The Congolese have no generic term to identify their music. People speak of miziki na biso (our music) to distinguish it from imported sounds, but even that phrase relies on the French word musique rendered into Lingala. Over the years, various styles of Congolese music have been called by the names of the dances from which they sprang or which they generated, but none has ever applied to the whole, expansive genre. The global entertainment industry can’t abide this sort of thing. Its publicists and salesmen seem unable to function without names to label their products, and journalists and DJs are equally dependent on these tags. Their first attempt at a catchy moniker for Congolese music was rumba rock in the 1980s. There was some rationale for this: in the 1950s and 60s Congolese musicians had ardently embraced Cuban styles such as rumba, and indeed they referred to some of their original compositions as ”rumbas”. At the same time, the Congolese sound was quite distinct from anything played in Cuba, thanks in large part to electric guitars - instruments associated with rock. The problem was that “rumba rock” implied that Congolese music was an artificial fusion of two foreign forms, which it most definitely was not, and it was never a term that local musicians or fans used. Hence soukous, the tag that has gained most recognition in Europe and America since the late 1980s. A sinuous, almost onomatopoeic word, it is uniquely Congolese - though, like miziki, it’s a corruption (or should we say redemption?) of a French word. The problem with this one is that it’s applied much too broadly. In Congo, “soukous” refers to a particular dance style popular in the late 1960s, and more recently it’s been a football term to describe a cunning feint when dribbling the ball. Using the word to identify music as different as Kallé Kabasele’s classics and Koffi Olomide’s latest is like referring to everything from “Mystery Train” to “She Bangs” as twist. Since the turn of the century, Congolese artists in their fifties and sixties such as Sam Mangwana, Papa Noel, Mose Fan Fan and the group Kékélé have revived the sounds of their youth and with them an old name, rumba. While acknowledging Cuban influences, they insist their music is indigenous to Congo and so, in fact, is the name. Rumba, they say, is the Spanish mispronunciation of nkumba, the KiKongo word for “waist”. Afro-Cubans of Congolese ancestry had taught successive generations a social dance from the old country, a style in which a man and a woman held each other by the waist. That was the rumba that returned to Congo on records and radio waves in the twentieth century. But that doesn’t mean that rumba is a correct term for all Congolese dance music. After all, Congo is the original Land of a Thousand Dances.....(Ken Braun)
The theme of the lyrics is similar to the song: matata ya mwasi na mobali esilaka te na mokili. Franco was singing about the behaviour of women towards men in this world (here it is Kinshasa).
When our Nairobi brothers and sisters land in the countryside over the weekend for a function, they park their vehicles at a very visible place. They get out of the car slowly, in instalments: legs, hands, lips, head, back, exposed waist, full person. They bounce towards the tent like Christopher Columbus who discovered Jamaica. The man begins to pull up his trousers because in his youth he did not learn where his waist was located. The wife begins to pull down her skirt because the skirt is metres above her common sense. The kids begin to fight for phones and car keys. The MC orders the villagers to either vacate the seats voluntarily or risk forceful eviction. Wazee na wamama are told to stand, so that their plastic seat can be occupied by one of the Nairobi kids. The caterer begins to fumble for water and soda. The MC announces the grand arrival. The hosts begin to look more important. The village slayqueen catwalks between the dais and the audience for no reason at all. The Nairobi man land on the chair like a very important Elephant. The Nairobi wife sits with crossed legs one pointing south and the other north, kids sit far apart as Arsenal and Man U in Epl. The village enjoys the Afrocinema amidst the endless speeches...with some recognizing, thanking and clapping his presence and worse if there's a mzungu accompanying them.
