Band Maid WONDERLAND Live Reaction & Analysis - Guitar Tutor/Musician
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- เผยแพร่เมื่อ 6 ก.ค. 2024
- Band Maid WONDERLAND Live Reaction first time hearing this song & Analysis by Guitar Tutor and professional Musician. So do theses guys actually have any bad songs?!?! Loved this. More sparse than usual, which worked so well for the song, Saiki's vocals are totally on point, that high head tone was so well suited to the vibe and feel of the song. Aside from the song analysis, I tried to dive a bit in to Misa's ever sliding bass style and might have figured out why she likes to play this way- what do you guys reckon???
#Bandmaid #React #Reaction
⚠️🚨💥 !!!WARNING!!! 💥🚨⚠️
While this is my first time hearing the song and reacting to it, I will paused frequently to analyse and explain some of the cool stuff going on, review it and add other informational commentary.
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♫ Chapters ♫
0:00- (Probably Unnecessary And Overly Long) Intro
1:34- Wonderland Official Live Video
4:49- Impromptu Guitar Lesson
6:38- Back To The Video!
7:43- Ballad Of The Passaggio (Hey Scoob, old buddy old pal!)
8:13- Back To The Video!
12:52- Licks, Ideas & Concepts: Hidden Drum Tricks
14:41- Bass!
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Pro musician and guitar tutor reacts to the amazing bandmaid; Kanami Tono lessons, music theory from guitarist and bass player & teacher. While this is my first time hearing band maid reaction, I also analyze the song's concepts and techniques. Teaching some of the compositional tricks alongside how a guitarist reacts to this all female Japanese rock band!
More great work, man. It's worth tracking down the acoustic version of this aired on Xmas day. Saiki's vocal control on that is just superb and will bristle the hairs on the back of your neck.🥰
Thanks Stu, sounds awesome, look forward to giving that version a whirl!
Thanks for showing this song some love Jack! A lot of people will overlook this song and a lot on Conqueror because they want something faster and heavier. It’s just a great vocal showcase for Saiki and Miku, and like all their songs is still incredibly well written for casual enjoyment or in depth analyses.
Thanks Gary!
Yesss another one. Actually this was one of their first songs that I've heard from them live video that really amazes me how amazing Saiki hitting those register and Misa's thick bass tone that you hear clearly.
So cool isn't it!
@@JbfMusicGuitar indeed!
This is my favourite band maid song! I'm so glad you tackled it :)
Don't get me wrong, Unseen World is a masterpiece of an album.. But Wonderland live, man.. It's just... So good!
Glad you gave Misa some love as well on the bass :)
Yeah I know. It's like it's not as fast, yet it has all complexities, the gold 2nd verse with interesting note or chord choice, the classic unexpected pause by Band-Maid...btw it sort of reminds me of Sayonakidori, the folk vibe Jack mentioned, almost sounds persian inspired, could be Japanese, celtic...or all of these. They are so amazing, aren't they?
Cheers guys! Yeah, really liked this one, bit of a change of pace from what I've heard so far, but had a blast with it!
Thanks for another great reaction for BAND MAID, on what I think is one of Saiki's best live vocal performances. As for Misa's bass playing and tone, there are times when I listen to many BAND MAID songs, live or MV, that all I try to focus on is her. Someone has probably already suggested that you find the acoustic version of Wonderland from the Christmas concert - just Saiki, Kanami and Misa together - gives the song a totally different aspect. The concert is an amazing experience and tickets are still available thru March 25.
Cheers Gerald! It's awesome, you can just hone in on one aspect and get a tonne from each listen, so much detail.
Misa does that a lot, moving to the upper frets instead of staying in the same area and choosing to use the higher strings. She works hard to keep the tones that she wants to use. Go watch the official live video of "Catharsis" on their official channel. It's from their Christmas acoustic online concert. She is moving all over the fretboard. You can see it clearly because the setting was all it up with no flashing lights.
Nice one! Will keep an eye out for that
@@JbfMusicGuitar The acoustic “Catharsis” video from their Christmas concert will only be on YT go a limited time!!! Better grab it ASAP 🤷🏻♂️👍🏻🔥😎🤘🏼
And on Freedom - soaring little bass fills on the higher frets
One of my all-time Band Maid favorites because of the jazz elements in it, beautiful!
Got some real 'modern' kinda post rock vibes in the verse, mixed with some almos lo-fi or alt hip-hip, pretty cool stuff!
