The best thing about this game it that you were able to go out of bounds in every map and it was rather easy to do. And you could then walk for miles and miles
IDK the game kind of got ruined when I did that first thing in the game just by walking away, ruined the illusion it was a big open level. After finishing the game though it was fun to find secrets.
@@BrokenOpus yep. It wasn't open world at all. Couldn't swim, would drown, couldn't scale a 2 foot high obstruction, it would eventually lead back to the only path available. It has whole lot of nothing.
@@HenryTownsmyth how or why would you swim in the frozen and irradiated waters of post nuclear russia? All of the maps that allow you to fall into water are frozen to temperate as best. I get what you're saying about wanting freedom but the devs clearly intentionally chose to use the water as an obstacle instead of a playspace, and as a linear story in an open environment the game definitely benefits from its ability to control your movement as it exploits small crossings and boat docks for exciting enemy chokepoints or mutant ambushes. And this is less important but.... are you actually upset that your character climbs back onto land instead of letting himself drown hopelessly like a baby in the tub? Drowning seems like kind of a questionable benchmark for you to judge open world games with lmfao.
@@HenryTownsmyth And it is better for it. All these vapid, Ubisoft-esque open world games these days are dull. Give me a crafted linear path with some wriggle room any day.
The part with the dark ones points to the fact that they were gonna have them show up in Novosibirsk, but didnt have the time, all we got was a quick glimpse of the baby dark one watching us. They did mention in a previous game that they were gonna find a city with little to no humans
God I LOVE the Metro series of games. Honestly the series has some of the best, if not THE BEST post-apocalyptic atmosphere. It's one of the few games that I reply just to enjoy its setting. The dark tunnels, the eerie sounds, the makeshift settlements, it's all so good.
I've always been greatly impressed by the first-person animations in _Metro._ They're always super-detailed and realistic compared to what you see in other FPS games, but I'd assumed they were made by working some poor animator to the bone! It seems like they were able to accomplish this by using motion-capture..? Surprising, motion-capture is commonly used in games, but you still don't see first-person animations to the quality of Metro very often.
@@Sayp that's sad to hear , but if i'm not mistaken the studio was relocated to another country ( which I forgot ) after the civil war in ukraine ~ 2014 , so did he go back to ukraine by himself or do they still have some employees there ?
@@peoduction6068 That's just false. Cutscenes for example are most definetly motion captured, that's one of the reasons you see Artyoms full body. It's WAY cheaper and faster to mocap and place the camera on the characters head than to hand animate everything. It's not like motion capture is expensive, technically you could do it with Xbox kinect so why wouldn't 4A use it.
Eh it was good but the previous games were better. Play STALKER if you want to play open world post apocalyptic Russia. The watchmen were literally stolen from those games
That was my fav part of the game, I loved listening into to the crew while watching the scenery go by and doing lil things like playing guitar and having a smoke break with that one dude. I want to one day make my own game as immersive cuz metro is something special
That full body animation is astonishing! I love the makeshift fishing rod flagpole too!!! I never would have noticed that. Totally fits! Annnd somehow I don't at all remember the ending of this game. I know I played it to completion, and I think got the good ending... but man, I can't remember any of this stuff... I gotta play this again.
I was thinking while watching this the exact same thing. The only difference is that my game bugged and gave me the bad ending even though I never killed anyone.
@@theone2-three438 Did you have all your mates on train by the end? It depends more on if they left you along the path to fix the mistakes you made, and less about kill count.
@@ПавелПовх-з3у I did not, but if I’m not mistaken killing people leads to your lads leaving, leading to the bad ending. I did not kill people, which I thought would lead to my buddies staying (or not dying). Either I was mistaken or my game bugged out.
@@theone2-three438 You can kill people at Volga freely, but let the ones who surrender to surrender, killing only bad guys in caspian also won't help, you have to free slaves whereever you can and find Gul photo. The pioneer camp is like the only level where you should not kill anyone, because there are no evil people there. Overall exodus made it much more easier to get good end compared to previous game, where if you don't tip to beggar once, you get the bad end.
17:02 Low key I really like this commentator’s vibe. Very relaxed and informative, providing the exact details that I would be curious of with every game. Keep up the good work you are amazing. 😊
It’s hard to describe how valuable Boundary Break episodes are, especially to new would-be game devs as the clues you reveal are invaluable for learning about so many different aspects in game development, like first person character and camera methods, animations and NPC management, texture and environment optimization, and more. Sometimes the most “mundane” things Boundary Break episodes reveal are real “aha!” moments, thanks!
