How I use the CONTROL ROOM in CUBASE PRO
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- เผยแพร่เมื่อ 27 ก.ย. 2024
- #cubase #mixdownonline #cubasepro
How I use the CONTROL ROOM in CUBASE PRO - Chris Selim
The Control Room is a powerful feature found in the Pro version of Cubase. I use it all the time. In this video, I will share with you why I like working with the Control Room and how I use it to bring my workflow to the next level.
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Thank you Chris! The "Listen" trick is just awesome! 👍
Thanks a million for showing me how to configure different monitoring EQs for different monitors! It's been driving me mad that I haven't found it, and I've been using a Que for my second monitor instead, but then I've had to both turn off the mains while turning on the second monitor. Now it's ONE click! Yeah!
Control Room is really useful too to switch from stereo and mono to check the mono compatibility and the sound :)
hello,you know what, i'm french and many times it's difficult for me to understand Americans or English youtubers but you ,i understand everything ,thank you for your beautiful English and for your very interesting work
I have used control room for a year now and feel I just really learned how to use it now by watching this video. Chris, YOU ARE THE MAN!!! I use Sonorworks as well and now moving it to the Control room insert solves muting it when exporting files.
Oh Yeah! That will be a workflow improvement for you!
You rock, Chris! Thanks for this. I've been dodging Control Room because I couldn't find the right teacher and tutorial. You da man.
You're very welcome! Thanks!
An eye-opening tutorial for me. Thanks Chris!
I have always been using the control room in Cubase. But this video gives insights I haven't been aware of. Great job! Thank you Chris!
thank you man u always been so helpful to us
Glad to hear that! :-)
Hi Chris, I use the Control room all the time but some of the questions I had , got answered in this video of yours..Thank you so much for that.
Thanks Chris! I always learn something I didn't know from you.
Very informative video sir 🌹🙏
Thanks Chris, this is an area I have kind of stayed away from, Why cause of not really totally understanding it fully, I would love to see a part two s(2) on this process. Again thanks for your continued community support and education. Cheers Bruce :-)
Thanks for that video. I learned a good tips for OBS capture. For me, I use Control Room in my Home Studio for Stereo/Mono switching, its easy to validate a whole mix. Then I also use multiple Cues for A/B or reference comparaison during mixing or mastering.
I'm planing a full video on my process using Cubase and OBS. Thanks for sharing!
Hey cool, never tried the control room, but was thinking about it a lot. How it can benefit me and my workflow. Looking forward to this video. Also my compliments on your other video's, I use them a lot in Cubase forums if people have questions about Cubase. Keep up the good work.
Best explanation!!!
Followed you to the T. Still can’t get it to work. I am currently using the TB option thru my Avocet, but would like to have the Cubase ine as backup
A big thanks to you, Chris. You are a genius in cubase. I use cubase pro 10.5 and I love it, but videos like this one from you get me more acquainted with my DAW and makes me like it the more. Infact, for me, cubase pro 10.5 is simply the best. Thank you once again and keep up the good work. God bless you abundantly!
Thanks for your comment, I appreciate that! Happy that the videos are helpful :-) God bless you too, brother!
Great video, I use the controlroom mainly for my Sonarworks and the Listen feature. I have not enough free outputs to connect both pairs of speakers at the same time and I am "alone" or we are all in one room.
Great tips! My favorite thing to do in the control room is to switch between monitors with a key command and changing stereo to mono with a key command also.
This is what I want to do as well. What interface are you using? I'm wondering how I'm supposed to hook up different speaker setups to mine...
Thank you!
Of course!
16:30 thats what I was looking for! thank you
You're welcome!
Your videos are awesome, control room rocks!!!
Thanks Chris!
it was very very helpful Chris
I use the Control room but never thought about putting Sonorworks on there so I don't have to keep deactivating/activating it for mixing down. As you showed, you can have different Sonorworks profiles for different speakers ready to go with a single click. Also you explained the L button for me which I look at but have never used! Now it all makes sense! Great video and explanation of a feature of Cubase I overlooked for a long time. Thanks Chris.
You're welcome, my friend!
Thank you Chris
Great video! I don't have a physical monitor switcher, so I use the inserts on the monitor outputs in the control Room, mapped to buttons on a physical controller, to send through the appropriate Sonarworks profile for each of my three monitor pairs. I also have one on my phones channel to use the profile for my headphones. I made a video on that too.
