actually now i've played it to! can definitely see why you guys said that, but for me my bow was still the biggest challenge for some reason. especially those fast parts in the 3rd movement!
Rostropivich was not only the best cellist ever, he was also a human right hero in communist Russia, - Saharov, the scientist found refuge in Rostropovich's home when he was harassed by the authorities for his views on human freedom. And the Russian gov. was so respectful of Rostropovich's international fame that he could shield Saharov from persecution.
He also sheltered Solzhenitsyn... Once, in San Francisco, he was conducting and into the first notes of the piece, an Iphone rang out a tune. He stopped the orchestra; examined the notes in a rather obvious fashion; turned to the infiltrator and said: 'It's not written here'. He got some deserved applause.
@@nicholaskiim No it is incorrect. I play this piece and the third movement begins a few lines later. It sounds like it could be the start of the third movement, but it's just using a piece of the first movement to bridge the second into the third.
@Trey Coughlin Actually if you own the international edition (which is largely considered to be the most accurate) you will find that at tempo primo (rehearsal H) the soloist finishes a slur from the measure before and then has almost 19 measures of rest (18 and 3/4 to be exact). Then, at rehearsal J, the soloist has a quarter rest, then he begins the melody. Therefore, the third movement does in fact start with what you referred to as “the bridge” to the third movement. If, however, your conductor referred to rehearsal J as the third movement, then by all means you are correct. Since there is no significant marking signifying the beginning of a new movement at J, we can infer that movement three will begin at the tempo change.
i was laying down listening to this with my eyes closed, completely focused on the music, when a really loud ad started out of the blue. startled me so bad. id much rather there be longer/more/unskippable ads at the beginning or end, but please not in the middle D:
Camille Saint Saens:1.a-moll gordonkaverseny Op.33 1.Allegro non troppo 00:20 2.Allegretto con moto 05:47 3.Tempo primo (Molto allegro) 10:45 Msztyiszlav Rosztropovics-gordonka Londoni Filharmonikus Zenekar Vezényel:Carlo Maria Giulini
Это только у русских возникает эта больная тема. Вы где-нибудь встречали, чтобы евреи гордились и писали об этом под роликами десятков и десятков лучших музыкантов-евреев, например? Кстати, у Ростроповича русской была только мать.
-- L'une des toutes meilleures versions de ce chef-d'oeuvre pour violoncelle que nous a offert l'immense Camille Saint-Saens. Rostropovich/Giulini/Orchestre de la Scala de Milan (?) --
Just lightly touching the string. You have a bit of time to take your hand off too so you can shift back (which is what he does) while the harmonic is still ringing.
No one, and I mean NOBODY plays this piece like Rostropovich! I wore this out on cassette tape as a teenager, lol I got excited when YoYo Ma recorded it but it sounds rushed and too technical to me. He has not near the passion and energy of Rostropovich.
Trey Coughlin I mean, technically (I play this too,) as in the international edition edited by Leonard Rose, each movement is indicated by a distinct tempo marking, Allegretto con moto for second movement, and measure 373, or 10:45 is marked Tempo I, and is also where the main theme returns from the first movement, making 10:45 the third movement.
@@tylerngai568 Actually, it turns out we were all wrong. I believe Saint Saens intended to make his concerto one long concerto, not meant to be broken up into movements. Different editions added in tempo markings and such, but not necessarily separate movements. When I played this for a competition, I was doing the first movement only. But it transitions so smoothly into the second movement, that I couldn't just stop and the end of the first. I had to cut to the very end of the entire piece to make it sound whole. This is why we think the third movement starts in different spots. We have different editions, which changes our perspective based on where the editors placed the tempo markings. Other concertos such as the Lalo concerto in D minor clearly marks the end and start of each movement, literally breaking up the bars and printing "Movement 2". You can essentially play any one movement at a performance, and it sounds like a complete song.
was a little fast but i think it would've been cool if the orchestra actually matched his tempo the whole time rather than not making him sound like he was rushing a lot. I think his take on the tempo's are very cool and interpretive compared to others who just play it like how many others have
![[UNCUT]ผนึกกำลังล้างบาง "แก๊งค์เชื่อมจิต" จับโป๊ะ ทั้งครอบครัว จ่อฟ้องเอาผิด I คนดังนั่งเคลียร์](http://i.ytimg.com/vi/ZGCs5aVHRZs/mqdefault.jpg)
No one would believe how much the cello is like a part of him until you hear his recordings,
I am playing this concerto this year in my diploma 😃😃🥳🥳😍✨️❤️
Playing this piece right now…I love how he does it!
i feel like these bowings would be so hard to use for anyone else but him
winwinnie they really aren't i'm studying it right now. what's hard is the shiftingd
Bowings are not hard. I’m playing it right now and I would say that position changes and intonation are the worst.
actually now i've played it to! can definitely see why you guys said that, but for me my bow was still the biggest challenge for some reason. especially those fast parts in the 3rd movement!
