Domingo tripping over that chair was an amazing moment tbh. It adds a bit of character to the performance, and I'll be damned if he didn't play off that fall like a champ. Absolutely amazing performance.
This is a blinding piece of theatre. Most actors could not inhabit their roles with the same intensity as Domingo and Stratas. The point at which Domingo stumbles over a wooden stool simply adds to the character's pathos. Awesome.
Es el mejor interprete para esta opera, Placido Domingo es sin duda el mejor, las personas que piensen lo contrario no distinguen la calidad de placido para interpretar a Canio, es simplemente excepcional en todo momento, siempre con el sentimiento por delante, y claro su exquisito timbre, el mejor sin duda, Placido Domingo siempre sera el mejor Canio y Cavadarossi en Tosca
This is an incredible performance. Domingo and Stratas are truly the best vocally and in acting. The anguish of Canio and the fear of Nedda are palpable. And listen to their voices.
Diamoci una regolata se Domingo è grande che dobbiamo dire di Corelli colossale o di MDM eccellente??? Oddio certo che di fronte a Kaufmann Domingo tutta la vita...!!
Bravo !!! Bravoooo !! What a master of the interpretation Domingo was!!!. I listened to other opera singers who sang very well the aria "vesti la giuba", but the best performance of Canio during the masterpiece "Il pagliacci" belongs to Domingo. He's the master!!!
Después de ver a varios interpretes de esta aria, me quedo con la de Placido Domingo. Literalmente trasmite la angustia, frustración, celos y coraje, excelente! ❤
Fantastic Domingo & Stratas. I've only seen three Canios in the theater, but they were great: Vickers, truly terrifying; Pav, sang beautifully but just stood like a lamppost; Domingo, who combines the opulent voice with an overwhelmingly character. Watch out for stray chairs!
There are another two great Canio"s - Ronald Dowd and Donald Smith , both Australian and of international standing . A must to listen too . Oh , and 'boy' could they act out the role -superb like Domingo .
Fantastic combination of voice and acting. Domingo was a brilliant actor with one of the greatest tenor voices. Unfortunately greater voices (Pavarotti) couldn’t act.
Al margen de que el Sr. Domingo pueda gustar más o menos, y de aquellos que siempre lo han perseguido de forma implacable....... Aquí nos "regaló" una actuación soberbia, impresionante a todos los niveles: teatral, gestual, de canto. Sabe sacarle incluso un mayor valor dramático al tropezón con la silla. FABULOSO. Es de bien nacidos ser agradecidos. Y eso que yo, no soy uno de sus seguidores.
Un immense artiste ,il n'a pas perdu son sang froid et T.Stratas a très bien réagi quand il l'a entrainée dans sa chute.Deux grands acteurs et chanteurs.
White heat. How well I remember seeing this on PBS in the spring or very early summer of 1978, when I was 18. This was actually a Cav and Pag from the Met. Domingo was the Turiddu as well as Canio. If memory serves, Troyanos was the Santuzza and Vern Shinall the Alfio. Milnes was of course the Tonio; his Prologo from this production is readily available on TH-cam. Quite sure that Levine conducted both operas --
Thank you for sharing this with us, it is wonderful. Domingo carried on despite the combative stool and Stratas kept apace, even ejecting the offending prop for all our sakes. A very, very good version of Pagliaci. I hope one day to see the rest of it. After seeing this version, I think it works after all for Canio to say "La commedia è finita!" just as much as when Tonio says it. Domingo and Stratas worked together many times and it was glorious. I only wish more of their work were available on DVD. The world needs more like them. They're both quietly known for their humanitarianism. They don't need more attention for it, but more emulation.
Excelente opera,sin duda una demostración de las emociones que conforman al hombre, bien demostradas dentro de las actuaciones vistas y una gran producción de una pieza clásica Vengo de Mauricio Romero Suárez
Le cuento que vi a Placido Domingo dos semanas después de esta actuación, en una reunión de muchos amigos de juventud y me mostró su pierna, todavía morada... Se lastimó en serio pero no dejó de hacer su extraordinaria actuación (Sergio Berlioz).