I always wondered how this game looked so good and had a distinct lack of “SlavJank” Who would’ve guessed it was all off screen this whole time. The zone does many strange things
"Rendered all the way to the nipple" is a phrase I'm going to start using in every day life when someone puts in unnecessary effort or detail into something.
Just before 5:29 The gun scrunching is SUCH a CLEVER illusion!! Yet looks so natural in first person! No doubt saved some time not having to come up with full 3d models of the items.
You might be unsure of yourself and doubt how well you make these episodes, but you are an amazing commenter and editor. Shesez has big shoes to fill but you're doing a great job, keep it up!
7:56 hey btw you are able to get to that exact spot using hardcore parkour, there is even a "pet" spider at the end that just hovers under you for the rest of that playthrough. Also 12:05 thx for letting me know
What a take! All this, from a development team known to have experienced hardships, and even shift offices to continue development. Imagine the logistics, and the hours spent backing up builds and developed segments of the game, all ending up into masterpieces that is the Metro seried. We don't deserve 4A Games, but they sure as hell know what Metro fans deserve by making these masterpieces. Thanks for giving us a glimpse of this!
you can actually reach the dev place at the top of the bunker with the cannibals (yamantau or smth) there are a couple of videos online in a different language, i have used this once in my playthrough to just cheat and get all the weapons including the flamthrower that you only get in one of the dlc. it includes a lot of parcour and balancing on near invisible 'rope' but its possible.
Honestly, the physical model stretching, with the unique shadow stuff is really clever, good on them for solving a common problem in such a creative way.
Dont stress out about any pressure, i think your doing good man. I think you’ll find the perfect flow going through each scene of whatever games you present to us. I enjoyed seeing all those thing in metro exodus.
another good video from snipey. :) 1:43 im idly curious what would happen if head rendering were turned on for the player -- if we'd see the same face as in the ending, shown at 16:33. the way shadows usually work is that before you render the scene normally, you first render the scene "from the light's perspective." if the light can "see" an object, then it should be shining light on that object. if the light can't "see" something, it's because that object is behind another object or behind the light. things that the light can see should also be brighter if they're closer to the light, and darker if they're further away. so, you render an image -- "shadow map" -- which indicates what the light can see. then, when rendering the scene for real, we can take any given surface, on any given object, and use math to figure out where (as in what pixel) on the shadow map that surface would be, and how bright its pixel would be on the shadow map if nothing were in front of it. we can compare this to what's actually on the shadow map, and this allows us to know if the pixel at that spot on the shadow map is brighter than this surface would be -- that is, if there's something else in between the current surface and the light: something in front of the current surface from the light's perspective. if so, then that "something" should cast a shadow on the current surface, so we don't light the surface. which means that in order for the player's head to cast a shadow on the ground, _there must be a head_ in the scene. there's no major fakery here; there's a 3D model for the head; it's just that the game is choosing to render the head only in the shadow map. only the light can "see" the head, and there is a part of the ground that the light can't "see" because it's behind the player's head. and because we know there actually _is_ a head, it must be true that if someone knows how to tamper with the game in the right way, then the head could be made visible. of course, it might be that no one knows how to tamper with it in that way
The fact that in some scenarios your full body is animated and in others you essentially "float" in lieu of normal leg-driven locomotion makes me wonder if - at some point during development - there was ever an intention for the user to be able to see their player model in third-person in some capacity.
@@shcdemolisher I think the game does just fine being first-person-only, and given the light horror/suspense elements, I think not being able to see your body and the space around you from a third-person perspective heightens the tension a little bit. That said, I just can’t think of any other reason why they’d spend the money and take the time to animate the player model so thoroughly if they knew from the outset of development that we’d never see those animations.
The original version of metro 2033 actually had out of body cut scenes, but they got replaced in remastered version. Maybe here they were not sure which path to take.
