Have you used Strathmore Bristol 300 Smooth with Copics before? Tell me what you think. Agree? Disagree? Let's use this comment section as a community knowledge base.
Love your videos! Love the art and the chit-chat and how you bring it all together and make it seem so easy that even I could do ALL of it it I only had the exactly 'correct' markers and paper just like you for whichever various project I happened to be working on at the time. By the way, has anyone been invited to submit their countless hours-long masterpieces with alcohol markers on various specialty papers to be hung for generations in the Hague? I didn't think so, so I just figured I'd buy the best I could afford and have some fun!
I brought my ciao cops last year as I cannot afford sketch . I love them but treated them really bad thank you so much for your help and support . xxxx
This video's been a lifesaver. I was struggling so hard to find out if I could use Copics with bristol smooth and I got mixed opinions, but your kiwi looks great.
Hi Amy! I'm one of your students from the MPF days (best class EVER!) :D I was watching some of your older videos on papers and thought I'd leave a comment. Lately, I've been searching for a paper that does well with Copics + Colored Pencils + some Watercolor & Acrylic paint pens and boy is it a STRUGGLE. I have found a couple that do okay. I usually use Deleter Kent for actual marker illustrations (IE- My lineart is marker) because there is no feathering out of the lines at all. I don't blend very much in my usual work (I like layering with the chisel and very little blending at all), but it just blends OK. The colors stand out on that paper unlike anything I have ever seen, though, and it is by far the most vibrant paper I've ever used. They must be using a lot of optical brighteners or something but boy those colors POP. It can't take very much colored pencil (Prismacolors) or watercolor though- but it could handle more layers of both than XPI. I think I remember reading that you tried this one and weren't a big fan of it, I think? Fabriano Studio Hot Press Watercolor paper 140lbs (the one with 25% cotton) was not too bad at all. The colors I think looked a bit more...washed out than I liked. But it took watercolor well, and actually did nicely with colored pencils, too, if I remember right. I thought it made my illustrations look very soft and painterly. Very pretty, but I didn't think it worked so well whenever I was trying to get any amount of precision when I was making texture with my markers (like trying to do crisp fur or any amount of precision outlining since I do a lot of cartoon/manga work). I think it made my lines really soft/feathery but it seemed to do fine taking a LOT of marker layers. I was really surprised. Also it was very smooth and a pleasant yellow-white color that was easy on the eyes. I have not gotten to try the other Fabriano watercolor papers. I'm not sure if you've tried it, but there's also another brand of Kent paper by Orion called Baron Kent. I have tried the #150 (which was not good) and the #200. This is a bit of an unusual Kent paper because it can actually accept both watercolor and colored pencil surprisingly well. The #200 is 175kg and you can get up to JIS B3 size shipped from Amazon Japan. I was able to do some light watercoloring on it, plus markers, plus I managed a few Prismacolor layers. Those were a couple I've tried recently!
And to the topic of this video, I completely forgot to mention in my comment! I just recently got a pad of the Strathmore smooth 400 and cannot wait to give it a shot. I think I used the 300 smooth years ago a couple of times, but I have no idea why on earth I didn't continue using it. But now that I'm using more and more colored pencil in my illustrations, finding something that can take colored pencil has been more important than ever. :) I'd love to try their plate bristol, too, since I work in dip pens these days and need something ultra-smooth that will not snag my nibs (and that comes in much larger sizes than my current paper, which maxes out at JIS B4). So I may be trying that one too. Maybe I'll sneak some markers onto it too :) Thank you as always for making such informative, helpful videos! Have a wonderful Christmas and New Year!!
Hey, I love it when MPFers check back in with what they're up to now!!! I've got a package of Kent here but it's definitely marker only. I don't love pencils on it. And then there's Fabriano Artistico which I love for pencils but it's soooo thirsty with markers. It does leave soft edges but I don't get excessive bleeding with it... but I'm not using Fab Studio and I'm probably unconsciously making adjustments to my marker coloring style when working on it. I'll watch for Baron Kent, thanks for the heads up. I've got some watermedia here that I've been wanting to try.
