Thanks for the break-down on this...helps a great deal. Q: Sometimes I see you better players go back and forth between block-chords/rootless chords etc. then move down a bit and use spread voicings, then maybe a small bass line part, then switch back to block chords again. Doing this really fills out the tune and creates movement. Am I seeing this correctly, is that really what is taking place? I hope it's ok that I ask this, as this lesson was more about counting. If not, maybe you could cover some of that on this tune as it seems there is room in the harmony to do so? Either way, as always....thanks Tony.
Thanks a lot 😂😂
Welcome 😊
❤❤❤
Thanks for the break-down on this...helps a great deal.
Q: Sometimes I see you better players go back and forth between block-chords/rootless chords etc. then move down a bit and use spread voicings, then maybe a small bass line part, then switch back to block chords again. Doing this really fills out the tune and creates movement. Am I seeing this correctly, is that really what is taking place?
I hope it's ok that I ask this, as this lesson was more about counting. If not, maybe you could cover some of that on this tune as it seems there is room in the harmony to do so?
Either way, as always....thanks Tony.
Thanks... info age choice abound........Bobby Durham - Tommy Flanagan Trio - Concert 1978 in France - Antibes