Shout out to Miku in the intro for those harmonies, going lower than Saiki before having to match her in the higher. She was incredible throughout. Great reaction!
Well said!
Untill 2018, Saiki wasn't using falsetto at all - she didn't knew how to achieve it. It's actually Miku who teach her how to do it ... and she quickly mastered the technique!
Oh wow, that's so cool to know cheers for that bud!
Miku is incredible. Love all of them though. No favorites for me in this band
@@cgomes1607 eh kanami 🤘
Nice reaction as usual, Jack.
I have said it quite a few times in other channels and I want to say it again now.
I really think some of the songs in this album are actually very elegantly written and they are underrated. The accoustic versions in Christmas gig were great too!
I'll really have to check them all out, if only there were enough hours in the day!
Love this song. Thanks for the analysis, actually learn something.
My pleasure Mark, have to say the less frantic approach was a really nice change!
It's one of my favorites too Mark! 🤘🙂🎸
Glad you enjoyed this. My favourite arrangement of theirs - plenty of ideas but plenty of space too. Great analysis as ever, thanks for taking the time to put this together. Was hoping for a Runrig/Shooglenifty reference when you mentioned folk though ;)
Cheers Rob! Totally Runrig is a great shout, should have thought of that one!
Ah yes! Another Band-Maid analysis! I'm always looking forward to those, keep'em coming! Funny thing is I picked up a bass for quite cheap a few months ago and I started playing it today. Good timing on this one! I'm also happy to see you look into a different vibe from Band-Maid, it's cool to see how diverse their catalog is. I'd be really interested in hearing your take on "about Us", a really good pop ballad that they wrote during the pandemic and is dedicated to their fans. Very soft but with a lot of very intricate ideas interwoven (as per Band-Maid's usual style). Thanks as always for your great work!
Cheers Nicolas! That's so awesome, bass is a brilliant instrument, if you know any drummers make sure to have a jam with them when you feel up to it- bring a whole new level of coolness to playing!
Fantastic!. This time the turn of MISA. This song really goes off the rails with some unconventional conversation between the instruments. Funky?, Jazzy?, it´s a very original art work, one of my favourites. Great job Jack, appreciated. Spot-on comments about the range of the Saiki´s voice too.
Thank you very much Juan!
Really happy to hear you break down Wonderland, and bring out its distinctiveness. As you imply, it's not a conventional softer song, but it's my favourite of their softer songs. Daydreaming (which is also great, especially the guitar solo) seems to be more popular with the fan-base as a whole. Both songs also have perfect song titles to match the music, much like Black Hole.
I also get confused by the different terminologies used for male and female voices, but I do know that female falsetto exists, so you can use that word if you're confident that's what it is. However, it creates a much larger contrast in male voices, so the existence of female falsetto used to be controversial, and it's easy to mis-identify it.
I've just re-watched Julia Nilon's reaction to this song. She doesn't talk about falsetto, but says Saiki is using her second register here, which I think is the same thing. She is very impressed by Saiki's use of her second register, and her vocals in this song more generally. (Also Miku's, having criticised her verse in Freedom.)
That sounds about right, the contrast in timbre is probably much more prominent in male voices.
Yeah, falsetto would could as a second register- that's probably a better or more correct term!
@@JbfMusicGuitar As far as I know, the term falsetto is predominantely used in classical music while in modern pop/rock you would call it head voice or second register. But it means the same.
Another great reaction, i love your musical insights 😊 keep it up mate 🤟 love from Nepal 🇳🇵
Thank you so much 😀
Another great analysis!🤘❤ Wonderland sounds so much better live!❤❤
Huge thanks Neil!
Wintery start? Maybe...but MISA's bass wraps around like a warm blanket 🔥🎸
Good call!
Thanks, Jack, excellent highlights as usual! The instrumental & vocal techniques you point out are important to the composition as a whole. For me, Wonderland is exactly about the relationship of instruments and vocals, and how they unfold over the course of four minutes, and then finally resolve at the end. Miku's lyrics are particularly affecting, and seem to be about pushing through a broken relationship.
Glad you enjoyed it Phil! Yeah Tony Griffin kindly uploaded a version with English lyrics, yeah seems like that to me as well, maybe looking for an idealised version of a relationship, which they sort of know can't exist?
Man... I will just never get sick of listening to you talk about music. Especially Band Maid. I love this song, this entire live performance is amazing. I can't wait until one day you can watch the whole thing without spoiling any new songs.
Cheers Matt!