It's common nowadays to animate first person cutscenes with motiom capture. The cutscenes where you see Artyom's body are mocapped and the camera is placed where his head is. Dying light 1 uses this same technique, the final fight is really detailed even in third person because of that. It's cheaper and faster than hand animating the animations.
i will never be able to unsee the weapons being squished when pushed up against a wall lmao on some guns you can actually see them grow in the first person perspective like the long barrel revolver, one of those things where you'd never notice it unless someone pointed it out to you, but then you'd never be able to unsee haha
I like how they managed to save resources by tricking the player, honestly never noticed how many times that npc was cloned or how your gun can literally turn 2D.
i like Snipey. I was affraid i may not get used to some new host and just avod most of videos, but gladly it didnt happend. ( good example can be Did You Know Gaming channel, where they have so many guests that i do not like to watch every single video they post. Glad Snipey is such great host and i can follow up still watching everything on this channel! )
In one of the train levels i seen some large white line that separates the map. Let's see a boundary break video of the 2006 prey and dead space 2 sometime.
The lights inside the cube might be for activating and deactivating lights. You can turn off lamps and stuff in game for stealth, so its possible those objects don't actually emit light. They might just have a light emitting blank object parented to them that exists in that cube ready to be put in any light emitting object when you get near them, and ready to be sent back if you turn the light on that object off. It's probably better for resources to have a couple lights always on somewhere than to have every light emitting object checking if you're near them so they can be activated.
All the Metro games are just amazing, i love all of them and thanks for showing this to us all, love the weird stuff the did to make this amazing game!
8:35 those lights are actually the electricity light anomaly that you come across in game , the cube stores those anomalies during the day and during the night , the lights will then be teleported onto the map to hunt things and players
I dont watch every video by this channel and didnt know there was a "new guy" commenting the footage, but i really really enjoyed both video and commentary so i want him to know hes doing a great job
ive literally never heard of this game before watching this video, and even so this video is still crazy interesting, showing all of the animated stuff that you never see. so cool
My guess for why there is all that stuff out of bounds is because they “clone” all items where they are in gameplay, but everything is loaded a thus calculated once to save resources.
I'd love to see one of these videos focusing on Terminator: Resistance. Sure it might not be the best game ever made but it has some lovely, intricate environments
I remember when I first got exodus on my Xbox after it came out and I got to the volga level and I was curious how far you could follow the rail track that you arrived on and I followed the track all the way to this bridge and when I approached it the geiger counter started sky rocketing and I thought for sure it was a kill barrier by the devs to stop you from escaping bounds but to my surprise I just walked straight through it. IDK if the kill barrier wasn't working or if it was even intended as a kill barrier at all but either way I felt like a real hackerman. I walked for a couple of minutes until I found the edge of the world and a bunch of T-posing enemy models. I was amazed at how detailed everything was so far from the intended bounds of the map and in a section that I don't think was even visible from the boundaries. After I got bored of staring into the abyss I followed the edge of the map and found that you could walk around amongst all the low LOD trees and foilage and "distant scenery" which after a point dipped into the volga river and yet again to my surprise I could walk straight into the water without dying. Obviously in hindsight the water just has a kill barrier on the shore. I spent another god knows how many minutes exploring under the river until I had scaled the coast and was right up under the rail bridge at the end of the level. I wonder if it's still so easy to escape the map. Unfortunately my PC won't run exodus and my xbox is dead so for now I'll never know.
This sort of Dev room is actually reachable, via a rail cylinder but it takes some practice to get there without falling to your death. This is also the only location where you can get the flamethrower that is only obtainable in the “two colonels” DLC.
The worst thing about this game is how the looking around thing is messed up. The sensitivity is so slow but when you continue to keep looking around the sensitivity becomes faster and faster
This game is a gem of coding shenanigans
first
But always number one in your heart
@@YouTrolol bruh its s comment. You need a soul fr
Shanagans
Have you played new vegas
The best thing about this game it that you were able to go out of bounds in every map and it was rather easy to do. And you could then walk for miles and miles
IDK the game kind of got ruined when I did that first thing in the game just by walking away, ruined the illusion it was a big open level. After finishing the game though it was fun to find secrets.
@@BrokenOpus yep. It wasn't open world at all. Couldn't swim, would drown, couldn't scale a 2 foot high obstruction, it would eventually lead back to the only path available. It has whole lot of nothing.
@@HenryTownsmyth how or why would you swim in the frozen and irradiated waters of post nuclear russia? All of the maps that allow you to fall into water are frozen to temperate as best. I get what you're saying about wanting freedom but the devs clearly intentionally chose to use the water as an obstacle instead of a playspace, and as a linear story in an open environment the game definitely benefits from its ability to control your movement as it exploits small crossings and boat docks for exciting enemy chokepoints or mutant ambushes.
