I got the chance to play his incredible Amati cello when I was at Juilliard Pre-College Division in 1977. The Pre-college Division classes are on Saturdays only. Mr. Rose gave lessons in the same room in the college division during the week that my cello teacher used on Saturdays. He had left his cello in the classroom closet one Saturday or some reason. My teacher asked me if I would like to play Leonard Rose’s cello. My teacher opened the closet and took his cello out of the case. She said “Don’t tell anyone”. I played a good part of Saint-Sean’s Cello Concerto that I was learning on his Amati before we put it away. What a difference his cello made. It was a thrill. I never sounded as good. I didn’t become a musician as a livelihood, but I still play my “not nearly as good as an Amati” cello.
He was my dads cello teacher, and transformed him into an amazing player. Now, my dad is helping me become an amazing player; I'm playing this piece now. I've never met Leonard Rose, but it's really cool how his playing has been passed down to me. Of course, I'm no where near his level, but without him, I would not be as good as I am today, nor my dad.
Édouard Lalo:d-moll gordonkaverseny 1.Prelűd:Lento - Allegro maestoso 00:00 2.Intermezzo:Andantino con moto - Allegro presto - Andantino - Tempo I 11:55 3.Bevezetés,Andante - Allegro vivace 18:02 Leonard Rose-gordonka Philadelphia Zenekar Vezényel:Ormándy Jenő
I worked for Leonard Rose at Juilliard. He was a warm, easy going person, and, of course, a living legend at the school and around the world. It was deeply saddening to hear of his health decline and passing. He was a lovely, gentlemanly, and warm-hearted human being, and a cellist of impeccable taste and virtuosity.
Maravillosa interpretación del Prestigioso Maestro y Excepcional Violonchelista ; ejecuta la Obra Maestra con una Magistral tempestuosidad ; unido a una Magestuosidad deslumbrante . BRAVO
The anguish, the painful romance, and the fiery tempest-like character of this piece smothered with a very hallucinatory technical wizardry...what do we get?!!?? First class art
its an amazing piece, and hard too. Especially when tercet comes right after 8th note. Furthermore for the all of those {6 of 16th notes in one tempo) 16th notes and learn how to play them more rhythmically. Even though you've done all of that rhythmical work, you still have to figure out how you will gonna make music in that. But this guy totally made me shut up. It was such an amazing play with an amazing piece. Its very delightful and joyful when you listen to good musics, by good musicians!
You should never play the lalo for NYSSMA, they cut it short, and the judges don't understand the changed rhythms. Most rhythm in the piece is not played how it looks on the paper, so unless your judge is a cellist they will probably mark it as you playing it wrong :/ It's a great piece for competitions though
Szívet melengető hangon szólal meg a második tétel!! Élmény hallgatni. Harmadik tételt csodálatos pianoval indítja és markánsan cressendál. Sok színűen játszik, ami még varázslatosabb.
The epitome of elegance and refinement and just the right amount of restraint. So many people love the over-emotional approach, but that's not appealing to me.
I got the chance to play his incredible Amati cello when I was at Juilliard Pre-College Division in 1977. The Pre-college Division classes are on Saturdays only. Mr. Rose gave lessons in the same room in the college division during the week that my cello teacher used on Saturdays. He had left his cello in the classroom closet one Saturday or some reason. My teacher asked me if I would like to play Leonard Rose’s cello. My teacher opened the closet and took his cello out of the case. She said “Don’t tell anyone”. I played a good part of Saint-Sean’s Cello Concerto that I was learning on his Amati before we put it away. What a difference his cello made. It was a thrill. I never sounded as good. I didn’t become a musician as a livelihood, but I still play my “not nearly as good as an Amati” cello.
He was my dads cello teacher, and transformed him into an amazing player. Now, my dad is helping me become an amazing player; I'm playing this piece now. I've never met Leonard Rose, but it's really cool how his playing has been passed down to me. Of course, I'm no where near his level, but without him, I would not be as good as I am today, nor my dad.
me too!
Same with me :-).
Ria Ray Same here! He's my grand teacher! Of course, he was dead before I was born, but you get the point.
wow!!Lucky you!!!
that cool! I think he is my great grand teacher
Édouard Lalo:d-moll gordonkaverseny
1.Prelűd:Lento - Allegro maestoso 00:00
2.Intermezzo:Andantino con moto - Allegro presto - Andantino - Tempo I 11:55
3.Bevezetés,Andante - Allegro vivace 18:02
Leonard Rose-gordonka
Philadelphia Zenekar
Vezényel:Ormándy Jenő
Köszi !
