I. Adagio - Allegro [0:00] II. Andante con moto [9:07] III. Menuetto. Allegretto - Trio [16:46] IV. Finale. Allegro [21:01] Berliner Philharmoniker Karl Böhm
This is one of my favourites. It''s the dark horse titan giant whose shoulders others stood on. The edgy dissonance of the adagio intro must have been revolutionary in 1788......Those stabbing major sevenths in the violins makes my hair stand on end.
For me , this and The Jupiter are Mozart's crowning achievements symphonically . The menuetto allegretto is absolute perfection . And , as someone so correctly pointed out , these late symphonies have all the earmarks of Papa Joseph Haydn .
Karajan was also a master of K.543 - he nails that slow introduction like no other. The Berliners play so well for both Bohm and Herbie...after such knowledge it’s honestly hard to hear this (or the other mature Mozart symphonies) played by period bands
About the symphony -- what can we say? It's Mozart at his best, and that is as close to perfect as we humans have yet gotten. About the performance: Lovely old-school playing. The main difference between this and later period-instrument performances is that here the strings use broader articulation, which makes everything sound heavier (and to my mind less Mozartean). Yet the woodwinds and horns play with great articulation. A note about the orchestra's size: There's a letter from Mozart describing in glowing terms a performance of one of his symphonies. He gave the proportions as: 40 violins 10 violas 8 cellos 10 double basses Doubled winds including six bassoons (!!!) So we can't say "the orchestra's too big" for Mozart. But proper balance is needed, so the woodwinds should be at least two on a part; for K543 that would be 2-3 flutes, 4 clarinets, 4-6 bassoons, and probably 4 horns.
That's an interesting observation; Beethoven apparently wrote his 8th Symphony with material left over from writing his 7th Symphony, so perhaps there is a connection. G minor, also in flats, is not that far removed from this key; something as simple as a development theme in a non-tonic key could be spun off into the main theme of an entirely new work.
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Gosh this slow intro gives me goosebumps ! So grandiose, noble and dramatic, keeps the audience guessing before it goes allegro.
This is one of my favourites. It''s the dark horse titan giant whose shoulders others stood on. The edgy dissonance of the adagio intro must have been revolutionary in 1788......Those stabbing major sevenths in the violins makes my hair stand on end.
In e flat major, like a certain other "revolutionary" symphony. It was the era.
A masterclass in how to play Mozart. Rattle and N-Seguin take note.
Solenne opera d'arte.
For me , this and The Jupiter are Mozart's crowning achievements symphonically . The menuetto allegretto is absolute perfection . And , as someone so correctly pointed out , these late symphonies have all the earmarks of Papa Joseph Haydn .
I don't know much about music, but I like that the 3'rd movement is played...well, slower than others play it. I just love this pace.
Una de sus mejores sinfonias en su mejor interpretación; grande K. Bohm
Cuando se escucha el primer movimiento de esta sinfonía no es de extrañar que se haya dicho: "Cabe hallar en Mozart el milagro de la perfección".
Gracias por compartir esta obra de arte, patrimonio de la humanidad.
Saludos desde México.
Along with the Szell and Bruno Walter, this is one of the best of the older, standard-instrument versions of this music.
Yes, but Bohm captures the magic atmosphere like no one.. listen also to Josef Krips and Furtwangler.. but this one is an icon..
Karajan was also a master of K.543 - he nails that slow introduction like no other. The Berliners play so well for both Bohm and Herbie...after such knowledge it’s honestly hard to hear this (or the other mature Mozart symphonies) played by period bands
About the symphony -- what can we say? It's Mozart at his best, and that is as close to perfect as we humans have yet gotten.
About the performance: Lovely old-school playing. The main difference between this and later period-instrument performances is that here the strings use broader articulation, which makes everything sound heavier (and to my mind less Mozartean). Yet the woodwinds and horns play with great articulation.
A note about the orchestra's size: There's a letter from Mozart describing in glowing terms a performance of one of his symphonies. He gave the proportions as:
40 violins
10 violas
8 cellos
10 double basses
Doubled winds including six bassoons (!!!)
So we can't say "the orchestra's too big" for Mozart. But proper balance is needed, so the woodwinds should be at least two on a part; for K543 that would be 2-3 flutes, 4 clarinets, 4-6 bassoons, and probably 4 horns.
Astonishing... magnificent
O ... M ... G. I would have lost the will to go on after creating this gift, too.
I can totally understand that, a great gift to all humanity! One of the most beautiful pieces ever written.
Au contraire, that's when you use the gift of the infinite playback to counteract that.
Wolfgang Amadeus Mozart quando sarai nel tuo regno non ti dimenticare di me.
いちばん好きな交響曲
Lo máximo... Mozart ..la gran creación de Dios.
The introduction of the first movement must be this.
The one most indebted to his old pal Josef Haydn I believe.
At 11:53, as in many other moments of the symphony, all Beethoven is already there, however Mozart came first ;-)
MAGNÍFICA REGÊNCIA de Karl Böhm !
Fabulous
Thanks.
It does feel like you're supposed to jump immediately to symphony 40. No conclusive ending...
That's an interesting observation; Beethoven apparently wrote his 8th Symphony with material left over from writing his 7th Symphony, so perhaps there is a connection. G minor, also in flats, is not that far removed from this key; something as simple as a development theme in a non-tonic key could be spun off into the main theme of an entirely new work.
モ ー ツ ァ ル ト 交 響 曲 第3 9番
ベ ル リ ン ･ フ ィ ル ･ ハ ー モニー 管 弦 楽 団 演 奏
カ ー ル・ベ ー ム 指 揮 大 賛 美
しあわせな思いがする､音楽とはこのようなものをいうのかと、深く思い遣るのであります。
ヴォルフガング・アマデウス・モーツァルトは、音楽史の中でも、短命とは言え、最高のしあわせ者に、違いないと思うのです。そのモーツァルトが大胆力を傾注して、成し遂げた偉業は、この交響曲第39番です。カール・ベーム・コンサートマスターは、喜び勇んで、指 揮 をしたのに違いないと思うのです。
擱 筆
2:50 allegro
교향곡 39번은. 모짜르트 교향곡 중에서..난 최고라구 생각이 드네요....
21:01
25:17
1:28
3:09
3:05
💐✨💚🌱🍎😊
ecco la nascita del valzer (Eric Rohmer)
Intendi dire il minuetto?
죠지셀. 클리브랜드 오케스트라.....
L 2764
First movement is quite slow, a bit plodding....
Just savour it.
It was deliberate...reseach it a fact...