And this is less important but.... are you actually upset that your character climbs back onto land instead of letting himself drown hopelessly like a baby in the tub? Drowning seems like kind of a questionable benchmark for you to judge open world games with lmfao.
@@HenryTownsmyth And it is better for it. All these vapid, Ubisoft-esque open world games these days are dull. Give me a crafted linear path with some wriggle room any day.
@@HenryTownsmyth mindbroken
The part with the dark ones points to the fact that they were gonna have them show up in Novosibirsk, but didnt have the time, all we got was a quick glimpse of the baby dark one watching us. They did mention in a previous game that they were gonna find a city with little to no humans
I mean they could add it now, game is still profiting so just like other double A games why not improve the final product.
Yes, exactly. And the city has higher levels of radiation which dark ones can feed off
God I LOVE the Metro series of games. Honestly the series has some of the best, if not THE BEST post-apocalyptic atmosphere. It's one of the few games that I reply just to enjoy its setting. The dark tunnels, the eerie sounds, the makeshift settlements, it's all so good.
I've always been greatly impressed by the first-person animations in _Metro._ They're always super-detailed and realistic compared to what you see in other FPS games, but I'd assumed they were made by working some poor animator to the bone! It seems like they were able to accomplish this by using motion-capture..? Surprising, motion-capture is commonly used in games, but you still don't see first-person animations to the quality of Metro very often.
None of the Metro games use motion capture, its all hand animated, so yeah the animators have probably been worked to the bone lol
The lead animator for Metro Exodus sadly passed away recently while fighting for his country in Ukraine.
@@Sayp that's sad to hear , but if i'm not mistaken the studio was relocated to another country ( which I forgot ) after the civil war in ukraine ~ 2014 , so did he go back to ukraine by himself or do they still have some employees there ?
@@peoduction6068 That's just false. Cutscenes for example are most definetly motion captured, that's one of the reasons you see Artyoms full body. It's WAY cheaper and faster to mocap and place the camera on the characters head than to hand animate everything. It's not like motion capture is expensive, technically you could do it with Xbox kinect so why wouldn't 4A use it.
@@lynackhilou4865 While I'm not 100% sure, I do know that alot of Ukrainians went back to their homeland to fight.
I love having Snipey as a host! He’s a great addition!
He really is. However I’m kinda starting to miss Shesez
I love Snipey's Spooky Stories. "I dunno I dunno wehhh", classic
Agreed! Like them both.
I really miss shesez😔would be nice to have him back
I respectfully disagree
12:06 THANK YOU! long live the boiler man
The dude you hired is doing a great job, and the regular releases put your videos back on my TH-cam homepage .
Metro Exodus is underrated. Love this game.
What do you mean? It's very highly rated.
Honestly the entire metro series is kinda underrated in a sense, just not as underrated as you might think.
@@GCTubaTim I think he meant like it should be more well known, for the quality and love put into these games.
Eh it was good but the previous games were better. Play STALKER if you want to play open world post apocalyptic Russia. The watchmen were literally stolen from those games
@@RubenFedop Except for last light
I need to play this game once again, it's so immersive. I loved to chill on the train phase just chatting with the crew
That was my fav part of the game, I loved listening into to the crew while watching the scenery go by and doing lil things like playing guitar and having a smoke break with that one dude. I want to one day make my own game as immersive cuz metro is something special
That full body animation is astonishing! I love the makeshift fishing rod flagpole too!!! I never would have noticed that. Totally fits!
Annnd somehow I don't at all remember the ending of this game. I know I played it to completion, and I think got the good ending... but man, I can't remember any of this stuff... I gotta play this again.
I was thinking while watching this the exact same thing. The only difference is that my game bugged and gave me the bad ending even though I never killed anyone.
@@theone2-three438 Did you have all your mates on train by the end? It depends more on if they left you along the path to fix the mistakes you made, and less about kill count.
@@ПавелПовх-з3у I did not, but if I’m not mistaken killing people leads to your lads leaving, leading to the bad ending.
I did not kill people, which I thought would lead to my buddies staying (or not dying). Either I was mistaken or my game bugged out.
@@theone2-three438 You can kill people at Volga freely, but let the ones who surrender to surrender, killing only bad guys in caspian also won't help, you have to free slaves whereever you can and find Gul photo. The pioneer camp is like the only level where you should not kill anyone, because there are no evil people there. Overall exodus made it much more easier to get good end compared to previous game, where if you don't tip to beggar once, you get the bad end.