As always, a great video; very concise. Agreeing with Nelson, the 'Listen' trick is awesome. Even just using it to set up effects will save a lot of time.
My search for this video topic was motivated by a phone call I received yesterday from a friend in Germany (I'm in Toronto) who lost his 'stereo' playback to his speakers; would only do 'stereo to mono' playback. A new piece of hardware that wouldn't connect made him think that Cubase was set up incorrectly; it was a fault in the hardware unit which he's sending back today. So he messed up the Cubase Control Room before he worked that out. I had to log onto his computer (I used Teamviewer) to correct it. I couldn't make it work with just verbal instruction.
The reason is that he is running 9.5 and I am using 10.5. There are some differences in how to access and select output mixes. A few new buttons in the newest version of Cubase. I thought that I'd mention this in case someone is having a problem making this work. If you still have 9.5 version on your computer, check it out.
Setting up my 'Listen' now. Thanks again.
Hey Canadian brother, thanks for your CR update
Very informative as usual, thank you. Cheers Dave
Very welcome
I know to setup control room, but you always show some cool tip, can't wait to watch! 😊
Great video! One other option - I run a talkback through Cubase and back out, so I can use the Muteomatic plugin, to automatically disable during playback.
Cool stuff :-)
Thankyou for this! Perfect!
Greatand in depth as always Chris - those Dim controls were new to me. I use the Cue mix for my singer, usually give him Cues of the group channels, but sometimes just switch his heaphones to the master so he gets an idea what the finished mix sounds like. Really one of the main features of Pro, I couldn't work without that. Haven't tried the talkback yet because we work in the same room, but even then I can imagine it helpful to sing him harmonies.
Thank you Chris for sharing this great video with lots of tips! Keep up the good work.
Hi! Chris, great videos.
I bought Steinberg UR 44 C in an attempt to improve work flow between Cubase (12) and it, but I was a bit disappointed.
Control Room and DSP effects synchrony:
To my surprise having to use DSP effects hinders work flow in the following manner when recording in the same room as many of us do these days:
When one wants to use DSP effects, one would select the track one would record on and the dsp panel would appear on the inspector.
Problem 1: But for it to appear, you should have output busses under "Output" tab as opposed to having busses in the control room. If you have busses in the Control Room for headphones mix for the singer and monitors, but not have busses under "Output" tab, the DSP panel will not appear on the inspector.
Implications:
This means that, for me to record audio using DSP effects, I'm forced to have to remove L1 and R1 busses on "Monitors" under Control Room tab so as to use them at the "Output" tab.
This would then mean that, my Monitors are silent and the "Main" button does not work. This is a huge inconvenience because sometimes one oscillates between recording and editing.
The only way to resolve to dial down the physical volume on the UR 44 C. I was hoping I would not have to touch anything physical like I used to on my previous interface. I could control everything from the "Control Room" without opening audio settings.
I wish Steinberg make DSP effects panel active even just by simply activating Control Room.
It is better to try what I'm what talking about. Don't mind creating a video to explain better.
Could you please do a video on how to increase work flow if you record in the same room while working from computer on Control Room while using DSP effects.
A very interesting video, thanks a lot!
Merci mec!!! j'apprécie beaucoup tes capsules, elles me sont très utiles!!
Bienvenue Pascal, heureux de voir qu'elles te sont utile :)
This is great thanks. Have you done a video on setting up OBS with Cubase? This woul;d be really useful for me
In obs under Audio settings ya can choice ya Interface and ya fine for streaming mayb ya need loopback function in ya Interface
Great Video as always. After watching your videos it makes me second guess the "other DAW" that I use.
Keep up the great work
Thanks Chris ! toujours de très bons tutos comme d'hab ;)
Merci Fab!
Thanks Chris...This gave me some great ideas.Till now I've only used the control room in a very limited way. I only have one set of monitors but I have 2 headphone outputs so I set up a special mix to compensate for the shortcomings of a second crappy set of headphones I have so I can have someone else listen in with me when that's called for.
Can you please make a video about how to setup the talkback function from beginning to the end? Input of the mic etc.
Good evening, is there a method please to separate general listening "stereo out" and listening to the media bay? in other words I want to route the sound of the media bay separately in another audio track? I heard that it is feasible from the "control room" but it seems very complicated for a beginner A video explaining the procedure would be great
Thank you, nice one
I always used the direct output but now i find i have much more control over myt monitoring system and i can now switch from one set of speakers to another seamlessly.It might just be me but i find my stereo imaging sounds more spacious than before , there seems to be more depth but that could just be an illusion.Thanks for another great tutorial.