I've been working on Strath 300 for about a year, now I'm moving to Strath 400 for at least a couple months, just so I can be clear with students about the differences. Gotta say, I think I was happier on 300 but I haven't figured out why yet, LOL. But I'm still in the phase where I'm overly conscious of the paper and maybe that's what I don't like.
Strathmore's Bristol with a smooth finish is my "go to" for whenever I use markers with colored pencils, but I also have had some good experience with Borden & Riley's Paris Paper, although it is too smooth for colored pencils. Thanks for all the info; really enjoy your videos!
Thanks Carlos. I've got some Paris around here somewhere but I think there's a reason it's not in my Frequent drawer. I'll have to dig it out and remember why I sidelined it.
@@AmyShulke I think Paris Paper is too thin; it can hold enough dye, but if one goes too heavy on the layering, it will definitely bleed through. I think it is OK for practice runs, but maybe better suited for ink-only line work.
I sometimes color stamped images, but coloring is not really my thing. Probably because I’m not very good at it. That said, I’ve just discovered your channel and you have captivated me. I’ve been binging your videos and you’re making me want to actually learn in classes. Thank you for your thoughtful content.
Thank you for taking the time to do these informational videos. I like that you give the reasons for using a particular paper - the pros and the cons. Express it is an easier blending paper. I am still getting used to blending. I did a class with the Cryogen paper and it helped knowing what it was "supposed to look like" since I work on Express it. You are truly an inspiration.
You are so welcome! There are more paper videos coming, I'm thinking 1x month. If there's a brand you're curious about, please let me know. With so many papers out there, I don't want to waste time on a brand nobody is using :)
Thank you for your video. I bought more than a dozen ring bound small pads, about 20 years ago, from Hobby Lobby. They were from a company called Little Art and claimed "Smooth Art Stock" recycled, travel size (6.5x6.5) and used them until I ran out. Evidently, they are not made any more, and I've tried several papers with less success. The one I've landed on, for the time being, is crazy: Staples inkjet matte photo paper. It seems to make the color pop and doesn't bleed wildly. I'm not a professional artist, so I only doodle in the moment, though, and don't look for archival quality.
Thanks, Amy. This is so great. I’ve used Strathmore Bristol Smooth 300 for years and never had a problem with die cutting or putting it through my printer, as long as I use the rear tray on my Canon Pixma. It’s 100 lb paper, so not quite as thick as the 110 lb cardstock many crafters like to use for card bases. My only tiny complaint is that it’s not a bright white, the way Cryogen was. The Strathmore has a slightly ivory tint, which is something to be aware of if you’re layering it against white. Even so, it’s my go-to for markers and ink-blending techniques.
Thank you for this excellent information. I love Bristol for ink blending and colored pencils but have never tried it with Copic markers. Bristol die cuts very nicely; as a card maker, I find it a very versatile paper.
Awesome to hear! So you don't have issues with the dies failing to cut cleanly through? Is this consistently true across die brands? When I taught in a scrapbooking store, I remember hearing conversations about some economy priced dies cutting shallow. It's not my niche, so I rely on others to teach me when lessons wander close to papercrafting :)
As a card maker I use Strathmore Bristol and X-Press It. I have zero problems with Bristol’s weight either in card layers or die cutting. For card making purposes both surfaces perform equally. The differences for me lie in marker and blending performance. Not better or worse just different. I choose my paper based on the image and final result I hope to achieve.
Thanks for this fabulous video. I have both Strathmore and express it. It's so confusing about what paper to use for markers and what we can get in New Zealand. I make cards and like the heavier weight paper if I'm colouring and die cutting but if it's just colouring alone I would probably go to a lighter weight like express it. Just depends on the design I'm making. I agree about the printer too. I upgraded to a printer with a rear feed that doesn't require the paper to bend so I can use the 300gsm papers as I use a lot of digi stamps.
I'm a big fan of Strathmore and their various papers. I use their 400 series sketch journals to plan things out, then go ham on the actual project itself with the Bristol paper, or if I'm painting, their watercolor paper. I know there's tons of paper out there I haven't tried, but why fix what ain't broke, ya know? Their Bristol paper handles my various colored pencils like a charm too. I'm always glad when I see people giving Strathmore a chance and liking them. They're kind of an under appreciated brand in the vast market of papers.
