This type of content: posted in larger intervlas of time but with higher quality is what we need. Enough of daily or weekly "sick hacks to be a legendary musician".
Good to have you back man. It would be awesome if you could make a practise routine or in orders that one should watch your videos to get a comprehensive understanding of theory and music as a whole. Once again great to have you back. Missed your work
A while back ? More like a year ago 😂😂😂 Glad to have you back I'm a real fan of your work You're the reason I took playing the guitar seriously Thank you and greetings from Nigeria 🇳🇬
Everyone learns in a unique way. It's the same fundamental material a thousand other instructors cover, but for some reason the way you organize and present it just dovetails very nicely with my way of thinking. The other instructors just never clicked with me but your lessons do. Thank you so much!
Been loving your lessons for years. An idea for another type of video: a backing style track of just the chord pad, a click, and one of the superb licks every 8 measures. So we can immediately mimic along with it. AND please reveal how you create/record that juicy tone.
10 years ago I clicked "Beginner" on your web site Today I have my own students and play professionally Glad you're still uploading, thanks for everything
I found your youtube channel about 3 years ago, subscribed and was eagerly waiting for your return. I always waited for the bell to ring and I couldn't believe it when it rang! Greetings from Sao Paulo, Brazil.
Glad to see you back king. Your lessons gave me a real theory boost. And as a user requested for practice techniques, i would wish the same but i believe your lesson plans are theoreticals not practicals. But we're all open to more learning. Godspeed guitarman
Thank you that means a lot. In terms of generic lesson plans, it's difficult because lesson plans are individual (or at least should be). I would need to establish your personal goals, current ability, time availability etc. That's really something for a personal tutor to work with you on. But I hope I can at least offer some inspiration in terms of new concepts, even if you come to them later in your learning journey.
Followed you since you started out and I recommend you to everyone that plays. Excellent teaching and clear explanations. The graphical charts are a superb way of visualisation. Love you man. Best teacher on YT by a long way 😊
I'm absolutely delighted see you back. It's not that I've needed any more material. Just knowing you're around is what's important. I've made it 3 minutes into this lesson. What a great lesson. Is it just me hearing some of "Jessica" in there?
You have such a distinct guitar voice, and it’s consistent in all your videos. What guitar do you use and with what pickups? As far as effects it sounds like a bit of crunch and delay, maybe a bit of room reverb if I’m not mistaken.
Thanks! I use a Gibson Les Paul, stock 490R/498T pickups (I think!), going through a Boss GT-001 (an old desktop processor). I tend to use plugins in Audacity (post reverb, delay, compression etc.) but sometimes Guitar Rig with the Tube Screamer emulator.
hey frettjam keep doing what you are doing i really aprreciate.Also i had this question if lets say we got a melody or part of song to play lead on guitar or a solo. 1) do you listen intervals while listening to solo or melody 2)do you then try to gett it on guitar or you just play the intervals 3) when you play lead lines or solo or improv are you aware parallely like i bent from b7 to 1 and then this lick and then 3 and 4 pulloff 5 in mind and do you see iuntervals on fretboard 4 ) if yes pls tell me a roadmap to follow along so that i can reach that level
Hey there, thanks for your time! 1) Yes I try to listen to and identify the interval structure being played when I hear a melody (even chord or progression). Sometimes it's too quick for that to be realistic! But most of the time I'm listening for that "distance" between notes, which can be translated through interval knowledge and ear training (minor 3rds, major 3rds, 5ths, 6ths etc.). It's a great skill for cutting down the time it takes to pick up music by ear. The more you expose yourself to the sound of individual and then collective intervals (e.g. arpeggios and scales), the more you start to intuitively pick them out in melodic passages you hear. 2) Not sure I understand this question. If I'm translating a melody, I just translate to the best of my ability what I hear to a kind of spatial awareness that has come from studying intervals and their "distance" across frets. Finding the key (tonic chord) of the piece is fundamental as a starting point. 3) Kind of, I don't necessarily have a conversation about intervals in my head while playing, but the action does appear as a familiar spatial awareness which comes from a broader pattern on the fretboard related to the chords I'm playing over (typically an arpeggio or scale). Studying intervals is just a way of internalising the sound and visual space of a movement, so it can be replicated more intuitively as time goes on. 4) This video was one way of devising an initial roadmap over chords, between arpeggio and scale form. I'm currently redeveloping and expanding my "Ultimate Roadmap" course which is available (in current form) on Patreon. I want to include a more integrated approach for arpeggios and scales for different chords in a key. Remember this is all mostly about patterns and how we move around and integrate them seamlessly. And there is always major and minor pentatonic to fall back on and integrate, knowing where they exist within the given key.