@@arietrece Gracias por compartir esa anécdota debe de ser una experiencia hermosa tener el contacto con personajes que hacen historia y dejan una huella en nuestro camino de vida.
Wonderful Domingo and Stratas. Placido owns this role just as Tito Gobbi owns Scarpia and Callas owns Tosca. And Rosa Ponselle owns anything she wants.
Mille mercis,une mise en scène théâtralisée avec ce sublime opéra, que du bonheur et M. Domingo donne comme à son habitude de l'émotion et de l'intensité dans ses personnages,de l'art à l'état pur ❤️
DOMINGO AND STRATAS HAVE A BETTER RICORDING OF PAGLIACCIO AND DIRECED BY THE GREAT ITALIAN ZEFIRELLI, THAT IS ALL OF THEM CLOS TO THE IMPOSSIBLE. I MET DOMINGO WHEN HE DID TOSCA IN OSLO. IN 1980+ AFTER A NICE TALCK…..MY WIFE AND ME TRYED TO HEAR HIM MANY TIME WHEN HE WAS SINGING I BERLIN. AND OTHER OPERAS. WITH RESPECT…….BRYNJAR HOFF
Una histórica e increíble versión. Domingo es único en este role haciendo una perfecta interpretación y.Una magistral actuación...con Corelli son los mejores de la historia en esta Ópera. Del Mónaco, Vickers y Kaufmann es tan un peldaño abajo...y 2 peldaños abajo el resto
Tremendous performance. Both Domingo and Stratas, superb singers but also able to act their roles to the fullest. You can just see the play character taking over Canio's better self. And you can see the very moments when Nedda first realises something is wrong, and then that Canio knows the truth, and she has a portent of what is to come. Best performance I'll see in my lifetime.
Di sicuro c'erano tenori con accuti piu confidenti di Domingo, con voci piu grandi, ma nessuno, nessuno non aveva tanti emozioni, tanta tristezza e tanta amarezza nella voce. Nessun non poteva essere piu convincente nel ruoli dei eroi tragichi, dei maschi traditi, disperati. Solamente quelo chi fu tradito di una femmena puo capire questo. Ascolate come inizia al 3.27 "sperai, tanto il delirio" . Questo spizzia il cuore
Junto con la versión de Corelli y Vickers son las mejores de la historia. Una soberbia actuación digna de premio y una interpretación MAGISTRAL. Domingo siempre está en los primeros 5 de la historia en casi todas sus interpretaciones...
1. Franco Corelli 2. Mario del Mónaco 3. Luciano Pavarotti Domingo no está para las grandes ligas en lo técnicamente vocal, el marketing y los miles de "premios" son lo suyo.
Domingo está el primero o segundo, o raramente el tercero en la gran mayoría de los incontables papeles que ha representado. Es el más completo, el mejor tenor de la historia según los ingleses, creo que periodistas especializados
Ah... the famous Met audience. Never waiting until the final chord is finished with the applause. And I can't say that I'm a fan of giving Tonio's closing line to Canio. I have seen it in quite a few productions and never liked it.
Yes, because this is the scenery presented by the Metropolitan Opera in New York. The only difference is that the Domingo performance is in the 1970´s, while Pavarotti´s is in the 1990´s. Best Regards!
What you really mean is the loudest shouter, thats all that MDM was good for, bawling away regardless at the expense of all the other musical attributes which he did not possess or did not chose to use.
After listening to this and other famous tenor's renditions I have to admit that Kaufmann's strong and full voice does the most justice to this highly dramatic scenery. The most vigor which is an absolut must here. And I am not an all time fan of Kaufmann. Just compare renditions....
