This is Boss Level Filmmaking. You are capable of shooting with a small crew because your skills are on point. Absolutely amazing to watch how you shoot without Gimbal and still has perfect movements.
Can you make a full tutorial for your color grading workflow for the SLOG 2/3? If there is a paid course I’d definitely buy it. I am amazed by your work man!
You and your crew are solid and I'm very appreciative of the lengths you went to capture the 720b lights practicality. I own one of these and use it all the time, it's great! Bravo guys!
Love it! Can't get enough of your light breakdowns. Super interesting, and great that you explain in detail how you motivate differente lighting scenarios.
the video I was waiting for!! thank you Jacq. I love this type of content from you. the way you teach really helps me understand lighting even more. you make it seem so simple! hope to see more content like this from you in the future. would love to see other types of environments. interior nighttime, exterior nighttime, exterior daytime, interior day time car, interior night time car, etc. just a suggestion for future content ideas! thanks again
this might be a rookie question but ...What would be the ideal White Balance setting on the camera for a shoot like this combining multiple light temps ? Great video btw!
Not a rookie question at all! I usually do WB for the skin and in this case it was closer to 5200 because the fill light was adding a lot on the talent. This keeps the background warmer but blends well with the rim light.
At 3:33 when you had to use the tube light for fill because of the wall. You could have also gotten a clean plate, put the light in the shot, then composited both shots tog to remove the light in post. Keep up the great work!
this looks so good! im looking for inspiration for a school project and these tips on lighting might just be what I was looking for. thank you so much!🙇♀🙇♀
I wish you have a "cinematic lighting course" you will be an awesome instructor, I learned a lot from in 6mins that I'm not afraid of the word "cinematic" anymore. Please keep doing more videos like this and any tips for what lights a beginner cinematographer should buy
@@jacques_craffordTrust me, I will and you are welcome. And also you are 💯% right about shooting from the dark side, have been watching a lot of films and music videos the exactly steps was taken even in Bollywood movies
Another great video packed with valuable information. I just wish I watched this when it was posted instead of today. I had a shoot a few days later and what I learned from this would have made a big difference. Next time I'll be ready!
Congrats on hitting 70k subs today! Been binging your content since this morning at 69k subs lol. Just picked up a a7s3 so trying to learn how to put it to use 😬
this was such a helpful video, love the framing of all the shots. I have one question. what was your color temp set to on your camera? and did you keep the same color temp in your camera throughout the whole film?
Thanks so much mate! To be honest I can't exaclty remember but I think my temp was around 5200. I kept changing my Kelvin to fit each scene, in this case 5200 gave me a nice balance between the stronger cool fill light and the warm ligth bleeding in from outside.
Excellent video!! I'm a follower now. Question: with the mixed temperature setup you're using (2700 + 5200k) to keep skin tones natural, what WB temperature setting are you using in-camera?? Thnaks!
@@jacques_crafford I am just deciding between buying a pavotube or a light sich as an aputure amaran 200x. What would you recommend me buying as an starting cinematographer?
How do you focus manually? Noticed you are moving around but your hand is not on focus ring attached on rig.. one more thing at 3:48 what is the device attached on right side with kind of 2 round antennas?
I always have a follow focus attached to my rig for incase but in this video I didn't need to focus manual, it was all autofocus. The device is a Hollyland Cosmo C1 wireless transmitter for the Director to monitor the scenes on the screen, it's amazing!!!
🔥 I'm creating a LIGHTING COURSE: jacquescrafford.shop/lighting-course-signup
As a person with zero lighting knowledge, you are truly a hero. Thank you for putting time on these tutorial videos
So happy to read comments like this! You're welcome, I just dropped a new one th-cam.com/video/TFOpa_IZmrU/w-d-xo.html
Jacques, I love these breakdowns. Hands down my favorite person to watch for cinematography!
Thanks Tanner, that means so much to me!
This is Boss Level Filmmaking. You are capable of shooting with a small crew because your skills are on point. Absolutely amazing to watch how you shoot without Gimbal and still has perfect movements.
Thanks for your kind words, so happy to hear you like it!
phenomenal, one of the best tutorials on lighting and motivating lighting I've ever seen, looking forward to more tutorials man. thank you
Thanks Art, that means so much to me! I'm dropping another lighting tutorial again next week monday :)
LUTS I use for grading: bit.ly/3cqdikV
Use my code “JAC” for a 15% discount (Affiliate Link)
Can you make a full tutorial for your color grading workflow for the SLOG 2/3? If there is a paid course I’d definitely buy it. I am amazed by your work man!