(CHORUS) Okosi ngai mama (You lied to me darling) Yo naye bo boyana (that there is nothing between you) Okosi ngai mama (You lied to me darling) Olobisaka ye te oh (You said that you you don’t talk to him anymore) Lobi lisusu, nakuti yo na maboko na ye (Yesterday again, I found him holding you) Lobi lisusu, nakuti yo na voiture na ye (Yesterday again, I found you in his car) Eloko na sala, na yebi te oh oh, mokili oh (I don’t know what to do, you people on this world) 1) Likambo nini yo na ngai na ye, eh (What is going on between you, I and him?) Likambo nini yo na ye na ngai (What is going on between you, I and him?) Mwasi mobimba, alata mobali ko lata eh (A woman who neglects her husband like cloth) Mwasi mobimba, alata pantalon na ndako eh (Its a shame for a whole woman to wear a trousers while married) Mobali aloba, alingi aloba te oh bandeko mama (If the husband critisices her she doesnt want the husband to utter a word) (CHORUS) Okosi ngai mama Yo naye bo boyana Okosi ngai mama Olobisaka ye te oh Lobi lisusu, nakuti yo na maboko na ye Lobi lisusu, nakuti yo na voiture na ye Eloko na sala, na yebi te oh oh, mokili oh 2) Likambo nini yo na ngai na ye (What is going on between you, I and him?) Likambo nini yo na ye lisolo ya motoyi eh (Why are you whispering in his hear / what do you discuss?) Mwasi mobimba, ayoka ngai te oh, bandeko eh (A whole woman, never listens to me oh, brothers and sisters eh) Mwasi mobimba, ayoka ngai te oh, bandeko eh (A whole woman, never listens to me oh, brothers and sisters eh) Na loba ndenge na lingi, andima ngai te oh, bandeko eh (I tell her the ways I like, she doesn’t listen to me, brothers and sisters eh) (CHORUS) 3) Likambo nini yo na ngai na ye eh (Whats the problem between you, I and him eh?/What is going on between us three) Likambo nini yo na ngai na ye eh (Whats the problem between you, I and him eh?/What is going on between us three) Mwasi mobimba na pesa mbongo yako lia (a whole/complete woman I give her money for the budget in the house and food) Mbongo ya sanza mobimba (For the whole month's salary) Mwasi andima ngai te ba ndeko eh (She still do not take me into consideration or hasn't yet accepted my family and I) Akaboli ngai mbongo biteni sambo na ndako eh (She splits/divides my money into seven parts - this is money is for our home/home/family use) Eteni ya liboso, akomi na ba Nzambe ya sika eh (The 1st piece, She takes to some new gods she adores) Eteni ya mibale, atindi epayi ya mama na ye (The 2nd piece, She sends it to her mother) Eteni ya misato, mbongo eke nde na moziki (The 3rd piece, goes to women gathering/her Mutual welfare association) Eteni ya minei, mbongo eke nde na likelemba eh (The 4th piece, goes to her investment plan/ used to becalled Marygoround these days called table banking or chama) Eteni ya mitano, mbongo eke na sapato eh (The 5th piece, She spends it on shoes) Eteni ya motoba, mbongo eke na pavillon cinq/5 oh (The 6th piece, she spends it on jewelries/pavillon cinq) Eteni ya sambo eh, atiki moke moke na ndako eh (The 7th piece, she leaves a bit of it at home) (CHORUS) 4) Likambo nini yo na ngai na ye eh Likambo nini yo na ngai na ye eh Mwasi oyo alobi ngai nalobaka mingi bandeko Nzambe pe apesa monoko ya koloba Nzambe asala Adamu na Eva eh Baloba Eva sala basi ya mokili eh Baloba Adamu asala mibali eh Kasi epai ya Eva, bisoto monoko pasi eh Natonga elamba, ye abamba eh Ye alingi kaka kolata, ko ya sika na magazini eh Fête nyoso akende alingi kaka ya sika eh Ngai na ye, kaka oyo kabambaka ehh (CHORUS) 5) Likambo nini yo na ye na ngai eh Likambo nini yo na ngai na ye eh Mwasi mobimba akoma quartier pilere na quartier Banzela nyoso