Nice reaction. I already liked this song a lot but appreciate it even more after your instrument breakdown. Thanks! Oh and a scooby doo reference also 😂
Thanks so much David, awesome to hear that! Brilliant, the more daft stuff I can sneak in to these the better! 🤣
I want to follow up on your comment that this song sounds different from what you've listened to by Band-Maid...I enjoy many genres as in all types of rock/metal, blues, funk, jazz, dance, alternative, classical, progressive, country, and even disco!! However, I can only listen to each specific genre for a short time before my ears get fatigued. Band-Maid gives me multiple genres in each song so that "personally" I can listen to them for a long time. Their songs have high degree of listenability and re-listenability.
Good point, plenty of variation does make a long playlist more of a journey!
A song that may not come across as complicated to untrained ears due to its tempo and mood. But even here the ladies incorporate so many subtle details. And not just through a single instrument, but each one has its special passages. I think the title 'Wonderland' fits the mood of the song perfectly. :)
I found your analysis of Kanami's solo and that it can be thematically assigned so well particularly interesting. And I don't even want to start talking about Saiki's voice. I'm very happy that, even someone who is usually so well focused on the instruments as you are, recognizes and also mentions her part. Not many do that.
Thank you, for your views and explanations. As always, very interesting to such untrained ears as mine. :)
_____________________
【 _Our rock never dies ever. Forever!_ 】- from BAND-MAID 'Manners' 🕊️
So glad that you liked this one! Totally agree, Saiki is on fire here 🔥
Thanks for analyzing this song.
"Wonderland" "Awkward" "Anemone" etc..... This sophisticated side of BAND-MAID makes them sooooo special.
Sounds good, I'll make sure they're on the list!
Saiki's incredible chops. The lady has become an incredible performer as she can command and enthrall any audience. IMO an underrated instrumental song as well. The Maids always give more than is necessary and make every song a listening event.
"This is a great song" ;) Are you surprised at this point? hehe
I think this is more of conventional 'song' than a lot of their other ones, I was maybe thinking, like stripped down it would still work very well, without too much re-arranging type of thing?
Having said that, I do talk a lot of nonsense so trying to figure out what I was thinking in hindsight is often a fools errand 🤣
@@JbfMusicGuitar Still, the song provided you with lots of teaching moments and gave us insights into Bass-sliding :D
Saiki unleashed her falsetto after her vocal surgery which I think was maybe late 2017 or early 2018. Prior to this she really struggled in her higher register. But now… WOW? It’s beautiful ❤️
Thanks for that Neil! Someone else had said here that Miku helped sort of teach her how it use it, awesome when stuff like that happens!
Lower range as well...I don't think she'd struggle that much with a song like alone anymore. And her vocal control is incredible. She may not have the greatest voice but she can do what other singers can't, and has the instantly recognisable vocal that makes her a great singer.
Wow, dude! First time I’ve ever heard Shaggy from Scooby Doo used as an explanation for vocal breaking!🤣 I wonder note translates to “ZOIKS!!”😄
Haha, well it's gonna be him or yodelling... and I'm no good at yodelling!
Lmao! On guitar a combo of whammy bar and sliding could maybe get the 'Zoinks' ballpark... gonna have to play around with that now! 😂
Actually I love the weird off note Miku went for in the second pre-chorus 3:42 mark, I think. It's the best.
Jazz... Nice 👌
The same note exist on the Conqueror version of Wonderland, the note is no accident :-)
@@jan-ovepedersen5764 Yes. But I wonder if it was originally a mistake and they decided to leave it as is on the album cos it sounded so cool, whichever the case it was it's genius!
Highly underrated song!! Perfect from start to finish!! 🤘🙂🎸Saiki's vocals are stunning!
Not gonna argue with that Jorge! She's totally on point here. Amazing
I think you'd have fun reacting to Cross (Live), Bubble or Screaming. Also Hibana, a B-side to Sense, is IMHO the best of the Different era B-M tracks and definitely in keeping with Different, Sense and Corallium.
Cheers dude, will pop some votes next to those ones!
part of Saiki's falsetto you were commenting on at about the 9 minute mark, really reminded me of kulning, TBH, like Myrkur sometimes does. This came out after Myrkur was getting notice, I wonder if there was any influence or just a happy accident? Either way it's long been a bit of the song that really grabbed me. It's even more noticeable on the studio version.