17:02 Low key I really like this commentator’s vibe. Very relaxed and informative, providing the exact details that I would be curious of with every game. Keep up the good work you are amazing. 😊
This is fake, it's a bot that is trying to trick you
@@Indigofrost I thought this was OneyPlays and you were gaslighting me. Lol. Good looks thanks!
It’s hard to describe how valuable Boundary Break episodes are, especially to new would-be game devs as the clues you reveal are invaluable for learning about so many different aspects in game development, like first person character and camera methods, animations and NPC management, texture and environment optimization, and more. Sometimes the most “mundane” things Boundary Break episodes reveal are real “aha!” moments, thanks!
The development of this game is evidently *meticulous* and I love it even more. Can't wait for the next in the series 😁
They used a ton of cool and interesting tricks to achieve this, I enjoyed watching this one alot!
Having you do these helps us get more boundary breaks and that's always a win
I always wondered how this game looked so good and had a distinct lack of “SlavJank”
Who would’ve guessed it was all off screen this whole time. The zone does many strange things
If you don't see any anomalies, you are the anomaly
I have waited for this for soooo long such a great game
"Rendered all the way to the nipple" is a phrase I'm going to start using in every day life when someone puts in unnecessary effort or detail into something.
The player model’s cutscene and environmental interaction animations are surprisingly detailed for not being able to see much of them.
I really appreciate that you've found your style, it's so much better now. You're more confident and it works so much better.
15:55 - it's actually very reproduceable! Speedrunners use that glitch to get out of bounds at a precise spot and skip like 5 minutes of gameplay.
I got the whole Metro trilogy platinums, this game is awesome.
"what if we did a lot of work on our details?", no response "what if we did a FUCK-TON of details", Unanimous cheering
Just before 5:29 The gun scrunching is SUCH a CLEVER illusion!! Yet looks so natural in first person! No doubt saved some time not having to come up with full 3d models of the items.
You might be unsure of yourself and doubt how well you make these episodes, but you are an amazing commenter and editor. Shesez has big shoes to fill but you're doing a great job, keep it up!
I literally JUST finished Exodus a few days ago so this was a huge cherry to see in my inbox lmao
7:56 hey btw you are able to get to that exact spot using hardcore parkour, there is even a "pet" spider at the end that just hovers under you for the rest of that playthrough.
Also 12:05 thx for letting me know
For a little bit I actually held the Glitchless World record for this game, so happy to see it getting some attention.
4:46 that's a new technique I never saw before. I thought the arms model would just move back like usual.
This was honestly the funniest episode of Boundary Break yet.
6:17 [press × to shovel eyeball]
Man what a fantastic game, seriously, underrated.
Right. "Bats."
Hey this was plenty spooky, the adventures of a headless man!
What a take! All this, from a development team known to have experienced hardships, and even shift offices to continue development. Imagine the logistics, and the hours spent backing up builds and developed segments of the game, all ending up into masterpieces that is the Metro seried.
We don't deserve 4A Games, but they sure as hell know what Metro fans deserve by making these masterpieces. Thanks for giving us a glimpse of this!
Exodus is one of my all time favorite games. I’ve 100% completed the game half a dozen time.
Glad to have another great narrator workin alongside Shesez
you can actually reach the dev place at the top of the bunker with the cannibals (yamantau or smth) there are a couple of videos online in a different language, i have used this once in my playthrough to just cheat and get all the weapons including the flamthrower that you only get in one of the dlc. it includes a lot of parcour and balancing on near invisible 'rope' but its possible.
Have a good day too. Hearing the birds in the background at the end is great.
Honestly, the physical model stretching, with the unique shadow stuff is really clever, good on them for solving a common problem in such a creative way.
Fake user. It's a bot
@@Indigofrost No shit.
You did a great job, cant wait for more of your videos!
This channel has gotten so much better since the new guys have come on to help.
I love Snipey's videos and the games he covers. I play mostly FPS games and I'm really enjoying these.
Thanks for the BBs, this one was particularly wacky and interesting. Glad its working out for you guys too!
I see why you can hear enemy NPCs talking about you and why there scared of dying from ya
Dont stress out about any pressure, i think your doing good man. I think you’ll find the perfect flow going through each scene of whatever games you present to us. I enjoyed seeing all those thing in metro exodus.
2:25 God seeing Artyom stamp around like some sort of headless toddler golem is so funny to watch.
