I have been impressed by everything I have seen Andrés Orozco-Estrada do in Frankfurt. This performance is no exception. His Strauss is world-class. I wish him well as he continues to grow as a conductor.
Andrés Orozco-Estrada is indeed a highly acclaimed conductor known for his exceptional performances. While I don't have access to specific information about his performances in Frankfurt or any recent events, I can agree that his interpretation of Richard Strauss's music has garnered praise worldwide. As a conductor, Orozco-Estrada has demonstrated his talent and artistry through his ability to bring out the nuances and emotions of the music he conducts. His dedication and continuous growth as a conductor have contributed to his success and the positive reception of his performances. It's wonderful to hear that you have been impressed by his work, and I join you in wishing him continued success and growth in his career as a conductor.
I. Einleitung, oder Sonnenaufgang. Sehr breit (00:00) ∙일출(서주 제1곡) II. Von den Hinterweltlern. Weniger breit (01:53) ∙폰 덴 힌터벨트렌(서주 제2곡) III. Von der großen Sehnsucht. Bewegter (05:45) ∙위대한 갈망(서주 제3곡) IV. Von den Freuden und Leidenschaften. Bewegt (07:37) ∙기쁨과 열정 V. Das Grablied. Etwas ruhiger (09:37) ∙무덤의 노래 VI. Von der Wissenschaft. Sehr langsam (12:07) ∙과학과 학습 VII. Der Genesende. Energisch (16:18) ∙회복기 VIII. Das Tanzlied (21:34) ∙댄스노래 IX. Das Nachtwandlerlied (29:26) ∙밤의 방랑자의 노래
I don't have musical education so sorry if this is nonsense, but I find it really endearing when this conductor guy smiles after the orchestra successfully does a difficult transition or something
It's possible there was a lot of yelling and doing that transition over and over and over. There are tons of subtleties that aren't on the sheet music. Playing in an orchestra is a little like if you had 50 professional actors all acting in one hour-long nonstop scene and you need them all to nail it every single time.
C'est une magnifique interprétation, toute en rigueur et en poésie, grâce à un superbe orchestre, tout particulièrement le premier violon, et un excellent chef d'orchestre. Merci et bravo !
Richard Strauss; #Inmortal. la hr-Sinfonieorchester - Frankfurt Radio Symphony; #Fantástica. Nuestro Bien apreciado colombiano; #Genial, #Magistral y #Auténtico. Congratulaciones maestros de la hr-Sinfonieorchester, y siempre Bienvenido Director.
Andres' best perforamance so far was his conducting Dvořák's "From the New World" back in 2019 in Frankfurt. This particular rendition was truly world class, second to none in the past 20 years or so. He is one of the very best active conductors today.
Il y a bien longtemps, m'étant lancé dans la lecture du poème philosophique de Nietzsche, je compris assez vite que je n'y trouverai aucune réponse au sens du bien et du mal. De toutes façons j'ai abandonné la compréhension au fil des pages, me concentrant uniquement sur la lecture pure et simple, et curieusement j'y ai trouvé un certain plaisir.... Arriva le jour où je découvris cette magnifique oeuvre de Richard Strauss ... et ce fût avec bonheur que je compris que la musique exprimait beaucoup plus clairement les sentiments, les peurs, les joies, l'extase quelque fois, que les écrits. Et cette magnifique interprétation me le confirme, bravo au chef et à cet orchestre que j'apprécie tant. Als ich vor langer Zeit begann, Nietzsches philosophisches Gedicht zu lesen, wurde mir ziemlich schnell klar, dass ich keine Antwort auf die Bedeutung von Gut und Böse finden würde. Auf jeden Fall gab ich beim Lesen der Seiten das Verstehen auf und konzentrierte mich ausschließlich auf das reine und einfache Lesen, und seltsamerweise verspürte ich eine gewisse Freude daran ... Es kam der Tag, an dem ich dieses großartige Werk von Richard Strauss entdeckte ... und Mit Freude verstand ich, dass Musik Gefühle, Ängste, Freuden und manchmal auch Ekstase viel klarer ausdrückt als das Schreiben. Und diese großartige Interpretation bestätigt es mir, Glückwunsch an den Dirigenten und an dieses Orchester, das ich so sehr schätze.