I have no idea either way on that, entirely possible! That whole cursive singing thing seems to be everywhere atm, so stuff like that really does have a knock on effect
IMO, the female equivalent of falsetto is falsetto. However, there are some old-school music folks who insist that it isn't really falsetto, even though it's the exact same mechanism in the singer's body making it happen. Some people who refuse to use "falsetto" when speaking of a female singer will call it "head voice."
Someone else here has said 'second register' which I think is pretty on point. It's interesting because it's a timbre I've never really (knowingly) heard much of from female singers. Apparently it's a less distinctive shift in women than men, but here it does just sounds very much like a textbook 'falsetto'!
@@JbfMusicGuitar That lack of distinctive shift (when I was singing solo/choral, my instructors called it the "break") is one of the main reasons that some old-school vocal instructors insist that female singers do not have a falsetto.
This is one of those where it's worth listening to the studio version as well as different things will stand out to you. The barks on Akane's killer, inventive hi hat groove during the 2nd verse gets a little bit lost in this recording. The groove is still really killer but I was so surprised how much it adds when I can hear those with clarity! That said, this live recording really highlights Saiki who is definitely the focal point of the song so I love this version, too!
(Also, did you notice Miku playing some light and interesting lead during the 2nd verse?)
Cheers for the tip- I'll make sure to give that a closer listen! Totally missed her leads as well!
@@JbfMusicGuitar the sliding part with the weird off note.
MISA is the "Slide Queen", her slide lead-ins are very prominent in al their songs. Even their latest release acoustic "Catharsis" MISA's slide really make the song by adding a little "funk" feel. MISA is maybe not the "greatest" bassist in the world like some think, but she is the most dynamic and that sets her apart from others, she's a very "busy" bassist, no doubt....IMHO.
Nice one Jim, I'll try and remember to listen out for that! Yeah, great point! They're all quite a busy band, expect maybe Miku, but somehow mange to make it work!
IMHO quite busy, but always in keeping with the song. I think she's a really great musical bassist
Awesome breakdown. These are the songs I really appreciate your work on.
Can't wait to see what you have to say for "Daydreaming" MV.
Cheers mate, that one is getting bumped up the list, quite a few requests for it recently!
Thanks Jbf!
Any time!
Excellent analysis, most informative. thank you. It comes down to this : all are the most excellent talented musicians, Saiki included. Their performances reach the highest levels. Kanami is a genius composer and guitarist who is working outside the normal levels in rock.. She has the most incredible potential and the rest will follow faithfully interpreting her creations to the highest level. Can't wait.
Glad you enjoyed it Michael!
I wonder if they have to set up special mics on the drums to capture the rim tapping? It doesn't seem it would be loud enough if you didnt. Or isnt she tapping the rims but some kinda special piece of drum kit i dont know?
Seems counter intuitive, but it's a pretty loud/harsh sound- wood against metal. So has a fairly strong and quick peak in volume. It tends to just cut though, a bit like how cowbells have that mid-range sound and strong attack... and now I'm just thinking about the SNL skit
The genre defying band, BAND MAID.
I misread that as genre defining, as in making their own genre called Band maid. Pleased that my mistake as well as your correct take both sort of work!
Good review. I appreciate your quick breakdowns of Kanami’s guitar work, as well as the bass and drums. Conqueror is a fantastic album, my personal favorite, and Wonderland is a beautiful song. Saiki is a gifted vocalist with both finesse and power. There’s an amazing acoustic live performance of another song from Conqueror,”Catharsis”, that you really must review.
Cheers dude, yeah I really liked this one, great tune!
I remember in one interview Misa is the only one not on the click trac. Just perfect natural rhythm.
Outstanding analysis, enjoyable, entertaining, educational. Loved it. Always back for more,
Wow, thanks Paul! Hitting all the main targets, cheers dude!
Nice reaction. Thx. 🤟
No problem 😊
This is such a beautiful song. To my ears has very heavy jazzy vibe to it thanks to MISA's playing. And yeah, MISA loves those slide octave shifts, its really become her trademark. One of my favorite benefits from her doing those slides is you get that AMAZING sounding bass growl that she has, I love that growl in her tone.
Totally agree Brian! I kind of want to hear a version of the songs where they don't add in all these little details, just to see how much of a difference they make when all added up. You know like, if she played bass in one position, they kept the parts more static etc. Would be cool just to see how much it all adds up!
@@JbfMusicGuitar if you were able to, or if its still available, I would HIGHLY recommend picking up the Unseen World Score Book and instrumental CD. The CD is every track from UW with no vocals. I was blown away by how much is hidden underneath the vocals.