LOL. Given how often my truthy personality flaw gets me into trouble in face to face conversations, I find it hilarious that it somehow works in art instruction and now here on TH-cam. Thanks for watching and thanks for commenting too. I appreciate the feedback.
I feel you Amy My favorite paper's quality from Canson massively deteriorated I bought new one in bulk So i didnt notice at first When i opened up the new stuff the paper had teeny tiny black dots Opened up another one Same issue Couldn't return it either So im also looking for a new option
@@AmyShulke I believe the manufacturing of the paper changed for the worse And the tiny black dots are impurities Maybe the coating isn't as refined as it used to be Small particles or defects appearing on the surface My theory But I have no formal training unlike you Maybe you know what's going on
@@nullavitasinemusica1 is it a recycled paper??? Never seen this or maybe never noticed it. Asking because Canson has never been on my list of paper to be careful about.
@@AmyShulke no it has not been recycled It just says that the paper is recyclable I also bought TH-camr recommended paper and was highly disappointed when I tried out the popular transotype paper etc I wanna try Strathmore now But it's in my country is very very expensive
I'm sorry but you won't like my answer. Normally, I'd say "try it to find out." But in this case, at least for me, it's a hard no. I'll be covering Neenah and a few other office grade papers in upcoming videos but for now, if you're serious about coloring, get an artist grade Bristol instead of stealing from your home office or your card making stash. BTW, the ream is a good clue. A similar ream of Strathmore would run over $300. Cheap Bristol is barely Bristol.
@@kristenputikka4960 Save your money and wait on the Bristol. Work with the XPI for a while since you already have it ordered. Really get to know XPI and see how it changes your blends and blending technique. Don't bounce to a new paper until you really understand the first paper well. Then try Bristol if XPI isn't meeting your needs.
My paper arrived! Do you happen to know which color blick studio markers are similar to the copics? I like how you give marker colors, but I have the blick studio set.
@@AmyShulke yeah he made a video Called the copic killer And "best marker" I recommend watching it Bc he is very influential and influenced a lot of people to buy the dry spectrum noir and poor dye ohuhu markers It's jarring
@@nullavitasinemusica1 The one with the bloody Copic? I think I’ve watched that one. I unsubbed long ago so it takes something really popular for him to make it into my feed.
I really wish someone would take over the Cryogen Curious Metallic collection after Arjo Wiggins went out of business. ☹️. Finding good paper is so hard.
I know!!! The idea of that machinery and the paper recipes just sitting there doing nothing? It kills me. Did you realize the company started in 1761? Ugh. So sad.
I don't know if it's the same paper, but I clicked on a previous Amazon order for the curious metallic, and it is available for $89 for 25 sheets. Let me know so I can get a loan for this 😂 ( I still have some of the paper I bought several years ago. Special projects only) @AmyShulke
Strathmore's Marker paper is a form of Layout paper and not intended for the kind of coloring I do. If you sketch with markers and do minimal layers, it's probably fine. If you blend or layer with more than 3-4 layers, this paper would be far too thin for your needs. Remember, just because something says "Marker" or "Ink" on the label doesn't mean it's intended for marker blending. Totally different niche.
@@AmyShulke Good to know. I was just curious. I received some of this paper in an art subscription box along with some copic makers. Your knowledge and opinon are valuable. Thank you. I am just a hobbyist enjoying all things artsy.
Express It is made in Australia and Strathmore in US. I’m from Europe and the shipping costs are very high. So… did you ever find another good paper? 🤣
Not for teaching... yet. Still searching. You'll find it ironic that the XPI factory is actually in Germany. They ship it to Australia for packaging and distribution. So it kills me that my EU students can't find XPI more easily when there's a warehouse full of it just a train ride away from you. Ugh. Look for a 100% cotton or cotton blend Bristol Board with a smooth finish. Bristol isn't unique to Strathmore, there are several brands making Bristol style art paper. Fabriano has a pretty good one. It's made in Italy.