@@fretjamguitar when you say distance between notes dies that mean distance between adjacent notes or notes from roots .Pls clarify and thank you for answering my question
I understand some of this, say 1 3 5 with the 2 = the Major +2 (2=9th) pattern. But I am not seeing these M+2 M+4 etc... t Relationships to the diatonic chords. This would be a nice and fast method of making fills over a progression. If it was fast to see while improvising. Iam I just slow or am I missing something
You could see it as one fragment of the scale over those diatonic chords. Yes, it works best as fills or lead-ins/lead-outs for those broader scale movements. But the reason I wanted to demonstrate these patterns is because they touch on colour tones over all the diatonic chords in the form of a melodic pathway. It's just an available option we can use in the moment (similar to the tonic maj7 arpeggio) and connect to other phrases over chords.
Get exclusive content between each video upload and more: bit.ly/3WPvNqY. 15% off annual membership. Thank you so much for your support!
You've changed many people's lives. Don't ever forget that (and don't ever stop sharing your knowledge pls 😊)
That's so nice, thank you. Sorry about the (long) break. I won't stop sharing. I feel back in the saddle now.
Cant agree more. Atleast mine
didn't believe my eyes when it said you posted 30 mins ago
This type of content: posted in larger intervlas of time but with higher quality is what we need. Enough of daily or weekly "sick hacks to be a legendary musician".
A new Fretjam video always means my playing is about to get a little better
When the (guitar) world needed him the most he comes back!
Good to have you back man. It would be awesome if you could make a practise routine or in orders that one should watch your videos to get a comprehensive understanding of theory and music as a whole. Once again great to have you back. Missed your work
I agree would be a top video
Agree. Love these vids but no idea how to practice without getting lost 😅
A playlist Woolf be excellent!
Fretjam the best teacher❤❤❤❤
A while back ?
More like a year ago 😂😂😂
Glad to have you back
I'm a real fan of your work
You're the reason I took playing the guitar seriously
Thank you and greetings from Nigeria 🇳🇬
It looks like the guitar planet is so glad to have you back, Sir! Myself included! Greetings from Poland!
Greetings my friend!
My favorite guitar tutorial channel in the world. Welcome back!
Everyone learns in a unique way. It's the same fundamental material a thousand other instructors cover, but for some reason the way you organize and present it just dovetails very nicely with my way of thinking. The other instructors just never clicked with me but your lessons do. Thank you so much!
Welcome back! Your videos are the best! I always learn something from them.
One of the "best" guitar tut page!!
Best guitar theory videos on TH-cam! It's great to have you back and posting again, thank you for your incredible work.
Great to see you’re back! I absolutely love and appreciate your videos!
I’m absolutely delighted to see you back ! Thank you for sharing !
So happy to see you around and always love your videos, literally one of the most comprehensive and best teaching channels I've ever come across!
Aw thanks! Really glad I could help.
Great to see you again my friend, your lessons are awesome! ✌
Love this channel. High caliber content delivered in a perfect format.
Respect & Gratitude from Boston.
~TD
Your back !!!!
So glad to see you post again. I discovered your channel last week and was so impressed but disappointed because it seemed you had stopped posting
The Master returns !
Glad to have this kind of lesson back. An easy to follow and made for people like me who cant afford guitar lessons
We're in golden times for learning! Thank you for your time.
This is one of the best videos I’ve seen on the subject. Thanks!
Superb content, as always. 👌
Cara isso é muito legal, que maravilha, faça mais aulas assim por favor, muito obrigado man!!!!!
Liked and subscribed not because I understood but because maybe someday I will
bruh this video is fire. great job.
Been loving your lessons for years. An idea for another type of video: a backing style track of just the chord pad, a click, and one of the superb licks every 8 measures. So we can immediately mimic along with it. AND please reveal how you create/record that juicy tone.
