I really didn’t know what a synth could do and have been curious of why people were so obsessed with them. After watching this video, I’m convinced that it takes an extreme amount of dedication and talent to operate one of these things and know exactly what you’re doing to get the sounds that you want. Total 80s movie score and music vibes. Also, that was an incredible video on how to use it. You can tell this guy absolutely loves his job.
Daniel you do some of the best demonstrations of the latest synths on You Tube. You really go in on what a synth can do. You really have me tempted with the MonoPoly. Great demo
I bought a KORG Mono/Poly back in 1989 and it's still one of my favourite synths: I've even used it to create realistic wind and helicopter soundtracks in post-production. This Behringer replica sounds very authentic.
I watched a lot of reviews on TH-cam about this synth and I was thinking “I really don’t like it. Definitely.” THEN DANIEL FISHER ARRIVED. I’m ordering the synth.
Well, Mr. Fisher, because of your demos I've pre-ordered both the Behringer MonoPoly AND the Behringer 2600. I hope you don't mind if I take a break from watching your videos for a while. Oh, I will be back... ...eventually.
I grew up in Fort Wayne and I first started to learn music there. I've always loved the fact everyone at Sweetwater has a deep passion for music. You can tell that he's really excited to even play this synth. I hope I can work there one day. I won my first solo award at their jazz festival too.
I'm back for this review again to learn and enjoy the sounds. I just ordered one from Sweetwater. I'm so excited. Now I want to make all those wonderful synthesizer sounds. Thanks for your video! Take care, Sam.
the cool thing about the MP that I recall from eons ago when I had my hands on it: the arp can use a different OSC for each note in the chord. this can give some nice life to an arp pattern
I always wonder about the guys that click the Thumbs Down. Do they not like the synth, the video, the presenter or just Behringer. Weird. Love the synth.
I have bought the deepmind 12 the wavestate and the behringer Odyssey from Sweetwater I have wanted the Monopoly and poly d since they were announced Listening to Daniel demo these makes me realize my desires are on point. Sweetwater is SaaaaWeeet
Very cool! MGMT’s use of it is what got me interested in it. While I don’t think I’ll buy this, this was an excellent demo and I’m sure it will make many people happy.
Sounds like a real beast. The original Mono/Poly is one of my all-time favorite synths. But it's huge, heavy, and runs hot. It takes up a giant space in my room here. This one is so much more compact, and sounds lovely.
I bought a KORG Mono'Poly back in 1989 for £95 when all the analog synths were being dumped and sold off cheap in favour of digital. Even back then I knew what I had on my hands and couldn't believe I got it for that price. I still have it and it's not going anywhere!
@@jackspring7709 At the time it was a sad situation for Analog but the fact so many ditched them is why they become valuable now because people dont know what they have till it's gone.
@@HOLLASOUNDS Absolutely right. Since then I've bought the VST version (which is excellent) and even the Behringer Mono/Poly (a very faithful clone) so now the old KORG can take it easy but I'm still keeping it :)
I have the one made by KORG. I bought it 100$ CDN 30 years ago when everyone was getting rid of their analog stuff to buy DX7 and the like. That month I also bought a KORG K3 Univox. I think the K3 is even more impressive than the Monopoly if you know how to program a sound, I can even make it sound like a Mellotron, and it is THE fattest synth I ever heard in my life. The K3 was used by Vangelis and Kitaro in the days.
@Sweetwater Daniel, first some unbridled sycophancy from across The Pond: your videos are almost always a good blend of instructive, educational and product demo, incorporating a near-perfect blend of features, functionality, creativity and actual playing. Utterly fed up of videos which are all talk and no demo - so, thank you! That out of the way, a question: I recognise that this YT vid is simply a promo for acquiring the MP from Sweetwater; however, I'm already convinced and actually bought one a year ago! Unfortunately, it suffers from the acknowledged VCA bleed issue - which seems to plague many of the Behringer MonoPoly re-issues and mine has started to behave quite badly in this respect, to the point where I've temporarily fitted a (Behringer) noise gate pedal to resolve the amount of oscillator sounding after I've released a note! Not ideal. 😞 On that basis, has Sweetwater's service department ever found a fix for this or been informed of the 'recalibration process' by Behringer USA? I understand the trim-pots are not employed for this and that the unit has to be opened up, voiding the warranty. I certainly cannot seem to find anything other than descriptions of the problem and things which haven't actually worked to resolve the underlying issue. Behringer's approach is simply to suggest the usual RMA service route - which is the typical generic response to logging a ticket by The Big B these days - and is overkill for anybody having sufficient electronics skills, test equipment and a bench of servicing gear. This would require me to relinquish a much-used synth for many weeks, if not several months, for a problem not of my making ... and I really don't want to remove it from my live setup. I'm interested in hearing whether Sweetwater has an inside track on resolving this commonplace issue before handing my MP over to the service route process of the Behringer behemoth...
