bit depth? Or what else?
TH-cam around lot of content this one master.. Why this channel so many people not subscribed.. i find this channel google search
excellent content! much better than most guys on youtube!
AWESOME!
Thank you
Very inspiring
Very good channel!
EXCELENTE
That was super helpful Cullen. Do you give critiques to student work? If I want my work to be critiqued by you, then how should I go about it?
Amazing!!
Pure Gems🔥🔥
This awesome we need more……🔥🔥🔥
Hey Cullen , should a creative contrast curve come before or after a film s-curve?
Such a great channel!
@@CullenKelly I do, sir! Please keep it going!
@@CullenKelly I’m a professional editor for over 13 years now and looking to refine my colour skills, or to become a pro colorist someday! Your channel is as close as the real world work in my humble opinion.
@Tip 2 Split toning scheme .. Is there any difference between using the individual RGB curve adjustments like you are doing and using the Color Wheels (dragging Lift towards cool and Gain towards warm)? Besides having better control of the parameters.
So are you saying that you can do the same contrast and curves tweaks to all your clips? Im especially interested in the curves changes, Im sure that how much you tweak the curves depends on the clip correct?
What buttons / keys on a mac do you use to add an up-stream Node? Thanks
love you
What's the best Picture Profile to record in with the A7s3. The most dynamic range?
How to use that option click ? How do you know where to click on the curve ? Please explain I’m still learning
Nice
Revolutionary techniques over traditional one. Thanks a lot for giving all new direction for experimenting. Keep creating 👍
Fortune favors the bold!
What was meant by the option click?
Just discovered this channel. Lots of excellent information, really well explained. My only criticism is the really annoying and distracting background music. Do we really need music in a spoken video? Apart from that, great stuff.
@@CullenKelly Wow - excellent! Thank you :) Looking forward to more superb content!
Hi there Cullen, I am most likely just confused, so if you would kindly clear it up for me I'd highly appreciate it!
Typically you mention keep things objective, use the mathematical transforms etc. Then go creative with the contrast. However, here you skip the mathematical transform/LUT and keep the footage in log in this case and do the contrast curve manually, why is this? Did I miss a step perhaps?
@@CullenKelly Ah thank you so much, I really appreciate you clearing that up! Will there be another opportunity to see how your compound nodes are structured. I found this channel after your live stream unfortunately and am extremely disappointing I missed it!
@@CullenKelly Where do I get the link! Forgive my lack of searching please.
Hi, where are the pictures you are working with from?
@@CullenKelly Thanks (: Looks interesting, is there a link to it? Or somewhere it can be viewed?
@@CullenKelly Hi, what's the name of the film please? (:
I thought it looked decent on the last shot. Then you showed the arri rec 709 then switched back to the contrasty shot and I was like ewww no she's way too dark and saturated.
But overall great points.
I think you should make a video talking about who you are and what you do. Like why and how you are am expert.
I've been trying to learn color grading and I'm noticing a lot of these guys are just learning but somehow feel like they can make a video and teach this.
Your G.o.A.T
Are you familiar with how color grading is done in CGI animated films? Like how they get those super bold and glowy looks
@@CullenKelly Yeah they get the pleasure of playing with 32-bit footage, whereas most of us have to color grade 8-bit or 10 bit footage. What a difference! lol
👍
I spent 1 day too long learning grading from -name redacted- I have 0 clue what I'm doing now.
Thanks a lot, very, very good tips, but please, get rid of the background music, if you call that music!
Although I’m very grateful for those shared secrets, I feel like that’s the kind of secrets I would never be able to steal and use for one simple reason: if you’ll allow me this analogy, sometimes it would be easier for an average painter to use a Sunday painter’s tricks that try and reproduce all the secret of van Gogh’s painting ;-)
Require too much experience, knowledge and unique senses of Art... overwhelming.
But again thanks. Also I like my colorists to be the intellectual type, (although I can that on Django Reinhardt‘s hand after he had his terrible accident 🙄 oops! sorry 😔
Thank you for your kind word of encouragement, Cullen 🙏
No magic, no « painting like » distancing, too « real » for muse of dreams to come and capture me, (as b&w films or 3-strips used to offer me).
There’s still Tarantino’s 35mm ... things, ... but when you’ve been fed with Visconti, Lang, wilder, Ford ... you simply cannot plummet to such depths, can you? ;-)
*I’m just not a big fan of digital [forgotten before « No magic... »]
*three-strip Technicolor films