Also, as I'm sure you've been told go pick up a streaming ticket for their Christmas Acoustic that is available through March 25. You will be glad you did. Cheers and keep up the great work! :)
🤘🤘❤🤘🤘 MISA MISA MISA!!!!! 🤘🤘
I absolutely adore these skilled ladies. They helped me to seriously have faith in some of today's rock and metal bands. And I mean ones on par with these ladies, not the factory refuse that gets over generated. Excellent breakdown!!! 😉❤✌
Cheers Ian, appreciate that dude! 🤘
That short solo by Kanami reminded me of Stusrt Adamson's work with Big Country.
I know very, very little of them, but always impressed with what I get pointed towards!
Even being a non-musician, I always learn something new from your videos! Your discussion of the bass technique was very informative and cool! Another thing I have now learned to listen for in any music. I always enjoy your reactions and analysis. 🤘😎🤘
Cool, thanks so much Tom! It's always reassuring to hear that the technique breakdown stuff makes sense
thanks for the analysis
My pleasure Kevin!
Misa enjoys sliding and uses it a lot, but she also likes to play higher on the neck, and uses her 5-string to its fullest effect by being able to access low root notes while being able to access the high tones to fill some of the space Kanami will frequently vacate to play delicate accent pieces over the top of the melody. Sliding allows her to transition up to that ready hand position.
Part of band-Maid's unique sound is the use of Misa's bass in the midrange to give the fullness of a second rhythm guitar but with a different sound so that it doesn't compete with Miku's rhythm or get muddled as with two rhythm guitars. This unleashes Kanami to do Kanami things. They very rarely double any parts, which is why in their fantastic live mixes you can hear each instrument distinctly and appreciate what each is doing.
The composition is also taking advantage of the human brain filling in blanks, so when Misa slides up to the midrange and back down, we still perceive her covering that range. This phenomenon is put to great use in this song with all of the instruments during the quieter verse parts with sparse instrumentation. We perceive the instruments are backing Saiki while they are actually coming in and out playing snippets of the melody. It gives that really cool airy feel and presents a delicate soundscape. If you solo Miku's part during the guitar solo it's bland as paste but it serves the song as the background to Kanami's foreground.
Great point!
This is a song that has taken me awhile to fully appreciate but reactions like yours really drive home just how good of a song it is.
2 things I always look forward to in your reactions is your sense of humor and the number of bands you compare them to. However, this time not a lot of band comparisons but likely due to the uniqueness of the track. However you did work in an Iron Maiden reference which was very impressive given the style of song it is. Bonus points for that.
Haha, I'll work Maiden in any which way I can!!!
little known fact about Misa - before she decided to take up the bass at her music school she was a student of the sound engineering class, so she definitly understands the tone her bass is producing
That's cool. Makes life way easier for the engineers and producers when you do stuff like that
Didn't know Saiki could do that. Very nice.
Sir.... excuse me but good sir, I must inform you that in your in between segment of "impromptu guitar lesson" and "back to the video" segment you perfectly missed a most incredible drum fill that detonated my 24-years-of-drumming-experience brain all over my car windows when I first heard it, resulting in me having to pull over into a gas station to make sure I heard what I did in fact hear. Akane places this thing perfectly in the absence of other instruments for the first measure of the third chorus........ Kick Kick // Kick Kick // CRASHYFLASHYSHINEYSHINEY BOOM!!! I understand you're a guitar dude but I simply hope and wonder if other people were impressed or even noticed this fill as it is just really truly perfect and I've not heard anything like it executed so well or beautifully within the context of a song. Anyways have a listen to that part of the song and keep making the vids!
Too many details, I always miss some! Will keep an ear out for that next time I pop the song on 🤘
11:03 Carol of the Bells I think is what you're picking up and it's causing you to get that wintry vibe.
Nice one Barry! That make a lot of sense, that melody must just be burrowed away in the back of my mind
In re: MISA's slides. I can't remember which interview it was, but it was on YT with subs, rather BAD subs, but MISA stated that she preferred the deeper more full sounds which is why she slides rather than change strings. And the other ladies agree with her as to how it sounds.
Personally after listening to you play it both ways, I prefer the slide version. It has more mat more chunk as you said.
Thankee for for your time in making this video, please keep 'em coming.
Awesome! That's the only real reason I can think of for doing it, so it would make sense, cheers for the insights bud!
@@JbfMusicGuitar Watching your video for like the 7th time while I try to figure out what Miku is doing for my tele clone and the thought hit me. The ladies say they watch various reaction videos, and I was wondering what Kanami would say if she watched you breaking down her riff.