Yeah this song was a lot to deal with because of the finger strength required to get a full rich sound
It the fingering and left to right coordination that’s hard for me
And tone quality
Rostropivich was not only the best cellist ever, he was also a human right hero in communist Russia, - Saharov, the scientist found refuge in Rostropovich's home when he was harassed by the authorities for his views on human freedom. And the Russian gov. was so respectful of Rostropovich's international fame that he could shield Saharov from persecution.
He also sheltered Solzhenitsyn... Once, in San Francisco, he was conducting and into the first notes of the piece, an Iphone rang out a tune. He stopped the orchestra; examined the notes in a rather obvious fashion; turned to the infiltrator and said: 'It's not written here'. He got some deserved applause.
The greatest of all time. Also who in their right mind would downvote this?
@@arturoromero951 Cardi B... LOL!!!! Such rubbish 😂😂😂
What about Pablo Casals?
the answer is, they aren't in their right mind
Maybe they were so moved and were in tears that they thought the downvote button was the upvote
This reddit now?
It is idiotic to put ads in a middle of a mvt.
Deux génies au service de Saint-Saens : Rostropovitch et Giulini, que demander de plus ?
Slava, Perfect !!! 🎶🌟💖🎵💖🎻💥🌟🌟🌟💖
Ecco il più grande violoncellista del Mondo.Grandissimo.
I. Allegro non troppo 0:20
II. Allegretto con moto 5:47
III. Tempo primo 10:45
DaKrotomo whoever says 10:45 that is incorrect.
It is correct. The orchestra starts first Eungoo Lee.
@@nicholaskiim No it is incorrect. I play this piece and the third movement begins a few lines later. It sounds like it could be the start of the third movement, but it's just using a piece of the first movement to bridge the second into the third.
@Trey Coughlin Actually if you own the international edition (which is largely considered to be the most accurate) you will find that at tempo primo (rehearsal H) the soloist finishes a slur from the measure before and then has almost 19 measures of rest (18 and 3/4 to be exact). Then, at rehearsal J, the soloist has a quarter rest, then he begins the melody. Therefore, the third movement does in fact start with what you referred to as “the bridge” to the third movement. If, however, your conductor referred to rehearsal J as the third movement, then by all means you are correct. Since there is no significant marking signifying the beginning of a new movement at J, we can infer that movement three will begin at the tempo change.
Thank you for this! I am practicing for cellist and this helps for me to play along with ROSTROPOVICH lol.
El mejor volencista del siglo.
Это красивейший концерт для виолончели, исполнение вверх возможного Супер !!!
Очень красивый концерт, особенно средняя часть! Прекрасная безукоризненная техника! Брависсимо!!!
I play piano and this looks and sounds really cool.
The unexpected ads in this are totally inappropriate. Shame!!!
Andy Milsten ???
@@jscolour7811 Yes??
i was laying down listening to this with my eyes closed, completely focused on the music, when a really loud ad started out of the blue. startled me so bad. id much rather there be longer/more/unskippable ads at the beginning or end, but please not in the middle D:
Just pay the damn thing called premium
Как всегда , колоссально ! Wie immer , super schön !!!
Wow !! Amazing !!
Amazing ...
beautiful..
I loooove it! ❤
lindissimo!
The best ❤
so beautiful...
Crazy he does the artificial harmonics on the D string.
15:54
ive been doing it on the A string cuz i thought that's the only way but now i gotta try D!!
@@danieljow3510 Same I never do non a string artificials
No he doesn't, he does it on the a string.
He's doing it on the A string, with a Quinte between Thumb and 3rd finger. So he starts with Thumb on E flat and 3rd finger on b-flat
no, he does it on the d string for sure
やはり迫力満点である。
Феноменально... Честь школы и техники в зачёт... Завидуйте кто не в теме...
Superb craftmanship...one of a kind....
COOL VERY GOOOOOOD I LIKE IT A LOT
great
Благодарю! Великолепное видео!!!!🌞💐👋
Увы, здесь в Италии, по среди шедевра, вопреки элементарного уважения, ворвались дикарские, в полном смысле слова, вопли какой-то рекламы.
Camille Saint Saens:1.a-moll gordonkaverseny Op.33
1.Allegro non troppo 00:20
2.Allegretto con moto 05:47
3.Tempo primo (Molto allegro) 10:45
Msztyiszlav Rosztropovics-gordonka
Londoni Filharmonikus Zenekar
Vezényel:Carlo Maria Giulini
Not 10:45
@@eungoolee6653 Yes it begins later.
Blame the editions that say so...
Когда я слушаю Ростроповича, горжусь тем, что я русский.
