This German music is as delicate, gorgeous, and deeply human as Japanese poetry. The different artistic expressions of our common humanity never ceases to amaze.
Truly, it strains credulity to characterize music as "German" or "French"....although there are at times Identifying Markers. Perhaps the phenomenon is best defined in German, "'Schuldaufdeckungsangst…..Ebenmäißgkeitsentzückung Aktionismus Rindfleischetikettierungsüberwachungsaufgabenübertragungsgesetz!" Herzlich, Mexikaner Donaudampfschiffahrtsgesellschaftskapitän !
This is perhaps one of the most sensational pieces of music ever written. I'm not an opera buff but I have heard the Rosenkavalier many, many times in my life. This "compressed" form called a Suite removes the human voice and we loose a lot, specially those parts that can make us cry of beauty like the presentation of the rose and the last voice trio in the end but the music is so beautiful, so moving, that we can forgive that. And the sound, the recording, the filming and the conduction by Orozco-Estrada is simply magnificent.
@@Dan474834 what he is talking about is the conductor! he is Colombian and did a very good work right there ofc Strauss's is a genius but it is the work of everyone that makes the good music
I have read that Andrés Orozco-Estrada had signed for Viena Philarmonic. He is an excellent conductor snd trough him I discovered this fabulous HR FRANKFURT symphony whose conductor was few years ago Paavo Jarvi. This orchestra has been my favourite last years. Wonderful performance as usual. Thank you HR!!
Et la complicité de Strauss et Orozco Estrada est évidente. Et quelle osmose entre la flutiste et le hautboiste, par ailleurs tous deux espagnols. Bien à vous.
Oh I just luvvvvvvvvvvvvv this piece of music, and the rendering is absolutely exquisite. As an oboist I really love the oboe section, which instrument I have a sneaking suspicion was close to Strauss' heart. I had a flute player who used to send me sidelong glances like this one is doing, if she's critical of him I can't imagine why, their intonation is fabulous and the subtlety a delight 🙂
l'Opéra est un chef d'œuvre absolu. Et la suite est tout autant. Et je suis toujours aussi fan de cet orchestre où tout le monde participe en chœur : orchestre, chef, et le public que l'on sent conquis. Long live Andres and Frankfurt.
Coisa linda! Depois de conhecer a ópera, cada passagem traz à memória as cenas, o enredo, os personagens. Essa orquestra, essa interpretação, irretocáveis. Obrigado!
immédiatement ,nous avons le compositeur. L'orchestre répond directement aux subtilités du chef. C'est toujours le même plaisir d'entendre et anticiper les notes futur, les micro variations sur le thème que l 'on connaît si bien., là, en 202O, et que ces cordes soyeuse, ces bois et cuivres scintillant, d'une précision émotionnelle , généralement sidérante
Wunderschöne Aufführung dieser spätromantischen Suite mit seidigen Tönen aller Streichinstrumente, brillanten Tönen aller Blechblasinstrumente und, vor allem, milden Tönen aller Holzblasinstrumente. Der geniale Maestro dirigiert das ausgezeichnete Orchester im gut phrasierten Tempo und mit perfekt kontrollierter Dynamik. Echt bewundernswert!
Excellent orchestra and conductor. Toward video ending a younger blond new conductor is there only brief time. What is that? Anyway enjoyable performance
I don't understand why in the arrangement the voices of the singers were not included somehow (when they are not doubled in the original, of course). I love the trio so much that I can tell when there is a voice missing and it feels like a karaoke. Thankfully it's only a couple of moments where it's truly noticeable. But I just wonder: was is so difficult to reorchestrate it? (I read it wasn't Strauss who put the suite together, and I'm so sure he would have done something else with the orchestration that it makes me sad). Amazing performance this one though! 💪
I felt the same when I heard it for the 1st time many years ago. But now I think that the orchestra version has its own flow of music which is different to the original trio version, it's different but its simplicity with no distraction has a more powerful rendering musically. for instance passage from 18:55 to 20:15 and the impressive legato at the end. Don't want to draw a conclusion here which is better but they are both beautiful in their own ways.