akoma na ye nde kobongisa eh Matiti na fulu akoma na ye kopusa eh Quartier mobimba, bayeba ye na yolo NO mama eh (CHORUS) 6) Ya ngai mbongo wa kabola yango Alobi soki ya bimi na nzela Ati mbongo na ye na kati ya porte monnaie oh bandeko eh Ake oh kuluka bapetit puse oh bandeko eh Oh, ake kuluka babogose bandeko eh Mbongo na ngai bana mike basilisi basilisi Nga na loba nini na ndako mama, mama, mama, mama Eloko na sala, na yebi te oh oh, mokili eh (CHORUS) 7) Mokili eh bebi eh bebi eh bandeko mama Mokili eh bebi eh bebi eh mama Basi bakoma kozua mbongo mpo balesaka bana ya bato Basi bakoma kozua mbongo basumba bilamba ya bana ya bato oh mama oh mawa eh eheh (CHORUS) 8) Likambo nini yo na ngai na yeee eh Likambo nini yo na ngai na ye eh Mwasi na pesi ye mbongo mpo asala mombongo eh Capitale na etre mwasi ya kolia yango koporo mama (CHORUS) 9) Likambo nini yo na ngai na yeee eh Likambo nini yo na ngai na ye eh Mwasi likambo nyoso asalaka ngai na ndako eh Nakende koloba epai ya mama na ye Mama naye andima ngai ata mokete oh bandeko Mama naye abota nnnna mibali libwa Mwana na mwana, tata na tata oh bandeko eh Del mere del fille oh bandeko ehh (CHORUS) 10) Likambo nini yo na ngai na yeee eh Likambo nini yo na ngai na ye eh Mwasi asali ngai soni, soni ekoti motema eh Tango azalaka na nga bandeko tokota ka babirozomi eh Tango bazalaka na nga bandeko na lakisaka ye nyoso alingaka Sima toko yeni mosala tokota babiroyo tokendeke Akomi na bavuze, akomi na baleki oh Nakosala nini oh, mokili ebeti bango fimbo eh ohh (CHORUS) 11) Forte na ye te, forte ya famie eh Forte na ye te, forte ya famie eh Famie na ye linga boye naloba nini yo mama aah Mama abota bana libwa na mibali libwa oh bandeko Mwana na mwana tata ndenge nini mwana na ye abonga eh (CHORUS) 12) Likambo nini yo na ngai na yeee eh Likambo nini yo na Adamu na Eva eh Tika na yemba, Adamu mosalinga likambo eh Tika na yemba, Eva bomanga koboma Ah, likambo nini yo na ngai na yeee eh Mwasi apesi ngai mwana, ndoki ya butu oh bandeko Mwasi azali na magazini, monene na butu oh bandeko Mbongo na kopesa na moi ye mosala ya kolia na butu Likambo nini Ah, ebabominga koboma eh mama (CHORUS) 13) Alambeli ngai mbisi ya miguwa eh Nalembi simbi sekanga minga na mongongo Mwasi abimi ya kekolukela ngai monganga eh Nazuili na monganga monganga, akomi te na ndako bandeko eh Bana ba kamati ngai, na kikoyo bandeko eh Ngai na komi l'hopital, mwasi akoki sango epai ya zalaki kosaka na ye Likambo nini yo na ngai na yeee eh ah Likambo nini yo na ngai na ye likambo nini basi, basi osalaka mibali boye mama ah ah Likambo nini mibali basala bino nyongo nini bakumba mama ah ah (CHORUS) 14) Likambo nini yo na ngai na yeee eh Likambo nini yo na ye na ngai eh voiture nasombela ye, mosala kokumba mingali voiture nasombela ye, mosala kokumba mingali Soki bamoni ye bafundi, alobi ye akumba lisusu voiture te (INTRUMENTALS)
Women who wear jumpsuits are just as dangerous as satan. I will say what I will say and you will take me nowhere. First, let us talk about how these women wear those things knowing very well that space for 'susuing' is not there. These women attend parties, they drink water, drink alcohol, drink soup, drink anything liquid... Without calculating the distance it would take them to moon walk to the toilet, wrestle with the jumpsuit to finally pee. Can you imagine dealing with a woman who gambles with the strength of her bladder? Can you imagine. Or is it just me who starts unzipping her trouser after sipping a glass of wine because I know well well that I will have no time to fight with zip when the bladder starts rioting. Two, most of these women who wear jumpsuits are just