Seong-Jin Cho - Nocturne in C minor Op. 48 No. 1 (first stage)
ฝัง
- เผยแพร่เมื่อ 2 ต.ค. 2015
- Narodowy Instytut Fryderyka Chopina/ The Fryderyk Chopin Institute
All rights reserved 2015
The Fryderyk Chopin Institute, Polish Television TVP
Zapraszamy do śledzenia transmisji z Konkursu na kanale/ Broadcasts from the Competition can be followed on the Chopin Institute's TH-cam channel: / chopin2015
Oficjalna strona Konkursu/ The official Competition website: chopincompetition2015.com
Oficjalna aplikacja iOS/ The official iOS app: appsto.re/pl/jBvv6.i
Oficjalna aplikacja Android/ The official Android app: goo.gl/u93t9T - เพลง
주기적으로 보러오는 영상ㅜㅠ 너무너무 아름답다 황홀하다
Seong jin Cho is a poet on piano.
I will forever argue that this is one of the greatest interpretations of this piece. Not only is it very emotional, but his technique is incredibly controlled as are the dynamics. In addition, it is not too fast nor too slow; just right in my opinion.
No doubt about it
i find rubensteins better but this is easily second
@@RazaXML prove it :p
@@RazaXML same, but the way he played was also very nice
@@yungsticko Rubensteins is so flat in my opinion, very little emotion. I personally love Lisiecki's dramatic interpretation
God bless Chopin and his misery, without his painful experience we wouldn't have these beautiful pieces.
C7 Z I think it's just talent. To say that is quite a stretch if you ask me.
Omer Demirkan Its not really a stretch. Chopin really make many of his pieces because he lost his home in Warsaw.
Omer Demirkan he was miserable while he composed his preludes and the fact that he was denied marriage to his love bc his life as a composer wasn't secure. Also his health was shit. If he was happy even with all that, then my god was he strong...
Omer Demirkan and also some of his etudes were dedicated to Warsaws fall, and his love.
C7 Z i definitely agree. The miseries and sorrows of Chopin added depth to his works. The depth and nostalgia in the works of Chopin cannot be found in those light and happy works of other composers. (Even though i respect other composers too)
조성진 연주 이번에 새삼 다 돌려보면서 느끼는게.. 정말 그때도 놀랍지만 시간이 지날수록 더 놀랍다;; 어떻게 경연 연주인데 모든 연주가 다 릴렉스 돼 있고(쓸데없는 힘 하나두 없음) 완벽한 몰입.. 컴피에 연주중에 거를 타선이 1도 없는... 이걸 10년뒤에 보면 더 놀랍겠지;;;
Cho knows how to make music magic from the beginning. The build-up of tension and drama is genius. What a pianist!
He is a true poet!
Totally agree!
He is the only pianist who plays this like a tango! The best interpretation.
From the first touch, it gave me goosebumps and took me all the way to the end.. never gets bored and sick of this magnificent piece, played perfectly by Cho. Thank you.
4:47 この部分の弾き方に関しては彼が一番良いと感じた
泣いてる感じがする
책을 읽다보면 책의 줄거리와는 별개로 그 작가만의 강렬하고 뜨겁거나 화려하거나 혹은 건조하기도 한 특유의 문체 그 자체에 가끔씩 아름다움을 느낄 때가 있는데 저는 조성진씨의 연주를 들으면 유독 그런 느낌이 들어요 섬세하고 아름다운 조성진씨만의 문체를 읽는 느낌
최지언 문학의 예술성을 제대로 설명해주신 말입니다
멋진 설명이네요...
개인적으로 녹턴 중에서 가장 애절하고 처절한 분위기인 것 같아서 너무 좋다... 정말 밤에 들으면 감성에 취함
이제껏 들은 녹턴 중 가장 애절하고 아름답다.. 작품 자체도, 피아니스트의 연주도.