@@AmyShulke In Germany?! That’s my neighbour-country 😳 That really sucks 😕 I have tons of different paper. It was for testing pencils. The Derwent paper is 100% cotton. It feels and looks a bit like a painting board. A really odd texture. I wasn’t that impressed by it and it cost me a small fortune. 😵💫 I have used Derwent Inktens a lot (such beautiful colours 😍) but the wrong paper made it look dull. I have Arches hotpressed and wow… that made all the difference. But… Arches hotpressed isn’t smooth enough for markers. I am trying to understand how to work with alc. markers, but I don’t ’get them’. My work with markers look like a drawing from a five year old 😶🌫️
@@AmyShulke I hope so too. I have about 500 sheets but as much as I stamp and color it won't last long and my granddaughter is always coloring also. So hurry and hit the lottery
Have you used Strathmore Bristol 300 Smooth with Copics before? Tell me what you think. Agree? Disagree? Let's use this comment section as a community knowledge base.
@@AmyShulke I ordered it
Your work is amazing and I trust your judgement
I don't use markers, but I love watching you bring a piece to life.
“the blood of virgins..” …love your sense of humor! 😂 Can’t wait to get through my surgery to start your classes! You’re a fantastic teacher.
Thank you so much! New stuff coming to my course Workshop this summer so watch for the announcements.
Love learning through your videos. You answer questions I didn’t even know I had. Thanks so much for your time and effort 👑
You are so welcome!
Love your videos! Love the art and the chit-chat and how you bring it all together and make it seem so easy that even I could do ALL of it it I only had the exactly 'correct' markers and paper just like you for whichever various project I happened to be working on at the time. By the way, has anyone been invited to submit their countless hours-long masterpieces with alcohol markers on various specialty papers to be hung for generations in the Hague? I didn't think so, so I just figured I'd buy the best I could afford and have some fun!
Meh, most marker artists aren't museum types anyway. We know it's a temporary medium for commercial art :)
I brought my ciao cops last year as I cannot afford sketch . I love them but treated them really bad thank you so much for your help and support . xxxx
Sounds familiar, so many people expect the ink to last much longer. Now's the time to work on your refill collection :)
@@AmyShulke 🥰
This video's been a lifesaver. I was struggling so hard to find out if I could use Copics with bristol smooth and I got mixed opinions, but your kiwi looks great.
Thanks and I'm glad you finally found the answer. BTW, I'm still working on Bristol and still haven't found anything to top it yet.
@@AmyShulke Good to know! I am currently coping with some vellum I have left but it eats ink, so I can't wait for my Smooth pad to arrive!
Hi Amy! I'm one of your students from the MPF days (best class EVER!) :D I was watching some of your older videos on papers and thought I'd leave a comment.
Lately, I've been searching for a paper that does well with Copics + Colored Pencils + some Watercolor & Acrylic paint pens and boy is it a STRUGGLE. I have found a couple that do okay. I usually use Deleter Kent for actual marker illustrations (IE- My lineart is marker) because there is no feathering out of the lines at all. I don't blend very much in my usual work (I like layering with the chisel and very little blending at all), but it just blends OK. The colors stand out on that paper unlike anything I have ever seen, though, and it is by far the most vibrant paper I've ever used. They must be using a lot of optical brighteners or something but boy those colors POP. It can't take very much colored pencil (Prismacolors) or watercolor though- but it could handle more layers of both than XPI. I think I remember reading that you tried this one and weren't a big fan of it, I think?
Fabriano Studio Hot Press Watercolor paper 140lbs (the one with 25% cotton) was not too bad at all. The colors I think looked a bit more...washed out than I liked. But it took watercolor well, and actually did nicely with colored pencils, too, if I remember right. I thought it made my illustrations look very soft and painterly. Very pretty, but I didn't think it worked so well whenever I was trying to get any amount of precision when I was making texture with my markers (like trying to do crisp fur or any amount of precision outlining since I do a lot of cartoon/manga work). I think it made my lines really soft/feathery but it seemed to do fine taking a LOT of marker layers. I was really surprised. Also it was very smooth and a pleasant yellow-white color that was easy on the eyes. I have not gotten to try the other Fabriano watercolor papers.