Very professionally done as ever, thank you.
The best lesson about being melodic with simple concepts. Thank you so much.
Well this is a very pleasant surprise. I subbed during your fallow period. Fantastic channel.
So nice to ear you again. Your sharing is so nice, it's like a revelation. Greetings from France.
Greetings! I'm back on it now. Really appreciate your time.
Nice to see you back!
Very helpful to hear those solos against the different backgrounds - appreciated having the room to hear the lines and how the color changed.
This knowledge is something otherworldly 🤯 thank you 🥲
Great to have you back!
Amazing concept.. There is enough material in this single video to have me busy for months ;-)
waiting for the fretjam, finally to learn something more year after year.
Today’s gonna be a good day. Love it when a new fretjam video drops😀
YES! A new Fretjam tutorial. Thank you so much. You help make this hack of a player sound good.
Superb as always, thanks.
Such great stuff thanks
Fretjam is back !!!! Booya 💪
Amazing knowledge display I play over and again
10 years ago I clicked "Beginner" on your web site
Today I have my own students and play professionally
Glad you're still uploading, thanks for everything
That is so awesome. This is like the ultimate butterfly effect I would want. Keep giving them those eureka moments!
A new Fretjam video? Good gracious it’s a miracle!
how nice you are back
Always waiting for your videos
Thank you. You help me so much, about understanding music theory.
I found your youtube channel about 3 years ago, subscribed and was eagerly waiting for your return. I always waited for the bell to ring and I couldn't believe it when it rang! Greetings from Sao Paulo, Brazil.
Glad to see you back king. Your lessons gave me a real theory boost. And as a user requested for practice techniques, i would wish the same but i believe your lesson plans are theoreticals not practicals. But we're all open to more learning. Godspeed guitarman
Thank you that means a lot. In terms of generic lesson plans, it's difficult because lesson plans are individual (or at least should be). I would need to establish your personal goals, current ability, time availability etc. That's really something for a personal tutor to work with you on. But I hope I can at least offer some inspiration in terms of new concepts, even if you come to them later in your learning journey.
The most meaningful channel on TH-cam. Welcome back the master🙏🏼
He’s backkkkk
Excellent, as always! Good to see you back in force. This is a great concept.
The miracle of year 2024: You are back! I got convinced that the channel was closed. Looking forward to e-seeing you again soon!
Thank you so much 🌸🙏
great lesson 😍😍 after long time☺☺
Thank you
There's one thing I learnt from this video....I need to study. I have maxed out at 2% of comprehension.
Awesome channel
Followed you since you started out and I recommend you to everyone that plays. Excellent teaching and clear explanations. The graphical charts are a superb way of visualisation. Love you man. Best teacher on YT by a long way 😊
Thank you for the recommendations mate. Always trying to improve and age inevitably helps with that!
good to see you back
Return of the king
I'm absolutely delighted see you back. It's not that I've needed any more material. Just knowing you're around is what's important. I've made it 3 minutes into this lesson. What a great lesson. Is it just me hearing some of "Jessica" in there?
You'll have to explain Jessics to me! I'm intrigued. Thanks for your time with the lesson.
@@fretjamguitar My Bad spelling I'll fix that. I meant "Jessica" the Almond brothers song.
Ohhh yes. There is a lot of the Maj + 4 in that piece. A lot of us in the UK will know it as the old Top Gear theme.
Brings back memories.. learned a lot from you sir
You have such a distinct guitar voice, and it’s consistent in all your videos. What guitar do you use and with what pickups? As far as effects it sounds like a bit of crunch and delay, maybe a bit of room reverb if I’m not mistaken.
Thanks! I use a Gibson Les Paul, stock 490R/498T pickups (I think!), going through a Boss GT-001 (an old desktop processor). I tend to use plugins in Audacity (post reverb, delay, compression etc.) but sometimes Guitar Rig with the Tube Screamer emulator.
letttsss gooooooooo your back
Sweet!
Your lessons are amazing!!!
Welcome back! Can you make a lesson how to play the 5th caprice of Paganini on guitar with Tabs , thank you, if you can
My neighbors may have heard me jump up and down just now!
And the world feels good again…😁
Real nice........thank you ! This works real well for " Song of the Wind" by Santana from 1971 or so. Chords are Cmaj 7 to Fmaj 7
Love that jam!