동감입니다
Here! This is the start of the legend, Cho
passionate yet self-controlled. superb technique and beauty. no exaggerated motions during the performance. perfect.
caroline ruby
As it’s a romantic piece, I enjoy losing oneself when playing and emotional motions
I admire his musicality and yes, no exagerrated gestures!!!
Bravissimo
This comment reminds me of Lan....
진짜....이때의 이 녹턴은ㅜㅠ...
콩쿨에서 저정도 감성을 전달하는건 얼마나 연습을 해야 가능한건지....본선 1차, 어제 기대했던 주자들....멘탈 나가는거 보고 다시 와서 확인, 녹턴, 판타지,에튀드...설마
긴장할때 더 잘하는 성진초?ㅋ
the slower pace and rubato at the 4:00 section makes this the best version for me
please upload the video with the louder sound 😢
머라고 해야될까 매번 들을때마다 소리의 밸런스 ,강약 조절 및 페달이 너무 고급스럽고 깔끔하다
감정에 휘둘린다거나 어느 한쪽으로 치우치지 않는 제 3자가 멀리서 피아노 소리를 들었을때 누구나 공감 받을수 있는 중도의 소리를 내는 능력이 대단 한것 같다 듣는 귀가 엄청 섬세할것은 당연하고
또 그걸 체득하고 표현하기까지 엄청난 노력을 했을거고 ,,, 정말 존경한다
Seong Jin Cho it' s really very bravo one Maestro!
어떻게 본선 모든 곡 하나하나가 보석같을까..
Best recorded rendition in history.
Best play in youtube
him and Martha have the best for me
Rubinstein best for me
brother had the audacity to use rubato on the doppio movimento and nailed it. Cho is really one of the best pianist of this generation if not the best
The only two even close to him are Liszt and Rachmaninoff. Chopin will never be surpassed.
어찌 이리 아름다운 소리가 있을수 있을까요 너무 아름다워
가슴이 타네요
The most beautiful and haunting nocturne ever written
5:02 is like seeing heaven. Unbelievable performance
Hear me out. As a pianist who has played this piece, I don't think people actually realize how hard it is to achieve and MAINTAIN the tone Seong made from 4:01 onwards.
To put into perspective Seong's technical level, some pianists will 'cheat' this section by simply pushing down the sostenuto pedal to make it soft but Seong is relying on raw technique to play soft which is just crazy. The amount of practice just to get that level is unfathomable.
Second, read the score for the right hand for doppio mvt. and the level of technique you need to play two notes with your thumb softly or tapping the keys with your index finger softly is so ridiculously challenging. (Example: Seong's soft playing at 4:37 is technically hard to play at a fast speed; many other pianists over accent this part while Seong only brings out the melody line and keeps everything else soft ).
Third, his total control over sound harmonises the piece so well that its impossible to find any unnecessary accents at all. Listen to others and there are those moments where you might say "eh, slightly too much there" or "a tad too soft here". Seong's is PERFECTLY balanced - you can relax and simply enjoy the music.
Totally agree, by the way his family name is not Seong but Cho.
100%. Im trying to learn this piece and would say that I'm a pretty advanced piano player. But this part is so hard to play well, it's just crazy
Everyone plays this at the Chopin competition, difficult for even these level of pianists to play well. Seong jin is simply amazing!
👍👍👍👍👍👍👍
I'm a pianist and couldn't agree more on this.