naturally troublesome. From the way they shake their behind when they walk, they way they insist on wearing high heels to further increase backside shaking to the way they don't care when the said jumpsuit nearly commits suicide by entering the valleys between... It is very clear that these women are no good. These are the ones who argued with their school principals while In school and continue to argue with chiefs and police men over anything and everything. Three, they don't even bother wearing stomach arrestors. These ones you will see them walking in town with jiggling stomachs which they use to clear traffic infront of them. The ones with flat stomachs are the worst of them all. These women give me high blood pressure and lack of grease at the knees with their standards. They wear tight tight jumpsuits and slim belts to show you how small their waists are, then when they walk past me with my three stomachs In one package, they widen their eyes as if they have swallowed a hot potato. Four. None of them is aware that Naivas sells underwear. None. Nobody knows who between them and underwear wronged each other but they don't see eye to eye. Me I always walk behind them tying to atleast see a tiny line... Nothing, these women be just walking commando without shame at all at all. Kwanza these Nairobi ones... Even after the City was given to the army to run, these women have shown no symptoms of fear or shame, apparently they only fear hot porridge and strong winds because they don't like chasing their wigs and eyelashes around town when blown off. Five. This magic of jumpsuits making women look like they have vera sidika hips must be investigated. Innocent men out on these streets are fundraising to pay ruracio for women who confused them with jumpsuit induced hips only for the unsuspecting fellow to realise that matters are different after paying full price for quarter hips. These women... These women and their jumpsuits... first cousins of that one who spoke with snake in the garden. I'm in Nyeri come beat me! Photo Credits: The super talented ZicSaloma 0 Comments
Okosi ngai mama ah yo na ye boboyana Okosi ngai mama ah olobisaka ye te oh Lobi lisusu nakuti yo na maboko na ye Lobi lisusu nakuti yo na voiture na ye Eloko nasala nayebi te oh mokili oh - You lie to ma that you and him have separated - You lie to me that you don’t talk to him but - The other day I found you in his arms - The other day I found you in his car - Oh this world, I don’t know what to do
Likambo nini yo na ngai na ye eh Likambo nini yo na ngai na ye eh Mwasi mobimba napesa mbongo ya kolia Mbongo ya sanza mobimba mwasi andima ngai te bandeko Akaboli ngai mbongo biteni nsambo na ndako - What is your problem between me and her? - I give you money for food - Money for the whole month she still doesn’t accept me my people - She divides for me money in seven parts in the house
Eteni ya liboso akomi na banzambe ya sika Eteni ya mibale atindi epayi ya mama na ye Eteni ya misato mbongo ekeyi nde na musique Eteni ya minei mbongo ekeyi na likelemba Eteni ya mitano mbongo ekeyi na sapato Eteni ya motoba mbongo ekeyi na Pavillon Cinq Eteni ya nsambo atiki moke-moke na ndako - First part; is for her to become the new god - Second part; she sends to her mother’s place - Third part; some money goes to music - Fourth part; some money goes for merry-go-round - Fifth part; some money goes to buying shoes - Sixth part; some money goes to Pavilion Five (A Hyper-Mart with many areas - pavilions. You only find Jewellery in Pavilion 5) - Seventh part; is little money (coins) she leaves around the house.
Awesome.....I love this song!!...... One of my best!!