That was very interesting! Thanks a lot Chris!
Glad you enjoyed it!
Thanks Chris! I love using control room. It’s always on!
I recently started using it to listen to reference tracks while mixing. This way I can route the reference track so that it doesn’t go through my master buss processing, and I can seamlessly A/B my mix by switching between Mix and Cue 1(or 2-4)
If I set the reference track to solo defeat, I can also seamlessly A/B soloed tracks in my mix against the reference track.
Love your videos!
That's a cool way to use the CR, thanks for sharing!
Thomas Kinzel I use the listen button in the CR for switching to my reference track. Then you don’t need to use the cue sends.
Hi Chris, great tips again! I use the Control Room all the time, e.g. for Ref-Tracks routing, so my 2-CH. MASTER w/ plugins is bypassed. This way I can switch between Monitors and Cues (Refs) in no time at all. And yeah, the Listen Mode in Cubase is great, it's very useful during the mixing, 'cause listening halfway in context, thanks to the Dim-Level, is something that I really love. I use the Solo Mode as little as possible. Have a good one, and stay healthy bro!! :-)
Thanks for sharing, Frank!
My pleasure Chris! BTW: I like the Rear Bus technique a lot, it's very cool.
I use the control room while streaming. I have two cues set up, one that goes to the stream, one that goes into my in-ears. The one to my in-ears has my click track, and a slightly altered mix so I can hear the instruments I'm playing. I send the talkback to both, to use as my speaking mic, and I have a plugin (Muteomatic) that I use to mute the talkback when I go into play mode. When I'm not performing live, I just listen to the regular monitor mix, which goes to my monitor controller. One of the biggest benefits for me is that the control room configuration remains intact, even when I switch projects.
Seems like a nice setup your have there :-)
You can set up in preferences, that the TB is mutet, when Cubase is playing. No need for Muteomatic. I use Muteomatic in the Reverb channel, to stop the Reverb when in Stopmode, when I talk to the talent, so you can speak without Reverb.
Hi Your Videos helped me a lot Thank you very much. I have since Month the problem, that i would like to stream vom cubase 11 pro the sound i recorded, and live percussion to obs and from there to twitch. My Problem is i worked with Voice Meter Banana, but there always is a Latency with my Mic...
Fantastic video Chris! I think Control Room is what separates the men from the boys in DAW terms ;)
LOL,, Tha is the best comment I got so far! Lol
Among a lot of other things Dom! If people claim that [enter in any other DAW here] is better than Cubase, it's just pure ignorance :)
Wow! thanks a lot for your useful tips - your explanations are always clear - I'm using Cubase 10 Pro, and it's getting more complicate since I've started in lower versions years ago. ;-))
Hi Chris, firstly can a say a big thanks to you for your tutorials, they are so helpful. I have just started using VST Connect Pro which I am getting to grips with thanks to your help. I do have a question though. I use closed back headphones and when I'm using talkback I find it odd hardly hear my own voice when talking to the performer. Is it possible to route talkback into my headphones as well??
I have many questions about Cubase Pro control room feature. Looks very interesting.
First, is there a way to have momentary on/off switching like a conventional studio talkback, opposed to the click on/click off? (That sounds like a recipe for disaster if it accidentally gets left on and picks up confidential control room dialog and all the players hear it!).
Is there a setting to have faders control a cue mix instead of the little mousey line bar?
What about a remote control room volume pot?
I like your idea of having the control room mix on a stereo channel in cue for quick monitoring but is it possible to send the mix to all the separate channels quickly, then be able to tweak separate cue mixes as needed for players?
Effects and sometimes even eq on the cue mix channels seems fairly obvious, but please elaborate. A great cue mix is one of the most overlooked factors in getting great, balanced, inspired and dynamic performances.
Thanks for great tutorials!
Thank you for this long explanation, Chris. It was very enjoyable and enlightening in some details that some of us had not seen, apparently.
LOL, you forgot to unmute but in 12:16 you unmute instead of mute 😹. We call it “gajes del oficio”.
How does OBS get the audio? You send the cue mix to hardware output and OBS get this from an input or is this done all directly via software?
LOL, Yes, that's what I did...For OBS, I will release a full video on this very soon to share my process using Cubase and OBS.
Oh, that sounds perfect, thank you!