이곡 쳐본사람들은 다 알듯.. 이곡이 정말 어려운 녹턴중에 하나이고 무엇보다 저 감성 표현이 결코 쉽지 않다는것을 ㅠ 성진군이 본선 2차때까지만해도 정말 긴장을 많이 했고 좋은 기억이 없었다고 했는데 이건 정말이지 릴렉스하며 클리어한 터치하며 감성표현이 타고 난것 플러스 죽을만큼 노력했다는 증거로 보여지네요. 저때 인터넷으로 실황을 보았었는데 도입부부터 다른 참가자와는 달랐었네요. 제 개인적으로 최고로 꼽히는 조성진의 연주 중 하나입니다
도입부에서 끝난듯요.. 넘 잘쳐ㅜㅜ
후반부 정말 극악이죠...특히 아름답게 표현이 너무 힘드네요 ㅋㅋㅋ
지금 이새벽에도 귀가 너무 보채서 듣구있어요
아 숨도 못쉬겟 ㅡ
facts
저때 감기걸려서 컨디션이 안좋았대요ㅠㅠ
coming back to this performance after listening to some of the renditions of this piece during the first stage and SJC still tops this piece by a mile. Of course this yrs renditions were great as well, but SJC really takes you on an unforgettable journey with this piece, from the start all the way to that sublime doppio mvt. Not trying to downplay the 2021 performances but it really puts into perspective how insane this guy is
I've just revisited his performance as I felt sick listening to the same nocturne performed by many competitors at the 18th. Seongjin's performance is so controlled and well-planned compared to other ordinary players showing their emotions in their own ways. I do admire Seongjin's exceptional ability!
I agree, I've already listened to lots of renditions during this competition, no one is even close to this one
Can’t agree more, especially the coda climaxes part
SJC just chopinized 🥺
This and hayato sumino were both great renditions.
Totally agree, a participant like Seong Jin Cho cannot be seen every five years
What makes his performance stand out compared to the others in the competition and I think I've listened to these about a dozen times before- is how in control he is. He never loses control He never goes overboard. Sometimes you feel you want him to let loose partly because you heard this piece played so many times by people who hammer the living crap out of the piano but he just stays IN CONTROL. It's crazy. His rendition is very clean.
He actually said in an interview, that he was totaly outta control when he was playing this piece.
He didn't remembered how he played etc.
Totally agree!
Well from the recordings Ive heard alot of people are actually very in control of it and it sounds oddly simple from how quiet it is, for example rubinstein's recordings or moravec's.
@@finnfuchs879 그 인터뷰 어디서 볼 수 있습니까?
한국인으로서 처음 좋아한 한국인 피아니스트 같네요...일부 곡에서는 곰 손을 가진 서양 피아니스트에 비해 파워가 부족한 부분만 빼고 너무 좋습니다. 이 녹턴처럼 절제된 느린곡 연주하는 게 너무너무 잘 어울리는 것 같아요...슈베르트 연주에서도 비슷한 느낌을 받았는데...특히 이 곡은 유명한 20세기 대가들 연주보다 더 좋은 것 같아요! 문외한이라 잘 모르겠지만...고요하고 쓸쓸한 얼어붙은 황무지 바닥에 반짝반짝 빛을 내며 춤추고 노래하는 아주 자그마한 보석같아요...계속 좋은 연주 부탁드립니다!
あまりにも、美しく切ない演奏に涙がでます。これからどれほど凄いピアニストになるのでしょうか。期待しています。素晴らしい演奏を有り難うございました。
이 녹턴은 조성진이 월클이 아니라 신계라는 걸 증명하는 연주임 이 노래처럼 수미와 중간의 대비가 큰 곡이 없음에도 불구하고 이걸 한 노래로 만듦. 첫음 톤에서부터 2015년에 살아 숨쉬는 21살의 쇼팽을 보았다…
I never paid attention to this piece until I heard Cho playing. Such beautiful and breath-taking music!
Same!!! I didn't realize this was so beautiful, the same with his rendition of Claire de lune
Whenever I hear Cho play Chopin, something happens inside of me; something is set to infinity, my inner gaze glazes over, my attention becomes scattered, or so it seems when that attention is turned to the eternal, fixed to something pertaining to final causes. My inner self departs from nature, and also wants nothing to do with logic or practical concerns, but wants to deal exclusively with matters of a metaphysical nature.
Sometimes it is as if I wake up, with the music still playing, and then a tangent appears on the horizon of my consciousness; the earthly touches the unearthly and being together becomes something incomprehensible.
I have never before heard someone play Chopin with such strong influence on my inner reality.
