@@waynewilliams4706 he is a good musician, but his technique as a singer leaves a lot to be desired. That being said, I'd rather listen to him than alot of the crap we have today.
His voice was so amazing. Even though he didn't have a solid high C, it didn't matter. His vocal line was so connected, so open, so beautiful, like pouring liquid gold!!!
Yes he was a good tenor before 1980s, beautiful voice. And he did have HighC in 1970s. Listen to 1970 Turandot with Nilsson. But then after late 1980s his voice changed.
THIS is the prime placi singn' his ass off. phrasing and vocal color is unmatched. the beauty of tone is unrivaled. ANY critic can put this LIVE recording up against ANY tenor and it will stand as just as good or even better.
Fully dissaponted with the Luisa Miller I saw yesterday in cinemas: in my opinion it is far off the artistic level of 1979's Domingo-Scotto-Milnes. Mrs. Yoncheva, what about stacatti and trills Verdi wrote in the score?. Next, I don't understand what Domingo does singing baritone roles at his 77; he must have taken honrous retirement years ago. Just Beczala sang at level but, in my opinion, he lacks italian expressivity. The expressivity Placido Domingo had in his best times.
At the height of his vocal powers. What a voice!! - such color and brightness. Such intelligence and phrasing. I love the dignity of his sound. It's so heroic and emotional. I know people say he should stop singing -- and admittedly he should -- but he lights up the stage when he steps foot out there, and even at half of his vocal prowess, he carries to the back of the house through the sheer intelligence of his performances. And his middle and top are pretty amazing, esp. for an 80 yr. old man!!
@sopranosd, agree with you in the main. He's a phenomenon still, isn't he? An amazing man and as our living legend elder statesman of the performing arts, he deserves the exception to the rule. Kicking him off the stage is the height of intolerance. How he looks and sounds is how someone his age is supposed to look and sound, it is not bad or wrong, it is different. He's still giving us his all. May he continue selling out the house (which he still does). Paz y salud.
Un bellísima interpretación de un ya legendario Plácido Domingo demostrando porque conquistó el mundo de la Ópera ...desde Guatemala mi reconocimiento y Saludos !!!
Plácido está aquí espectacular. Que maravilla de color y de timbre penetrante. Es su mejor época los años setenta. El joven Domingo inigualable en éste repertorio.
@@jesusmunoz2400 no concuerdo contigo. La tensión emocional que provoca Domingo en esta aria no la provoca Bergonzi y no olvidemos que la Ópera es un teatro cantado. La emoción tiene que ser un tanto por ciento muy alto.
Domingo in his prime, when his voice was almost perfectly balanced between lyrical beauty and vibrant power. I never had the pleasure of hearing Domingo in person, as I did with Pavarotti, Vickers, McCracken. But I have corresponded with quite a few operaphiles who heard Placido at the Met. They all say his voice wasn't huge (think Vickers, Corelli, McCracken, above all del Monaco), but it was sufficiently large and powerful for Otello, not to mention his other dramatic roles there. And it wasn't just sheer foot-pounds of power. Domingo and Gedda were recorded live while singing "Giorno di pianto" from "Il Vespri" at the Met, circa 1974 or '75. Now Gedda was also a great tenor, but very lyric. He doesn't top the climaxes, and even sounds a tad pushy and over emphatic, as he often did in dramatic repetoire. But Domingo's equally resonant and larger sound carries easily over the Verdian orchestral onslaught, courtesy of the much-denounced James Levine --
+Mauro Ferrer Galiana ''bel timbro pastoso'' . Placido Domingo dal vivo non cantava con un bel timbro pastoso, è un fatto. le registrazioni di Domingo sono una bellissima chimera che non ha niente à vedere con la verità artistica. dal vivo era semplicemente ridicolo accanto alla Nilsson,La Marton, La Dimitrova etc... grande nome poca voce,il registro acuto era il suo nemico numero uno... .
Non mi piace esprimermi in inglese quando parlo di lirica, italiano e la lingua di lirica ma per questo non si puo dire altro che: Domingo owns this aria !
