Another thing the art does to make itself feel more mundane - the dynamic shots of the murders are often more zoomed out and show at least one full figure (which makes them feel more static) while the talking segments by Morris are mostly closeups, making them feel more dynamic. So instead of reinforcing the feeling of each scene, instead the emotional payoff of the framing and the content of the panel is somewhat contradicted, it's evened out to something more neutral (dynamic scene feels more static, static scene feels more dynamic) - so both the talking and the murder feel more similar to the reader. I imagine there's probably also something to be said about how both murder and the speech are arranged into two planes, background and foreground - in murder the two constantly switch between murder and bystanders watching them, while for Morris we see him in the foreground, and portrait in the background 'watching' him.
@@StripPanelNaked I have one request from you. I wish to see more "non english" content on your channel. Your blacksad episode is one of my favorites and I loved it to bits.
Thanks for checking out the new episode! Pretty happy I managed to sneak an Urasawa and Watchmen reference this one, too :P For more on From Hell, there's a new set of three updates on the Patreon page, here: www.patreon.com/strippanelnaked
Man i dropped From Hell a third in I didnt know the dude who designed my curtains showed up in the story. Cool vie as always, you've got a great narrative voice
Thanks for another great one Hass! Obviously don't want to push or anything, but this would be a great build to a little analysis of City of Glass. Also using the 9panel grid etc etc. (you haven't done one on that already, right?) Keep it up!
There's pages in there in the color version that for me work really well, and pages that really don't work anywhere near as well as the black and white version! It's definitely an interesting experience in color.
I'm pretty stoked when the presenter cannot hide their excitement while they're narrating.
haha I think that's my worst tendency in these videos!
this channel helps me a lot for my comicbook writing. Thanks man.
Thanks!!! Glad it’s useful!!
Another thing the art does to make itself feel more mundane - the dynamic shots of the murders are often more zoomed out and show at least one full figure (which makes them feel more static) while the talking segments by Morris are mostly closeups, making them feel more dynamic. So instead of reinforcing the feeling of each scene, instead the emotional payoff of the framing and the content of the panel is somewhat contradicted, it's evened out to something more neutral (dynamic scene feels more static, static scene feels more dynamic) - so both the talking and the murder feel more similar to the reader.
I imagine there's probably also something to be said about how both murder and the speech are arranged into two planes, background and foreground - in murder the two constantly switch between murder and bystanders watching them, while for Morris we see him in the foreground, and portrait in the background 'watching' him.
Yesss you are back!
Haha! Been a slow release schedule this year, but still here!
Has you are one of my favorite people I discovered in internet. Love you so much.
Hahah thank you- glad you’re digging the channel!!
@@StripPanelNaked I have one request from you. I wish to see more "non english" content on your channel. Your blacksad episode is one of my favorites and I loved it to bits.
Thanks for checking out the new episode! Pretty happy I managed to sneak an Urasawa and Watchmen reference this one, too :P
For more on From Hell, there's a new set of three updates on the Patreon page, here: www.patreon.com/strippanelnaked
Man i dropped From Hell a third in I didnt know the dude who designed my curtains showed up in the story. Cool vie as always, you've got a great narrative voice
It’s full of cameos 😂
This channel is amazing!
Thanks for checking it out!
Wonderful episode!
Thanks!!
Great video, as always!
Thanks Görkem!
WHY THE HELL DO I NOT WATCH THIS CHANNEL
OMG I BEEN SUBSCRIBED FOR A YEAR AND MISSED EVERY VIDEO
Hi! I'm from Brazil and I have been watching your works. What you do are amazing!(sorry for my english)
Thanks for another great one Hass! Obviously don't want to push or anything, but this would be a great build to a little analysis of City of Glass. Also using the 9panel grid etc etc. (you haven't done one on that already, right?) Keep it up!
I love that comic-- do need an excuse to get back to it...!
@@StripPanelNaked would love that!
Fascinating and insightful analysis. TY.
Very astute.
Thanks for checking it out!
My dude ⚡⚡
⚡️⚡️⚡️!
From Hell is the best comic book that i ever read! Not my favorite mind you, but it is the tits!
:)
The grid also becomes more evident with the colored version. its really clear in 7:57
I'm surprised you picked the color version, I personally think the color in this version is sometimes kind of awful.
There's pages in there in the color version that for me work really well, and pages that really don't work anywhere near as well as the black and white version! It's definitely an interesting experience in color.
@@StripPanelNaked Interesting! I dropped the color version early on so it's nice to see someone else's perspective.
All about the Eddie Campbell. I think he is BRILLIANT.
Interesting, but this comic is meant to be in black and white. The full color version is just a mistake, almost as much as the movie.
No way in hell.