日本人です🇯🇵 甘く艶やかで王道のショパン。パーフェクトなノクターン。ショパンがイメージする死の概念をチョソンジンが現世に降臨させたかのように厳かで美しい。体調が悪くなると風邪薬の代わりに聞いてます🍀*゜とても美しいメロディは薬になる
👏👏👏
この方の弾かれるショパン
すごくいいですね 特にこのノクターン
素晴らしいです
大好きです
터질듯 말듯한 절제가 돋보임. 완벽한 연주이기에 가능한 표현력인 듯. 멜로디 노트나 옥타브 연주가 하나라도 불완전하면 이런 느낌이 안오죠.
Who could have thought that this would become a legendary version? And here we go.
The best performance ever.
Too many artists do a lot of "banging" in this piece, but this interpretation is exquisitely musical with superb technique.
One of the best I've heard of the c minor nocturne. Such controlled passion. Most pianist lose control of it at the doppio movimento. This is just flawless beauty of a performance.
No one can play Chopin like this guy
Zimerman
I don't know.. tiffany poon has some of my faviorite nocturne interpretations.
Horowitz, alfred cortot, rubinstein, josef hoffman, moriz rosenthal....
@@elias7748 No way bro said cortot 💀💀💀💀
@@elias7748those are all very different
나는 이 연주가 그렇게 좋더라. 뭔가 처음 연주라 떨림도 느껴지면서 곡자체의 슬픔 그리고 테크닉까지 정말 너무 좋고 마치 오케가 연주하는거 같이 웅장하고 결이 싱싱하게 살아있음.
쇼팽이 진짜 미친 천재 그자체... 구성과 화성을 이렇게 그 시대에 짠다는게 도저히 말이 안됨
인류역사상 음악성1위임. 걍 신이 재림했다봐도 무방.
폴란드사람들은 얼마나 자부심을 가질까요 애국자이기까지 했으니..
쇼팽의 전곡이 그렇더라구요. 신기함. 불협화음 같은데 들으면 기가 막힐정도로 조화롭고 아름다워요. 엄청 어려운 곡들도 듣는 사람 입장에서 난해하지 않고 그냥 아름답습니다. 쇼팽은 시대를 초월한 천재인것이죠
@@user-cg7sv8mk2v 다른사람이었으면 개오바싼다고 했을텐데 쇼팽이라 진짜 맞는말인것같음
@@user-jv3js4pd5yㄹㅇ 쇼팽 까는 사람이 존재는 할지 의문임 ㅋㅋㅋ 클래식계에선 걍 신적인 존재인듯
Just wow... The melody towards the end was so clear and so haunting, it sounded like he had a third hand! I am on Day 2 of learning this and am so inspired by this performance.
Plan on spending the next 5 years or more mastering it. Very few pianists play it well.
ドッピオムーブメントからは奇跡の音です。内声の和音にかき消さたり
メロディーが曇ることなく
クリアで美しい。
私のベストオブop.48―1です。
@@JoeLinux2000 listen to yundi li's version at the Chopin competition 2000
@@JoeLinux2000 same 😂 been practicing it over and over for the last year already
@@tyler-qr5jn I played this nocturne and mastered it in 3 months, Its was hard sustaining the sound of the notes closer to the end of the piece.
I never liked this nocturne before but now I feel it resonates with my sorrow. I think I had simply never heard it as it was meant to be played until now.
I thought the same thing about Liszt's b minor sonata until I heard him play it
I agree, I even never liked any of nocturnes before .. but it is now my favorite
listen to rubinsteins version, its just is pure perfection to me. similar to this one but even more polished id say
Not an easy nocturne to play. Difficult to play well, superbly done. This is an inspiration for me to finally master this one.
exactly !
impressive interpretation❤
콩쿨 전 곡이 역사에 남는 연주 되었음
Cho breathes new life into these classics; a welcome newcomer. I look forward to hearing more of him in front of the LA, the New York, and other great venues.
He is coming to LA in October. I am SUPER exited!