Is there a way to use the control room to use a laptop's onboard mic for a talkback mic? In the studio, I simply use the talkback functionality made available through my monitor controller. But I often track demo vocal on a laptop at other locations and I'd love to know if there's a way to do this -- I'm a little worried that Cubase may unfortunately not have the power to do this. What are your thoughts?
great video...also use cr in connection with obs. and voicemeter
what is the recommended mini controller for cubase 12 for scripts
Hi Chris. I also have a AXR4 and the other day I was fiddling around with OBS. Can you elaborate on how you have the cue mixes in Cubase set up and how you have set up your routing to capture everything in OBS? Can you record the Cubase output and your microphone seperately in OBS? Love to hear how you did it! Best, Rob
How do you connect and how do you route the mic for talkback?
Hello Chris. This is VERY interesting. I've got a novation Launchcontrol XL and i wonder if it's possible to assiging Control Room Level wheel to a midi fader and how I go about it? I really can´t find that CRL in the settings. Thanks for the awsome videos. Cheers from Sweden.
Yes of course, instead of selecting Commands, select VST Contro Room then Control Tool then Volume, that will do it!
@@mixdownonline 1 minut later and it's working like a charm. Thank you sooo much my friend!!!!!
Do you have to switchback to regular outputs to export a mixdown?
Starting audio recording i used the control-room for different mixings to record. One cue was used for backingtrack an other for my instrumet i#ve recorded that moment.
Both cue's i've routed to my interface that had 10 outputs and for of them i used to go in my mixer. In the mixer i had two subgroups where one i used for the backings and the other to hear me playing while i am recording. Now i use a digital mixer and so i have no use for the control room now.
Maybe later when i buy a vocalbooth to put it in a different room, i will use the controll room for the studio-room and one cue for the vocal booth.
Cool setup Dirk, thanks for sharing!
@@mixdownonline I thought first, that my english is not good enough, that nobody can understand what i am writing, but i tried it and that showes me, that where is a will, ther is a way. Thank you for your respond!
I'm new tot his and cannot find the enable/power button for the Control Room. I am using an early M1 Mac Mini and Cubase Pro 13 and struggling to hear anything from the microphones. I can hear tracks etc no problem. If you have a session on mIcs only, Maybe I'll find it but thank you for doing these.
Using Cubase 11 Pro, any differences I should know about between 10.5 and 11 for the control room? Thanks.
Whwere did you plug in your Talkbac mic? And/or did you set it up in the routing panel?
Hii love your stuff Chris! How did you get your mixconsole to color the racks?
Nice, but I have to use for the Control Room. I use Cubase since mid 90s... and I don't see the necessity to use the Cubase control room at all, and I mean AT ALL !!! Everything that the control room does, I can do with several plugins too. Listening to references I can do with an external audio program. Well, I'm a creature of habit. :)
Hey Chris - Great Video. Question: I find that I have to disable CR and revert back to main outs when adjusting vocal clips in variaudio or I cannot hear them in realtime. Am I doing something wrong?
Hi Chris, how do you set up a Cue mix when you are using a reference track? What is the main purpose using this option for a reference track? Thank you.
My answer is in this video th-cam.com/video/SEe-1bsarSc/w-d-xo.html
So is the cue sends like a pre auxiliary
nuendo 13 how to change the color of the audio connections window to white?...
Thanks again for this video! Here's another question....This pandemic has made it unable for us as musicians to work in public. We did attempt to do a live stream on Facebook and the audio was terrible! I downloaded OBS and a program to connect the android phone via Wi-Fi to OBS, but could not get the audio to work no matter what I tried! I was going to run our mics through Cubase Pro with our Focusrite Scarlett 18i20 but could never get any audio in OBS. Any suggestions would be greatly appreciated as we will be live streaming again...hopefully with better audio!
Yes, I received a lot of questions regarding this. I'm working on a video on that topic that will be up up very soon!
Question: When you first opened the Control Room you had Sonarworks Ref in an insert slot at the bottom of the CR but then moved it up to your Monitor's insert slot. What is the lower set of insert slots and how are they different from the ones under the monitor? Thanks!
The ones on top will affect a specific Monitor Output, each monitor output will have Insert slots. if Sonarworks is added at the bottom like I do, that affects all monitor outputs.
@@mixdownonline Makes sense -thanks. Stay safe, be well. Peace from SF
too many features jaja todavía no tengo tiempo de revisar todo, ya lo lograré, gracias por todos estos tips!
using fader port to control the control room? is it possible?