The incipit of this piece is just so powerful it's hard to express by words. Imagine sitting on the balcony of a chalet in the mountains watching the sun's magnificence slowly reveal itself before you, finally ending in a majestic triumph of light and solace.
Love how as it builds the harmonies seem to slowly settle into a more standard chord progression. With the high strings it’s a gigantic emotional release. So so clever.
Strauss is a master in creating suc a powerful emotions with strings, perhaps he is unrivalled in this. The slow progression to more Etherical sphere is painful to listen in a good way.
Inspiring performance. From the sharp, well-defined intro, to the sweeping developments, this musicians rock. All soloits are on fire, and the conductor is good! The technical quality of the audio and video is great too.
Thank you Mr Orozco-Estrada to conduct the orchestra in your unique way, which gives so much dept and intensity to music soul, in particular for this philosophical poem.
This is the work that that prompted a hundred film scores (the rest were prompted by Korngold) - well, perhaps there were others. But here we have possibly the best performance of Zarathustra available. Orozco-Estrada made an unfortunate decision when he left for Houston, as that didn't work out, for reasons I don't know. And now we are hearing some of his greatest performances back with the orchestra he had made his own, but on what basis -- another unknown, guest conductor perhaps? His successor seems to be excellent, so the Administrators of the orchestra appear to be in a difficult position. All I can say is that Orozco-Estrada is back where he belongs, and in these "guest-conductor" performances showing he has still more to give. If I haven't made it clear, this performance one 'out of the box' Historically, some critics have tended to dismiss this work, claiming it to be derivative and structurally weak. If ever there was a performance to show any such critics just how much any such criticisms were wrong, this is it. While it may not be Strauss's greatest work (I'm not prepared to enter that arena) the synergy between conductor and orchestra make this performance up among the best available. And congratulations on the very high standards in both audio and video engineering and production. If I have a quibble at all, it's that the importance of hearing the duration of the applause isn't realized. A quibble perhaps, but in a way, it's part of the performance.
@Chlorinda Thank you for the corrections and updates. I realized that I was making some assumptions, (although, in part, with validation), and your information is welcome. I agree with your thoughts about conductors moving on after 8 years or so, although I'm torn when applying that here.
Endless congratulations. Unbelievable orchestral precision, flamboyance, and style, and out-and-out Straussian bravura, with also the right degree of satirical wit. This piece is always much more Richard the playful, creative humanist and dramatist, rather than the bombastic incestuous, half-mercurial half-banal Nietzsche. There are better and worse dimensions to the German psyche and social-political ambitions, as everyone knows. Genius music, genius players, stupendously true interpretation and artistic sympathy. Perfect direction too. Decent organ playing also. 34 and half minutes of sensuous, philosophical, transcendental, erotic ecstasy! More, SVP
@@vincejamison2401 Droll, most droll. I like a blokey with a satirical and sarcastic wit almost as dry as Strauss himself. I'm not a first rate emotionalist critic, but I am a first rate 2nd rate one! I see you blow the French horn. Like Ricardo's papa, ehh. Love andrea
@@andreapandypetrapan I'd like to hope I actually play better than Papa Strauss, however it's not an apples-to-apples comparison since I'm performing on the double horn. I do play on a single f horn from time-to-time just to stay humble and appreciate the challenges, against which the professional players of the 19th Century endured daily.
@@vincejamison2401 Dear VJ, Delicious tit bits. Not having Pops Strauss around for first-hand comment, I cannot say how badly or well he played. Cosima Wagner also seems strangely untalkative at the moment, and she never shied from grasping upon an opportunity for sulphuric acidity of comment. I model myself on her in too many ways. However, Wiki says Franz Strauss was the "principal horn player at the Court Opera in Munich and a professor at the Königliche Musikschule", so hardly a slacker. You make a very good scholarly point as to the evolution of the original B flat and F horns of Cosima and Rachael von Wagner's zealous days, into the agile modern double horn. I click back and forth, and Aunti Wiki once again furnishes us the facts (purportedly), in this case that Eduard Kruspe produced the first prototype "double horn" in 1897. Voila! TH-cam and Facebook and Wiki are positively not an online cultural desert, for those with a few neurons of concentration and taste. I think my mother Barbara Jane first took me to the Royal Festival Hall (London Southbank) when I was 5 , thus in 1970, the initial decade of its Stalinist neglect in the hands of the GLC. 54 years long ago, and many cheap seats in the choir, yet I have to confess my disgraceful inattention, for I've never actually considered whether any orchestra was not playing the modern double horn. Tut, tut. Buona fortuna with you playing and general music making! Love, andrea
Such a joy of a performance by these world-class musicians. Brings me back to when I discovered this piece, full of awe as if it really came from outer space (thanks, Kubrick!)