와..진짜 연주하는 곡에 스토리가 있는 느낌이네요.. 마치 애절하게 누군가에게 통곡하는듯한 그런 느낌이에요
역시 또 듣고 들어도 영혼이 담긴연주 모든게 완벽한연주~ 얼마나 잘 쳤으면 심사위원이 거의 유럽사람인데도 그들이 한국사람한테 우승을 줄정도면 그들도 인정하는 세계 최고 1위~어린나이에 어떻게 저렇게 음악감정표현을 잘할수있을까? 정말 자랑스럽고 너무나 뿌둣하다 .그리고 용모 지성 인격 품성 피아노대하는 태도 강약조절 때론 카리스마 환상적이고 고급진연주 손가락예쁨 뭐하나 삐짐없이 모든게 완벽해서 자꾸 빠져들면서 보게된다 한번 영상보면 다른일을 못할정도다~몇년이 지난영상안데도 다시 봐도 역시 세계 최고~ 성진씨의 연주때문에 많은 행복감을 느까고 살고있네요 정말 감사드립니다~^^
This piece brings me to tears. Every time I listen to it again. And I am by no means a sad person. So far, it's the only one capable of doing that.
I've listened to many other pianists play this piece, but no one beats Cho.
0:19 Who? Who coughed on this precious stage!
여리고 섬세한 피아니스트 와 강력함이 있는 피아니스트는 많지만 여리고 섬세하면서 동시에 강력함까지 겸비한 피아니스트는 드물다고 생각한다. 그게 내가 조성진을 좋아하는 이유다.
동감합니다
ㅇㅈ
진짜 눈물나게 좋다
어떻게 표현하지 ㅠㅠ 고마워요 조성진님 ㅠㅠ
Always goosebumps at 4:50 !!
EXCELENTE INTERPRETACIÓN !!!!!! 👏👏👏👏👏👏
이번 쇼팽콩코루 듣다가 와 다들 어쩜 이렇게 잘치지 하다가 다들 조성진만큼의 기량이 없음에 분개하시길레 찾아서 들어보니 아 이거 비교해서 들으니깐 그냥 아예 시작부터 울림까지 아 다르구나.......
His interpretation still gives me goosebumps... even after listening to it a couple of times before!
Cho shows terrible pain, irrevocable desperation and silent storm deep in mind... other pianist play sad and blue...even some plays sweet and romantic... but not painful and desperate. I don't know what make these different emotions in Cho's play. But anyway, I can feel it. Very hard to listen to this play without agitation of emotion. I'm almost exhausted.
I sincerely hope I can soon listen to Cho at the National Concert Hall in Taipei, Taiwan.
This is the best Nocturne that I’ve been heard ever.
Priceless in every way.
素晴らしいテクニックですネ！
私も，そのように，なりたいですネ！
he said it feels so great and beautiful like in heaven when playing on Steinway and Sons as he's been practicing on a 50 year old upright piano. his playing is so brilliant!
@JC WEB Yeah, I feel a bit unsure about that. I can't imagine practising pieces like this with sticky keys.
he was practising on a 50 year old upright during the competition, hence why he said it felt nice to play on an actual concert grand Steinway after practising on an old dying piano
i played on a Steinway and Sons during a competition and the sound and touchment are out of this world...
Bravo!
Probably the best performance I have heard of this work. Timing of final part perfect! Often played far too fast!
I’m playing this for my competition in October. Wish me luck :)
Hope you win
@@FranciescoGallo Thanks
seong-jin cho, thank you for carrying the torch for this piece 🙏🏼
Fantastic. My favourite
Thank you for his parents. They give the mankind the great gift...
돌고돌아 결국 이 곡은 저한테 있어 조성진이 최고구나 싶네요. 괜히 우승자가 아님.
저도 다른 피아니스트분들 연주 다 듣고왔는데 결국 다시 조성진 피아니스트네요 ㅠ 피아노 잘 모르는 사람이지만 이렇게 (제가 듣기에) 완벽하게 치는 분 찾기가 어려워요 ㅠㅋㅋㅋ
Послушайте Алексня Султанова.