@@allenhuug8650 of course, it is totally different and I also really like it with just orchestra, especially because it takes 3 amazing singers for this section to be successful, and it's not always the case. But I didn't mean that I miss the actual physical voices of singers taking part in this version. What I miss is their melodic lines, as they were composed, which ARE indeed perfect and what I find a pity is that there are moments in which those notes are not even to be heard in this orchestral arrangement, they get totally lost in this version. Any original voice line that didn't have a doubling instrument: lost! I'm sure they could have been played by anyone. A very clear example is the chord at 17:43, one of the singers (I think Octavian) sings the 9th of the chord which actually changes it's sonority quite a lot. But here this note is not played by anyone... so it's actually a different chord 😭 Anyway! I feel we both have got each other's point hehe
This is the best performance I've ever heard of this piece that I love so much, this conductor and these orchestra are genius, the tempo is perfect, I don't like it it slower specially the part of 15:31, this is definitely the way.
![[제90회정기]_슈트라우스 오페라 [장미의 기사] 모음곡_R. Strauss Opera [Der Rosenkavalier] Suite #강남심포니오케스트라](/img/n.gif)
00:16 - Overture / Oüverture
03:36 - Presentation of the Silver Rose (Act 2) / Präsentation der Silbernen Rose (Zweiter Akt)
10:52 - Baron Ochs' Waltz / Baron Ochs Walzer (Zweiter Akt)
16:05 - "Ist ein Traum" (It's a Dream) (Act 3) / "Ist ein Traum" (Dritter Aufzug)
22:36 - Quick Waltz (Act 3) / Schneller Walzer (Dritter Aufzug)
Seit langer Zeit liebe ich dieses wunderbare Orchester !!!!
2 we
Everyone is enjoying this: the orchestra, the conductor, the audience, such a lyrical and elegant music
the first part is about sex,
Nothing ever surpassed the late romantic style.
So true! That was the zenith of Western Civ. The acme, the apex. It has been a slow downward trajectory ever since.
@@harryhagan5937 Except that we're better off in almost every measurable way since then but sure.
@@harryhagan5937nope
@@samdajellybeenie14 I think he meant musically, not bridge construction.
This German music is as delicate, gorgeous, and deeply human as Japanese poetry. The different artistic expressions of our common humanity never ceases to amaze.
Truly, it strains credulity to characterize music as "German" or "French"....although there are at times Identifying Markers. Perhaps the phenomenon is best defined in German, "'Schuldaufdeckungsangst…..Ebenmäißgkeitsentzückung Aktionismus Rindfleischetikettierungsüberwachungsaufgabenübertragungsgesetz!"
Herzlich, Mexikaner Donaudampfschiffahrtsgesellschaftskapitän !
@@steveegallo3384 , I call it German because it was written by a German, it’s that simple.
@@laci9651 Richard Strauss was born in Munich, Germany.
@@nicolasleenaerts5309 He was passed away in Garmisch Partenkirchen, Germany, probably in music of "Im Abendrot"
@@steveegallo3384Truly, it strains my patience to witness yet one more mocking of my language.
I love being able to see the orchestra! This group is particularly thrilling. What a pleasure to watch, what an extravagance. I feel so lucky.
This is perhaps one of the most sensational pieces of music ever written. I'm not an opera buff but I have heard the Rosenkavalier many, many times in my life. This "compressed" form called a Suite removes the human voice and we loose a lot, specially those parts that can make us cry of beauty like the presentation of the rose and the last voice trio in the end but the music is so beautiful, so moving, that we can forgive that. And the sound, the recording, the filming and the conduction by Orozco-Estrada is simply magnificent.
This is so beautiful. I played the piano version this morning.
Latin American passion (Andres Orozco-Estrada) + German thoroughness = captivating joy and beauty
The extraordinary beauty of Rosenkavalier has nothing to do with Latin American passion and everything to do with Strauss’s compositional genius.
@@Dan474834 what he is talking about is the conductor!
he is Colombian and did a very good work right there
ofc Strauss's is a genius
but it is the work of everyone that makes the good music
Splendid. A talented conductor, a fine orchestra and the magical music of Richard Strauss come together very eloquently.
I have read that Andrés Orozco-Estrada had signed for Viena Philarmonic. He is an excellent conductor snd trough him I discovered this fabulous HR FRANKFURT symphony whose conductor was few years ago Paavo Jarvi. This orchestra has been my favourite last years.