behringer are just killing it... you can now get 3 or more of these old rare expensive synths (monopoly, 2600, odyssey, 101, 303, pro1, model d etc etc) for the price of 1 of the originals... yet, my favourite is the neutron... what a little beasty.... bring on the poly-tron!!!
I absolutely LOVE my Behringer MonoPoly - my only caveat being the HORRIBLE keyboard - on mine you have to hit the black keys about 5 times harder to get the same velocity as the white keys. Truly horrible. But the synth!?!?!?! OMG, friggin incredible. I am an analog guy with 15 synths and this thing is nothing less than incredible. No wonder MGMT says its their favorite synth, its so versatile it blows my mind. If you have a good midi controller you are good to go. I wrote like 4 songs last year. With this MonoPoly, I've written 4 in the past month. So inspiring.
@Luke I'd buy it again based on how much I love this thing (and the cost of the original!). To me, it's worth the price even if you never touch the keyboard and just use it as a module.
Hi Triplebacon Art. You can get a virtual version of me via our SYNTH CLIPS synthesizer tutorial series: th-cam.com/play/PLlczpwSXEOybYYaBCTcjxxKz1QmxytbIf.html Thanks for watching! -_Daniel_
What a great presentation! Wide in scope of sounds and functionality, yet without being mind numbing with single note presses 😀 I knew 4 oscillators bring the weight to the sound, but I have not been shown how complex it can get right into the weird territory (I like weird!). And I like having the modern amenities like USB. Wish Korg rode the analogue wave a bit more and re-issued MonoPoly with extended arp and added a sequencer maybe, rather than gave us a Crystal microKORG. After all this Ima play with MonoPoly Gadget now... 😃
Great demo! your passion for the synth really comes through- it really does sound great but I do think Behringer miscalculated but not doing a tad more design & cost to give it presets- I know it’s not for everyone but it’s dealbreaker for a lot of potential customers. I really hope this is successful enough for a V2 in future to correct this.
Great demo. I uses the virtual one with heavy touch 88 piano, big pleasure to think I can buy it for real. Would like a double rack edition, because the low and high keys are an other world et listen.
I had the original (bought as a teen in '81!) and like an idiot sold it in the late '80s. Beautiful synth, but non-programmable and obviously non-MIDI, so pretty tough for live rigs. It came with control surface templates so you could "save" your patches. Even with that it took 3-4 minutes to make a major change.
I had a Korg Monopoly I bought for $25 from a pawn shop in the ealy 2000s...sold it for $1000 to a guy on craigs list about a half hour after I listed it...
My first synth ever was the Korg polysix in 2001 and I loved it but it broke (the notorious battery leak issue) and ever since then I’ve been dying to get that sound again, I’m hoping this one does it but I still haven’t owned a Behringer synth so I’m still skeptical
@Luke no I absolutely know that but the original mono/poly and polysix used the same oscillator and filter so the general sound is the same that’s why I mentioned this. I’d love to have that polysix tone back in my set up especially since I’m highly nostalgic for it but I’m fully aware of the architectural difference between the synths
These demos are wonderful. The question I have is: If left to my own devices how would I deduce these options and attributes would make the sound I want? It looks like you fiddle and then if you catch something you like then you record the settings and move on. Is there a suggested book or something on this?
Hi Ron J. I created my SYNTH CLIPS series to show step-by-step how I approach every step of sound synthesis. And, it's FREE: th-cam.com/play/PLlczpwSXEOybYYaBCTcjxxKz1QmxytbIf.html -_Daniel_
The clean oscillators are a bit meh if you use it for pads, leads and pluks, but it's a Korg, so you need to get freaky with it, like a MS20, then it's a awesome synth. For bass it's simply awesome, like most synths.