@@greylocke100 Haha, probably that I'm doing it wrong! 🤣🤘🎸
Nice reaction. Anyone knows where to buy Band-Maid Blurays and merchandising that can be shiped to Europe? Really want to support them, and Spotify doesn't seem enough.
I have no idea! I'll try to remember to ask in one of these, hopefully one of the guys will be able to shed some light on it!
YES.............❤🎙😎👌
🤘🤘🤘
this is great,---the album version - less so, one of my favorites
Really like this one as well
byuh byuh mantap.. very nice reaction and analysis Jack.. thanks 👍❤️😘🇮🇩
Thanks so much mate!
Whats great about your reaction is that you can also play bass. Thats great man.
Cheers Jay! Guitar is really my first love, but I probably prefer gigging as a bassist a bit less pressure and more fun!
Saiki is the star in Wonderland, BAND-MAID’s best song and Miincho’s most subtle and sophisticated composition. Akane and Misa are masters. I’m sure you will enjoy it more and more afterr repeated listens.
It kills me to her you *TALKING OVER* her delicate and nuanced vocals.
Yeah, it's a great song. Haha, sorry Greg! But I suppose you know what you're getting from me at this point! 🤣
Have you done anything by Lovebites yet?
Yes! These two:
th-cam.com/video/nXE3LktQKVQ/w-d-xo.html
th-cam.com/video/UU_lrxZ6Iok/w-d-xo.html
Both of them got blocked before they were (rightfully) deemed as fair use, so I've been very hesitant to do more on them.
Great reaction, only one minor bump, you were talking over Miku's lead work on the second verse. Its short so its easy to miss.
Cheers dude, will need to keep an ear out for that on my next listen!
Hi Jack, I really enjoy your musical break downs! If you want to know what Akane was doing on drums during the lighter part, it wasn’t a rim shot, but a cross stick technique. I’ve used this a lot in my playing. Here’s a video example of someone playing cross stick if you’re interested: th-cam.com/video/QNlzuETpp-A/w-d-xo.html It’s easier to show you rather than explain it. Hope you enjoy it 😎
Thank you!!!
I had sort assumed that was like a sub category of a rim shot, but this makes so much more sense; have never really known what to call that; cheers for that!
@@JbfMusicGuitar anytime! 😎
👌👌💕❤️🔥
Cheers bud!
When I saw this review I thought "ah he's a guitar guy, he's going to skip right over Saiki's singing which is so exceptional on this one," but you did notice. 🙂 (Really interesting discussion of why Misa might be sliding on one string btw.)
To be fair and a guitar guy... I usually do that, lmao!
But when something pops out like that it's hard to miss!
MISA MISA MISA!
🤘🤘🤘
As good as MISA is playing rock I think this is her jam. She is really great.
The female equivalent of falsetto is known as "falsetto." ;-)
Can't argue with that Simeon! I think I was trying to circle round that it's a texture I've never really knowingly heard, whenever I've gigged/played with Soprano singers they don't seem to have that same sort of tonal shift. But that might be more of a stylistic thing than anything else? I should really just ask them!
@@JbfMusicGuitar I believe a falsetto is where only a portion of your vocal chords are vibrating which results in a higher, but airier tone. A soprano is a singer that has the highest range of all vocal types (usually middle C to high A), without using a falsetto.
@@P3wP3wPanda Yeah, sorry I didn't explain that well at all!
I want you reaction pop the sun he is the top guitarist in Thailand I want you to take a look at what level he is now.
Thanks for that, I've added them to the list!
Galneryus live please 😌
I know a wee bit of Galneryus, have had a few suggestions for them, any songs in particular you think I should look at?
you should check out Unlucky Morpheus - Angreifer live, they're much better than band-maid
Thanks for that- I've popped them on my list!
Females can sing falsetto but they can’t be a castrato. (dumb musical joke)
I can't believe they used to do that to boys, bloody awful.
Always enjoy these! I'm sure you already know but they just came out with the sheet music for the new album. Check out Daydreaming for one of the best ballads ever!
Thanks dude! I'm not the biggest fan of ballads I must say, but Daydreaming is very much on the list!
@@JbfMusicGuitar Ballad the Band-Maid way though! Think U2 but better 😄. Also one the best Kanami solos.
I love Wonderland, for me it's a time for Sai-sama to shine. Another great example of the
diversity of Band-maid. Enjoyed your breakdown of this one :)
Well said! Cheers bud!