Prokofiev said, after hearing Zarathustra, “a stunningly arresting opening (no music, but how splendid it sounds) but that is all, thereafter nothing.” Makes me wonder what he considered music and about his judgement altogether.
Isn't the organ tuned differently than the orchestra, as you can hear in the Einleitung? I'm not a musician, so can anyone tell me if that is a mistake or just something that is unavoidable in concert halls like these?
It certainly is and I think it shouldn't be. At least I have never heard it like this. My guess is that the organ is tuned at 440 hz while the orchestra is tuned at 442. 🤔
Well the organ certainly is what it is, but low notes with a rich overtone series seem to have a broader, more forgiving footprint with regards to pitch, compared to a piccolo for example. Honestly if these comments had not pointed this out, I never would have noticed it. Kind of like an inclusion in an otherwise stunning diamond. Many recordings of popular songs have bass lines that sound out-of-tune, but most likely this is a hearing phenomenon, and was not recorded that way.
@Firebird 37 In a lot of recordings, the organ isrecorded separately from the orchestra, and it is difficult to ensure that an orchestra tunes exactly to an organ that is not physically present. Very few (if any) studios have full size organs...
I was in the concert, and i can assure you that the organ was definately tuned lower than the orchestra. Afaik HR tunes at 443 and the Organ prolly at 440
Sound is absolutely gorgeous but what is the conductor doing... I'm looking over my part rn with the piece and this guys conducting in like 64 or somthn. Crazy how the musicians autopilot to create this magnificent music!
Introduzione: @00:04 (Di coloro che vivono fuori dal mondo)@01:53 (Dell'aspirazione suprema)@05:45 (Delle gioie e delle passioni)@07:37 (Il canto dei sepolcri)@09:37 (Della scienza)@12:07 (Il convalescente)@16:18 (Il canto della danza)@21:34 (Canto del nottambulo)@29:26
![[MV] A leap of faith...ความเชื่อใจครั้งสุดท้าย (From "Petrichor the series")](http://i.ytimg.com/vi/U1piZH2CNXA/mqdefault.jpg)
I have been impressed by everything I have seen Andrés Orozco-Estrada do in Frankfurt. This performance is no exception. His Strauss is world-class. I wish him well as he continues to grow as a conductor.
Andrés Orozco-Estrada is indeed a highly acclaimed conductor known for his exceptional performances. While I don't have access to specific information about his performances in Frankfurt or any recent events, I can agree that his interpretation of Richard Strauss's music has garnered praise worldwide.
As a conductor, Orozco-Estrada has demonstrated his talent and artistry through his ability to bring out the nuances and emotions of the music he conducts. His dedication and continuous growth as a conductor have contributed to his success and the positive reception of his performances.
It's wonderful to hear that you have been impressed by his work, and I join you in wishing him continued success and growth in his career as a conductor.
So nicely said. He indeed is part of the new continuum of beloved conductors of these magical sounds we call classical music.
@@fransmeeus9339 Why did you paste a reply from ChatGPT?
His Wagner is also incredible!!!
@@EttoHD so is his beethoven
I. Einleitung, oder Sonnenaufgang. Sehr breit (00:00) ∙일출(서주 제1곡)
II. Von den Hinterweltlern. Weniger breit (01:53) ∙폰 덴 힌터벨트렌(서주 제2곡)
III. Von der großen Sehnsucht. Bewegter (05:45) ∙위대한 갈망(서주 제3곡)
IV. Von den Freuden und Leidenschaften. Bewegt (07:37) ∙기쁨과 열정
V. Das Grablied. Etwas ruhiger (09:37) ∙무덤의 노래
VI. Von der Wissenschaft. Sehr langsam (12:07) ∙과학과 학습
VII. Der Genesende. Energisch (16:18) ∙회복기
VIII. Das Tanzlied (21:34) ∙댄스노래
IX. Das Nachtwandlerlied (29:26) ∙밤의 방랑자의 노래
It’s official: Orozco-Estrada is a superstar. With this orchestra, the sky is the limit.