Hi Shawn. I think you'll enjoy our SYNTH CLIPS synthesis tutorial series: th-cam.com/play/PLlczpwSXEOybYYaBCTcjxxKz1QmxytbIf.html You can also watch all of my Sweetwater videos via this link: th-cam.com/users/results?sp=CAI%253D&q=daniel+fisher+sweetwater
I would understand the Behringer hate if the year was 1986, it’s 2021 folks, all synths are made of components made in China, on smt boards. The price they charge is fair and reasonable. Have you guys opened up a Moog lately and looked inside?
@Luke - certain modern Moogs aren’t built like the vintage stuff, my Sub Phatty that needed two new pots after 2 years for example. I own lots of gear, vintage Moog and an og Prophet 5, I’ve had to work on all of it, granted its old and I’m fine with that. I have old Behringer gear and newer Behringer gear, non of it has ever failed. Not slagging SC or Moog, just saying that the Behringer rep is very unwarranted in my experience and that’s all I can go off. I even had a first run Rev 1 Prophet 5 that I returned (mistake) because it wouldn’t stay in tune.
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I really didn’t know what a synth could do and have been curious of why people were so obsessed with them. After watching this video, I’m convinced that it takes an extreme amount of dedication and talent to operate one of these things and know exactly what you’re doing to get the sounds that you want. Total 80s movie score and music vibes. Also, that was an incredible video on how to use it. You can tell this guy absolutely loves his job.
Daniel you do some of the best demonstrations of the latest synths on You Tube. You really go in on what a synth can do. You really have me tempted with the MonoPoly. Great demo
I bought a KORG Mono/Poly back in 1989 and it's still one of my favourite synths: I've even used it to create realistic wind and helicopter soundtracks in post-production. This Behringer replica sounds very authentic.
I bought the one in the video today.
I watched a lot of reviews on TH-cam about this synth and I was thinking “I really don’t like it. Definitely.”
THEN DANIEL FISHER ARRIVED.
I’m ordering the synth.
Well, Mr. Fisher, because of your demos I've pre-ordered both the Behringer MonoPoly AND the Behringer 2600. I hope you don't mind if I take a break from watching your videos for a while. Oh, I will be back...
...eventually.
Just received mine from Sweetwater today, and I’m already in love with it. It is a better fit for me than the Modal Cobalt 8 😮.
bless Uli behringer for letting us mere mortals get out hands on replicas of this stuff. Now for the ems vcs3 I’ve been drooling over.
My favourite sounding Behringer clone yet
I grew up in Fort Wayne and I first started to learn music there. I've always loved the fact everyone at Sweetwater has a deep passion for music. You can tell that he's really excited to even play this synth. I hope I can work there one day. I won my first solo award at their jazz festival too.
I'm back for this review again to learn and enjoy the sounds. I just ordered one from Sweetwater. I'm so excited. Now I want to make all those wonderful synthesizer sounds. Thanks for your video! Take care, Sam.
When I want a great demo that answers all my questions, I go straight to Daniel. Thank you :)
the cool thing about the MP that I recall from eons ago when I had my hands on it: the arp can use a different OSC for each note in the chord. this can give some nice life to an arp pattern
I always wonder about the guys that click the Thumbs Down. Do they not like the synth, the video, the presenter or just Behringer. Weird.
Love the synth.
What a nice looking synth!!!!! Behinger is killing it!!!!
Pure tone coming out of this fabulous synth. Gimme 2 for 8 voice magic; wow!!!
I have bought the deepmind 12 the wavestate and the behringer Odyssey from Sweetwater
I have wanted the Monopoly and poly d since they were announced
Listening to Daniel demo these makes me realize my desires are on point.
Sweetwater is SaaaaWeeet
You’ve made it quite clear no one knows what they are doing. And the detractors of this need to learn synthesis.
Korg Mono/Poly, such a great synth and this sounds exactly like mine, so well done Behringer (and Daniel!)
"Maaan, what a big sound" ..Daniel honestly really likes this synth :)
Hi Carsten. To be fair, I honestly really like all of the synths that I've said that I like:-) Thanks for watching! -_Daniel_
Very cool! MGMT’s use of it is what got me interested in it. While I don’t think I’ll buy this, this was an excellent demo and I’m sure it will make many people happy.
It is great to see and hear this in the hands of a Jedi Synth Master.
Sounds like a real beast. The original Mono/Poly is one of my all-time favorite synths. But it's huge, heavy, and runs hot. It takes up a giant space in my room here. This one is so much more compact, and sounds lovely.