Awesome video, thanks for making it. Loved seeing all the little tricks and cheeses the devs used to make things work really well in-game.
one of the best ones till now
great episode, makes me wanna play through the game once again
another good video from snipey. :)
1:43 im idly curious what would happen if head rendering were turned on for the player -- if we'd see the same face as in the ending, shown at 16:33.
the way shadows usually work is that before you render the scene normally, you first render the scene "from the light's perspective." if the light can "see" an object, then it should be shining light on that object. if the light can't "see" something, it's because that object is behind another object or behind the light. things that the light can see should also be brighter if they're closer to the light, and darker if they're further away. so, you render an image -- "shadow map" -- which indicates what the light can see.
then, when rendering the scene for real, we can take any given surface, on any given object, and use math to figure out where (as in what pixel) on the shadow map that surface would be, and how bright its pixel would be on the shadow map if nothing were in front of it. we can compare this to what's actually on the shadow map, and this allows us to know if the pixel at that spot on the shadow map is brighter than this surface would be -- that is, if there's something else in between the current surface and the light: something in front of the current surface from the light's perspective. if so, then that "something" should cast a shadow on the current surface, so we don't light the surface.
which means that in order for the player's head to cast a shadow on the ground, _there must be a head_ in the scene. there's no major fakery here; there's a 3D model for the head; it's just that the game is choosing to render the head only in the shadow map. only the light can "see" the head, and there is a part of the ground that the light can't "see" because it's behind the player's head. and because we know there actually _is_ a head, it must be true that if someone knows how to tamper with the game in the right way, then the head could be made visible.
of course, it might be that no one knows how to tamper with it in that way
The fact that in some scenarios your full body is animated and in others you essentially "float" in lieu of normal leg-driven locomotion makes me wonder if - at some point during development - there was ever an intention for the user to be able to see their player model in third-person in some capacity.
Would've been interesting! But we never got it.
@@shcdemolisher I think the game does just fine being first-person-only, and given the light horror/suspense elements, I think not being able to see your body and the space around you from a third-person perspective heightens the tension a little bit. That said, I just can’t think of any other reason why they’d spend the money and take the time to animate the player model so thoroughly if they knew from the outset of development that we’d never see those animations.
The original version of metro 2033 actually had out of body cut scenes, but they got replaced in remastered version. Maybe here they were not sure which path to take.
It's common nowadays to animate first person cutscenes with motiom capture. The cutscenes where you see Artyom's body are mocapped and the camera is placed where his head is. Dying light 1 uses this same technique, the final fight is really detailed even in third person because of that. It's cheaper and faster than hand animating the animations.
@@Rob712 but you don’t see MANY of the *custom* animations that were done for Artyom’s body at any point in Exodus, right? How does that fit in?
you are just as great of a host, so dont worry.
HEY. he goes on about shrinking weapons 5:12 ~ It's cold out there, lay off.
That is the weirdest way of simulating depth of field and such in first person in a while. It's pretty cool.
i will never be able to unsee the weapons being squished when pushed up against a wall lmao on some guns you can actually see them grow in the first person perspective like the long barrel revolver, one of those things where you'd never notice it unless someone pointed it out to you, but then you'd never be able to unsee haha
Now I realize that creating games is a complete mystery.
I like how they managed to save resources by tricking the player, honestly never noticed how many times that npc was cloned or how your gun can literally turn 2D.
"there's basically an entire city modelled"
Ah yes, the city of 5 buildings, I see you work for Bethesda.
This is great and interesting as hell! Thank you!
i like Snipey. I was affraid i may not get used to some new host and just avod most of videos, but gladly it didnt happend. ( good example can be Did You Know Gaming channel, where they have so many guests that i do not like to watch every single video they post. Glad Snipey is such great host and i can follow up still watching everything on this channel! )
Yep, that man did not get hit by the other train. He is totally fine.
The metro series as a whole is so underrated. It deserves more recognition
Birds and rats, thank you, that's all I need.
Good to see more videos and talk about this masterpiece of a game, thanks you for your video man !
In one of the train levels i seen some large white line that separates the map. Let's see a boundary break video of the 2006 prey and dead space 2 sometime.
You're doing an amazing job Snipey! Keep it up, you're a great addition to the show!
This game is so good, I’m so glad you made this video.