Wonderful performance as usual. Thank you HR!!
@@andreasuhm-binder8258 that's also great! Thank you!
Che splendida orchestra!! Una gioia per i sensi...
Loved it.The conductor and the orchestra used their whole bodies to capture the wonderful lilt that so characterizes this work.
I AM IN LOVE WITH THIS ORCHESTRA!!!!!!!
Ils montrent un tel plaisir à jouer que notre bonheur de les écouter n'en est que plus grand.
Et la complicité de Strauss et Orozco Estrada est évidente. Et quelle osmose entre la flutiste et le hautboiste, par ailleurs tous deux espagnols.
Bien à vous.
@@philthefox1948, en entière osmose avec votre commentaire.
Bien cordialement à vous.
Décidément, nous sommes vraiment sur la même longueur d'onde! Je viens de repondre à votre commentaire sur Don Juan...
Delightful. Never tire of hearing this luscious music.
Oh I just luvvvvvvvvvvvvv this piece of music, and the rendering is absolutely exquisite. As an oboist I really love the oboe section, which instrument I have a sneaking suspicion was close to Strauss' heart. I had a flute player who used to send me sidelong glances like this one is doing, if she's critical of him I can't imagine why, their intonation is fabulous and the subtlety a delight 🙂
What?? Where did you see that?😮
Bravissimo to the oboists👏🌹❤👏
subtil, filigran und doch auch beschwingt. wunderbar!
Qué buen director!. Coordina tan bien a todos los musicos haciendo sonar esta suite de R.Stauss de una forma maravillosa.
Brillante interpretación de este hermosa suite de R. Strauss!!!
A very musical version of the Rosenkavalier - a genuin joy to hear and watch . Thanks a lot!
l'Opéra est un chef d'œuvre absolu.
Et la suite est tout autant. Et je suis toujours aussi fan de cet orchestre où tout le monde participe en chœur : orchestre, chef, et le public que l'on sent conquis.
Long live Andres and Frankfurt.
Coisa linda! Depois de conhecer a ópera, cada passagem traz à memória as cenas, o enredo, os personagens. Essa orquestra, essa interpretação, irretocáveis. Obrigado!
Bravo Andrés, orgullo, gran orgullo de Colombia.
What an orchestra ! Fabulous playing!
Lovely... At 16:18 hear where Nino Rota found his inspiration for Fellini's 8 1/2.
Usted realmente es un gran entendido de la música
Excepcional versión de esta magnifica suite, gran orquesta, gran director!!!!
immédiatement ,nous avons le compositeur. L'orchestre répond directement aux subtilités du chef. C'est toujours le même plaisir d'entendre et anticiper les notes futur, les micro variations sur le thème que l 'on connaît si bien., là, en 202O, et que ces cordes soyeuse, ces bois et cuivres scintillant, d'une précision émotionnelle , généralement sidérante
Bravo. Wirklich toll gelungen
Esta bellísima suite más la interpretación magistral me hacen soñar de lo más lindo.
Amazing Orchestra👏👏😍😍
A%mazing! Totally Beautiful!
洋阿相
豪華絢爛やや退廃的ウィーン情緒を見事に表現したコロンビア生まれの若手指揮者に乾杯！オーケストラ団員が大変楽しそうに演奏している姿を克明にかつ音楽の流れに沿ってタイミングよく捉えているカメラワークもさすがでありました。シュワルツコップの類まれなる伯爵令夫人姿を思い浮かべてしまったのは何故でしょうね。
Amazing ! I didn’t think I would enjoy this that much.
formidable !!!! Bravo et merci !!!!!
Wow. Absolutely splendid.
22:30 Waltz
So beautiful!!!!!!!
Splendida orchestra!!
Just sublime!
Anybody here thanks to Murakami? Genial!!
Yes
Me
Perfetto!!!
Me encantó la interpretación. Bravo 👌💪
Wunderschöne Aufführung dieser spätromantischen Suite mit seidigen Tönen aller Streichinstrumente, brillanten Tönen aller Blechblasinstrumente und, vor allem, milden Tönen aller Holzblasinstrumente. Der geniale Maestro dirigiert das ausgezeichnete Orchester im gut phrasierten Tempo und mit perfekt kontrollierter Dynamik. Echt bewundernswert!