그동안 시간이 많이 흘렀지만 이 곡을 듣고싶을 땐 여전히 조성진의 연주를 찾습니다. 너무 지나치지도 부족하지도 않게 표현을 기가막히게 컨트롤하는데 들을 때마다 놀랍고 황홀하네요. 정말 '딱 너무 좋다'라고 하고싶고.. 그가 얼마나 공부하고 고민하며 연주하는지 헤아려보며 이런 연주 편안하게 감상할 수 있다는 것에 감사합니다.
이 마이너 녹턴은 성진 조 꺼가 탑!
Brought tears from the first touches... his 2015 Chopin Comp plays are all like the finest wines.
정말 절묘하다란 표현이 머릿속을 떠나지 않네요. 살아가는 힘이 되어주곤 합니다. 감사합니다. ^^
I played this when I was young and will never forget how freaking difficult it was to make sure the last section wasn't played heavyhandedly. And he does it so easily and perfectly-HOW!?!?!
This was quite an emotional roller coaster
3:59 From here his unique voice starts. So heart-breaking with such desperate beats.
His name "Cho" might as well end in "pin" because he probably played like him
Chojin
I cry everytime i listen to it..
Jyuuu Kim like if cri evertiem
같은 곡을 여러 참가자들이 연주하는 걸 들어보니, 확실히 연주자에 따라 곡의 느낌이 많이 달라진다. 참 신기한 경험이다. 다들 너무 좋아서 뭐라 평가하기가 어렵지만, 내 가슴에 더 깊이 와 닿는 건 조성진의 피아노다. 그냥 끝까지 듣게 된다.
극강의 고급스러움이다..
When he plays the first note, I am blessed how crystal clear it is and the tempo of the music is just perfect. One of my favorite pianists.
Emotional, dramatic performance full of variety of tones, dynamics - very involving.
jolanta omari
ㅔ
You've deprived me of a much needed applause at the end. I will never forgive you, Chopin Institute.
How one could play those octets in such fast speed! Cho really mastered this piece!
Sublime music! Superb performance! Seong-Jin Cho's depth of understanding, his beautiful tone quality, his astounding artistic sensibility and impeccable sense of phrasing combine to touch my heart and soul in profound ways. Such a young artist and yet, so mature a musician. Truly amazing!
Agreed 100%
조성진이 칠때는 쇼팽 콩쿠르가 경연분위기가 아닌...리사이틀 연주회 관객들 느낌ㅋㅋㄹㅇ 피아니스트의 긴장감이 안느껴지고 연주가 완벽함..
This performance is absolutely masterful! Stunning. By far the best performance of 48-1 I've ever heard.
The phrasing, the bel canto, the dynamic range, rubato, everything. Flawless and sublime.
i'm really grateful to listening to this repeatedly forever..
조성진과 같은 세대를 살고 있음에 감사함을 느낍니다.
녹턴 48번은 정말 미친 곡이라고 밖에는 설명할 수가 없네요.
조성진 녹턴 C minor Op.48 No.1 못잊어 ㅠㅠㅠ
피아노 연주가 아니라
영상미 넘치는 어떤 이야기 같네요.
이번참가자중에서는 이거뛰어넘는사람 없더라
이번 참가자중에 조성진을 넘을만한 자가 없더라
진심 동의
@@donnachoi3110 1ㅣㄱㅂㄱ4ㄱㅂㄱ비1ㅣ
chang kai min
Hyuk Lee
His sound does so much…..it is always such joy to hear the best sound out of piano..All his lines are perfectly measured..I hear ultimate beauty from his music…😳
I agree the way he produced sound is just special
이 연주 영상은 볼 때마다 가슴이 터질듯한 감동을 준다. 인간의 연주가 아니다.
the best nocturne op.48-1 that I have ever heard.
Try rubinstein
Sooyoung Cho I suggest Lugansky
You should listen to Arrau’s version, this is for me the best
This version is great too!
Arrau's version is my favorite, but this is good too.
For me Vorwandberg is centripetal and incredible.
왜 조성진은 다를까. 모르겠다. 그냥 너무 좋다.