Your videos are awesome Jacques !
You and your crew are solid and I'm very appreciative of the lengths you went to capture the 720b lights practicality. I own one of these and use it all the time, it's great! Bravo guys!
So much value only in six minutes and the whole scene came out so nicely! Great team effort 👌
So glad you find it valuable, thanks for taking the time to comment! I'll make sure my team sees this :)
I can’t believe you shoot this level of stuff on an A7siii. Amazing.
Thanks that means a lot to me!
@@jacques_crafford I own an A7siii, shooting S-Slog 3. I dunno how manage to create such a look! I wish I could come work with you guys!
Excellent work Jaques
Love it! Can't get enough of your light breakdowns. Super interesting, and great that you explain in detail how you motivate differente lighting scenarios.
Thanks Julius, so glad to hear that! I'm really enjoying the process of breaking down shoots and I'm keen to do many more :)
Beautifully done!! Loved the breakdown of each shot and how simply you achieved such a beautiful look.
Thank you for taking the time to let me know, I really appreciate your comment so much. :)
I'm just smiling during the whole video. Thank you for this tutorial
Favourite comment for sure, thanks JP your support means a lot to me!
Thank You for the breakdown. What would You have loved to have on this shot but didn't, also what would you change if anything. Thanks again!
You're welcome! To be honest if I would change anything I would shoot a little wider on some of the shots, I used only one lens the 35mm F/1.4
YO BUDDY, love these setups,, tip on the boom lights.. utilize ratchet straps!! so much easier to manipulate and takes the risk out
1. Shot on 12 bit RAW or 10 bit?
2. Your method of choosing WB? AWB Lock? Iphone app like KEV? Grey colorboard?
You are amazing! Thank you!
same here
Thanks you guys! I shot it internally 10 BIT. For WB I use a custom Kelvin and dial it in by eye
@@jacques_crafford Thanks man! Are you watching WB by eye with Gamma assist on display or pure S-Log?
the video I was waiting for!! thank you Jacq. I love this type of content from you. the way you teach really helps me understand lighting even more. you make it seem so simple! hope to see more content like this from you in the future. would love to see other types of environments. interior nighttime, exterior nighttime, exterior daytime, interior day time car, interior night time car, etc. just a suggestion for future content ideas! thanks again
Thanks mate, your comments are most encouraging to me! Thank you for supporting my channel!
I have to second that... you shot all of that with only 3 lights, a tube and a hazer... that's such a small setup to get such beautiful results. 🙂
this might be a rookie question but ...What would be the ideal White Balance setting on the camera for a shoot like this combining multiple light temps ? Great video btw!
Not a rookie question at all! I usually do WB for the skin and in this case it was closer to 5200 because the fill light was adding a lot on the talent. This keeps the background warmer but blends well with the rim light.
Killed it shoot looks beautiful very nature looking
Awesome so glad to hear! Thanks for your feedback!
Thank you for sharing! Especially the night scene
Glad you enjoyed it! Thank you so much for supporting the channel! 🙏
At 3:33 when you had to use the tube light for fill because of the wall. You could have also gotten a clean plate, put the light in the shot, then composited both shots tog to remove the light in post. Keep up the great work!
Dude your content is amazing! I always learn so much from these bts videos where you break down your whole setup and though processes
That's awesome to hear, thanks Daniel!
All done in a day that's awesome! This looks fantastic
This man is a Genius!
Really glad you think so! 🔥
this looks so good! im looking for inspiration for a school project and these tips on lighting might just be what I was looking for. thank you so much!🙇♀🙇♀
i can not thank you enough for this type of content! Please don't stop) We need it!
I'm so happy to hear that you like it, thanks I'll do my best to keep it up!
3:45 I feel realive knowing that I´m not the only one that do those face expression when it comes a hard take. Great video!
Whahaha happens all the time bro, always makes me laugh when I see it! Thanks for your support Carlos :)
YESSS HE RELEASED IT!!!
Stoked bro!
@@jacques_crafford Just letting you know, you're my favorite Sony content creator right now. Keep it up
Amazing work 👍
Loved the final look for each scene. Now I have to steal this and figure out how to use what I have available!