Welcome
Was good story James
True
The Congolese have no generic term to identify their music. People speak of miziki na biso (our music) to distinguish it from imported sounds, but even that phrase relies on the French word musique rendered into Lingala. Over the years, various styles of Congolese music have been called by the names of the dances from which they sprang or which they generated, but none has ever applied to the whole, expansive genre. The global entertainment industry can’t abide this sort of thing. Its publicists and salesmen seem unable to function without names to label their products, and journalists and DJs are equally dependent on these tags. Their first attempt at a catchy moniker for Congolese music was rumba rock in the 1980s. There was some rationale for this: in the 1950s and 60s Congolese musicians had ardently embraced Cuban styles such as rumba, and indeed they referred to some of their original compositions as ”rumbas”. At the same time, the Congolese sound was quite distinct from anything played in Cuba, thanks in large part to electric guitars - instruments associated with rock. The problem was that “rumba rock” implied that Congolese music was an artificial fusion of two foreign forms, which it most definitely was not, and it was never a term that local musicians or fans used. Hence soukous, the tag that has gained most recognition in Europe and America since the late 1980s. A sinuous, almost onomatopoeic word, it is uniquely Congolese - though, like miziki, it’s a corruption (or should we say redemption?) of a French word. The problem with this one is that it’s applied much too broadly. In Congo, “soukous” refers to a particular dance style popular in the late 1960s, and more recently it’s been a football term to describe a cunning feint when dribbling the ball. Using the word to identify music as different as Kallé Kabasele’s classics and Koffi Olomide’s latest is like referring to everything from “Mystery Train” to “She Bangs” as twist. Since the turn of the century, Congolese artists in their fifties and sixties such as Sam Mangwana, Papa Noel, Mose Fan Fan and the group Kékélé have revived the sounds of their youth and with them an old name, rumba. While acknowledging Cuban influences, they insist their music is indigenous to Congo and so, in fact, is the name. Rumba, they say, is the Spanish mispronunciation of nkumba, the KiKongo word for “waist”. Afro-Cubans of Congolese ancestry had taught successive generations a social dance from the old country, a style in which a man and a woman held each other by the waist. That was the rumba that returned to Congo on records and radio waves in the twentieth century. But that doesn’t mean that rumba is a correct term for all Congolese dance music. After all, Congo is the
original Land of a Thousand Dances.....(Ken Braun)
The theme of the lyrics is similar to the song: matata ya mwasi na mobali esilaka te na mokili. Franco was singing about the behaviour of women towards men in this world (here it is Kinshasa).
True
When our Nairobi brothers and sisters land in the countryside over the weekend for a function, they park their vehicles at a very visible place. They get out of the car slowly, in instalments: legs, hands, lips, head, back, exposed waist, full person. They bounce towards the tent like Christopher Columbus who discovered Jamaica. The man begins to pull up his trousers because in his youth he did not learn where his waist was located. The wife begins to pull down her skirt because the skirt is metres above her common sense. The kids begin to fight for phones and car keys. The MC orders the villagers to either vacate the seats voluntarily or risk forceful eviction. Wazee na wamama are told to stand, so that their plastic seat can be occupied by one of the Nairobi kids. The caterer begins to fumble for water and soda. The MC announces the grand arrival. The hosts begin to look more important. The village slayqueen catwalks between the dais and the audience for no reason at all. The Nairobi man land on the chair like a very important Elephant. The Nairobi wife sits with crossed legs one pointing south and the other north, kids sit far apart as Arsenal and Man U in Epl. The village enjoys the Afrocinema amidst the endless speeches...with some recognizing, thanking and clapping his presence and worse if there's a mzungu accompanying them.
Kindly check English lyrics in comments section
Can you please play this song by Sam mangwana "Georgetta" and meanings? And Suzana
I have already done translation
Kumbe ulisoma Ebunangwe High school? Big up man good job
Yes 1982-5,Thank you and hope you have subscribed to the channel
Tres Fache means very tired.
Ok
Thanks job well done ,but be more in English, because we don't understand Swahili and translate for me Riana choc star.
Welcome
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(CHORUS)
Okosi ngai mama (You lied to me darling)
Yo naye bo boyana (that there is nothing between you)
Okosi ngai mama (You lied to me darling)
Olobisaka ye te oh (You said that you you don’t talk to him anymore)
Lobi lisusu, nakuti yo na maboko na ye (Yesterday again, I found him holding you)
Lobi lisusu, nakuti yo na voiture na ye (Yesterday again, I found you in his car)
Eloko na sala, na yebi te oh oh, mokili oh (I don’t know what to do, you people on this world)
1) Likambo nini yo na ngai na ye, eh (What is going on between you, I and him?)