Kaufmann no tiene un gran volumen (normalito, sin más), no tiene una voz bella, sino oscura y engolada, no tiene squillo en los agudos (Radvamovsky se lo "comió" en todos los agudos en el Chenier de Barcelona). Pero,eso sí: es un gran tenor !. Mentre presso dal delirio
Domingo tripping over that chair was an amazing moment tbh. It adds a bit of character to the performance, and I'll be damned if he didn't play off that fall like a champ. Absolutely amazing performance.
Thought it was intentional. He's voice didn't change and yeah, added a lot of character to the scene, how cool is that
He got his foot caught in the chair. He acted like he meant to do that. What a pro!
He did mean to do it. In the scene, the character Pagliaccio is supposed to be drunk.
@@johnhoie1 I don't think you're correct, but okay
Not sure if it was intended or accidental. Maybe he was so caught on the character that he didn't care about anything else but his fight and anger.
Plácido Domingo es y seguirá siendo el rey de la ópera de todos los tiempos
Eres un gran comediante.
5:51 That was quite a fall and he keeps singing like nothing happened - Domingo is THE MAN!
I am not sure if it was planned or not.
This is a blinding piece of theatre. Most actors could not inhabit their roles with the same intensity as Domingo and Stratas. The point at which Domingo stumbles over a wooden stool simply adds to the character's pathos. Awesome.
I heard that he injured his ankle when he tripped over the chair.
Meglio del solito. Ben proiettato
Qué voz tan increíblemente Expresiva... Alucinante.
The moment he was stumped made me cry, What a great actor. Forgive me for my Chinese English and I can't fully express my feelings.
I get what you mean I feel the same. And I think your English is perfect 😊
Don't worry.. Enjoy! Hi from Perú
Es el mejor interprete para esta opera, Placido Domingo es sin duda el mejor, las personas que piensen lo contrario no distinguen la calidad de placido para interpretar a Canio, es simplemente excepcional en todo momento, siempre con el sentimiento por delante, y claro su exquisito timbre, el mejor sin duda, Placido Domingo siempre sera el mejor Canio y Cavadarossi en Tosca
This is an incredible performance. Domingo and Stratas are truly the best vocally and in acting. The anguish of Canio and the fear of Nedda are palpable. And listen to their voices.
Grandísimo Plácido Domingo, nada ni nada podrá oscurecer tu grandeza !
Diamoci una regolata se Domingo è grande che dobbiamo dire di Corelli colossale o di MDM eccellente??? Oddio certo che di fronte a Kaufmann Domingo tutta la vita...!!
Kaufmann e un prodotto di marketing: ingolato, volumen molto normales, voce non bella e manca di projeccione de la voce in acuti
Bravo !!! Bravoooo !! What a master of the interpretation Domingo was!!!. I listened to other opera singers who sang very well the aria "vesti la giuba", but the best performance of Canio during the masterpiece "Il pagliacci" belongs to Domingo. He's the master!!!
Simplesmente divino! Arrepiou! Eu conheço essa estória de Leoncavallo, mas com o Plácido se tornou mais emocionante ainda!
Bravo,que voZ y como transmite mucho
Grande, Placido Domingo!!
Después de ver a varios interpretes de esta aria, me quedo con la de Placido Domingo. Literalmente trasmite la angustia, frustración, celos y coraje, excelente! ❤
Fantastic Domingo & Stratas. I've only seen three Canios in the theater, but they were great: Vickers, truly terrifying; Pav, sang beautifully but just stood like a lamppost; Domingo, who combines the opulent voice with an overwhelmingly character. Watch out for stray chairs!
So lucky! Vickers had such a mighty voice.
There are another two great Canio"s - Ronald Dowd and Donald Smith , both Australian and of international standing . A must to listen too . Oh , and 'boy' could they act out the role -superb like Domingo .
I don't know, even my goosebumps have goosebumps when I watch this scene. This is a real art of singing and acting.
wow....woooooww......dije que lo iba a comparar con pavaroti....pero de vedad que placido le imprime una pasion excelsa.......bravisimo
The thing about the stumble is: Grande Stratas! She goes down to him - and from the accident comes HIGH DRAMA!