Thanks mate, hope you can get some great results!
Excellent job, the whole team!! Greatings from Uruguay!
Yay thank you so much!
Great work Jacques!
I wish you have a "cinematic lighting course" you will be an awesome instructor, I learned a lot from in 6mins that I'm not afraid of the word "cinematic" anymore. Please keep doing more videos like this and any tips for what lights a beginner cinematographer should buy
That's encouraging thank you Michael! I'm considering a course soon, hope you can learn lots more from me.
@@jacques_craffordTrust me, I will and you are welcome. And also you are 💯% right about shooting from the dark side, have been watching a lot of films and music videos the exactly steps was taken even in Bollywood movies
Great video My Friend hope to see more of these
Thank you, there will be more!
This was incredibly helpful! So much great content here! Thank you for making this! Awesome tutorial
SO SO GLAD TO HEAR THAT! Thanks Joshua, appreciate you supporting my channel!
Another great video packed with valuable information. I just wish I watched this when it was posted instead of today. I had a shoot a few days later and what I learned from this would have made a big difference. Next time I'll be ready!
Aaaah sorry to hear that David, but I'm glad if you feel this will help with the next one! Grateful for your support
Your work and presentation is very clear and helpful thank you.
You're welcome, thanks for your kind words and taking the time to comment!
What you have done is amazing, I really like the story and the visual!
Thanks you are most kind!
Wow! you just keep pulling it off. One day i will be able to make productions like this. Keep up the amazing work Jacques.
Thank you so much, your comments are most encouraging!
You guys are awesome. Pulling that of with that few People ist so inspirational. Would love to know what Lens you used there !
Wow cant believe this isn free stuff
Thank you so much 🙏🙏🙏
You're welcome, thanks or your support!
So much info, thanks!
Glad it was helpful!🔥
Nice breakdown, love that you're still using the glidecam when everyone is full gimbal
Thanks man! Hehe Glidecam is amazing I still love it
Incredible video dude
My dude! THANKS MAN, that means so much to me!!!
All scenes turned out great. Nice breakdown
Thanks brother!
Excellent video mate! Thanks for sharing those techniques!
Thanks Juan, appreciate you taking the time to comment!
Top Notch content as always
Thanks Peter, grateful for your support!
Thanks for sharing these techniques. Excellent video.
You're welcome, thanks for taking the time to comment!
AMAZING! I enjoyed every part of the breakdown and the result, thanks for sharing!
Yay that's awesome to hear, thanks Mauricio!
Love it when you give credits to your team!
So grateful for them! These type of shoots are very difficult solo
Wow just next level, appreciate you sharing always!
Awesome man, thanks for taking the time to comment!
Always a fan of your videos.. so much to learn. Kudos to you friend..
Thanks brother, so glad to hear that! You're most welcome
Hey Jacques, thank you for this video! Short question: did you set your camera to 5600K?
Amazing work first of all! I have a question, did you shoot it with aperture wide open, like T2?
Pure genius as always! Thank you Jacques
You're welcome brother, thanks for your support!
Amazing breakdown, Jacques.
Thanks Cosmas!
This was awesome! Thanks, I love your lighting and grading vids
Thanks Isaac, excited to create many more!
Very well explained!! Thank you for this type of content, it really helps a lot🙏
Only a pleasure Christoph!
This is such an amazing tutorial video. Thank you! Love how you can manipulate light in such an easy way.
Dankie bra, jou support beteken so baie vir my!!!
You are totally My new teacher
I'm so happy to hear that thanks Sergio!
Awesome Jacques 🙌 keep them coming!
Lekker bru thanks man!
Did you use Active stabilization on this? Movement is soo smooth
On some shots yeah, thanks bro!
@@jacques_crafford Im still surprised you say you didnt record on the Ninja. Quality looks extra good
This is reeeeaaly cool!!! amazing job. Thanks for this!!!
Thanks so much Samuel!
Nice one Jacques. Thank you for this run-through of your scenes 👌
Thanks PJ, so glad you like it!
Awsome vid, great tip and a lot of inspiring tips ;)
Glad to be of service, thank you for your comment!
カメラワークがとても上手い！
ジンバル使わなくてもスムーズ！
どうやったらそんな上手くなれるんだろう。。
That's great ! You shoot on sony a7s III or Sony A7IV ?