Likambo nini yo na ye na ngai (What is going on between you, I and him?)
Mwasi mobimba, alata mobali ko lata eh (A woman who neglects her husband like cloth)
Mwasi mobimba, alata pantalon na ndako eh (Its a shame for a whole woman to wear a trousers while married)
Mobali aloba, alingi aloba te oh bandeko mama (If the husband critisices her she doesnt want the husband to utter a word)
(CHORUS)
Okosi ngai mama
Yo naye bo boyana
Okosi ngai mama
Olobisaka ye te oh
Lobi lisusu, nakuti yo na maboko na ye
Lobi lisusu, nakuti yo na voiture na ye
Eloko na sala, na yebi te oh oh, mokili oh
2) Likambo nini yo na ngai na ye (What is going on between you, I and him?)
Likambo nini yo na ye lisolo ya motoyi eh (Why are you whispering in his hear / what do you discuss?)
Mwasi mobimba, ayoka ngai te oh, bandeko eh (A whole woman, never listens to me oh, brothers and sisters eh)
Mwasi mobimba, ayoka ngai te oh, bandeko eh (A whole woman, never listens to me oh, brothers and sisters eh)
Na loba ndenge na lingi, andima ngai te oh, bandeko eh (I tell her the ways I like, she doesn’t listen to me, brothers and sisters eh)
(CHORUS)
3) Likambo nini yo na ngai na ye eh (Whats the problem between you, I and him eh?/What is going on between us three)
Likambo nini yo na ngai na ye eh (Whats the problem between you, I and him eh?/What is going on between us three)
Mwasi mobimba na pesa mbongo yako lia (a whole/complete woman I give her money for the budget in the house and food)
Mbongo ya sanza mobimba (For the whole month's salary)
Mwasi andima ngai te ba ndeko eh (She still do not take me into consideration or hasn't yet accepted my family and I)
Akaboli ngai mbongo biteni sambo na ndako eh (She splits/divides my money into seven parts - this is money is for our home/home/family use)
Eteni ya liboso, akomi na ba Nzambe ya sika eh (The 1st piece, She takes to some new gods she adores)
Eteni ya mibale, atindi epayi ya mama na ye (The 2nd piece, She sends it to her mother)
Eteni ya misato, mbongo eke nde na moziki (The 3rd piece, goes to women gathering/her Mutual welfare association)
Eteni ya minei, mbongo eke nde na likelemba eh (The 4th piece, goes to her investment plan/ used to becalled Marygoround these days called table banking or chama)
Eteni ya mitano, mbongo eke na sapato eh (The 5th piece, She spends it on shoes)
Eteni ya motoba, mbongo eke na pavillon cinq/5 oh (The 6th piece, she spends it on jewelries/pavillon cinq)
Eteni ya sambo eh, atiki moke moke na ndako eh (The 7th piece, she leaves a bit of it at home)
(CHORUS)
4) Likambo nini yo na ngai na ye eh
Likambo nini yo na ngai na ye eh
Mwasi oyo alobi ngai nalobaka mingi bandeko
Nzambe pe apesa monoko ya koloba
Nzambe asala Adamu na Eva eh
Baloba Eva sala basi ya mokili eh
Baloba Adamu asala mibali eh
Kasi epai ya Eva, bisoto monoko pasi eh
Natonga elamba, ye abamba eh
Ye alingi kaka kolata, ko ya sika na magazini eh
Fête nyoso akende alingi kaka ya sika eh
Ngai na ye, kaka oyo kabambaka ehh
(CHORUS)
5) Likambo nini yo na ye na ngai eh
Likambo nini yo na ngai na ye eh
Mwasi mobimba akoma quartier pilere na quartier