I'm not sure if you've tried it, but there's also another brand of Kent paper by Orion called Baron Kent. I have tried the #150 (which was not good) and the #200. This is a bit of an unusual Kent paper because it can actually accept both watercolor and colored pencil surprisingly well. The #200 is 175kg and you can get up to JIS B3 size shipped from Amazon Japan. I was able to do some light watercoloring on it, plus markers, plus I managed a few Prismacolor layers.
Those were a couple I've tried recently!
And to the topic of this video, I completely forgot to mention in my comment! I just recently got a pad of the Strathmore smooth 400 and cannot wait to give it a shot. I think I used the 300 smooth years ago a couple of times, but I have no idea why on earth I didn't continue using it. But now that I'm using more and more colored pencil in my illustrations, finding something that can take colored pencil has been more important than ever. :) I'd love to try their plate bristol, too, since I work in dip pens these days and need something ultra-smooth that will not snag my nibs (and that comes in much larger sizes than my current paper, which maxes out at JIS B4). So I may be trying that one too. Maybe I'll sneak some markers onto it too :)
Thank you as always for making such informative, helpful videos! Have a wonderful Christmas and New Year!!
Hey, I love it when MPFers check back in with what they're up to now!!!
I've got a package of Kent here but it's definitely marker only. I don't love pencils on it. And then there's Fabriano Artistico which I love for pencils but it's soooo thirsty with markers. It does leave soft edges but I don't get excessive bleeding with it... but I'm not using Fab Studio and I'm probably unconsciously making adjustments to my marker coloring style when working on it.
I'll watch for Baron Kent, thanks for the heads up. I've got some watermedia here that I've been wanting to try.
I've been working on Strath 300 for about a year, now I'm moving to Strath 400 for at least a couple months, just so I can be clear with students about the differences. Gotta say, I think I was happier on 300 but I haven't figured out why yet, LOL. But I'm still in the phase where I'm overly conscious of the paper and maybe that's what I don't like.
I'm really enjoying working on the Strathmore Bristol 300. I like that it can take a lot of ink. That kiwi made my mouth water - gorgeous!
LOL, you saw yesterday how many layers the Bristol took. Learned my lesson, never demo over-inking on Bristol live. Hahahahah.
Strathmore's Bristol with a smooth finish is my "go to" for whenever I use markers with colored pencils, but I also have had some good experience with Borden & Riley's Paris Paper, although it is too smooth for colored pencils.
Thanks for all the info; really enjoy your videos!
Thanks Carlos. I've got some Paris around here somewhere but I think there's a reason it's not in my Frequent drawer. I'll have to dig it out and remember why I sidelined it.
@@AmyShulke I think Paris Paper is too thin; it can hold enough dye, but if one goes too heavy on the layering, it will definitely bleed through. I think it is OK for practice runs, but maybe better suited for ink-only line work.
I sometimes color stamped images, but coloring is not really my thing. Probably because I’m not very good at it. That said, I’ve just discovered your channel and you have captivated me. I’ve been binging your videos and you’re making me want to actually learn in classes. Thank you for your thoughtful content.
Thanks for the explanations about paper differences, much appreciated!
Glad it was helpful! I plan to do another paper brand soon, so there's more to come.
Thank you for taking the time to do these informational videos. I like that you give the reasons for using a particular paper - the pros and the cons. Express it is an easier blending paper. I am still getting used to blending. I did a class with the Cryogen paper and it helped knowing what it was "supposed to look like" since I work on Express it. You are truly an inspiration.
You are so welcome! There are more paper videos coming, I'm thinking 1x month. If there's a brand you're curious about, please let me know. With so many papers out there, I don't want to waste time on a brand nobody is using :)
Thank you for your video. I bought more than a dozen ring bound small pads, about 20 years ago, from Hobby Lobby. They were from a company called Little Art and claimed "Smooth Art Stock" recycled, travel size (6.5x6.5) and used them until I ran out. Evidently, they are not made any more, and I've tried several papers with less success. The one I've landed on, for the time being, is crazy: Staples inkjet matte photo paper. It seems to make the color pop and doesn't bleed wildly. I'm not a professional artist, so I only doodle in the moment, though, and don't look for archival quality.