HI SIR IS THERE ANY METHOD TO LISTEN MEDEA BAY SOUND WITH USING CONTROL ROOM WITH ONLY ONE OUT PUT SOUND CARD
Hello Chris, is it possible to make a Video about Vst Connect and Vst Transit ?
Especially in this period 😉
I'm actually working on a VST Connect video at the moment
Thank you Chris great video as always, do you prefer keep the project as midi or covert it to audio and then mixing & Mastering? Midi is taking too much cpu power.
Convert to Audio all the way, I never keep MIDI when mixing
How can I make an key command for control room level
Great video as always Chris!
A question if for you. When I set up my control room all my audio I send to my cues seem to be panned a bit to the left. All my panners are dead center so I don't really know why. Any ideas on why this is happening? I have looked everywhere I can think of both in my settings and on-line to find an answer.
Cant get any flatter than Yamaha HS hehe. 😊✌
Chris, how do i make variaudio audition sound go to cue mix in Cubase?
Sometimes i just want to fix something fast while recording (and i'm already with my Headphones on) BUT when i want to adjust a note in Variaudio quickly i CAN"T hear the fixes when i move the notes around because i'm hearing the Cue in my Headphones, when i go to the control room section on my Cue mix and switch the input to MIX it doesn't work either :(
Any suggestions?
Great tutorial. I love the features of Cubase Pro's Control Room. I do have a question, though, that I'm a bit confused on. The Control Room provides great routing options for monitoring, and basically leaves Cubase's main stereo output to be used just for exporting your stereo mixdown. I'm sure I'm not the only one, though, that like to put a bus compressor, EQ and/or limiter on my master bus for mixing. If I'm using Control Room, does this mean I need to put these plugins on my master stereo bus as well as my control room bus, with the same exact settings, so that I can hear the effects of these plugins both when monitoring through the control room as well as in the stereo mixdown that is exported through the stereo master bus? For example, I might insert an SSL bus compressor on my stereo master bus. Would I need to insert the SSL bus compressor plugin on both the stereo master bus as well as my control room inserts and match their settings? It seem to me that if I don't insert the bus compressor on the control room, I won't hear its effect when I'm mixing/monitoring, and if I don't put it on the stereo master bus, my mixdown won't be affected by the bus compressor. However, having to insert it on both the control room and the master bus and match the plugin settings seems a bit inefficient and dodgy. It would be nice if there was an insert chain that was shared between the control room and the master output bus so that both could be run through the same exact plugins. Am I thinking about this wrong?
You can add your Mix Bus processing on the Stereo Out channel like you usually do. No need to add them again in the control room, the signal coming out of your Master Out Channel is what you're go hear through the CR. The CR Inserts are for monitoring types plugins like a VU Meter, Graphic Analyzer, Sonarworks Sound iD, Waves NX for Headphones... Plugins you monitor with, but don't want to bounce with your mix. Hope that helps!
Sir m getting talk back in audio track input how to solve.
Hi Chris, may I ask you if is there a way to use Control Room AND browsing Media bay at the same time? Because it looks like that when Control Room is active, browsing samples on Media Bay is DEACTIVATED. Veeeery annoying. Thanx so much for the killer content.
It's possible for sure. Make sure your Stereo Output in VST Connections is routed to "Not Connected" when Control Room is active and that your main output is Connected to Monitor 1 in Control Room (VST Connections)
Hi Chris, what sample rate should I use to produce music for video, 44100 or 4800 ? Thank you 💐
48Khz is usually the standard for video production
Chris Selim - Mixdown Online thank you
I’ve watched this over and over and am still having issues. I set up a cue mix, dedicated the output, but if the main monitor section is in “mix” the cue mix hears what that sends. I’ve watch a lot of other videos as well that went in to more depth on setting it up and still nothing.
Hardware:
iMac 27 quad core i7
Focusrite liquid 56 & pro40
NVM. Ended up being more with the Focusrite settings in “Mix Control” software. Got it working.
Hi Chris.. Thank you for your videos. Could you please tell me if I can use the control room feature if I have an audio interface with 1 main out (L+R) only? I have the Steinberg UR242 that has 1 main outs (L+R) and 1 headphones out.
Yes you can, and you should. Your main Stereo output will be used by the Control Room. Using the Cues Mixes will not be useful in your case but everything else will.