Can someone please help me? I'm looking for the English Translation of this aria and if someone could tell me where to find it I'd appreciate it. Thanks and best regards!:)
I've never been much of a Domingo fan but this really is great singing. Too bad he just never maintained this level of singing after 1979. By 1982, he was singing with much more constriction and nasality and was never corrected and never produced the same resonance he sang with in the 1970's.
jordiboma tu respuesta Mario del Mónaco Franco Corelli aquí no está tan maltratado de la voz y todavía no se atrevía cantar OTELLO ni a Wagner y tenía la voz que solo le duró desde su debut a la década de principios del año 80
Belcantopera la técnica de Plácido Domingo no es Italiana el estudio con Irma González y Enrique Jaso pero no en Italia fue en el conservatorio Nacional de México
"Povero" Domingo licenziato dalla Los Angeles opera, bannato dal teatro Nazional di Madrid e allontanato x sempre dal Metropolitan x vie delle accuse di molestie sessuali, e' un anno e mezzo che non mette piede negli Stati uniti senno' probabilmente viene arrestato, Franco Bonisolli e la Caballe' ci avevano visto lungo su questo personaggio.
Not bad...not bad at all...Especially for an abuser...and conducted by the famous pedophile and rapist ...Well done boys!What amazing souls you both have!
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Domingo... a great singer, with charisma, element, that most of the other opera singers lack. Congratulations
Definitely not a great singer. An ok singer at the most.
@@ssr6036 You silly Billy. He is a great Singer and Musician.
@@waynewilliams4706 he is a good musician, but his technique as a singer leaves a lot to be desired. That being said, I'd rather listen to him than alot of the crap we have today.
Great voice
Excellent! Beautiful phrasing, beautiful colour. Bravo!
fabulous !!
His voice was so amazing. Even though he didn't have a solid high C, it didn't matter. His vocal line was so connected, so open, so beautiful, like pouring liquid gold!!!
Beautifully said!
Italian technique, nothing else !
Yes he was a good tenor before 1980s, beautiful voice. And he did have HighC in 1970s. Listen to 1970 Turandot with Nilsson. But then after late 1980s his voice changed.
Magnifico Domingo!
Sublim! Il suono angelico! Amor, dicea!
Incredible!
Che meraviglia complimenti bravissimo Maestro Placido Domingo
Magnifica Aria..¡¡ magistral interpretación..¡¡
Placido in quest'aria sei grandissimo e perfetto...maestro Domingo ! 🌹👍👌💜👏
PERFECTO DICE 😆😆😆😆😆😆😆
Wonderful!!!
So much resonance! Thank you Domingo for this beautiful rendition of a great technique! Squillante!
❤❤❤A charismatic singer with a beautiful voice. BRAVO! ❤❤❤
EXTRAORDINARIO --
THIS is the prime placi singn' his ass off. phrasing and vocal color is unmatched. the beauty of tone is unrivaled. ANY critic can put this LIVE recording up against ANY tenor and it will stand as just as good or even better.
Unbeatable imho
Domingo sings like a dream.
Grande Maestro!
Bravo Placido Domingo
Extraordinario
Domingo at his best. Marvelous singer.
I wish The Met would broadcast this entire opera... Domingo's rendition is stunning!
In April 2018 !
14 APRIL IN THE CINEMAS...
Fully dissaponted with the Luisa Miller I saw yesterday in cinemas: in my opinion it is far off the artistic level of 1979's Domingo-Scotto-Milnes. Mrs. Yoncheva, what about stacatti and trills Verdi wrote in the score?. Next, I don't understand what Domingo does singing baritone roles at his 77; he must have taken honrous retirement years ago. Just Beczala sang at level but, in my opinion, he lacks italian expressivity. The expressivity Placido Domingo had in his best times.
@Love Music, I trust by now you have purchased a DVD of it, as I did long ago. Paz y salud.
@@uppityglivestockian Borrowed a copy and loved it! Now I'm expecting delivery of my own copy to enjoy many times.
