Okay, the word is out They’re gonna rave about A silent legend reborn on screen Kevin, Tom, and Joe All the critics in the know Proclaim it’s gothic gold on the silver screen They nailed the midnight gloom While shadows fill the room Nosferatu’s creeping back for more But with a modern twist This film, you mustn’t miss A chilling feast that leaves you craving lore Oh, come and take a seat Embrace this spooky treat You’ll be enchanted from the very start It’s haunting, yet refined One of a kind Nosferatu’s new reign will seize your heart So tip your hat and grin The vampire’s back again Turning silent screams to big-screen roars His mystique’s still the same But now bolder in frame This Nosferatu slays, and we want more!
I didn’t care for this movie, I heard people saying it was good and I saw it and I left this film feeling so meh about this film. I felt like I watched Stokers but it was made with a fast forward button that I had no control over. It just felt like they’d get to something in the story and then we just skipped over it to another place. The entire time I just felt like it was Dracula but without any of the things that made stokers good. I didn’t care about any of the characters, I didn’t get why the vampire and the woman had a connection, he kept looking at her picture like he knew her but we don’t get the connection excuse other than her longing called to him. They’ve never met outside of her dreams so him traveling across the ocean to hook up with some chick he’s never met before seems like a lot of work to get laid. I just found myself not caring about any of them and feeling like I was constantly thinking this is not Dracula and it’s feeling like less. I also know that when I speak to people about the film, they try to tell me I didn’t get the nuances and my feeling is that people tend to add things to this film that simply weren’t there to make it seem like a better film in my opinion.
Ok first off, they do explain the connection between Ellen and Orlok, and she implies that they kept seeing each other in dreams and visions for years since she was a chils, and she stopped when she met Thomas, so it makes sense that Orlok is obsessed with her, it's not just to "get laid after a random encounter" Second, yeah a lot of people like to add stuff up to seem intellectual, and i hate it too, but I think a lot of the criticism toward the movie come from people that either went into the movie expecting something that wasn't Nosferatu, or expecting a cheap modern action horror with guts and gore everywhere and stupid ass empty characters Now I don't think the movie is perfect, it could really do with a bit more run time, but Eggers already sait that the blu ray will be the director's edition, which will be longer... by how much? We don't know but I guess we will see... However I think it's important to give the movie the credit it deserves, like the most important thing: making vampires scary and worthy of respect again, after they have been murdered by shit like Coppola's misunderstood Dracula, twilight, vampire diaries, Dracula untold and so on... the cinematography and set/costumes where fantastic and I liked the more grounded in folklore darker tone Obviously opinions are different and everyone is allowed to like what they want, but I think that the version of the movie we saw in teathers is between pretty good and great even with it's relatively rushed second half
Just a quick look at Robert Egger's magnificent film Nosferatu. This is a gothic masterpiece of vampiric proportions. From the shock-inducing opening to the nerve-shattering finale, this is visceral horror cinema at its finest. Egger and Willem Dafoe's penchant as Professor Albin Eberhardt Von Franz to the intricate details of Jarin Blaschke's dark and moody atmospheric photography research; from period production design, costumes, to chilling photography, are treated with precision coldness. This creates a beautiful, yet unsettling and ominously dark aesthetic. The sheer oppressive atmosphere is matched only by its biting intensity. She presses on with the fierce indomitability of the cast, all commendable, with Lily Rose Depp giving an especially expressive and disturbingly emotional. But this is, without a shadow of a doubt, Bill Skarsgård's film. His vision of the infamous "Count Orlok" is as terrifying as any other heart-rending. A monstrous, decaying figure of death incarnate. Superb! Another brilliantly executed work by Robert Eggers
Just a quick look at Robert Egger's magnificent film Nosferatu. This is a gothic masterpiece of vampiric proportions. From the shock-inducing opening to the nerve-shattering finale, this is visceral horror cinema at its finest. Egger and Willem Dafoe's penchant as Professor Albin Eberhardt Von Franz to the intricate details of Jarin Blaschke's dark and moody atmospheric photography research; from period production design, costumes, to chilling photography, are treated with precision coldness. This creates a beautiful, yet unsettling and ominously dark aesthetic. The sheer oppressive atmosphere is matched only by its biting intensity. She presses on with the fierce indomitability of the cast, all commendable, with Lily Rose Depp giving an especially expressive and disturbingly emotional. But this is, without a shadow of a doubt, Bill Skarsgård's film. His vision of the infamous "Count Orlok" is as terrifying as any other heart-rending. A monstrous, decaying figure of death incarnate. Superb! Another brilliantly executed work by Robert Eggers
Okay, the word is out
They’re gonna rave about
A silent legend reborn on screen
Kevin, Tom, and Joe
All the critics in the know
Proclaim it’s gothic gold on the silver screen
They nailed the midnight gloom
While shadows fill the room
Nosferatu’s creeping back for more
But with a modern twist
This film, you mustn’t miss
A chilling feast that leaves you craving lore
Oh, come and take a seat
Embrace this spooky treat
You’ll be enchanted from the very start
It’s haunting, yet refined
One of a kind
Nosferatu’s new reign will seize your heart
So tip your hat and grin
The vampire’s back again
Turning silent screams to big-screen roars
His mystique’s still the same
But now bolder in frame
This Nosferatu slays, and we want more!