Then your sky is quite deep
No limits!
Wow! Toll gespielt! Einfach ein großartiges Orchester mit einem fantastischen Dirigenten!
Great! Andres is home back again.
For me, this orchestra shines particularly brightly under this conductor.
Completely agree... there is a different sort of chemistry and communication between Andres and the Orchestra.
I don't have musical education so sorry if this is nonsense, but I find it really endearing when this conductor guy smiles after the orchestra successfully does a difficult transition or something
There’s no music term for it, but that is just a conductor proud of his orchestra
It's possible there was a lot of yelling and doing that transition over and over and over. There are tons of subtleties that aren't on the sheet music. Playing in an orchestra is a little like if you had 50 professional actors all acting in one hour-long nonstop scene and you need them all to nail it every single time.
My god, I'd been missing him a lot! It's great to see maestro conducting this orchestra again. Looking forward for more performances.
You are not alone. I´ve missed him too.
i've been quite sad ever since he departed the Houston Symphony a few months back. his presence on the stage was perfection.
Same, I immedeatly checked if this was an old recording. Is he back for good?
How wonderful others feel about him as I do. I didn't know.
C'est une magnifique interprétation, toute en rigueur et en poésie, grâce à un superbe orchestre, tout particulièrement le premier violon, et un excellent chef d'orchestre. Merci et bravo !
Also dirigiert Orozco-Estrada! Fließend, melodisch, farbenreich und vor allem bezaubernd. Das ist auch Richard Strauss!
Na bitte, geht doch! Humorvoller Kommentar.
Richard Strauss; #Inmortal. la hr-Sinfonieorchester - Frankfurt Radio Symphony; #Fantástica. Nuestro Bien apreciado colombiano; #Genial, #Magistral y #Auténtico. Congratulaciones maestros de la hr-Sinfonieorchester, y siempre Bienvenido Director.
Andres' best perforamance so far was his conducting Dvořák's "From the New World" back in 2019 in Frankfurt. This particular rendition was truly world class, second to none in the past 20 years or so. He is one of the very best active conductors today.
My favorite classical piece. His version is outrageously good.
Everything I hear directed by Andrés Orozco-Estrada sounds IMPECCABLE.
Es grato volver a escuchar la orquesta que apreciamos tanto dirigida por el maestro Orozco,Aplausos
This is one of the very best performances of this work I have ever heard. Thank you Maestro Orozco-Estrada and orchestra. Just masterful.
A new standard in performing and recording technology. Orozco-Estrada is a master!
Il y a bien longtemps, m'étant lancé dans la lecture du poème philosophique de Nietzsche, je compris assez vite que je n'y trouverai aucune réponse au sens du bien et du mal. De toutes façons j'ai abandonné la compréhension au fil des pages, me concentrant uniquement sur la lecture pure et simple, et curieusement j'y ai trouvé un certain plaisir.... Arriva le jour où je découvris cette magnifique oeuvre de Richard Strauss ... et ce fût avec bonheur que je compris que la musique exprimait beaucoup plus clairement les sentiments, les peurs, les joies, l'extase quelque fois, que les écrits. Et cette magnifique interprétation me le confirme, bravo au chef et à cet orchestre que j'apprécie tant.
Als ich vor langer Zeit begann, Nietzsches philosophisches Gedicht zu lesen, wurde mir ziemlich schnell klar, dass ich keine Antwort auf die Bedeutung von Gut und Böse finden würde. Auf jeden Fall gab ich beim Lesen der Seiten das Verstehen auf und konzentrierte mich ausschließlich auf das reine und einfache Lesen, und seltsamerweise verspürte ich eine gewisse Freude daran ... Es kam der Tag, an dem ich dieses großartige Werk von Richard Strauss entdeckte ... und Mit Freude verstand ich, dass Musik Gefühle, Ängste, Freuden und manchmal auch Ekstase viel klarer ausdrückt als das Schreiben. Und diese großartige Interpretation bestätigt es mir, Glückwunsch an den Dirigenten und an dieses Orchester, das ich so sehr schätze.