At the height of his vocal powers. What a voice!! - such color and brightness. Such intelligence and phrasing. I love the dignity of his sound. It's so heroic and emotional. I know people say he should stop singing -- and admittedly he should -- but he lights up the stage when he steps foot out there, and even at half of his vocal prowess, he carries to the back of the house through the sheer intelligence of his performances. And his middle and top are pretty amazing, esp. for an 80 yr. old man!!
@sopranosd, agree with you in the main. He's a phenomenon still, isn't he? An amazing man and as our living legend elder statesman of the performing arts, he deserves the exception to the rule. Kicking him off the stage is the height of intolerance. How he looks and sounds is how someone his age is supposed to look and sound, it is not bad or wrong, it is different. He's still giving us his all. May he continue selling out the house (which he still does). Paz y salud.
Un Placido en plenitud vocal.. 39 años
HOT DAMN!! That's all I can say. HOT DAMN!! Thanks for posting this!!
Доминго великолепен! А какая красивая музыка!
Eccellente!!!
Un bellísima interpretación de un ya legendario Plácido Domingo demostrando porque conquistó el mundo de la Ópera ...desde Guatemala mi reconocimiento y Saludos !!!
Bravo Placido! :)
Qué placer!
Après avoir écouté cet air par 6 ténors différents je reviens à Placido qui est pour moi le meilleur des meilleurs.
grande grande grande
This is fantastic!!
Bravissimo!
Plácido está aquí espectacular. Que maravilla de color y de timbre penetrante. Es su mejor época los años setenta. El joven Domingo inigualable en éste repertorio.
Bergonzi le da un repaso en esta opera de canto.
@@jesusmunoz2400 no concuerdo contigo. La tensión emocional que provoca Domingo en esta aria no la provoca Bergonzi y no olvidemos que la Ópera es un teatro cantado. La emoción tiene que ser un tanto por ciento muy alto.
@@bernatriera5437 Línea de canto. Ahora por lo visto los expertos no saben.
Brutal, Descomunal, se cae el teatro abajo., simplemente insuperable
Un grande por siempre.
Domingo in his prime, when his voice was almost perfectly balanced between lyrical beauty and vibrant power.
I never had the pleasure of hearing Domingo in person, as I did with Pavarotti, Vickers, McCracken. But I have corresponded with quite a few operaphiles who heard Placido at the Met. They all say his voice wasn't huge (think Vickers, Corelli, McCracken, above all del Monaco), but it was sufficiently large and powerful for Otello, not to mention his other dramatic roles there.
And it wasn't just sheer foot-pounds of power. Domingo and Gedda were recorded live while singing "Giorno di pianto" from "Il Vespri" at the Met, circa 1974 or '75. Now Gedda was also a great tenor, but very lyric. He doesn't top the climaxes, and even sounds a tad pushy and over emphatic, as he often did in dramatic repetoire.
But Domingo's equally resonant and larger sound carries easily over the Verdian orchestral onslaught, courtesy of the much-denounced James Levine --
Domingo 4 ever
You took the words out of my mouth
Labai gerai,mielas balsas,muzikalus,tikras dainavimas!
Mr Domingo OWNS this aria.
As good as it gets from Placido here, and that's very good indeed.
PERFECT SINGING, PERFECT PHRASING, PERFECT BREATHING, PERFECT TIMING, PERFECT ACTING, PERFECT PLACIDO
LA PERFECCIÓN NO EXISTE HOMBRE....😒
Dame Eva Turner was right: He IS unique.
Domingo very good tenor
Det er bare å gi seg over. Ingen tenor kan måle seg med Domingo som artist og musiker. Helt i egen klasse!
Brynjar Hoff
the greatest tenor of all
This is how Verdi himself would have approved how to sing the Aria.
What a voice! I don't understand a word - but who cares?
Musicale e con un gran bel timbro pastoso. Se non si perde troppe doppie per strada e non deve fare acuti è un grandissimo.
+Mauro Ferrer Galiana
''bel timbro pastoso'' .