ドミンゴは全てパーフェクトですよ。歌唱、演技、音楽と一体となった振る舞いは私の知っている歌手の中で最高と思います
Fantastic combination of voice and acting. Domingo was a brilliant actor with one of the greatest tenor voices. Unfortunately greater voices (Pavarotti) couldn’t act.
Al margen de que el Sr. Domingo pueda gustar más o menos, y de aquellos que siempre lo han perseguido de forma implacable.......
Aquí nos "regaló" una actuación soberbia, impresionante a todos los niveles: teatral, gestual, de canto. Sabe sacarle incluso un mayor valor dramático al tropezón con la silla. FABULOSO.
Es de bien nacidos ser agradecidos. Y eso que yo, no soy uno de sus seguidores.
5:51
Domingo runs into stuff.
I run into stuff.
I am Domingo.
😂😂😂
@@oliverdelica2289 That's how you make a conclusion 😂😂😂
👏👏👏
Great,beautiful...Thank you!
Domingo on stage is a real monster!!!! Superb.
By what I read, Domingo really did injure his leg when he tripped on that chair
Yes, he did. Actually, he told about it in an interview
Un immense artiste ,il n'a pas perdu son sang froid et T.Stratas a très bien réagi quand il l'a entrainée dans sa chute.Deux grands acteurs et chanteurs.
the show must go on!
I noticed he favored the leg. That was a bad fall.
White heat. How well I remember seeing this on PBS in the spring or very early summer of 1978, when I was 18.
This was actually a Cav and Pag from the Met. Domingo was the Turiddu as well as Canio. If memory serves, Troyanos was the Santuzza and Vern Shinall the Alfio.
Milnes was of course the Tonio; his Prologo from this production is readily available on TH-cam.
Quite sure that Levine conducted both operas --
Thank you for sharing this with us, it is wonderful. Domingo carried on despite the combative stool and Stratas kept apace, even ejecting the offending prop for all our sakes. A very, very good version of Pagliaci. I hope one day to see the rest of it. After seeing this version, I think it works after all for Canio to say "La commedia è finita!" just as much as when Tonio says it. Domingo and Stratas worked together many times and it was glorious. I only wish more of their work were available on DVD. The world needs more like them. They're both quietly known for their humanitarianism. They don't need more attention for it, but more emulation.
Gran Cantante y SOBERBIO ACTOR. Grande Plácido Domingo
Amazing!
Excelente opera,sin duda una demostración de las emociones que conforman al hombre, bien demostradas dentro de las actuaciones vistas y una gran producción de una pieza clásica
Vengo de Mauricio Romero Suárez
…PD wonderful in lyrical parts, limited in dramatic vocal development. Excellent Stratas.
Admirable maestro placido domingo no dejo de actuar aun con el dolor de lastimarse el pie que se atora con el banquillo
Le cuento que vi a Placido Domingo dos semanas después de esta actuación, en una reunión de muchos amigos de juventud y me mostró su pierna, todavía morada... Se lastimó en serio pero no dejó de hacer su extraordinaria actuación (Sergio Berlioz).
@@arietrece Gracias por compartir esa anécdota debe de ser una experiencia hermosa tener el contacto con personajes que hacen historia y dejan una huella en nuestro camino de vida.
Muy profesional..👏👏
너무슬프다 의상을입어라 처절하다
Wonderful Domingo and Stratas. Placido owns this role just as Tito Gobbi owns Scarpia and Callas owns Tosca. And Rosa Ponselle owns anything she wants.
Thank you so much for uploading this!
Además de ser para mí la mejor voz de la historia tiene el gran don de la representacion
5:45 un PROFESIONAL
Heck yeah 😎😎
Wow, wow. Domingo has it all, gives it all.