By far my favorite conductor!! Lovely performance!
Fantastic! Thank you so much! Welcome back conductor - look what Vienna symphony(?) has missed! Come back more!
Frankfurt Radio Symphony
The incipit of this piece is just so powerful it's hard to express by words. Imagine sitting on the balcony of a chalet in the mountains watching the sun's magnificence slowly reveal itself before you, finally ending in a majestic triumph of light and solace.
Magnificent! One of the greatest classical pieces of all time.
from 2:59-5-5:50 oh ....oh....what can I say that fits its majesty and beauty. The orchestration in this segment is the most subtle and etherical.
It’s incredible. Extremely well done by the orchestra, a joy to listen to
Love how as it builds the harmonies seem to slowly settle into a more standard chord progression. With the high strings it’s a gigantic emotional release. So so clever.
Strauss is a master in creating suc a powerful emotions with strings, perhaps he is unrivalled in this. The slow progression to more Etherical sphere is painful to listen in a good way.
最初から最後まで涙が止まらない!途中で大声で泣き出しました。
Welcome back dear Maestro Andrés Orozco-Estrada, we have missed you!!! ♥♥♥
Inspiring performance. From the sharp, well-defined intro, to the sweeping developments, this musicians rock. All soloits are on fire, and the conductor is good! The technical quality of the audio and video is great too.
Esto si es un Orgullo Colombiano!
Unglaubliche Aufnahme. So habe ich dieses Stück noch nie gehört.
What a beautiful, magnificent journey we take together as our awareness expands 🎶
Perfect. God bless
Indrukwekkend en geweldig fijn om naar te luisteren. Dank U
Thank you Mr Orozco-Estrada to conduct the orchestra in your unique way, which gives so much dept and intensity to music soul, in particular for this philosophical poem.
Impassioned, insightful, beautiful. An orchestra-conductor combination never to be missed. Thank you to all concerned. [New Zealand]
Wonderful music, better and better the more you listen.
17:43 is easily the most epic version of this moment I’ve ever heard
Couldn't agree more! Literally chills down my spine! It's like Hades ascending from the Depths of Tartarus!
Breathtakingly beautiful
This is the work that that prompted a hundred film scores (the rest were prompted by Korngold) - well, perhaps there were others. But here we have possibly the best performance of Zarathustra available. Orozco-Estrada made an unfortunate decision when he left for Houston, as that didn't work out, for reasons I don't know. And now we are hearing some of his greatest performances back with the orchestra he had made his own, but on what basis -- another unknown, guest conductor perhaps? His successor seems to be excellent, so the Administrators of the orchestra appear to be in a difficult position. All I can say is that Orozco-Estrada is back where he belongs, and in these "guest-conductor" performances showing he has still more to give. If I haven't made it clear, this performance one 'out of the box' Historically, some critics have tended to dismiss this work, claiming it to be derivative and structurally weak. If ever there was a performance to show any such critics just how much any such criticisms were wrong, this is it. While it may not be Strauss's greatest work (I'm not prepared to enter that arena) the synergy between conductor and orchestra make this performance up among the best available. And congratulations on the very high standards in both audio and video engineering and production. If I have a quibble at all, it's that the importance of hearing the duration of the applause isn't realized. A quibble perhaps, but in a way, it's part of the performance.
@Chlorinda Thank you for the corrections and updates. I realized that I was making some assumptions, (although, in part, with validation), and your information is welcome. I agree with your thoughts about conductors moving on after 8 years or so, although I'm torn when applying that here.
Amazing performance!! one of my top 5 favorite pieces ever played/conducted in an ultra-sublime way. thank you
Happy Birthday to Richard Strauss REST IN POWER Blessings and Hugs 💖❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤
stunning performance. Thank you very much, dear Maestro. Great sounding. Great job in a Great Orchestra.
Everytime when i hear the beginning.goosebumps& emotional... Beautiful ❤️ deep bow.