Banzela nyoso akoma na ye nde kobongisa eh
Matiti na fulu akoma na ye kopusa eh
Quartier mobimba, bayeba ye na yolo NO mama eh
(CHORUS)
6) Ya ngai mbongo wa kabola yango
Alobi soki ya bimi na nzela
Ati mbongo na ye na kati ya porte monnaie oh bandeko eh
Ake oh kuluka bapetit puse oh bandeko eh
Oh, ake kuluka babogose bandeko eh
Mbongo na ngai bana mike basilisi basilisi
Nga na loba nini na ndako mama, mama, mama, mama
Eloko na sala, na yebi te oh oh, mokili eh
(CHORUS)
7) Mokili eh bebi eh bebi eh bandeko mama
Mokili eh bebi eh bebi eh mama
Basi bakoma kozua mbongo mpo balesaka bana ya bato
Basi bakoma kozua mbongo basumba bilamba ya bana ya bato
oh mama oh mawa eh eheh
(CHORUS)
8) Likambo nini yo na ngai na yeee eh
Likambo nini yo na ngai na ye eh
Mwasi na pesi ye mbongo mpo asala mombongo eh
Capitale na etre mwasi ya kolia yango koporo mama
(CHORUS)
9) Likambo nini yo na ngai na yeee eh
Likambo nini yo na ngai na ye eh
Mwasi likambo nyoso asalaka ngai na ndako eh
Nakende koloba epai ya mama na ye
Mama naye andima ngai ata mokete oh bandeko
Mama naye abota nnnna mibali libwa
Mwana na mwana, tata na tata oh bandeko eh
Del mere del fille oh bandeko ehh
(CHORUS)
10) Likambo nini yo na ngai na yeee eh
Likambo nini yo na ngai na ye eh
Mwasi asali ngai soni, soni ekoti motema eh
Tango azalaka na nga bandeko tokota ka babirozomi eh
Tango bazalaka na nga bandeko na lakisaka ye nyoso alingaka
Sima toko yeni mosala tokota babiroyo tokendeke
Akomi na bavuze, akomi na baleki oh
Nakosala nini oh, mokili ebeti bango fimbo eh ohh
(CHORUS)
11) Forte na ye te, forte ya famie eh
Forte na ye te, forte ya famie eh
Famie na ye linga boye naloba nini yo mama aah
Mama abota bana libwa na mibali libwa oh bandeko
Mwana na mwana tata ndenge nini mwana na ye abonga eh
(CHORUS)
12) Likambo nini yo na ngai na yeee eh
Likambo nini yo na Adamu na Eva eh
Tika na yemba, Adamu mosalinga likambo eh
Tika na yemba, Eva bomanga koboma
Ah, likambo nini yo na ngai na yeee eh
Mwasi apesi ngai mwana, ndoki ya butu oh bandeko
Mwasi azali na magazini, monene na butu oh bandeko
Mbongo na kopesa na moi ye mosala ya kolia na butu
Likambo nini Ah, ebabominga koboma eh mama
(CHORUS)
13) Alambeli ngai mbisi ya miguwa eh
Nalembi simbi sekanga minga na mongongo
Mwasi abimi ya kekolukela ngai monganga eh
Nazuili na monganga monganga, akomi te na ndako bandeko eh
Bana ba kamati ngai, na kikoyo bandeko eh
Ngai na komi l'hopital, mwasi akoki sango epai ya zalaki kosaka na ye
Likambo nini yo na ngai na yeee eh ah
Likambo nini yo na ngai na ye likambo nini basi, basi osalaka mibali boye mama ah ah
Likambo nini mibali basala bino nyongo nini bakumba mama ah ah
(CHORUS)
14) Likambo nini yo na ngai na yeee eh
Likambo nini yo na ye na ngai eh
voiture nasombela ye, mosala kokumba mingali
voiture nasombela ye, mosala kokumba mingali
Soki bamoni ye bafundi, alobi ye akumba lisusu voiture te
(INTRUMENTALS)
Thank you so much
anyways some were translated before some not yet. Good job Agana
@@adera3060 Thank you
Women who wear jumpsuits are just as dangerous as satan. I will say what I will say and you will take me nowhere.