Love the demo, beautiful lighting 👌
Thanks Chris, much appreciated!
Beautifully explained ❤️
Thanks so glad to hear that!
Mate this is brilliant. Very nice visuals, great simple info delivered brilliantly and effectively. Definitely gained a follower 👌
Thanks Ashley, that means so much to me! I just dropped a new one if you wanna check it out :) th-cam.com/video/TFOpa_IZmrU/w-d-xo.html
good breakdowns, thank you.
Thanks for watching! 🙏
Congrats on hitting 70k subs today! Been binging your content since this morning at 69k subs lol. Just picked up a a7s3 so trying to learn how to put it to use 😬
Whooohooo thank you so much! The A7sIII is going to serve you well, probably won't need another camera for the next 5 years!
@@jacques_crafford 😬
You are a good teacher
Thanks Daniel, really appreciate that!
Man, you are a genius!!!!
Thanks Mario, you are most kind!
this was such a helpful video, love the framing of all the shots. I have one question. what was your color temp set to on your camera? and did you keep the same color temp in your camera throughout the whole film?
Thanks so much mate! To be honest I can't exaclty remember but I think my temp was around 5200. I kept changing my Kelvin to fit each scene, in this case 5200 gave me a nice balance between the stronger cool fill light and the warm ligth bleeding in from outside.
Looks great Jacques, thank you for the breakdown.
Thanks Antonio, so glad you like it!
Beautiful tutorial. Very impressive! Thanks!
Thanks Chetan, so glad you find it valuable!
Super cool video
Happy to hear you think so! 🙏🏼
It has a nice look bro! Did you use any filters on the lens?
Thank you, this helps. Simple and straightforward
So happy to hear that, thank you!
A truly masterpiece!
Thank you so much Mike!
Thanks for share this type of videos... we appreciate it so much
You are most welcome, thanks for supporting the channel!
as always I enjoyed the video.
Thanks for sharing.
You're welcome brother!
Amazing light 💡💡⚡💖 😍 💛
Thanks bro!
💗💗🙏
Thank you for sharing all these tips. ☀️👍🏻📸🌴🌋
You're welcome Mauricio!
Excellent video!! I'm a follower now. Question: with the mixed temperature setup you're using (2700 + 5200k) to keep skin tones natural, what WB temperature setting are you using in-camera?? Thnaks!
Thanks José! In this situation the natural daylight coming in was also strong so it blended nicely, I think I was somewhere closer 5200K.
Great knowledge sharing!
Thanks, so happy to hear you like it! Pleasure is all mine!
Please, we need more awesome videos like this!!! ^^
Gotcha bro, I'll keep them coming!
Amazing breakdown. Great work as always...
Thanks a ton mate!
This was a cool video. Thank you sharing.
Yay glad you like it, thanks for taking the time to comment!
Dude! Ek kan nie glo jy is van Suid Africa. Jy is super gifted man en n great teacher. 🤘🏼😁🤘🏼
Yus Michael dankie dude, waardeer so baie man!
Beautifully done!
Thanks so much!
enjoying this channel, thank you
So happy to hear that, thanks Arnold!
Thank you so much for all these insights!!
I just grabbed my first pavotube 15x and it’s been already super helpful for me 🙏🏼
Most welcome my dude, so glad to hear you like the 15X, they're my favourites for on the-go lighting!
@@jacques_crafford I am just deciding between buying a pavotube or a light sich as an aputure amaran 200x. What would you recommend me buying as an starting cinematographer?
Very good work 👏👏 thanks
Thanks so much Beyhan!
Really great work.
Thanks Griffin, much appreciated!
Awesome Video~
What WB is your setup in camera about 1:01?Thx
Thanks I think it was around 4600K :)
How do you focus manually? Noticed you are moving around but your hand is not on focus ring attached on rig.. one more thing at 3:48 what is the device attached on right side with kind of 2 round antennas?
I always have a follow focus attached to my rig for incase but in this video I didn't need to focus manual, it was all autofocus. The device is a Hollyland Cosmo C1 wireless transmitter for the Director to monitor the scenes on the screen, it's amazing!!!
amazing!!! saludos desde Chile
Thanks a ton Victor!
Excellent Job. Learning a lot 👊🏻😎
So happy to hear that, thanks for taking the time to comment!