Hi Pete. And, I didn't notice it getting warm at all. Thanks for watching! -_Daniel_
I bought a KORG Mono'Poly back in 1989 for £95 when all the analog synths were being dumped and sold off cheap in favour of digital. Even back then I knew what I had on my hands and couldn't believe I got it for that price. I still have it and it's not going anywhere!
@@jackspring7709 At the time it was a sad situation for Analog but the fact so many ditched them is why they become valuable now because people dont know what they have till it's gone.
@@HOLLASOUNDS Absolutely right. Since then I've bought the VST version (which is excellent) and even the Behringer Mono/Poly (a very faithful clone) so now the old KORG can take it easy but I'm still keeping it :)
I have the one made by KORG. I bought it 100$ CDN 30 years ago when everyone was getting rid of their analog stuff to buy DX7 and the like. That month I also bought a KORG K3 Univox. I think the K3 is even more impressive than the Monopoly if you know how to program a sound, I can even make it sound like a Mellotron, and it is THE fattest synth I ever heard in my life. The K3 was used by Vangelis and Kitaro in the days.
@Sweetwater Daniel, first some unbridled sycophancy from across The Pond: your videos are almost always a good blend of instructive, educational and product demo, incorporating a near-perfect blend of features, functionality, creativity and actual playing. Utterly fed up of videos which are all talk and no demo - so, thank you!
That out of the way, a question:
I recognise that this YT vid is simply a promo for acquiring the MP from Sweetwater; however, I'm already convinced and actually bought one a year ago! Unfortunately, it suffers from the acknowledged VCA bleed issue - which seems to plague many of the Behringer MonoPoly re-issues and mine has started to behave quite badly in this respect, to the point where I've temporarily fitted a (Behringer) noise gate pedal to resolve the amount of oscillator sounding after I've released a note! Not ideal. 😞
On that basis, has Sweetwater's service department ever found a fix for this or been informed of the 'recalibration process' by Behringer USA? I understand the trim-pots are not employed for this and that the unit has to be opened up, voiding the warranty.
I certainly cannot seem to find anything other than descriptions of the problem and things which haven't actually worked to resolve the underlying issue.
Behringer's approach is simply to suggest the usual RMA service route - which is the typical generic response to logging a ticket by The Big B these days - and is overkill for anybody having sufficient electronics skills, test equipment and a bench of servicing gear.
This would require me to relinquish a much-used synth for many weeks, if not several months, for a problem not of my making ... and I really don't want to remove it from my live setup.
I'm interested in hearing whether Sweetwater has an inside track on resolving this commonplace issue before handing my MP over to the service route process of the Behringer behemoth...
The Source Audio Collider is absolutely fantastic with the MonoPoly!
Agreed! -_Daniel_
This brought back so many memories.
behringer are just killing it... you can now get 3 or more of these old rare expensive synths (monopoly, 2600, odyssey, 101, 303, pro1, model d etc etc) for the price of 1 of the originals...
yet, my favourite is the neutron... what a little beasty.... bring on the poly-tron!!!
My DeepMind 12 is my most versatile synth. And I own others like OB6 and P12 and I’m telling ya the DeepMind 12 is right up there with them
@Luke theyve stepped up their game big time.... their synths feel solid.
The neutron is a beast , mine is linked to my crave , I use a novation circuit to sequence them both
Had no idea my Korg Mono/Poly can do all of this with the "effects" on. It's always kind of confused me, this made it very straightforward. Thanks!
Hi Nikolay. It's never too late to discover something new about your synths. Thanks for watching! -_Daniel_
Just got one. Totally worth $699.
I want this synth so bad. it has all the things I love in a synth.
Daniel can make any synth shine at its best!!!
Big D with another great demo.Keep 'em coming.
I like that he has the panel tilted while filming top-down :)
Welcome to the Machine ! Great demo !
Another killer demo 🔥🙌🙌
Thank you, Daniel! 👏 Great deep dive as always ...
I absolutely LOVE my Behringer MonoPoly - my only caveat being the HORRIBLE keyboard - on mine you have to hit the black keys about 5 times harder to get the same velocity as the white keys. Truly horrible. But the synth!?!?!?! OMG, friggin incredible. I am an analog guy with 15 synths and this thing is nothing less than incredible. No wonder MGMT says its their favorite synth, its so versatile it blows my mind. If you have a good midi controller you are good to go. I wrote like 4 songs last year. With this MonoPoly, I've written 4 in the past month. So inspiring.
