ฝัง
- เผยแพร่เมื่อ 13 ก.ย. 2024
- It is a subtle night, with slight drizzles. The weather is warm, a calm before the storm, it's on its way, It's slow to let you know that it's on its way. You can hope that it goes away, you can cry, you can pray... but inevitably it will come, whispering through the night and waking you in the day. Be still it says... just wait, I'm just passing through, I don't come around often, I'd like to get to know you.
My usual favorite rudiment to play. The Novation Summit (patch from Scott McAuley called SM Leviathan) midi chained to the Yamaha CP Reface (hidden piano sound, gotta love it!). Enjoy!
![5 Pieces by Hans Zimmer \\ Iconic Soundtracks \\ Relaxing Piano [20min]](http://i.ytimg.com/vi/Os47nMrjw_Y/mqdefault.jpg)
Noice!! ;) Chilled out and Ambient :)
Hey Scott! thanks man, Always great to play your patches mate.
Great jam, it’s actually rare to see and hear such « classical » melody on such machine and it’s refreshing. Nice work.
@@nolake I wish the Summit could create such lush piano sounds! It was nice to marry the summit with the Yamaha CP, it has its own built in reverb and delay which sound pretty decent! But yeah, the Summit as you know does justice. You definitely are more attuned with yours having watched you play and tweak as you play. It’s pretty inspiring actually!
Thank you! But inspiration comes from your place too. Never understood why that synth was so underrated. Even when I see demos on the Muse for almost twice the price, I’m not very impressed and so far I’ve heard nothing that the Summit couldn’t do. I wouldn’t say that for a Polybrute 12 or something along those lines of course but the Muse, still waiting to be impressed but I’ll be someday I’m sure of it.
As a Summit owner, my jaw dropped to the floor as I first though that you managed to create such a spectacular electric piano patch on the Summit itself. Then I read the description! 😁 Beautiful playing and music nonetheless. I'm constantly trying to emulate some sort of electric piano with synthesizers but the initial attack portion of the sound never sounds very convincing.
I know what you mean. I Know there are some that come close but nothing like a true piano. And for such emotional pieces, the piano does it. Lush stringy landscapes and pianos are so beautifully paired. Good thing for midi😅. Thank you for listening. ❤
You’re just using the Summit as a MIDI controller … ?
Yes I am. I’m using a patch called SM Leviathan produced by Scott McAuley for the Summit, and midi controlling the Yamaha CP reface with the Summit. Thanks for listening!
@@embazle So, did you track the Summit first, then this video is you tracking the CP separately?
@@kierenmoore3236 I’m still able to play the summit simultaneously while I’m playing the CP Yamaha, but that is only because of midi. The cable, just transfers the note between the summit and the reface.. so essentially the sounds are simultaneously playing together. The pad on the summit and the piano on the CP. the pads on the summit have a lower attack so allows for the blend between the two sound like they’re within the same instrument. I do this similarly in my other videos between the sub 37 and the summit. If it wasn’t for Midi I wouldn’t be able to do this. It would most likely require how you’re stating to layer sound separately.
@@embazle OK, thanks! I was wondering which way it had been done … but all the envelope control over the Summit’s synth engine makes it make sense … if you follow my meaning … 🙃 Will check out those other vids … Cheers! 🙂