周りの観衆も、お芝居を観てるから、
目の前のガチの殺人事件が芝居のワンシーンって思って盛り上がってるのリアルで怖い
😮😮😳😲 Guau que increíble 😄😶
Mille mercis,une mise en scène théâtralisée avec ce sublime opéra, que du bonheur et M. Domingo donne comme à son habitude de l'émotion et de l'intensité dans ses personnages,de l'art à l'état pur ❤️
DOMINGO AND STRATAS HAVE A BETTER RICORDING OF PAGLIACCIO AND DIRECED BY THE GREAT ITALIAN ZEFIRELLI, THAT IS ALL OF THEM CLOS TO THE IMPOSSIBLE. I MET DOMINGO WHEN HE DID TOSCA IN OSLO. IN 1980+ AFTER A NICE TALCK…..MY WIFE AND ME TRYED TO HEAR HIM MANY TIME WHEN HE WAS SINGING I BERLIN. AND OTHER OPERAS. WITH RESPECT…….BRYNJAR HOFF
Una histórica e increíble versión. Domingo es único en este role haciendo una perfecta interpretación y.Una magistral actuación...con Corelli son los mejores de la historia en esta Ópera. Del Mónaco, Vickers y Kaufmann es tan un peldaño abajo...y 2 peldaños abajo el resto
Kaufmann está más lejos que la luna de los grandes tenores.
lo ascoltato dal vivo all arena di verona assieme alla gasdia come in questo video grandiosa performance artista insuperabile
MARAVILLOSOS
Espectacular!!!
Que actuación por Dios,la de Plácido,❤
Leoncavallo's PAGLIACCI is a masterwork of music and drama, and Domingo is one of the greatest interpreters of the role of Canio.
Tremendous performance. Both Domingo and Stratas, superb singers but also able to act their roles to the fullest. You can just see the play character taking over Canio's better self. And you can see the very moments when Nedda first realises something is wrong, and then that Canio knows the truth, and she has a portent of what is to come. Best performance I'll see in my lifetime.
Di sicuro c'erano tenori con accuti piu confidenti di Domingo, con voci piu grandi, ma nessuno, nessuno non aveva tanti emozioni, tanta tristezza e tanta amarezza nella voce. Nessun non poteva essere piu convincente nel ruoli dei eroi tragichi, dei maschi traditi, disperati. Solamente quelo chi fu tradito di una femmena puo capire questo. Ascolate come inizia al 3.27 "sperai, tanto il delirio" . Questo spizzia il cuore
Doskonały ❤
Domingo es el mejor Canio de su generación, las Stratas está a la altura. Zeffirelli impecable en la regia.
so wrenching!
Junto con la versión de Corelli y Vickers son las mejores de la historia. Una soberbia actuación digna de premio y una interpretación MAGISTRAL. Domingo siempre está en los primeros 5 de la historia en casi todas sus interpretaciones...
1. Franco Corelli
2. Mario del Mónaco
3. Luciano Pavarotti
Domingo no está para las grandes ligas en lo técnicamente vocal, el marketing y los miles de "premios" son lo suyo.
Domingo está el primero o segundo, o raramente el tercero en la gran mayoría de los incontables papeles que ha representado. Es el más completo, el mejor tenor de la historia según los ingleses, creo que periodistas especializados
Au sommet de leur art, belle exécution bravo.
BRAVOOOOO!!! NO HAY CANIO MAS GRANDE QUE DOMINGO!
Plácido Domingo is The best actor that the world Opera has ever seen. Even his fall seems as if was planned!
I am a Tenor I Love This Aria
El Canio que más me ha sobrecogido ha sido el de Corelli, la ira parece real.
@@amb1548 mingo-careras-pavaroti mier$a
placido extraordinario
Fico na dúvida de qual dos Canios foi o melhor: o Plácido ou o Pavarotti. Ambos são espetaculares.
Pavarotti é melhor
Mario Del MONACO il meglio visto fal vivo pelle d ' oca poi non parliamo della voce bravi anche gli altri due ma dietro di Mario
Pavarotti sings beautifully but Domingo's acting is terrifying
Видела в этой роли Корелли. Там не просто ревнивый муж, а человек, который страдает и доходит до исступления.
ide nem csak csodálatos hang kell hanem nagy szív is és neki aztán van
Very beautiful 💝💋🌹
asombroso
Ganzo en italiano es el amante. Tiene otros significados pero en éste contexto eso es
Nobody can match Domingo
Brynjar Hoff
5:45 wow!
