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- เผยแพร่เมื่อ 20 มี.ค. 2021
- Learn the most useful and common harmonized 3rd and 6th licks using the CAGED system. US Strat with Fender Custom Shop 69 neck/middle and Duncan SSL-5 bridge pickups into Traynor DarkHorse with Eminence 1028. Fender Tre-Verb reverb and tremolo, TC Flashback Delay, Wampler Euphoria, Boss CP-1X compressor.
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Hello, yesterday night I didn´t understand very well these harmonized 3rd and 6th, or at least I couldn´t figure out the fretboard in my mind. Today, with the guitar in my hands I understand and I see the potencial of it. It is a lot of material to interiorize in all keys, but I think it would worth the time spend on it. Thanks for sharing
I have enjoyed your videos for several years. Your explanations are crystal clear and your guitars are spot-on: crisp and tuned to pitch perfectly. Thank you and keep up the good work. - Tim
Just @4:00 and you conked me on the head with one of my first self taught lessons from 1970! The opening notes to Suite; Judy Blue Eyes by C(rip) Stills and Nash. This was mandatory for the Woodstock crown -and it was Iconic as being Pre- Stairway to Heaven.
Beautiful and well taught!! Thank you 😊 This has definitely helped me to understand and visualize the fretboard and would like to practice and incorporate in my playing!! Nice 👍
Thanks. This is so useful. Well taught.
Very clearly explained!
Thank You 🙏, Hoodrio!! Incredible lesson!!! I love 💕 your channel!! ☮️❤️☮️
Great lesson. It's true. It's simple. But easy, not so much.
What a wonderful way to start off my morning, a cup of coffee and a new lesson from Hoodio!
Very cool.
I can't believe this only has 82 likes. It's an opportunity to apply to so many things
Folks, this is invaluable. Learn it and you will be able to blend these with single note solos, combining slides bends, pull-offs, hammer-ons etc.
At that point you will be a versatile soloist.
Guys like Don Felder ,David Gilmour and Mark Knopfler are masters at this stuff and it really is pretty simple once you get it in your head.
Agreed, now I am just waiting for it to enter my head but brain only has a sliver of the door open😂
Very nice. I have a question if you don’t mind. When you move down the triad shapes, it seems that you go from a fragment of a G chord->F chord->full G triad. (Like when you went xxxx12,10->xxxx10,8->xxx7,8,7). It sound great in isolation, but I’m wondering if the A and C note bit (like at 3:45 in the video) would clash if you were to try and play that over a G chord? And Why does the “F” fragment work/fit in the phrase?
Great question. Don’t think of them as two notes from an F chord, but rather as two notes from the G major scale, the second and the fourth intervals. That’s why it works. You can keep climbing the G major scale in thirds or sixths beyond The first three steps I show in the video. Check out this lesson: th-cam.com/video/XqEQkzoy-bA/w-d-xo.html
what if you playing in another key where you can't just move the same pattern such as C or E
The exact same patterns apply to every key.