Thanks, Amy. This is so great. I’ve used Strathmore Bristol Smooth 300 for years and never had a problem with die cutting or putting it through my printer, as long as I use the rear tray on my Canon Pixma. It’s 100 lb paper, so not quite as thick as the 110 lb cardstock many crafters like to use for card bases. My only tiny complaint is that it’s not a bright white, the way Cryogen was. The Strathmore has a slightly ivory tint, which is something to be aware of if you’re layering it against white. Even so, it’s my go-to for markers and ink-blending techniques.
Thanks for the info Leah!
Thank you for this excellent information. I love Bristol for ink blending and colored pencils but have never tried it with Copic markers. Bristol die cuts very nicely; as a card maker, I find it a very versatile paper.
Awesome to hear! So you don't have issues with the dies failing to cut cleanly through? Is this consistently true across die brands? When I taught in a scrapbooking store, I remember hearing conversations about some economy priced dies cutting shallow. It's not my niche, so I rely on others to teach me when lessons wander close to papercrafting :)
@@AmyShulke I use mostly name brand dies but I haven't had any problems even with the no name dies.
As a card maker I use Strathmore Bristol and X-Press It. I have zero problems with Bristol’s weight either in card layers or die cutting. For card making purposes both surfaces perform equally. The differences for me lie in marker and blending performance. Not better or worse just different. I choose my paper based on the image and final result I hope to achieve.
Great information! Thanks for sharing. Sounds like you're pretty smart about not sticking to a one-paper-suits-all rule.
Thanks for this fabulous video. I have both Strathmore and express it. It's so confusing about what paper to use for markers and what we can get in New Zealand. I make cards and like the heavier weight paper if I'm colouring and die cutting but if it's just colouring alone I would probably go to a lighter weight like express it. Just depends on the design I'm making. I agree about the printer too. I upgraded to a printer with a rear feed that doesn't require the paper to bend so I can use the 300gsm papers as I use a lot of digi stamps.
Perfect info! I actually edited out a few lines about a printer with a rear feed. Glad you mentioned it!
I love this channel
Well, thank you! I'm glad you found me.
I'm a big fan of Strathmore and their various papers. I use their 400 series sketch journals to plan things out, then go ham on the actual project itself with the Bristol paper, or if I'm painting, their watercolor paper. I know there's tons of paper out there I haven't tried, but why fix what ain't broke, ya know? Their Bristol paper handles my various colored pencils like a charm too. I'm always glad when I see people giving Strathmore a chance and liking them. They're kind of an under appreciated brand in the vast market of papers.
Long time Strathmore user here. Strath and Bienfang will always have a place in my studio.
Love how Amy always challenges the status quo and says it how it is.
LOL. Given how often my truthy personality flaw gets me into trouble in face to face conversations, I find it hilarious that it somehow works in art instruction and now here on TH-cam. Thanks for watching and thanks for commenting too. I appreciate the feedback.
I feel you Amy
My favorite paper's quality from Canson massively deteriorated
I bought new one in bulk
So i didnt notice at first
When i opened up the new stuff the paper had teeny tiny black dots
Opened up another one
Same issue
Couldn't return it either
So im also looking for a new option
What do you think the black dots are?
@@AmyShulke
I believe the manufacturing of the paper changed for the worse
And the tiny black dots are impurities
Maybe the coating isn't as refined as it used to be
Small particles or defects appearing on the surface
My theory
But I have no formal training unlike you
Maybe you know what's going on
@@nullavitasinemusica1 is it a recycled paper??? Never seen this or maybe never noticed it. Asking because Canson has never been on my list of paper to be careful about.
@@AmyShulke no it has not been recycled
It just says that the paper is recyclable
I also bought TH-camr recommended paper and was highly disappointed when I tried out the popular transotype paper etc
I wanna try Strathmore now
But it's in my country is very very expensive
@@AmyShulkeMy Strathmore bristol just arrived
I'm looking forward to test it 🎉
I have a ream of neenah Bristol vellum. Will that work?
I'm sorry but you won't like my answer. Normally, I'd say "try it to find out." But in this case, at least for me, it's a hard no.
I'll be covering Neenah and a few other office grade papers in upcoming videos but for now, if you're serious about coloring, get an artist grade Bristol instead of stealing from your home office or your card making stash.