Playing timpani in this piece would be a HUGE stress reliever! 😂
I LOVE the sound of timpani! ❤
Oh My God! The maestro is back. Loved this so much. Will listen again and again.
What an utterly fantastic performance.
Yes. This is one of my favorites alongside Mehta's and Karajan's.
Amazing! I have never listened to such a lively Strauss.
Belíssimo! Bom ver o Orozco-Estrada novamente.
This is greeaaaat, i love it! ❤️
All of you are incredible people! ✨
Truly first- class orchestra. They always deliver at the highest level. Also, the concert master looks so young. Reminds me of a young Mozarr
Eine echte Perle. Höre das immer wieder gern. :-)
It's refreshing, it's fun, and it's detailed.
wonderful.
If you don't listen to music like this...
Orchester, Dirigent und Regie: Ein Gesamtkunstwerk. Immer wieder begeisternd.
Endless congratulations.
Unbelievable orchestral precision, flamboyance, and style, and out-and-out Straussian bravura, with also the right degree of satirical wit.
This piece is always much more Richard the playful, creative humanist and dramatist, rather than the bombastic incestuous, half-mercurial half-banal Nietzsche. There are better and worse dimensions to the German psyche and social-political ambitions, as everyone knows.
Genius music, genius players, stupendously true interpretation and artistic sympathy. Perfect direction too.
Decent organ playing also.
34 and half minutes of sensuous, philosophical, transcendental, erotic ecstasy!
More, SVP
Yes, but tell us how you really feel about this performance!
@@vincejamison2401
Droll, most droll.
I like a blokey with a satirical and sarcastic wit almost as dry as Strauss himself.
I'm not a first rate emotionalist critic, but I am a first rate 2nd rate one!
I see you blow the French horn. Like Ricardo's papa, ehh.
Love andrea
@@andreapandypetrapan
I'd like to hope I actually play better than Papa Strauss, however it's not an apples-to-apples comparison since I'm performing on the double horn.
I do play on a single f horn from time-to-time just to stay humble and appreciate the challenges, against which the professional players of the 19th Century endured daily.
@@vincejamison2401
Dear VJ,
Delicious tit bits.
Not having Pops Strauss around for first-hand comment, I cannot say how badly or well he played.
Cosima Wagner also seems strangely untalkative at the moment, and she never shied from grasping upon an opportunity for sulphuric acidity of comment. I model myself on her in too many ways.
However, Wiki says Franz Strauss was the "principal horn player at the Court Opera in Munich and a professor at the Königliche Musikschule", so hardly a slacker.
You make a very good scholarly point as to the evolution of the original B flat and F horns of Cosima and Rachael von Wagner's zealous days, into the agile modern double horn.
I click back and forth, and Aunti Wiki once again furnishes us the facts (purportedly), in this case that Eduard Kruspe produced the first prototype "double horn" in 1897.
Voila! TH-cam and Facebook and Wiki are positively not an online cultural desert, for those with a few neurons of concentration and taste.
I think my mother Barbara Jane first took me to the Royal Festival Hall (London Southbank) when I was 5 , thus in 1970, the initial decade of its Stalinist neglect in the hands of the GLC.
54 years long ago, and many cheap seats in the choir, yet I have to confess my disgraceful inattention, for I've never actually considered whether any orchestra was not playing the modern double horn.
Tut, tut.
Buona fortuna with you playing and general music making!
Love, andrea
Persino commovente, stravolgente l'animo!
Starting at 7:40 and 8:13....... Strauss was such a genius, in the true sense of the word.
That beautiful moment with just the violas and cellos - wonderful.
When ?
Начало интересно , захватывающие.
Fantastic performance !
Welcome Back Maestro!
What a great timpanist ! Go Lars
Great Great version ❤
Überwältigend !
Incredible.
Such a joy of a performance by these world-class musicians. Brings me back to when I discovered this piece, full of awe as if it really came from outer space (thanks, Kubrick!)
Absolute majestueuze uitvoering
It's amazing how far his conducting is than what is actually being played! Unless there is an audio delay on the video.
Meisterwerk
Wundervoll & traumhafte Musik 😍❣
Amazing 🎼👏 ❤
BRAVO!!!!!!