I worked for Leonard Rose at Juilliard. He was a warm, easy going person, and, of course, a living legend at the school and around the world. It was deeply saddening to hear of his health decline and passing. He was a lovely, gentlemanly, and warm-hearted human being, and a cellist of impeccable taste and virtuosity.
Maravillosa interpretación del Prestigioso Maestro y Excepcional Violonchelista ; ejecuta la Obra Maestra con una Magistral tempestuosidad ; unido a una Magestuosidad deslumbrante .
BRAVO
Thank you. Leonard Rose was a magnificent cellist. My hero.
....It's hard to believe what I'm hearing from Mr. Leonard Rose.....the ideal cellist to me.
0:00 1st mov.
11:55 2nd mov.
18:02 3rd mov.
Thank you, nice joib
I'm playing this for college auditions. It is definitely the epitome of epic cello playing!
Did you get into the college you auditioned for?
Wow. This is the recording that marries all the elements together seamlessly. I mean, wow...
Lalala lalo! This is why I play cello! (In Russian accent for no apparent reason). Because it is beast.
Excellent quality recording. Thank you.
The anguish, the painful romance, and the fiery tempest-like character of this piece smothered with a very hallucinatory technical wizardry...what do we get?!!?? First class art
Rose had a very beautiful sound!
one of my favorite compositions. thank you.
I love this. I am playing it right now and it just sounds beautiful
The platinum standard, forget gold, you won’t find a better performance period!!!!
Perfeito.....melhor cellista de todos os tempos...
its an amazing piece, and hard too. Especially when tercet comes right after 8th note. Furthermore for the all of those {6 of 16th notes in one tempo) 16th notes and learn how to play them more rhythmically. Even though you've done all of that rhythmical work, you still have to figure out how you will gonna make music in that. But this guy totally made me shut up. It was such an amazing play with an amazing piece. Its very delightful and joyful when you listen to good musics, by good musicians!
*furthermore -> and
Rose is playing his cello so hairrising masterly in this performance with Ormandy, that 'long fur' at the arms is the result!
:) thanks!
Wonderful Performance ! Thank you for uploading :)
Wonderful, a true god of the cello
Es una interpretación con un Nivel expresivo de Excelencia .
Ah I love it from 14:07. Such a fresh breeze, and different from anything else in the repertoire.
I have this playing non stop ever since I saw it live. ♡
My God
Such an awe-inspiring piece...
The runs are devilishly hard though...
Wow.bravo!!!!!!!!!
Особенно понравилась третья часть. Всё слышно до мельчайших подробностей. Виртозные и лёгкие пассажи, характерный штрих. По стилю очень точно!
Csodálatos meleg hangon szól a hangszere. Nagyon puha hangokat szólaltat meg, ugyanakkor van benne vitalitás az előadásában!!
Tres bien...Lalo Eduard ... Vive la France
I am already playing this music
Playing this piece for my college auditions this year!
Eli Jones smart choice
maravilloso
Top
Anyone else frantically trying to finish learning this peace before NYSMA? So much for sleeping tonight...
Still fighting
Mobolite still going?
a a Roger that
Mobolite good luck 😔 🤟
You should never play the lalo for NYSSMA, they cut it short, and the judges don't understand the changed rhythms. Most rhythm in the piece is not played how it looks on the paper, so unless your judge is a cellist they will probably mark it as you playing it wrong :/ It's a great piece for competitions though
Magnífica pieza y la ejecución de Rose lo dice todo
Monumental obra.
Szívet melengető hangon szólal meg a második tétel!! Élmény hallgatni.
Harmadik tételt csodálatos pianoval indítja és markánsan cressendál.
Sok színűen játszik, ami még varázslatosabb.
I have. It's not my favorite but it certainly is amazing!
The standard lalo
Спасибо за информацию.
Magnífica pieza y como la toca rose ,lo dice todo .
I wish I played the cello...
Even we who play the cello can never be him.
I think we can agree on that part
The end is like the pirate of the carribeans
Das ist gut spielen!
The epitome of elegance and refinement and just the right amount of restraint. So many people love the over-emotional approach, but that's not appealing to me.
Nice!!
lol they cut him off towards the end 11:30
Good 👍
18:00
1:33
第二段 20:40
Um have you heard the Dvorak concerto in b minor?
20:53 - 21:01 and 21:07 - 21:12 are straight out of star wars. if someone can link me to the corresponding star wars music that'd be great
Let' get it right. Star Wars comes out of this, not the other way around.
0:28
to which ones?
14:15
IMHO I definatley prefer the Cestari version
19:05