Great lesson! Thanks
Hello, You mentioned in the previous video? Can you put the link of this previous video, please?
Here you go - th-cam.com/video/nUshl3ZrYGQ/w-d-xo.html
Thanks for sharing your Knowledge and time,blessed 😊
appriciate
hey frettjam keep doing what you are doing i really aprreciate.Also i had this question if lets say we got a melody or part of song to play lead on guitar or a solo.
1) do you listen intervals while listening to solo
or melody
2)do you then try to gett it on guitar or you just play the intervals
3) when you play lead lines or solo or improv are you aware parallely like i bent from b7 to 1 and then this lick and then 3 and 4 pulloff 5 in mind and do you see iuntervals on fretboard
4 ) if yes pls tell me a roadmap to follow along so that i can reach that level
Hey there, thanks for your time!
1) Yes I try to listen to and identify the interval structure being played when I hear a melody (even chord or progression). Sometimes it's too quick for that to be realistic! But most of the time I'm listening for that "distance" between notes, which can be translated through interval knowledge and ear training (minor 3rds, major 3rds, 5ths, 6ths etc.). It's a great skill for cutting down the time it takes to pick up music by ear. The more you expose yourself to the sound of individual and then collective intervals (e.g. arpeggios and scales), the more you start to intuitively pick them out in melodic passages you hear.
2) Not sure I understand this question. If I'm translating a melody, I just translate to the best of my ability what I hear to a kind of spatial awareness that has come from studying intervals and their "distance" across frets. Finding the key (tonic chord) of the piece is fundamental as a starting point.
3) Kind of, I don't necessarily have a conversation about intervals in my head while playing, but the action does appear as a familiar spatial awareness which comes from a broader pattern on the fretboard related to the chords I'm playing over (typically an arpeggio or scale). Studying intervals is just a way of internalising the sound and visual space of a movement, so it can be replicated more intuitively as time goes on.
4) This video was one way of devising an initial roadmap over chords, between arpeggio and scale form. I'm currently redeveloping and expanding my "Ultimate Roadmap" course which is available (in current form) on Patreon. I want to include a more integrated approach for arpeggios and scales for different chords in a key.
Remember this is all mostly about patterns and how we move around and integrate them seamlessly. And there is always major and minor pentatonic to fall back on and integrate, knowing where they exist within the given key.
@@fretjamguitar when you say distance between notes dies that mean distance between adjacent notes or notes from roots .Pls clarify and thank you for answering my question
@@amishbhaskar3264 Both are good to spend time on - intervals from a root and also intervals between notes outside of the root position.
From Malaysia. Thank you for this lesson.
Thank you for your time!
Omg i havn't picked up my guitar in a year!
I understand some of this, say
1 3 5 with the 2 = the Major +2 (2=9th) pattern. But I am not seeing these M+2 M+4 etc... t
Relationships to the diatonic chords.
This would be a nice and fast method of making fills over a progression. If it was fast to see while improvising.
Iam I just slow or am I missing something
You could see it as one fragment of the scale over those diatonic chords. Yes, it works best as fills or lead-ins/lead-outs for those broader scale movements. But the reason I wanted to demonstrate these patterns is because they touch on colour tones over all the diatonic chords in the form of a melodic pathway. It's just an available option we can use in the moment (similar to the tonic maj7 arpeggio) and connect to other phrases over chords.
I only understood the C(1) and the G(5)
😁🤩
Especially good video, thank you.
7th不是半减和弦吗？怎么是个全减全减和弦？
好久不见
welcome back
This shit is incredible
Insane lesson, 11 out of t0
Thanks!
Very kind of you. Much appreciated!
❤❤❤
🤯🤯
Master❤
Any chance you can set up lessons for lefties? I'd pay for that.
Damn I neglect you guys. It's always been on my mind. Contact me on the channel page maybe we can sort something out.
he says "patterns" like Captain Picard... patt'ns
Nice.
Ur confusing me with the "aug" sign everywhere + ?
Oh that just means "added" as in "added 4th" - adding a tone to the triad arpeggio.
@@fretjamguitar wouldn't that be the word "add" or just a slash, when I see "+" sign there's a #5 somewhere 🤔
😮
⚠️🤘🏅