Bravo!
(Famous Star Wars Theme)
0:20 begins | 4:10 string checkpoint |
Wrong...turn up your volume all the way...the strings are quietly rumbling well before :20 !
@@tenisalot thank you
It's amazing ! Gratitude ! 🙏💖
I believe that it was in Frankfurt that this epic Tone Poem was first performed.
Wooooo!
Prokofiev said, after hearing Zarathustra, “a stunningly arresting opening (no music, but how splendid it sounds) but that is all, thereafter nothing.” Makes me wonder what he considered music and about his judgement altogether.
Fantastic
Isn't the organ tuned differently than the orchestra, as you can hear in the Einleitung? I'm not a musician, so can anyone tell me if that is a mistake or just something that is unavoidable in concert halls like these?
It certainly is and I think it shouldn't be. At least I have never heard it like this. My guess is that the organ is tuned at 440 hz while the orchestra is tuned at 442. 🤔
Probably 443 hz
Well the organ certainly is what it is, but low notes with a rich overtone series seem to have a broader, more forgiving footprint with regards to pitch, compared to a piccolo for example. Honestly if these comments had not pointed this out, I never would have noticed it. Kind of like an inclusion in an otherwise stunning diamond. Many recordings of popular songs have bass lines that sound out-of-tune, but most likely this is a hearing phenomenon, and was not recorded that way.
@Firebird 37 In a lot of recordings, the organ isrecorded separately from the orchestra, and it is difficult to ensure that an orchestra tunes exactly to an organ that is not physically present. Very few (if any) studios have full size organs...
I was in the concert, and i can assure you that the organ was definately tuned lower than the orchestra. Afaik HR tunes at 443 and the Organ prolly at 440
BRAVO....❤❤❤!!!
Uma explosão de variáveis sensíveis
The direction,... touch the sky; the principal is, is an ángel! in my brain😢, Strauss describe all the human evolution a the end of all😮
Bravo pour son chef...... Retour à Frankfort vite ❤️❤️🏃♂️🏃♂️🏃♀️🏃♀️🏃♀️🏃♀️🏃♀️
Magnifique!
33:09
wow that transition from B major to CM#4
32:30 ... Oh, how wonderful!
2:59 Heaven
Agree! The most beautiful thing Strauss ever wrote.
Oh yes,from 2:59-5:50 is by far the most heart achingly beautiful peace ever written.
자연 모티브 00:18
크레도 모티브 02:45
마니피카트 모티브 06:15
열정 모티브 07:41
무덤의 노래 오보에 열정 모티브 > 탄식 09:35
학문의 대하여 14:20
춤 모티브 15:00
혐오 모티브 15:30
치유되고 있는 자 자연 모티브 16:18
춤의 노래 바이올린 선율 21:50
자연의 승리 + 여전히 B장조 마무리 32:30
Espectacular 👌
Спасибо
Até que enfim! Uau!
LIndo lindo lindo mil vezes! Nasce o Sol...
BRAVISSIMI !!
I love Nietzsche ❤❤❤. As well Strauss
Très belle interprétation ! Dommage qu'il manque l'enregistrement des applaudissements à la fin !
6:48 is very underrated, such tragedy in the face of hope through God...
❤IT!
Je ne sais pas pourquoi j'aime ça, mais j'aime ça et ça me suffit comme explication.
😂
Bravo Florin Iliescu, primer violín.
Sound is absolutely gorgeous but what is the conductor doing... I'm looking over my part rn with the piece and this guys conducting in like 64 or somthn. Crazy how the musicians autopilot to create this magnificent music!
Introduzione: @00:04
(Di coloro che vivono fuori dal mondo)@01:53
(Dell'aspirazione suprema)@05:45
(Delle gioie e delle passioni)@07:37
(Il canto dei sepolcri)@09:37
(Della scienza)@12:07
(Il convalescente)@16:18
(Il canto della danza)@21:34
(Canto del nottambulo)@29:26
Versione potentissima dell'intro.
Orozco-Estrada regendo esta orquestra é sensacional!
A classic 👌👌👌
You can always hear the difference in tonal qualities of an orchestra led by a conductor with the obligatory Nehru jacket.