First, let us talk about how these women wear those things knowing very well that space for 'susuing' is not there. These women attend parties, they drink water, drink alcohol, drink soup, drink anything liquid... Without calculating the distance it would take them to moon walk to the toilet, wrestle with the jumpsuit to finally pee. Can you imagine dealing with a woman who gambles with the strength of her bladder? Can you imagine. Or is it just me who starts unzipping her trouser after sipping a glass of wine because I know well well that I will have no time to fight with zip when the bladder starts rioting.
Two, most of these women who wear jumpsuits are just naturally troublesome. From the way they shake their behind when they walk, they way they insist on wearing high heels to further increase backside shaking to the way they don't care when the said jumpsuit nearly commits suicide by entering the valleys between... It is very clear that these women are no good. These are the ones who argued with their school principals while In school and continue to argue with chiefs and police men over anything and everything.
Three, they don't even bother wearing stomach arrestors. These ones you will see them walking in town with jiggling stomachs which they use to clear traffic infront of them. The ones with flat stomachs are the worst of them all. These women give me high blood pressure and lack of grease at the knees with their standards. They wear tight tight jumpsuits and slim belts to show you how small their waists are, then when they walk past me with my three stomachs In one package, they widen their eyes as if they have swallowed a hot potato.
Four. None of them is aware that Naivas sells underwear. None. Nobody knows who between them and underwear wronged each other but they don't see eye to eye. Me I always walk behind them tying to atleast see a tiny line... Nothing, these women be just walking commando without shame at all at all. Kwanza these Nairobi ones... Even after the City was given to the army to run, these women have shown no symptoms of fear or shame, apparently they only fear hot porridge and strong winds because they don't like chasing their wigs and eyelashes around town when blown off.
Five. This magic of jumpsuits making women look like they have vera sidika hips must be investigated. Innocent men out on these streets are fundraising to pay ruracio for women who confused them with jumpsuit induced hips only for the unsuspecting fellow to realise that matters are different after paying full price for quarter hips. These women... These women and their jumpsuits... first cousins of that one who spoke with snake in the garden.
I'm in Nyeri come beat me!
Photo Credits: The super talented ZicSaloma
0 Comments
Tres fache... very annoyed
Thank you
Its pronounced TREFASHE.....you don't pronounce the "s" in "TRES"
Yes nowadays I know after learning through Rumba music
Okosi ngai mama ah yo na ye boboyana
Okosi ngai mama ah olobisaka ye te oh
Lobi lisusu nakuti yo na maboko na ye
Lobi lisusu nakuti yo na voiture na ye
Eloko nasala nayebi te oh mokili oh
- You lie to ma that you and him have separated
- You lie to me that you don’t talk to him but
- The other day I found you in his arms
- The other day I found you in his car
- Oh this world, I don’t know what to do
Likambo nini yo na ngai na ye eh
Likambo nini yo na ngai na ye eh
Mwasi mobimba napesa mbongo ya kolia
Mbongo ya sanza mobimba mwasi andima ngai te bandeko
Akaboli ngai mbongo biteni nsambo na ndako
- What is your problem between me and her?
- I give you money for food
- Money for the whole month she still doesn’t accept me my people
- She divides for me money in seven parts in the house
Eteni ya liboso akomi na banzambe ya sika
Eteni ya mibale atindi epayi ya mama na ye
Eteni ya misato mbongo ekeyi nde na musique
Eteni ya minei mbongo ekeyi na likelemba
Eteni ya mitano mbongo ekeyi na sapato
Eteni ya motoba mbongo ekeyi na Pavillon Cinq
Eteni ya nsambo atiki moke-moke na ndako
- First part; is for her to become the new god
- Second part; she sends to her mother’s place
- Third part; some money goes to music
- Fourth part; some money goes for merry-go-round
- Fifth part; some money goes to buying shoes
- Sixth part; some money goes to Pavilion Five (A Hyper-Mart with many areas - pavilions. You only find Jewellery in Pavilion 5)
- Seventh part; is little money (coins) she leaves around the house.