I like pavarotti but in this role Mr.domingo is real one.
Do you know 2 opera singers??? Pavarotti and Domingo?
th-cam.com/video/xQBFHtghXqU/w-d-xo.html
Caruso per sempre
Ah... the famous Met audience. Never waiting until the final chord is finished with the applause.
And I can't say that I'm a fan of giving Tonio's closing line to Canio. I have seen it in quite a few productions and never liked it.
Il a dû être aussi surpris que nous en accrochant ce fichu tabouret!!!
I hated those flowers 2:35
Se callo de verdad???
I just wonder!!!!
Si, se lastimó de verdad. Vea la versión con Pavarotti con la producción de Zeffirelli y verá que no ocurre lo del banco.
La caída con el banco estaba planeada?
Si sí le salió bien.
Si no le salió excelente!
No estaba planeada y se lastimó en serio. Pero siguió cantando a pesar de todo.
Non sarebbe male se avesse... la voce !!!
es un chingón, junto con Pavarotti, máximos intérpetes tenores de su época
동연아 사랑한다....
Domingo actually seriously injured his leg at that fall
5:52 how did he keep his voice? Was it pre-recorded? It can't be possible to keep a singing voice while falling, can it?
How was it pre-recorded? Hear his voice the moment he stumbled on the chair. This was definitely live, not pre-recorded.Accidents happen.
He is the best. That's how he does it.
It's a Hard Life
LA COMEDIA A FINALIZADO
“ Teatro del bueno “ .
Ma bravo Domingo
Por favor....
I bet the stool could have stayed right where it was for the next few minutes and no one would have cared.
The Best Pagliacci ever
How many pagliacci s do you kn ow?? Please stop spreading your ignorance like this!!!
Nunca, Nunca te metas con la Mujer de un Paglacci!!
It looks like the Pavarotti version. The clothes and scenary is the same.
Yes, because this is the scenery presented by the Metropolitan Opera in New York. The only difference is that the Domingo performance is in the 1970´s, while Pavarotti´s is in the 1990´s.
Best Regards!
Mario Del Monaco 1961 Tokyo is the best Pagliacci ever............
What you really mean is the loudest shouter, thats all that MDM was good for, bawling away regardless at the expense of all the other musical attributes which he did not possess or did not chose to use.
Kaufmann esta mas lejos de los grandes tenores que de la luna
prácticamente se la aplicaron al Pagliacci ; (
Si, si, si, muy bueno todo. Incluso hasta Pavarotti se luce en ese final, pero, en mi opinion, esa escena tiene un nombre: Di Stefano.
Una voce poco adatta a questo repertorio.
la sua voce non è adatta a nessun repertorio.
Demasiado gritado por Stratas. Suena muy feo. De todos modos es una excelente y conmovedora actriz.
Mejor que Pavarotti, es mi opinión 😊❤️
Ascolti Corelli e Vickers...
@@numetutelare Ascolti Del Monaco
Se cayo de verdad jajajajaja
La comedia e finita!
when es viernes y vas regresando a tu casa y te encuentras a tu esposa: ¿esas briago? ¿briago? si, desde hace una hora
After listening to this and other famous tenor's renditions I have to admit that Kaufmann's strong and full voice does the most justice to this highly dramatic scenery. The most vigor which is an absolut must here. And I am not an all time fan of Kaufmann. Just compare renditions....
Kaufmann no tiene un gran volumen (normalito, sin más), no tiene una voz bella, sino oscura y engolada, no tiene squillo en los agudos (Radvamovsky se lo "comió" en todos los agudos en el Chenier de Barcelona).
Pero,eso sí: es un gran tenor !.
Mentre presso dal delirio