@Luke - The Deep Mind 12 is built pretty well. Their synths are built very well especially considering the price. Fear not young Luke.
@Luke I'd buy it again based on how much I love this thing (and the cost of the original!). To me, it's worth the price even if you never touch the keyboard and just use it as a module.
Killer demo Daniel !!!!
It has an Aphex Twin harmonic richness !!!!
Or, this could be a Poor man's OB6.....
This thing's a BEAST!... on my to get list
Yeah I need to get me a Daniel from sweetwater! Now I totally get it! A marvellous synthesiser love it!!
Hi Triplebacon Art. You can get a virtual version of me via our SYNTH CLIPS synthesizer tutorial series: th-cam.com/play/PLlczpwSXEOybYYaBCTcjxxKz1QmxytbIf.html
Thanks for watching! -_Daniel_
What a great presentation! Wide in scope of sounds and functionality, yet without being mind numbing with single note presses 😀 I knew 4 oscillators bring the weight to the sound, but I have not been shown how complex it can get right into the weird territory (I like weird!). And I like having the modern amenities like USB. Wish Korg rode the analogue wave a bit more and re-issued MonoPoly with extended arp and added a sequencer maybe, rather than gave us a Crystal microKORG. After all this Ima play with MonoPoly Gadget now... 😃
I like the microKorg also a lot ,but not for this price,please help Behringer
Great review! I preordered mine awhile back, can’t wait to get it
ironically, covid slowing deliveries of everything, is saving my wallet's life.
Nice video, what a dream Synth: I can't wait to be on the road again and be able to buy all the gear that Im dreaming of...
Not for me but as always, another great demo from Sweetwater.
Great demo.
17:24 Glorious arpeggio.
Yo, Daniel does the best demos!
The Who, ELP, The Cars, Gary Newman, Pink Floyd, Gary Wright, and more.
Drexciya.
Oh ky god, monopoly 8s actually a sweet name for a synth! Badass!
Way back in the day I had both the polysix and monopoly I sold them when I upgraded I really should have kept them.
Yes, yes you should have
Daniel Fisher is my fav
These demos are always risky with the earbuds in! Hahaha, awesome, though. Thanks, Daniel.
Never realized some of the similarities between the Poly800 and this
Great demo! your passion for the synth really comes through- it really does sound great but I do think Behringer miscalculated but not doing a tad more design & cost to give it presets- I know it’s not for everyone but it’s dealbreaker for a lot of potential customers. I really hope this is successful enough for a V2 in future to correct this.
You can’t do presets on a full analog synth without digital controls. That’s the nature of these type of instruments.
This s sounds absolutely fantastic. A sure buy for me.
Great Dan! Thanks!
Great demo. I uses the virtual one with heavy touch 88 piano, big pleasure to think I can buy it for real. Would like a double rack edition, because the low and high keys are an other world et listen.
At 19:49, when you hit that first note, I just knew you were going to play Floyd. You had to. Rules.
Great sounding synth.
"AM I THE ONLY ONE AROUND HERE WHO GIVES A S*** ABOUT HAVING FOUR OSCILLATORS?!"
- Daniel Fischer, aka John Goodman
I had the original (bought as a teen in '81!) and like an idiot sold it in the late '80s. Beautiful synth, but non-programmable and obviously non-MIDI, so pretty tough for live rigs. It came with control surface templates so you could "save" your patches. Even with that it took 3-4 minutes to make a major change.
Forces one to be creative.
Awesome review!
Nice one! 😉👍🏻
Good demo Daniel. Ppl gonna expect a black synth after watching this vid though.
Great video
Great demo as usual Jeff, just have to decide whether the Poly D or the Mono/Poly will be next... gotta say that there reverb added was awesome!
i'm jeff lol, he is daniel fisher
I don’t see any reason to get the mono poly rather than the poly D
the sound at 14:20 sounds like #23 (tassels) from aphex twin's selected ambient works 2
Wow man. Nice!
Sweetwater videos full of interesting devices but hard on my wallet.
15:44 is all you need to know lol.
I had a Korg Monopoly I bought for $25 from a pawn shop in the ealy 2000s...sold it for $1000 to a guy on craigs list about a half hour after I listed it...
How does a good reverb sound after a good synth?
