How to Color Grade S-LOG3 in Premiere Pro!
ฝัง
- เผยแพร่เมื่อ 3 ส.ค. 2024
- 🔥 Get 10% OFF of FilmConvert and CineMatch by using code: DAVIDZHOU
👉🏼 FilmConvert: filmconvert.com/purchase/?pro...
👉🏼 CineMatch: cinematch.com/purchase/?promo...
Today, we're going to talk about my process and workflow for color correcting and color grading S-log3 footage from my Sony a7S3 and Sony ZV-E1 in Premiere Pro!
🔥 Get 1 Year of Audiio for just $59 (70% OFF!): audiio.com/davidzhou and use code: DAVIDZHOU 🔥
___
🎬 MY FULL FRAME SETUP
Sony a7S III - geni.us/bestvideocamera
Sony ZV-E1 - geni.us/bestcontentcreator
Sony a7 III - geni.us/besthybridcamera
Sony FE 24mm f1.4 GM - geni.us/SEL24F14GM
Sony FE 50mm f1.4 GM - geni.us/sel50F14GM
Sony FE 24-70mm f2.8 GM - geni.us/2470gm
___
0:00 - Introduction
0:52 - What is S-Log3?
3:53 - Color Correcting with Lumetri Color
6:01 - Color Correcting with LUTs
7:36 - Color Correcting with CineMatch
14:43 - Color Grading with LUTs
16:21 - Color Grading with Lumetri Color
21:15 - Second Example
22:12 - Thanks for Watching! - บันเทิง
🔥 Get 10% OFF of FilmConvert and CineMatch by using code: DAVIDZHOU
👉🏼 FilmConvert: filmconvert.com/purchase/?promoCode=DAVIDZHOU
👉🏼 CineMatch: cinematch.com/purchase/?promoCode=DAVIDZHOU
one of the best explanation videos out there bro great job
really appreciate this man, great explanation
Love this!
this video is amazing
Man SLOG used to be so daunting to color, this video really breaks it down perfectly!
Once you go SLOG, you won’t go back!
Great Guide. Thanks
Glad it was helpful!
Great video. Would you recommend using a Phantom LUT to grade the image after the colour correction?
You definitely can, but since it's a LOG to Final Look LUT, I would apply the LUT first to your clip, and then add a color correction plugin (Lumetri or CineMatch) above the LUT (so it applies before) and color correct to make sure the final image is looking right to your eye. That's the best way I find for color correcting when using a LOG>Final look LUT. The only issue I find with this is that it's harder to color correct all of the clips to each other since if you turn off the Phantom LUT, you'll be looking at a still very flat image and therefore it's much harder to tell if your exposure/WB is nailed and your clips are matched. Hope that helps!
@@DavidZhou thanks 🙏 I think I will try it your way first with CineMatch but not Phantom LUTS. I have the FX6, FX30 and A7S3 with Sony lenses in a video podcast studio so hopefully it will do a good matching job🤞The FX6 and A7S3 are supposed to be the same sensor but the former footage is always more saturated (using just S-Cinetone so far)
Definitely think it’s the perfect plug-in for the job! Should remove a lot of the headaches when trying to match cameras ✊🏼
Hello. Thank you for your video. Little question. Why don't you apply the LUT directly to the rush from the bin.
In the bin: right click on the rush > drop-down menu: Modify > Mode > Pop-up: Replace. Color space > Sony S-Log3/S-Gamut.cine (if you use the PP8 image profile of the Sony A7 IV) and finally click on OK.
With this way of doing things, your rush directly regains its colors. You just have to make adjustments. But I could be wrong. Your opinion interests me.
Mainly because it doesn’t offer as granular of flexibility when adjusting exposure/temp/tint in Lumetri Color. Often times over exposing by 1.7 stops or so gives you the cleanest image and then you have to bring that exposure back down in post. LUTs have a baked in exposure adjustment (or 0) and after you still have to adjust it. The controls are just better for real world application when shooting in a bunch of different environments and best part is I can do it pretty fast with CineMatch 😁
May I know what is the file extension of the movie file generated by the Sony camera that can imbed an slog3, is it still a mp4 or mov file
Still MP4!
When might I use S-LOG3 vs. S-LOG2?
I avoid S-LOG2 like the plague 💀 mainly because I just cannot for the life of me get good looking results when compared to S-LOG3