Hi Chris. I switch between monitor buses on the same pair of speakers emulating different speaker systems, so I have to use the same hardware outputs on different monitor buses. The problem is each time I open Cubase the Master buses in the Outputs of the Studio Connection window are engaged automatically. So my output Master bus signal doubles with the Control Room monitor bus and I have to disconnect them each time I open Cubase. That's uncomfortable. Do you have a clue how ro fix this bug?
Not sure I follow your entire monitor busses process but when using the Control Room, make sure that the Stereo Output from the Output Tab (Audio Connection) is always routed to "Not Connected" but routed to your Outputs in the Control Room Tab.
Sir, mainly I'm a music programmer but I recently facing a problem in cubase 10.5 pro version, when I started background scoring on short film,, when I import the video file and then play it.. the video is not play properly or smoothly in video player.. there is many lag and some crashing!!!!! Sir please help!!!!
I'm also using 4 gb GPU on my pc
Make sure your video format is supported in Cubase helpcenter.steinberg.de/hc/en-us/articles/115000808250-Video-support-in-Nuendo-Cubase-WaveLab-and-Dorico
Hey thanks for tge video, it was great, one question, are you recording the vocal directly to OBS or you are running the mic through cubase and sending it as a second cue mix? Also is sending a cue mix to OBS solves the no audio problem with the Asio driver?
I'm planning a full video on my Cubase OBS process very very soon :-)
Hey there, I am definitely going to try using the control room more since I now know how to set it up correctly. However I have a problem which I can´t find a solution for.
In Cubase 10.5 I can´t rename tracks by double clicking anymore and that is driving me crazy. I can only do it from the mixer window at the bottom. When I open the drop down menu from the name tag the option to rename the track is greyed out. Do I have to enable that in the preferences or is that simply a bug. In cubace 10 that problem doesn´t exist. pls help...
Looks like there's a corruption somewhere. You might need to trash your Cubase Preferences to fix the problem. Contact the Steinberg support to help you with this. And don't forget to backyp your Preferences before deleteing anything ;-)
I've always used the Control Room since it was added to Cubase... but it's just me in the home studio... Am I overcomplicating things?
not at all !!!! Everyone who has PRO should use it!!!! Think of the referenz-track that can be set up using only Cubase and nothing else.
It's not a must but very useful even by yourself. So keep on working with it :-)
How do you add more monitors? I only have an "A".
From Audio Connections (F4) and the Control Room Tab...Click on Add Channel
@@mixdownonline Thanks!
How to set up a Cue Mix in Cubase
th-cam.com/video/c9z59BZmY7E/w-d-xo.html
This is also important!!!
And I use the control room for inserting analyser plugins like Voxengo SPAN or things like that.
I use a shortcut to open only the control room in a small window to see the output
And - very important - the room correction. I use ARC2 from ik Multimedia. But sonarworks is maybe the better choice.
The control room should be used by EVERYONE !!! Even if you record one voice or a single instrument you can benefit from the cue mix.
And you can leave alone the master fader at 0 dB. Or you can set up a reference track and if you use the track variations with it you can compare all your reference tracks with your actual project.
And the control room gives you the option to send the reference tracks directly out of Cubase without the effects of your master channel.
Here's a video how to set it up:
How to use the reference mix with the Control Room in Cubase
th-cam.com/video/VH1tWdTddE4/w-d-xo.html
That's a cool way to use the Control Room for reference tracks for sure. On my side, I keep my Master Out for reference plugins like SPAN and a Vu Meter. I have a separate Group Channel as my main Stereo Out where I insert my plugins. The only channels routed to the Master Out are that Stereo Out Buss and my reference(s) tracks. Like they say, all roads leads to Rome ;-)
Salut Chris, dommage que ce ne soit pas en Français , j'espére toujours ..
Je planifie commencer un truc en français bientôt sous forme de podcast peut-être :-)
@@mixdownonline C'est quand même bien dommage pour nous petits Français que tu ais laissé tombé ta chaîne en Français , et comment on fait nous ? Hein .. 😢
@@gillou2689 Désolé mais c'étais un décision par rapport au temps que j'ai de disponible. C'est un gros investissement de temps d'avoir une chaîne TH-cam à produire des capsules gratuite toutes les semaines. Donc pour l'instant, j'ai du aller ou la demande étais plus forte. Je dit pour l'instant car j'ai des plans de revenir avec du contenu en françcais dans un avenir rapproché. Soit en vidéo ou en Podcast.
@@mixdownonline Je comprends bien , mais j'espére tellement t'entendre de nouveau en Français ...
Merci Chris!
Thank you!