Это только у русских возникает эта больная тема. Вы где-нибудь встречали, чтобы евреи гордились и писали об этом под роликами десятков и десятков лучших музыкантов-евреев, например? Кстати, у Ростроповича русской была только мать.
Michael B тогда почему у Ростроповича фамилия русская?
Inefável!
The Orchestra was the London Philharmonic Orchestra, Conducted by Carlo Maria Giulini.
Recorded in London’s Henry Wood Hall in November 1977
Thanks, do you know what orchestra? Just curious... I'm gonna play it in my orchestra next month 😀 No, I'm not a cellist, but it's a nice one!
-- L'une des toutes meilleures versions de ce chef-d'oeuvre pour violoncelle que nous a offert l'immense Camille Saint-Saens. Rostropovich/Giulini/Orchestre de la Scala de Milan (?) --
oui
Ce n'est pas l'Orchestre de la Scala de Milan... Au contraire, c'est London Philharmonic Orchestra (Orchestre Philharmonique de Londres)...
Все гениальное так просто.
Perfetta esecuzione,.
Очень красивый концерт’
Esa pasión e ímpetu que no te puede dejar indiferente... Único!
😍❤
Magisterial.
Slava!!!
Вау👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻
yes yes
15:54 I know its harmonics, but how does a cello even do that !?! (great performance)
It's on the a string
Just lightly touching the string. You have a bit of time to take your hand off too so you can shift back (which is what he does) while the harmonic is still ringing.
@@whathandleisnttakentrick here is to have a perfect fifth/fourth between the light touch of the ring finger and the thump.
Saint Seans /Rostropovich 😚❤🌹
Very Best 꾸벅
Judging by some of the haircuts, I'd say c.1977. Any other takers?
Beauty💘💘💘💙💙💙💝💝💝I am totally fascinate!!!
Wow
Esa obra la conocí por la serie sueca Wallander, el capítulo la violencelista
jamais je ne battrais contre des frères comme eux !
Irraggiungibile.
5:50
Al final indica que es la London Philarmonic Orchestra
2:56
OMG
Then the creators of Schindler's List stole Tempo primo 11:50. This will always far superior.
11:50
8:20
The Janos Starker version with the same conductor, for my taste.
no creo, insuperable Rostropovich
No one, and I mean NOBODY plays this piece like Rostropovich! I wore this out on cassette tape as a teenager, lol I got excited when YoYo Ma recorded it but it sounds rushed and too technical to me. He has not near the passion and energy of Rostropovich.
This is My NYSSMA piece: I'm so screwed
Thomas C which movement? You got till like early may so if it’s the first you should be chillin 😎
Because of SARS-COV-2 we probably won’t have NYSSMA anyways
2:28
Es impresionante el comienzo de la ejecución, otros intérpretes son más lentos
this is insane....
Allegro non troppo 0:20
Allegretto con moto 5:47
Tempo Primo 11:50
Eungoo LEE I play this concerto and it starts at 10:45 not 11:50
@@nicholaskiim No it doesn't. 10.45 is not the start of the third. Eungoo is correct. I play it also.
Trey Coughlin I mean, technically (I play this too,) as in the international edition edited by Leonard Rose, each movement is indicated by a distinct tempo marking, Allegretto con moto for second movement, and measure 373, or 10:45 is marked Tempo I, and is also where the main theme returns from the first movement, making 10:45 the third movement.
@@tylerngai568 Thank you, finally someone understands.
@@tylerngai568 Actually, it turns out we were all wrong. I believe Saint Saens intended to make his concerto one long concerto, not meant to be broken up into movements. Different editions added in tempo markings and such, but not necessarily separate movements.
When I played this for a competition, I was doing the first movement only. But it transitions so smoothly into the second movement, that I couldn't just stop and the end of the first. I had to cut to the very end of the entire piece to make it sound whole.
This is why we think the third movement starts in different spots. We have different editions, which changes our perspective based on where the editors placed the tempo markings.
Other concertos such as the Lalo concerto in D minor clearly marks the end and start of each movement, literally breaking up the bars and printing "Movement 2". You can essentially play any one movement at a performance, and it sounds like a complete song.
What orchestra is this?
London Symphony?
at 1:08 isn't that Itzhak Perlman on violin with him??
no
Феноменально, лет на 100 ещё, остальное, шлак, подобие виолончели...
anyone else its a little too fast?
I like it a little slower.
For me personally, it’s actually a little on the slow side. I actually prefer the speed of Yo-Yo Ma’s recording.
was a little fast but i think it would've been cool if the orchestra actually matched his tempo the whole time rather than not making him sound like he was rushing a lot. I think his take on the tempo's are very cool and interpretive compared to others who just play it like how many others have
Felt like he wanna rush the orchrstra so bad and the flutes dont give a fak lol
2:57
11:09
13:05