Ok, Matt F Basler record this!!
@@ReelSpoilers Just have AI do it.
Drummers who put out solo albums: Peter Gabriel. Phil Collins. Ringo Starr.
Oh, and Dave Grohl was a drunmer.
I got bad news, I am a drummer with solo albums.
Prove it.
I didn’t care for this movie, I heard people saying it was good and I saw it and I left this film feeling so meh about this film. I felt like I watched Stokers but it was made with a fast forward button that I had no control over. It just felt like they’d get to something in the story and then we just skipped over it to another place. The entire time I just felt like it was Dracula but without any of the things that made stokers good. I didn’t care about any of the characters, I didn’t get why the vampire and the woman had a connection, he kept looking at her picture like he knew her but we don’t get the connection excuse other than her longing called to him. They’ve never met outside of her dreams so him traveling across the ocean to hook up with some chick he’s never met before seems like a lot of work to get laid. I just found myself not caring about any of them and feeling like I was constantly thinking this is not Dracula and it’s feeling like less. I also know that when I speak to people about the film, they try to tell me I didn’t get the nuances and my feeling is that people tend to add things to this film that simply weren’t there to make it seem like a better film in my opinion.
Ok first off, they do explain the connection between Ellen and Orlok, and she implies that they kept seeing each other in dreams and visions for years since she was a chils, and she stopped when she met Thomas, so it makes sense that Orlok is obsessed with her, it's not just to "get laid after a random encounter"
Second, yeah a lot of people like to add stuff up to seem intellectual, and i hate it too, but I think a lot of the criticism toward the movie come from people that either went into the movie expecting something that wasn't Nosferatu, or expecting a cheap modern action horror with guts and gore everywhere and stupid ass empty characters
Now I don't think the movie is perfect, it could really do with a bit more run time, but Eggers already sait that the blu ray will be the director's edition, which will be longer... by how much? We don't know but I guess we will see...
However I think it's important to give the movie the credit it deserves, like the most important thing: making vampires scary and worthy of respect again, after they have been murdered by shit like Coppola's misunderstood Dracula, twilight, vampire diaries, Dracula untold and so on... the cinematography and set/costumes where fantastic and I liked the more grounded in folklore darker tone
Obviously opinions are different and everyone is allowed to like what they want, but I think that the version of the movie we saw in teathers is between pretty good and great even with it's relatively rushed second half
Well, according to Joe, Orlok and Ellen dated in high school and that was their connection.
@@mattfbasler yeah facepalm moment right there...
Sorry Bram stoker is still the best Dracula for 😊😊 me
Just a quick look at Robert Egger's magnificent film Nosferatu.
This is a gothic masterpiece of vampiric proportions.
From the shock-inducing opening to the nerve-shattering finale, this is visceral horror cinema at its finest.
Egger and Willem Dafoe's penchant as Professor Albin Eberhardt Von Franz
to the intricate details of Jarin Blaschke's dark and moody atmospheric photography research; from period production design, costumes, to chilling photography, are treated with precision coldness. This creates a beautiful, yet unsettling and ominously dark aesthetic.
The sheer oppressive atmosphere is matched only by its biting intensity. She presses on with
the fierce indomitability of the cast, all commendable, with Lily Rose Depp giving an especially expressive and disturbingly emotional.
But this is, without a shadow of a doubt, Bill Skarsgård's film.
His vision of the infamous "Count Orlok" is as terrifying as any other heart-rending. A monstrous, decaying figure of death incarnate. Superb!
Another brilliantly executed work by Robert Eggers
Not in top 3 Dracula adaptations
Top 4?
Film was a let down in my opinion
Which parts didn't you like, and do you have a favorite adaptation of the Dracula story?
Omg, your over talking is too much . I can’t listen anymore
You can skip forward to different chapters!
see ya
Just a quick look at Robert Egger's magnificent film Nosferatu.
This is a gothic masterpiece of vampiric proportions.
From the shock-inducing opening to the nerve-shattering finale, this is visceral horror cinema at its finest.
Egger and Willem Dafoe's penchant as Professor Albin Eberhardt Von Franz
to the intricate details of Jarin Blaschke's dark and moody atmospheric photography research; from period production design, costumes, to chilling photography, are treated with precision coldness. This creates a beautiful, yet unsettling and ominously dark aesthetic.
The sheer oppressive atmosphere is matched only by its biting intensity. She presses on with
the fierce indomitability of the cast, all commendable, with Lily Rose Depp giving an especially expressive and disturbingly emotional.
But this is, without a shadow of a doubt, Bill Skarsgård's film.
His vision of the infamous "Count Orlok" is as terrifying as any other heart-rending. A monstrous, decaying figure of death incarnate. Superb!
Another brilliantly executed work by Robert Eggers