BTW, the ream is a good clue. A similar ream of Strathmore would run over $300. Cheap Bristol is barely Bristol.
Ok. I will look for it. I ordered some xpress it last night.
@@kristenputikka4960 Save your money and wait on the Bristol. Work with the XPI for a while since you already have it ordered. Really get to know XPI and see how it changes your blends and blending technique. Don't bounce to a new paper until you really understand the first paper well. Then try Bristol if XPI isn't meeting your needs.
Thank you, I will
My paper arrived! Do you happen to know which color blick studio markers are similar to the copics? I like how you give marker colors, but I have the blick studio set.
3:04
That Jazza shade
Lol
Does he do that too? I didn't have him in mind at all but maybe he's the one who started it. I can't watch him any more.
@@AmyShulke yeah he made a video
Called the copic killer
And "best marker"
I recommend watching it
Bc he is very influential and influenced a lot of people to buy the dry spectrum noir and poor dye ohuhu markers
It's jarring
@@nullavitasinemusica1 The one with the bloody Copic? I think I’ve watched that one. I unsubbed long ago so it takes something really popular for him to make it into my feed.
@@AmyShulke he has a few others where he tested all kinds of brands
I really wish someone would take over the Cryogen Curious Metallic collection after Arjo Wiggins went out of business. ☹️. Finding good paper is so hard.
I know!!! The idea of that machinery and the paper recipes just sitting there doing nothing? It kills me. Did you realize the company started in 1761? Ugh. So sad.
And cryogen blends so beautifully
I don't know if it's the same paper, but I clicked on a previous Amazon order for the curious metallic, and it is available for $89 for 25 sheets. Let me know so I can get a loan for this 😂
( I still have some of the paper I bought several years ago. Special projects only) @AmyShulke
"and that's what I found out how awful the internet is" 😂 love it
Have you tried Strathmore Marker paper?
Strathmore's Marker paper is a form of Layout paper and not intended for the kind of coloring I do. If you sketch with markers and do minimal layers, it's probably fine. If you blend or layer with more than 3-4 layers, this paper would be far too thin for your needs.
Remember, just because something says "Marker" or "Ink" on the label doesn't mean it's intended for marker blending. Totally different niche.
@@AmyShulke Good to know. I was just curious. I received some of this paper in an art subscription box along with some copic makers. Your knowledge and opinon are valuable. Thank you. I am just a hobbyist enjoying all things artsy.
Express It is made in Australia and Strathmore in US. I’m from Europe and the shipping costs are very high.
So… did you ever find another good paper? 🤣
Not for teaching... yet. Still searching.
You'll find it ironic that the XPI factory is actually in Germany. They ship it to Australia for packaging and distribution. So it kills me that my EU students can't find XPI more easily when there's a warehouse full of it just a train ride away from you. Ugh.
Look for a 100% cotton or cotton blend Bristol Board with a smooth finish. Bristol isn't unique to Strathmore, there are several brands making Bristol style art paper. Fabriano has a pretty good one. It's made in Italy.
@@AmyShulke In Germany?! That’s my neighbour-country 😳 That really sucks 😕
I have tons of different paper. It was for testing pencils. The Derwent paper is 100% cotton. It feels and looks a bit like a painting board. A really odd texture. I wasn’t that impressed by it and it cost me a small fortune. 😵💫
I have used Derwent Inktens a lot (such beautiful colours 😍) but the wrong paper made it look dull. I have Arches hotpressed and wow… that made all the difference.
But… Arches hotpressed isn’t smooth enough for markers.
I am trying to understand how to work with alc. markers, but I don’t ’get them’. My work with markers look like a drawing from a five year old 😶🌫️
I'm so glad that I have a huge stock of cyrogen..
Hopefully your Cryogen stash lasts until I win the lottery and buy the factory!
@@AmyShulke I hope so too. I have about 500 sheets but as much as I stamp and color it won't last long and my granddaughter is always coloring also. So hurry and hit the lottery
ohuhu marker paper is prob the best for alcohol markers. no bleed thru
I could not disagree more: th-cam.com/video/7EI21XTMyug/w-d-xo.html