Por supuesto que son importantes la técnica y la belleza de la voz, pero cuando se les une la calidad actoral de Del Monaco, el espectáculo es sublime.
Questa dedica assoluta all' Arte e la vocalita' vera , questo "sacrificio" e anche la conoscenza profonda della gola piena non esiste piu... Del Monaco ha tutti i "diffetti" del mondo ma ...azzo e' il numero uno!!!
He was the best whatever anyone says!!!!!!!!!!!!!!!!!!!!! Technicle, playing the role, handsome, but above all, he is supporting his voice and his vocals perfectly and makes the sound constantly in whatever vocal he is making and not too much maiking an effort to try it all much louder for the sake of his own!!!!!!!!!!!!!!!!!!!!!
He has noticeably more voice here than in the 1961 video from Tokyo. I never knew before when his voice went into decline, but it had to be shortly after this.
He started experimenting with a more open vocal technique (inspired by Di Stefano) in the early 1960s that never really worked for his voice. By 1964 he was back to his original technique
I'm no fan of del Monaco, but when a performer fits the role (or vice versa) I have nothing to do about it. This was perfect (rare, mixed with Russkiye). Ps. I've never understood why Canio pronounces those last words, it'd had more sense if by Tonio instead. He's who orchestrated everything.
They were first uttered by a tenor when Caruso for some reason was obliged to sing them in a performance,this started the long line of tenors doing likewise,I like u prefer the baritone to utter them as in the 1968 vickers version
Cosa de divos, que quieren ser el niño en el bautizo y el muerto en el entierro. Caruso quiso ser el que dijera la últimas palabras, porque tienen gran fuerza dramática, y los demás tenores siguieron el camino de la vanidad.
I appreciate all the comments below, but I have to add my choice for the best Canio I've ever heard and watched. Check out the following TH-cam video and judge for yourself if Franco Corelli is not the most terrifying, jealousy-ridden Canio that ever performed the role. His singing is superb, not holding back his emotions, and his acting is much more realistic and intense than del Monaco's. th-cam.com/video/46AsxbF_U0c/w-d-xo.html
DEL MONACO ECCEZIONALE!!!!!Ancora nel pieno dei suoi fantastici mezzi vocali.Documento illuminante(per quelli che ancora lo discutono).
Del mónaco me ha conmovido de pies a cabeza y que hablar de su voz , imagino lo que debe haber sido escucharlo en vivo una suerte un regalo de dios
Это знаменитые гастроли великого Марио Дель Монако в Москву!
Mario Del Monaco en plenitud es ver el arte a otro nivel nunca visto
Fantastico!! Veramente Impressionante... Grandissimo Mario Del Monaco
Bravissimo, grandissimo, imparegiabilissimo Mario
Por supuesto que son importantes la técnica y la belleza de la voz, pero cuando se les une la calidad actoral de Del Monaco, el espectáculo es sublime.
Tecnica bellezza della voce qualità interpretativa mi incanta sempre
Canio di .Msrio stupendo .unico
Questa dedica assoluta all' Arte e la vocalita' vera , questo "sacrificio" e anche la conoscenza profonda della gola piena non esiste piu... Del Monaco ha tutti i "diffetti" del mondo ma ...azzo e' il numero uno!!!
Il suo commento è completo per metà...mi vorrebbe per cortesia tutti i difetti del mondo di Del Monaco?Grazie
@@alessandromoccia471 Carissimo, per questo ho messo le virgolette. Sono "Diffetti" per chi non capisce!
The best great dramatic version.
Его голос настолько мощный , что заполняет все пространство! К тому же невероятно красивый!
Simplemente el mejor de la HISTORIA...
Documento di grandissima rilevanza. .Grazie... all'archeologo .
sublime .
Caeo maestro.
MDM is stupendous
He was the best whatever anyone says!!!!!!!!!!!!!!!!!!!!!
Technicle, playing the role, handsome, but above all, he is supporting his voice and his vocals perfectly and makes the sound constantly in whatever vocal he is making and not too much maiking an effort to try it all much louder for the sake of his own!!!!!!!!!!!!!!!!!!!!!
Он переигрывает,в оперном искусстве это невыносимо.Но главное-это пошлось,слово которое не имеет эквивалента в вашем языке.Мне жаль вас и оперу.
Una cosa del genere non l'avrei mai immaginata: Del Monaco in Italiano e gli altri in Russo. Che strano.
Tutte le opere in USSR erano rappresentate in russo. Mario era un cantante ospite
@@АртемРоманов-л7р non lo sapevo.
@@tompussina 😉
4:12 sublime
Mario put the Capital M in MAGNIFICENT!
He has noticeably more voice here than in the 1961 video from Tokyo. I never knew before when his voice went into decline, but it had to be shortly after this.
He started experimenting with a more open vocal technique (inspired by Di Stefano) in the early 1960s that never really worked for his voice. By 1964 he was back to his original technique
Священный титан!
DIO DEL PALCOSCENICO,IMPERATORE DELLA VOCALITÀ
Люблю.
CORAGGIO, NON CORRAGIO.. OK??
I'm no fan of del Monaco, but when a performer fits the role (or vice versa) I have nothing to do about it. This was perfect (rare, mixed with Russkiye). Ps. I've never understood why Canio pronounces those last words, it'd had more sense if by Tonio instead. He's who orchestrated everything.
In many productions Tonio is the one who says those words. However , i think that when Canio says "la commedia e finita" the impact is bigger
I agree with you, in fact in the libretto it's Tonio that says "la commedia è finita", but many directors attribute these last words to Canio.
They were first uttered by a tenor when Caruso for some reason was obliged to sing them in a performance,this started the long line of tenors doing likewise,I like u prefer the baritone to utter them as in the 1968 vickers version
Cosa de divos, que quieren ser el niño en el bautizo y el muerto en el entierro. Caruso quiso ser el que dijera la últimas palabras, porque tienen gran fuerza dramática, y los demás tenores siguieron el camino de la vanidad.
I appreciate all the comments below, but I have to add my choice for the best Canio I've ever heard and watched. Check out the following TH-cam video and judge for yourself if Franco Corelli is not the most terrifying, jealousy-ridden Canio that ever performed the role. His singing is superb, not holding back his emotions, and his acting is much more realistic and intense than del Monaco's.
th-cam.com/video/46AsxbF_U0c/w-d-xo.html
Del monaco is better actor than franco,who was terrified of going on stage
7:03 TRAGIC.
il nome! I nome o la tua vita! ...Ah sei tu ben venga, Nedda, Nedda!!! La comedia é finita! Nedda, Nedda!!!! Ahgghhshhgahhhahahhahhahah
Un poco raro oírla en ruso e italiano.
В советском Союзе была забота о том, чтобы тексты были понятны публике, поэтому оперы пелись на русском!
They should’ve just learned italian
E una pessima sceneggiata non c'è pathos!!!
Ecco non c'è pathos... è lo stato d'animo che comanda...