Placido Domingo dal vivo non cantava con un bel timbro pastoso, è un fatto.
le registrazioni di Domingo sono una bellissima chimera che non ha niente à vedere con la verità artistica.
dal vivo era semplicemente ridicolo accanto alla Nilsson,La Marton,
La Dimitrova etc...
grande nome poca voce,il registro acuto era il suo nemico numero uno... .
Non mi piace esprimermi in inglese quando parlo di lirica, italiano e la lingua di lirica ma per questo non si puo dire altro che: Domingo owns this aria !
@jesuslz ohhhh yeeess!!!!!!
너무잘한다진짜
Un tenor lírico
I have lestened to this aria sung by Bergonzi, Di Stefano, Domingo. I have to admit, although I am a fan of Di Stefano, the the best is Domingo!
Quando le sere al Placido...letteralmente.
DOMINGO::::::;;;; IMPRESIONANTE !!!!!TENOR DRAMÁTICO * * * * *
У Доминго всегда все хорошо
0:58 beginning
Can someone please help me? I'm looking for the English Translation of this aria and if someone could tell me where to find it I'd appreciate it.
Thanks and best regards!:)
I've never been much of a Domingo fan but this really is great singing. Too bad he just never maintained this level of singing after 1979. By 1982, he was singing with much more constriction and nasality and was never corrected and never produced the same resonance he sang with in the 1970's.
00:59
00:07 ; 04:10
Discreto,lontanissimo dal l'immenso Di Stefano!
giuseppe cuscani discreto??
giuseppe cuscani Pelé o Di Stefano, Cruyff o Maradona, Ronaldo o Robaldinho, Messi o CR7???
Di Stefano era un fuoriclasse, Domingo un discreto tenore molto sopravvalutato.
Di Stefano e' un grande tenore lirico, Domingo e' un tenore corto.
@@BaroneVitellioScarpia1 Bravo!!!
¿Quien puede cantar mejor Quando le sere al placido que Plácido?
Antonino Allavamos era un juego de palabras...
No se puede cantar mejor. Mi amigo Placido es un gran artista, y sobre todo posee la maravillosa tecnica di canto italiana.
Carlo Bergonzi: th-cam.com/video/z6vx1xBYf84/w-d-xo.html
jordiboma tu respuesta Mario del Mónaco Franco Corelli aquí no está tan maltratado de la voz y todavía no se atrevía cantar OTELLO ni a Wagner y tenía la voz que solo le duró desde su debut a la década de principios del año 80
Belcantopera la técnica de Plácido Domingo no es Italiana el estudio con Irma González y Enrique Jaso pero no en Italia fue en el conservatorio Nacional de México
un grande BRAVO ai tecnici del suono ....
Ahahahahaah ma quanto sei ridicolo... L'interpretazione di Domingo della Luisa Miller è di riferimento
"Povero" Domingo licenziato dalla Los Angeles opera, bannato dal teatro Nazional di Madrid e allontanato x sempre dal Metropolitan x vie delle accuse di molestie sessuali, e' un anno e mezzo che non mette piede negli Stati uniti senno' probabilmente viene arrestato, Franco Bonisolli e la Caballe' ci avevano visto lungo su questo personaggio.
Too bad he can't retire with this kind of singing as his legacy.
En esta época al ser joven no tenia q recorrer tanto al engolamiento como ya en los 90.
La verdad es que aquí está Fabuloso 🤷♂️
@@bernatriera5437 Pero le falta elegancia hasta de joven. Nasalisa, yo me quedo en este aria con Bergonzi que sin tanta voz da una lección de canto.
@@jesusmunoz2400 uuuuuuufff a mí Bergonzi no me gusta mucho. Parece que la voz le sale del culo. Demasiado cubierto.
@@bernatriera5437 Pues está considerado como el menor tenor Verdiano del siglo XX y precisamente una referencia en este papel.
MEJOR
Overrated singer that never had a good low register and now pretends to be a baritone. He's not that bad in this one though.
Beautiful but in this aria I prefer Pavarotti
Pavarotti is good but Corelli is the best.
Not bad...not bad at all...Especially for an abuser...and conducted by the famous pedophile and rapist ...Well done boys!What amazing souls you both have!