Ravishing! It was wonderful!
Шикарное исполнение!
101 комментарий для продвижения этого канала.
I appreciate the tempo around 8:00 and omwards.
Beautiful❤️👏
Komposisi yang manis. 👍🏾✨
4:50 Die Überreichung der Rose. My favorite part of the oper..
11:57 violin solo #1
16:30 solo 2
It sings to your soul. Iron out your doubt. Be gorgeous.😘
Welche Musikalität Richard Strauss und die Interpretation fantastsch
Timpani excerpt: 22:40
Menshiki Wataru always puts this on when he visits my studio.
19:15 - 20:05 oh give me that tonic !!!
Ohne Worte
Passionate rendition
Magic.
The most striking moment: the (female) flutist's face expression at 3:00 (while she actually doesn't play!)
Clara Andrada de la Calle. Even her name is pure music. 🥰
19:39 you should see how musicians swung bodies with flow of the music
Murakami brought me here.
Tell me I'm not the only one who came here after reading "Killing the Commendatore"😆
As good as it gets.
Strauss è uno dei miei musicisti preferiri. Esecuzione eccellente ed emozionante.
0:15 begins |
21:24 is like when you enter the gates in heaven.
10:52, beautiful
9:24 is what I came here for
I cried.
like the last commentary,I agree/-
18:54
"Killing Commendatore" brought me here.
좋습니다.
1:50
4:50
8:20
It's Richard Strauss, kein Wunder, Rosenkavalier forever, Strauss forever!
9:20 😍
Excellent orchestra and conductor. Toward video ending a younger blond new conductor is there only brief time. What is that? Anyway enjoyable performance
14:15
11:30 coltrane changes xd
Richard Strauß höchstselbst überlieferte einmal ein Wort von Wilhelm Zwo über den „Rosenkavalier“: „Det is keene Musik für mich!“
16:05 カルテット
13:36 ...
:)
Doesn't that second oboist play for the Berlin Phill?
10:30
22:20
Muuusic🌈
7:59
Conductor is not that into Walz, but still a very good performance.
Wow! The energy of the music. Was Strauss on drugs?
0:58
one milion likes
TWO!
Likey
I think Strauss’s egomania was so insufferable because it was justified
15:17 47
🇰🇷🇰🇷🇰🇷👍🙂😊😇🙏🙏🙏
I don't understand why in the arrangement the voices of the singers were not included somehow (when they are not doubled in the original, of course). I love the trio so much that I can tell when there is a voice missing and it feels like a karaoke. Thankfully it's only a couple of moments where it's truly noticeable. But I just wonder: was is so difficult to reorchestrate it? (I read it wasn't Strauss who put the suite together, and I'm so sure he would have done something else with the orchestration that it makes me sad). Amazing performance this one though! 💪
I felt the same when I heard it for the 1st time many years ago. But now I think that the orchestra version has its own flow of music which is different to the original trio version, it's different but its simplicity with no distraction has a more powerful rendering musically. for instance passage from 18:55 to 20:15 and the impressive legato at the end.
Don't want to draw a conclusion here which is better but they are both beautiful in their own ways.
@@allenhuug8650 of course, it is totally different and I also really like it with just orchestra, especially because it takes 3 amazing singers for this section to be successful, and it's not always the case. But I didn't mean that I miss the actual physical voices of singers taking part in this version. What I miss is their melodic lines, as they were composed, which ARE indeed perfect and what I find a pity is that there are moments in which those notes are not even to be heard in this orchestral arrangement, they get totally lost in this version. Any original voice line that didn't have a doubling instrument: lost! I'm sure they could have been played by anyone. A very clear example is the chord at 17:43, one of the singers (I think Octavian) sings the 9th of the chord which actually changes it's sonority quite a lot. But here this note is not played by anyone... so it's actually a different chord 😭 Anyway! I feel we both have got each other's point hehe
27 minutes of this, fuck me
This is the best performance I've ever heard of this piece that I love so much, this conductor and these orchestra are genius, the tempo is perfect, I don't like it it slower specially the part of 15:31, this is definitely the way.
Everyone is enjoying this: the orchestra, the conductor, the audience, such a lyrical and elegant music