The lights inside the cube might be for activating and deactivating lights. You can turn off lamps and stuff in game for stealth, so its possible those objects don't actually emit light. They might just have a light emitting blank object parented to them that exists in that cube ready to be put in any light emitting object when you get near them, and ready to be sent back if you turn the light on that object off. It's probably better for resources to have a couple lights always on somewhere than to have every light emitting object checking if you're near them so they can be activated.
Time to jog up to this train...
**train speed intensifies**
Super speed jog power activate!
All the Metro games are just amazing, i love all of them and thanks for showing this to us all, love the weird stuff the did to make this amazing game!
It's always a nice surprise to see legs when looking down in a first person game.
8:35 those lights are actually the electricity light anomaly that you come across in game , the cube stores those anomalies during the day and during the night , the lights will then be teleported onto the map to hunt things and players
I dont watch every video by this channel and didnt know there was a "new guy" commenting the footage, but i really really enjoyed both video and commentary so i want him to know hes doing a great job
Thanks for doing this! Metro Series is my all time favourite, and this was a journey! Hope to see the other games too! Nice work 👍
Snipey is good narrator. 👍 Shesez hired ya, that is good enough for me. But I also like your style.
Been playing Exodus for about a month. I really love the atmosphere of the game
ive literally never heard of this game before watching this video, and even so this video is still crazy interesting, showing all of the animated stuff that you never see. so cool
Play it. One of the best game I ever played, absolute master piece
Cool that this came out as I'm legit in the middle of re-playing this gem of a game.
My guess for why there is all that stuff out of bounds is because they “clone” all items where they are in gameplay, but everything is loaded a thus calculated once to save resources.
I'd love to see one of these videos focusing on Terminator: Resistance. Sure it might not be the best game ever made but it has some lovely, intricate environments
I think thats why the enemies say "what the fuck?" whenever they see you lol
Just discovered this channel and I must say... this is amazing ! Keep up the good work
1:12 crab artyom
I remember when I first got exodus on my Xbox after it came out and I got to the volga level and I was curious how far you could follow the rail track that you arrived on and I followed the track all the way to this bridge and when I approached it the geiger counter started sky rocketing and I thought for sure it was a kill barrier by the devs to stop you from escaping bounds but to my surprise I just walked straight through it. IDK if the kill barrier wasn't working or if it was even intended as a kill barrier at all but either way I felt like a real hackerman. I walked for a couple of minutes until I found the edge of the world and a bunch of T-posing enemy models. I was amazed at how detailed everything was so far from the intended bounds of the map and in a section that I don't think was even visible from the boundaries.
After I got bored of staring into the abyss I followed the edge of the map and found that you could walk around amongst all the low LOD trees and foilage and "distant scenery" which after a point dipped into the volga river and yet again to my surprise I could walk straight into the water without dying. Obviously in hindsight the water just has a kill barrier on the shore. I spent another god knows how many minutes exploring under the river until I had scaled the coast and was right up under the rail bridge at the end of the level.
I wonder if it's still so easy to escape the map. Unfortunately my PC won't run exodus and my xbox is dead so for now I'll never know.
YES!!! I just beat this game about 2 months ago and was hoping you would do one on this! Re-read all the books and re-played all the games.
I see Duke managed to get with a woman like he wanted. I'm happy for him. Great work Duke, keep it up, proud of ya.
Keep up the amazing work, love watching your content!
Artyom sees the word normally, everyone else sees Artyom as a constantly stretching and scrunching eldritch abomination
Wonderful voice over!
so far man youre incredible! both of my 2 fav games of all time back to back... and you did halo as well!!! man i cant wait for more!
This sort of Dev room is actually reachable, via a rail cylinder but it takes some practice to get there without falling to your death. This is also the only location where you can get the flamethrower that is only obtainable in the “two colonels” DLC.
thanks for making this imma be playing this game soon and love being able to have things to look out for :D
12:03 oh thank god, I always tought he got hit by the train lol
I can't remember if this guy has hosted before, but he's awesome! Thanks for another amazing video!
Massive shoutout to the birbs chirping cheerfully in the background.~~Please do a bird reveal I love birds!~~
The worst thing about this game is how the looking around thing is messed up. The sensitivity is so slow but when you continue to keep looking around the sensitivity becomes faster and faster
It’s about dang time the metro series got son recognition🎉
Ahh, good old CS stretch neck to aim spirit lives on!
1:29 we have been trying to reach you on your demons extended warranty
This game is incredible, I love artyom's animations.