12:21
got some Jeane Michael Jarre sound there
Hot damn this thing sounds awesome!!
Keep jamming positive vibration ❤💛💚
My first synth ever was the Korg polysix in 2001 and I loved it but it broke (the notorious battery leak issue) and ever since then I’ve been dying to get that sound again, I’m hoping this one does it but I still haven’t owned a Behringer synth so I’m still skeptical
@Luke no I absolutely know that but the original mono/poly and polysix used the same oscillator and filter so the general sound is the same that’s why I mentioned this. I’d love to have that polysix tone back in my set up especially since I’m highly nostalgic for it but I’m fully aware of the architectural difference between the synths
These demos are wonderful. The question I have is: If left to my own devices how would I deduce these options and attributes would make the sound I want? It looks like you fiddle and then if you catch something you like then you record the settings and move on. Is there a suggested book or something on this?
Hi Ron J. I created my SYNTH CLIPS series to show step-by-step how I approach every step of sound synthesis. And, it's FREE:
th-cam.com/play/PLlczpwSXEOybYYaBCTcjxxKz1QmxytbIf.html
-_Daniel_
@@sweetwater Wow I was unaware of this great resource. Thanks for putting that together!
THANK YOU!!!
Nice demo! What's the reverb/delay pedal model?
Hi Lucas. That's the Source Audio Collider Rev+Delay pedal. Thanks for watching! -_Daniel_
@@sweetwater Oh, ok cool! Thanks mate
Ah...yes...Welcome to the Machine!
Gret job and great sound !
Glorious.
19:44 Welcome to the Machine
& the ending 21:31
I just bought one,
very nice
Hey Sweetwater...can you ask Uli Behringer to build an ARP ProSoloist next? I loved this synth
Do you have it for sale yet???? Hmmmmm😈😈😈😈😈 I kid I kid. Love you guys
8:31 auto-damp off sounds more polyphonic to me. Wish it was left off for the demo. Auto-damp on sounds like I would expect a paraphonic to play.
😎😎😎.........Man.....this sounds great!!!
That just defines a fat sound.
Hello beautiful break down as usual, sorry if I missed you go over this but are the knobs midi cc mapable?
The clean oscillators are a bit meh if you use it for pads, leads and pluks, but it's a Korg, so you need to get freaky with it, like a MS20, then it's a awesome synth. For bass it's simply awesome, like most synths.
The oscillators are great.
Dan, do you have your own TH-cam or Twitter? Really have enjoyed watching your videos. Great job!
Hi Shawn. I think you'll enjoy our SYNTH CLIPS synthesis tutorial series:
th-cam.com/play/PLlczpwSXEOybYYaBCTcjxxKz1QmxytbIf.html
You can also watch all of my Sweetwater videos via this link:
th-cam.com/users/results?sp=CAI%253D&q=daniel+fisher+sweetwater
@@sweetwater oh man this looks awesome 👍 thanks for the link to this.
I would understand the Behringer hate if the year was 1986, it’s 2021 folks, all synths are made of components made in China, on smt boards. The price they charge is fair and reasonable. Have you guys opened up a Moog lately and looked inside?
Yep... was astounded by how little there was in my Sub37. Modern tech on classic circuits.
@Luke - certain modern Moogs aren’t built like the vintage stuff, my Sub Phatty that needed two new pots after 2 years for example. I own lots of gear, vintage Moog and an og Prophet 5, I’ve had to work on all of it, granted its old and I’m fine with that. I have old Behringer gear and newer Behringer gear, non of it has ever failed. Not slagging SC or Moog, just saying that the Behringer rep is very unwarranted in my experience and that’s all I can go off. I even had a first run Rev 1 Prophet 5 that I returned (mistake) because it wouldn’t stay in tune.
@@regortex3364 the new Rev 4 is perfect.
@@SPAZZOID100 I bet it is, pretty cool they came out with that.
Dem, this thing sounds cool, now i need one, but my wallet is empty.. 🙁
''I'm the One And Only Oscillator!'' ;D
Daniel is it safe to say you want to own every synth you demo for Sweetwater lol
"It's twew! It's twew!" -_Daniel_
In hindsight, I have to say I picked a pretty good career for getting to play and own a lot of synths.
@@sweetwater You got that right!
It is almost like divine providence
Nice!
Did they recreate the SSM 2033?
Dave Rossum is making the new SSI’s.